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  • Blossom Reverie acrylic 12 x 16 The artworks submitted are built slowly letting each mark settle before adding the next and the unexpected bursts of colors emerged intuitively throughout the process. Together they tell a story of growth happening quietly beneath the surface. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Spring Sunrise PY FLX3 oil 36 x 30 x 1.5 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Fall Near Napes FLX1 oil 36 x 48 x 1 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Hemara Welcomes the day Digital Painting: Micro-Pointillism, Corel Painter 20 x 18
    As an Artist, I can weave together the threads of myth and reality while exploring the deep, multifaceted nature of the female psyche. With a unique approach that blends traditional inspiration with cutting-edge technology, My artwork serves as a bridge between the past and the present, the tangible world and the dreamlike. My pointillist pieces, created using a computer painting program, breathe life into my powerful creations, capturing the inner stories of women and the emotional landscapes they navigate. A key influence on my artwork is the traditional beauty of Japanese woodblock prints and the ethereal quality of pre-Raphaelite paintings. These historical works saturate her pieces with a sense of timelessness. Yet, my choice of a computer program as my primary art medium places me firmly in the realm of contemporary art-making. By embracing modern technology, I reinterprets these classical influences through a digital lens, creating works that feel both nostalgic and forward-thinking. At the heart of my artwork lies a fascination with the interplay of fantasy and truth. My creations speak to a realm where stories and symbols come alive, where ancient tales are reimagined through a state-of-the-art viewpoint. The result is a body of work that honors the past while challenging contemporary perceptions of femininity, identity, and self-expression. Through my art, I offer a playful yet profound exploration of the desires and dreams that shape the female experience.
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  • Sleeping Beauty Digital Painting: Micro-Pointillism, Corel Painter 28 x 23
    As an Artist, I can weave together the threads of myth and reality while exploring the deep, multifaceted nature of the female psyche. With a unique approach that blends traditional inspiration with cutting-edge technology, My artwork serves as a bridge between the past and the present, the tangible world and the dreamlike. My pointillist pieces, created using a computer painting program, breathe life into my powerful creations, capturing the inner stories of women and the emotional landscapes they navigate. A key influence on my artwork is the traditional beauty of Japanese woodblock prints and the ethereal quality of pre-Raphaelite paintings. These historical works saturate her pieces with a sense of timelessness. Yet, my choice of a computer program as my primary art medium places me firmly in the realm of contemporary art-making. By embracing modern technology, I reinterprets these classical influences through a digital lens, creating works that feel both nostalgic and forward-thinking. At the heart of my artwork lies a fascination with the interplay of fantasy and truth. My creations speak to a realm where stories and symbols come alive, where ancient tales are reimagined through a state-of-the-art viewpoint. The result is a body of work that honors the past while challenging contemporary perceptions of femininity, identity, and self-expression. Through my art, I offer a playful yet profound exploration of the desires and dreams that shape the female experience.
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  • The Cloisters Museum in Shadow and Light Watercolor 30 x 22
    For those of us fortunate enough to live in Upper Manhattan NYC, Fort Tryon Park is our own mini Central Park and also something more. With the Cloisters Museum serving as its "castle on a hill", the Park with its lush landscaping in the same English Romantic style as Central Park, but with sweeping views of the Hudson River and the Palisades of NJ beyond, Fort Tryon Park is a place that brings out the best of us. It is a little-known gem, a neighborhood treasure that reminds us that we can daily experience renewed awe in its beauty, find calm in its idealized version of nature, delight in its wildlife, and take heart in how we and our neighbors and visitors alike smile, say hello, and find common cause in our love for the place. In the daily stresses of urban life that can sometimes bring out the worst in its residents, the Park is a place where we access a different side of life, a place we all agree that we treasure despite other disagreements. And in so doing, it is a place that prompts us to be a better, nobler version of ourselves.
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  • Earth and Aether Oil 24 x 16 x .5
    Romm's art examines the divine intelligence permeating all existence, employing a visual language rich in light, color, and symbols that transcends the mundane and draws viewers into supernatural realms. Romm's creative process-guided by intuition and experimentation-blend influences from music, poetry, and personal dreamwork to explore themes of transformation, rebirth, and transcendence. ​She often employs nature's symbols—drawing from skies, trees, water, birds, and other elements—infused with dynamic color to depict emerging forms symbolizing the union of physical (earth) and spirit (aether). These compositions blur tangible-ethereal boundaries, transforming her paintings into portals that invite exploration of mystical landscapes where sacred and surreal converge. ​ Romm’s paintings are not simply representations but invitations to connect with the deeper forces shaping existence.
    Waiver
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  • Layered Planes 4 Collage 16 x 20 x 1 My process as an artist is disciplined, intellectually challenging and inquisitive, much as it had been in architectural practice. I am not obliged however, to follow the many requirements that were once necessary to create functioning buildings. Works are now fantasy environments and constructions. I create vivid, colorful abstract compositions reinterpreted from actual building groupings or from shapes that come to my imagination. The first step in the process is to sketch out ideas, which I often change as I move forward to completion. I focus on juxtaposed, overlapping shapes, receding and advancing in space. The use of acrylic paint and metallic paper lend well to sharp delineation of each element. Mounting paper on foam core board for selected portions, helps create a three dimensional illusion for the observer. I am energized and made joyful by the world I create. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Wild Wild West digital Duraflex C photographic print mounted behind plexiglass with buffed edges Size of Piece: 15 x 20 x 1.5
    “Wild Wild West” is part of my ongoing series Mirrors of a Universe, exploring the archeology of reflectivity in urban spaces. This diptych captures layered reflections of city life in glass, water, and metal, where fleeting moments of light and shadow reveal hidden patterns, textures, and interactions. Each frame, taken seconds apart, creates a dialogue with time, highlighting subtle changes in movement, atmosphere, and perception. By pairing images that mirror, contrast, or complement each other, I examine how urban environments record the impermanence of human activity. The work transforms ordinary city scenes into layered meditations on temporality, presence, consciousness, and the rhythms of daily life, inviting viewers to slow down and notice. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Striped Sofa Light watercolor Size of Piece: 14.75 x 18.25 Greenstein finds herself captivated by how light shapes the way we see: it defines form, sets mood, and determines what is visible or hidden. Just as compelling are the shadows it leaves behind: shifting, collapsing, and reconfiguring the familiar into the unexpected. Light and shadow are the protagonists. Sharp lines may define a shadow, while a cast light may have a soft, caressing edge. Spaces within the painting become abstract, flattening into what is light and what is not. In this piece, "Striped Sofa Light", I was struck by the way the light interacted with the sofa, creating all sorts of stripes. Seeing this light, in this specific pattern, only seems to happen in early morning winter light. This made the opportunity to paint it even more fleeting and special. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Red Pepper Autopsy oil on canvas Size of Piece: 16 x 16 x 1.5 My subject matter often references the human form, gesture, memory, emotion, and sensuality. “Red Pepper Autopsy” has been fueled by the culinary action of cutting into red peppers. I am viscerally excited by the disembowelment of peppers, their flesh, and seeds. I celebrate the red energy and plump life of this vegetable and always savor its taste. I ingest this experience and then synthesize it into my own expression. My use of paint is visceral. I have an appetite for color and enjoy the manipulation of paint that grabs the eye and stirs the unconscious. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • The Living Room Size of Piece: 9.5 x 12.5 x .5
    The Living Room began as a pencil drawing of my own space—structured, representational, familiar. Layering acrylic paint and oil pastels, I wondered: can anything literal be abstracted, and why does that matter? As the work evolved, lines softened, forms unraveled, and the room itself dissolved into color, gesture, and memory. What began as a place became a question—about perception, emotion, and the shifting point where reality yields to abstraction. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Vile chromogenic print on aluminum Size of Piece: 15.75 x 20
    "Vile" is a diptych from my larger series "Every Woman and Nobody.” This body of work explores the intersections of memory, trauma, and the body. Here my exposed neck is juxtaposed with a vial constructed of broken glass, hair, and a twig. A translucent overlay of a document, the words obscured, repeated, and reversed, reveals the medical record of a teenage suicide attempt. The two images connect the vulnerability of the body with the symbolism of containment, poison, and preservation. The title, Vile, plays on the dual meaning of “vial” as a vessel and “vile” as something repellent, alluding to the act of swallowing poison and the enduring imprint of harm. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Thoughts Nebula mixed media on wood panel Size of Piece: 12 x 12 x 2 Thoughts Nebula embodies the lunar archetype — the reflective, cyclical force that has guided human timekeeping since the first calendars aligned women’s bodies with the moon. Through my practice of Temporal Psychoexpressionism, I build each piece stroke by stroke, counting time as both meditation and record. Fresco-like textures, watercolor, and gold accents create a portal for resonance: the moon here is not astronomical but archetypal, a luminous portrait of intuition, reflection, and eternal cycles. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Cypress Knees encaustic mixed media Size of Piece: 16 x 16 x 1.5 My journey to paint Cypress Knees gained momentum during the pandemic. When all things art were closed, the outdoors was still open. I began exploring my own street. All the trees in my neighborhood were captured. Next in my list was Cypress knees. To find some appealing to me, I visited about six different settings. Fortunately I found a huge collection of knees surrounding a Cypress tree grove. I set up my easel and sat in front of a tree close enough to see the veins of leaves and other features. Nature is excellent at composition so often I had an easy time to convey the sense of what I was seeing. This picture has had a joyful life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Pavel and Peter Throw the Bride to the Wolves Acrylic on canvas and wood Size of Piece: 8 x 12 This is a painting of an episode in a novel by Willa Cather called My Antonia. I’ve always been obsessed this Russian fable nested within an American context, and felt compelled to paint it. It is as if I could have no peace until I did it, and I am sure it expresses some kind of deep anxiety I have, probably about marriage or sexual politics or gendered vulnerability. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • CityLife photography/digitally enhanced Size of Piece: 15 x 20 My camera captures the exuberant, kinetic energy of New York CityLights, transforming movement into unique Photo-Paintings. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • CALYPSIS | The Golden Threads mixed media, digital color, oil, oil paint pens, subdued sealant Size of Piece: 16 x 20 x .75 CALYPISIS | The Golden Threads was born from silence, carrying strands no hand could sever. Her golden threads are woven from grief and triumph, each shimmer recalling lives once lived and reminding us nothing is truly lost. The work began as a sketch, scanned and digitally refined into composition, then layered with oils, my detailed NeuroLines process, and black extra fine oil paint pens to build depth and surreal presence. In her threads I see my own journey, each line and layer binding pain and resilience into memory and transformation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • "Window Beyond" acrylic on board, papers, inks, stabillos Size of Piece: 16 x 16 x 1.5 When I began this piece, I had just put down some color and marks on the canvas. When a shadow from the window behind me fell across the surface. I liked the way the shadow portrayed the windowpanes. I let that moment guide the piece, weaving in layered paper to echo both structure and light. I often see the moon or the morning light as it peeks in whenever I am working and used this as inspiration. The result seemed to tell of a view from within looking out and wondering if the view from outside was as stirring as the view from within. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • You Are Not Alone found objects Size of Piece: 17 x 7 x 2 "You Are Not Alone" is a narrative found object assemblage wall-relief sculpture. It was inspired by a news report about the increase in teen suicide. When interviewing family members and friends, they repeatedly said they did not have a clue that the person was struggling. It breaks my heart. I feel that as a society we need to do much better in terms of connecting with each other. Get together, or call, or write and check in on each other. If you are struggling, you do not have to do it alone. Build a support system, seek help, talk with your friends and family. No one should be left to feel alone. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Birth of a Legend oil on canvas Size of Piece: 18 x 14 x 1.5 In 2024, the Lucy Craft Laney Museum of Black History approached NAWA sister Rhian Swain and me to create an art exhibition featuring local Augusta Black history stories. Rhian and I went to work creating art that told stories both well known and obscure. One of the stories that fascinated me was the long-ago demolished Lenox Theatre. The Lenox was a Black-only theatre, a centerpiece of Augusta's Golden Blocks neighborhood, and was built to offer the Black community their very own safe space for entertainment. No whites were allowed. The legacy of the Lenox, and the resiliency and history of Black Augustans in the 20th century, is a subject dear to my heart. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Southern Sunset oil on canvas Size of Piece: 14 x 14 x 1 I absorb sensory experience and hidden history through interaction, exploration, observation and study, and then create a visual response. This work expresses my interaction with the natural and political world and is a metaphor for the challenges facing us today. An expression of my location in art is contained in the words of Edna Manley, "Here, she thought, she would always be imagining ..." Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Bakery acrylic on canvas Size of Piece: 20 x 30 x 1.5 Inspired by a photo I took of a bakery in Lafayette, Indiana, and graffiti in Marian, Indiana. This was one of my earlier pieces, where I incorporated graffiti, which has since become a recurring theme in my work. I love the raw beauty of graffiti, particularly when combined with bold colors and a cartoonish style. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Finding Our Way mixed media, acrylic on canvas with fabric, cork, paper Size of Piece: 16 x 20 x 1.5 My mixed media practice is rooted in the concept of rebuilding—as both a tangible process and a metaphor for transformation. Rebuilding acknowledges what has been lost while opening paths toward renewal, resilience, and new possibilities. This balance between memory, history, and reinvention is central to my work. This mixed media collage reflects on how we create our paths through life. How we face obstacles, opportunities, choices, and large social systems that develop our fully layered and textured selves. A subtle Fibonacci sequence to 21 hints at our formative experiences quietly directing our fate. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Portal to the Present No. 8 thread, watercolor paper, and foam board Size of Piece: 9 x 9 x .5 This piece is part of a collection where I began experimenting with a radial grid, guiding the viewer’s eye through and into the composition. While it differs visually from my work with other grids, it still reflects the core elements of my style. My practice focuses on creating harmony through color, geometric shapes, and symmetry. By stitching, cutting, and layering watercolor paper, I build depth and texture that draw the viewer in for a closer look. Using thread instead of pencil lines adds an unexpected detail, inviting viewers to slow down and explore the intricacies of the work. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Now What? Acrylic and Ink with Found Photograph Size of Piece: 10 x 10 x 1 This collage centers on unknown characters in a drama captured in a found photograph from the mid-1900s. As I extend the environment of the photo, I devise dialogue in my head and offer a context, giving the individuals a voice. My objective is not merely to fabricate a story but to invite others to join me in reflecting on our own lives, the journeys we have taken, and the ones we have managed to avoid. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • It Needs to be Now Photo and pigmented beeswax combines on Kozo and wood panel Size of Piece: 20 x 16 x 2 I create fictional visual biographies that examine identity, time and memory. The imagery is a combination of abstraction and realism with a focus on metaphor and symbolism. Each of these mixed media works is composed of intricate layers of pigmented beeswax, photographs, and abstract drawings. The photographic elements are a fusion of reclaimed and reimagined vintage photographs, with my own digital photographs that I combine and repurpose to add narrative texture. I manipulate the image by exaggerating, adding and subtracting physical attributes to create illusory detail. I examine identity as it is constructed, obscured, and revealed through layers of history, memory, and transformation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • CLOUDY acrylic on canvas Size of Piece: 12 x 12 Art has been my best and most loyal friend since I was a child. It encourages me to explore and challenges me to learn and grow in skills, perserverance, and patience. When I was a student in college the ability to draw realistically provided me with a sense of pride and accomplishment, but as I've grown and matured, I have an interest in moving toward more impressionistic approaches. I love experimenting with different mediums and choose the media and process that helps me express my feelings about a particular subject. My acrylic painting, CLOUDY was my response to the sunlight and shoreline of South Carolina, with an overlay of memories from many summers spent on Cape Cod. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Harmony in Stillness Size of Piece: 12 x 8.5 x 7.5 As a metal artist, my artistic evolution has been a journey of discovery and refinement, where experimentation with techniques and materials has shaped my unique voice. From the initial spark of inspiration to the careful execution of each piece, my process involves a thoughtful exploration of form and meaning. Through my art, I strive to engage viewers on both visual and emotional levels, fostering a deeper appreciation for the transformative power of creativity. Each piece serves as a dialogue starter, inspiring connection and contemplation of the shared human experience. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Another Brick in the Wall

    oil on canvas

    Size of Piece: 20 x 16 x 1.5

    In this interpretation of the Western Wall in Jerusalem, I sought to capture not the structure itself, but the emotional and spiritual resonance it inspired in me when I visited in 2023. I was moved by and have tried to express the collective weight of memory, faith, and longing pressed into stone. The textured layers of paint evoke the passage of time and the countless hands that have touched these ancient blocks, leaving behind silent prayers and fragments of hope. The interplay of color and form mirrors the diversity of humanity that gathers here — vibrant, fractured, yet unified by a shared yearning for peace and connection.

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  • Stretched on Your Grave

    ceramic, acrylic, graphite, enamel

    Size of Piece: 13.5 x 10 x 5.5

    “Stretched on Your Grave” is an exploration of grief. While grief is often portrayed as somber and subdued, it can also be vivid, raw, and full of intensity. Strong emotion comes with strong color.

    The figure’s raised arm may be a gesture of defense, of shelter, or of reaching—perhaps toward something lost, or something yet to come. Her upward gaze suggests both longing and focus.

    Inscribed within the work are three poems that illuminate the many shades of mourning—sorrow, love, memory, and resilience:

    “Funeral Blues” by W.H. Auden,

    “In Blackwater Woods” by Mary Oliver,

    and “For Grief” by John O’Donohue.

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  • Contemplation

    oil on panel

    Size of Piece: 16 x 12 x .125

    The window in this painting is from an upper floor at Wiawaka Center for Women on Lake George, an artists’ retreat where a young Georgia O’Keeffe once painted.  I imagined the many women artists who have stood in this place, taking in the beauty of out the lake, contemplating their futures.

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  • Breakfast Scrambled Eggs

    oil on panel

    Size of Piece: 18 x 14 x .5

    Breakfast Scrambled Eggs And News

    I painted this in oils in a very quick fashion from a live model. The entire painting took 40 minutes to complete.

    My goal was to show emotions that I was experiencing during the time of Covid and Isolation. I had become addicted to the news and found it difficult to get out of bed on some days. Caring for myself was a challenge as I feared that my loved ones mary become infected  with Covid. Germs have always been my symptom of OCD and this was a true test for me. I was pleased to discover that I could handle the experience so I placed an egg soft sculpture on my models head to create humor during a time of fear. The egg and the painting made me laugh and gave me a break from my  worries. Art had rescued me once again.

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  • Riding the Wave

    poplar

    Size of Piece: 15 x 26 x 10

    In creating RIDING THE WAVE I brought together my love of poplar wood’s natural beauty and my fascination with the spiral form. First I carved and shaped the wood slab to highlight its particular grain patterns. Then, to form a wavelike shape, I sliced the slab into equal-width sections and attached them to one another with slightly offset positioning. Once assembled I further refined the form. To maximize its sense of movement, I elevated the sculpture and oriented it horizontally.

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  • The Rendezvous

    watercolor pencil

    Size of Piece: 15 x 15 x .75

    In The Rendezvous, two small creatures--alternately half bird/animal and half human--in an idyllic garden are balancing on a mostly real flower.  Although it looks unreal.

         Who or what is the "better half"?  Why?  How does picking a partner who has qualities you are missing or wanting play out?  One might allow any associations it flower and go to seed.

         Representing my thoughts on relationships visually provokes thoughts not only in viewers but in me as well.  I think that much of life feels unreal partly because the unconscious and subconscious are running the show that we call life.

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  • Undergrowth iV

    acrylic and charcoal on canvas

    Size of Piece: 24 x 20

    Having a solid foundation in Natural History and Botany, I find myself inspired by nature at both macro and micro levels. I am captivated by the shapes, structures, and colors of the stems, leaves, flowers, roots, and fruits of the plants I am familiar with. My more recent projects delve into the complexity and interwoven aspects of gardens and natural environments. Typically, I begin a piece with a charcoal drawing, followed by an underpainting in acrylic, where I layer warm and cool colors alternately. The finished artwork emerges through dynamic brushwork, aiming to convey both energy and texture.

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  • Dance of Verdant Whispers

    fabric

    Size of Piece: 30 x 24 x 1

    I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.

    My artistic approach is mostly intuitive with a constant awareness of color combination and contrast. The use of strong colors is a direct influence of my Brazilian heritage. Using fabric as the medium to create my art pieces was a natural choice since I have been working with it from my teenage years.

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  • Flame of Paradise

    acrylic on canvas

    Size of Piece: 20 x 18 x .75

    I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.

    My artistic approach is mostly intuitive with a constant awareness of color combination and contrast. The use of strong colors is a direct influence of my Brazilian heritage. Using fabric as the medium to create my art pieces was a natural choice since I have been working with it from my teenage years.

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  • Buoys, Buoys, Buoys

    oil on canvas

    Size of Piece: 24 x 30 x 1

    These buoys were hanging at a pier on West 41st St. in New York City. I loved the unexpectedness of the buoys, with odd shapes and unpredictable colors. Their distressed quality made for a more interesting subject. I painted this realistically but with the hope that the final outcome would have abstract qualities.

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  • Can't Thread the Needle

    acrylic and graphite on canvas

    Size of Piece: 12 x 12 x 1.5

    The roots of my work can be traced to my academic studies in Fiber Art. Contemporary women icons studied were Sheila Hicks, Olga de Amarel, Lenore Tawney, Claire Zeisler and Adela Akers just to name a few. There were very few men making their mark with fiber as historically it was “women’s work”.  Relegated to “craft” rather than “fine art” further denigrated this art form.

    ABSTRACTION was and still is a key component in the Fiber Arts. These explorations of form, texture, pattern and color is my life-long study and practice.  It was a natural progression for me to continue to investigate these qualities of abstraction when I pivoted from fiber to paint and canvas.

    This piece is part of a new body of work applying my deep roots to fiber to abstract painting.

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  • In June's light

    oil on canvas (raymar board)

    Size of Piece: 5 x 7

    I love the landscape. The painting is truly a celebration of light. My plein air paintings provided me with the composition, scale, and light pattern for this studio piece. " In June's Light" exemplifies the exceptional light patterns of what one finds in Giverny and the exceptional landscapes found abroad.

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  • Black Orchid

    oil on canvas

    Size of Piece: 72 x 48 x 2.5

    Christine Knize,alumna of Tyler School of Art, BFA and Rhode Island School of Design, MFA, was born in NYC.Her academic journey led her to spend 3 years in Italy and France,specializing in the Renaissance.In 1986, Christine moved to Miami, where she established a paint decoration company which drew the attention of numerous celebrities.Christine dedicated years to the restoration of the Biltmore Hotel, where she meticulously revived the hand-painted finishes adorning the lobby and ballrooms.She also played a role in the initial renovations of Miami Beach Art Deco hotels,contributing to the preservation of historical landmarks.After three decades in Miami;Christine embraced a new chapter in Jacksonville, Florida,where she channels her artistic energy into creating large canvases of orchids.

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  • The Great Divide

    mixed media fabric collage

    Size of Piece: 10.5 x 10

    My artwork is a fusion of traditional and experimental media, incorporating collage with fiber, painted fabric, printmaking and hand stitching. My color palette is inspired by colors of nature, with contrast created by the juxtaposition of texture and media. I hand paint and print natural fabrics with acrylics and watercolor. Color families emerge, a collage begins, and I begin to stitch.

    The Great Divide was created using an intuitive process. I created a balanced composition with hand printed papers, commercial fabrics and painted fabrics. The botanical square is a gel print; the cheesecloth "fabric" is acrylic paint using unconventional mark making tools. Once I established my collage, I began to use thread as structure and mark making. The strong diagonal is my Great Divide.

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  • ANDREW acrylic on canvas 12 x 12 x 1.75 I am a jewelry instructor. As well as teaching, my professional career has been creating one of a kind art jewelry pieces. Besides using precious metals and stones in my work I developed techniques to add color and form with alternative material, particularly epoxy resin. My work is included in several museum collections including the Renwick in Washington D.C., the Cooper-Hewitt National design Museum in NY, the Victoria & Albert Museum in London, the Newark Museum and others as well as private collections. I started painting seriously for my own enjoyment several years ago. I joined a local art group and have been showing my work in local shows.I look forward to continuing doing so as a NAWA member. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Homecoming Light

    acrylic on canvas

    Size of Piece: 20 x 20

    I am an abstract artist whose vibrant, layered paintings explore the emotional resonance of color, movement and transformation,. I started painting in 2008 with a passion for art as a catalyst for feeling, conversation and new ways to see the world  and to invite viewers to pause, reflect and connect with the energy of each piece.  My work has been featured in galleries and exhibitions across the east coast, earning recognition for its expressive depth and joyful spirit.

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  • Trees Die Standing

    acrylic on canvas

    Size of Piece: 14 x 14

    Trees Die Standing

    This painting is inspired from a favorite Spanish play I read by Alejandro Cosana called “Los Árboles Mueren de Pie” translated it means Trees Die Standing. The story is about a family trying to prevent their elderly matriarch from hearing tragic news for fear it might kill her. She finally hears the news and continues strong taking care of the family. She says she is dead inside, but still standing, like a tree dies standing up.

    “Do not see me fall. Dead inside, but standing tall. Like a tree.”

    It reminds me of women who are nurturing caregivers of children and elderly, who need to show strength by standing strong, despite their grief.

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  • Sink or Swim

    goldleaf, washi paper, oil on paper

    Size of Piece: 16 x 16

    I am a multi-disciplinary artist in Santa Barbara, CA. I graduated from the University of California San Diego with a double major in art and cinema, then worked as a camera assistant in movies for 20 years while showing my ceramics at LA galleries. I began painting in oil and creating collage during the pandemic and received so much encouragement that I opened my studio in 2023.

    My first year as a professional artist, I was awarded an Emerging Artist Fellowship by the California Arts Council. I also had my first international showing at the International Exhibition at the Tokyo Metropolitan Art Museum, with one work winning an "Award of Excellence" and the other a "Gold Award" (the highest honor). I've gone on to win Gold Awards in the same show in 2024 and 2025 and show internationally

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  • Remembrance

    oil on passwood panel

    Size of Piece: 19.25 x 19.25

    After graduating college with a degree in Studio Art, I branched out into Graphic Design and mural painting, while continuing to paint on canvas when I had time.

    In recent years, with an empty nest and more time, I’ve been painting much more prolifically. While I feel that I’m still learning and will continue to learn with every single new painting, I also feel as if I’ve finally reached a point where I know what I’m trying to express. I’ve also honed my skills to a level where I’m able to effectively convey my concepts.

    I've also been showing my work much more publicly and frequently--in group shows in the tristate area in the last few years, with two solo shows since 2019, and another coming up in 2026. I'm thrilled to be a member of NAWA, and have my work shown in this exhibit.

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  • Old Barn

    gouache on paper

    Size of Piece: 14 x 10.25

    Carol Fabricatore is a New York–based visual artist known for her narrative imagery and emotional depth. Drawing inspiration from the cultural diversity of urban life and natural landscapes, her acrylic and gouache paintings explore the complexity of human experience. A graduate of the School of Visual Arts, Carol has exhibited widely, including at the SVA Visual Arts Gallery, The National Arts Club, and in St. Rémy de Provence. Her work has been featured in The New York Times, The Wall Street Journal, and American Illustration, among others.

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  • Laundry Day oil on gessoboard Size of Piece: 12 x 16 x .35 Amanda D’Agostino is an emerging representational oil painter based in Schuylkill County, Pennsylvania. She began painting in 2019 and is completely self-taught with mentorships from her late father, fine artist Calvin Lynch, and more recently with plein air colorist Manon Sander. Her expressive work has juried into several regional and national shows since she started competing in 2021, and her 10” x 10” oil painting “Dogwood Reverie” (now sold) won Best Beginner in the Plein Air Salon and juried into the Art of the State at the State Museum of Pennsylvania. She is a Signature Member of NAWA and holds memberships in American Women Artists and Allied Artists of America. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Coral Sky

    mixed media on paper

    Size of Piece: 9 x 12

    Reen Troy is an award-winning abstract artist whose vibrant, mixed media art celebrates the joy of water in landscapes. Her art is characterized by expressive textures, bold color palettes, and a sense of movement.

    After graduating from the University of Michigan with a Bachelor of Fine Art, Reen worked as an Art Director then started her own graphic and website design company.

    In 2019, Reen was treated for breast cancer. She has been cancer-free for five years. From this, she gained a deeper appreciation for life, family, and the healing power of art. This led her to relocate to Florida in 2023.

    After relocating to Florida, Reen’s art has shown in numerous juried shows and has won awards, including “Best in Show,” at the Manatee (now Herrig)  Art Center “Member Show.”

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  • Laces

    acrylic on paper

    Size of Piece: 9 x 12

    Myriam Eberhardt, known as Mymi, is a self-taught abstract painter based in Jackson Heights, New York. Born in France, she began her creative path as a pastry chef before discovering painting as a more intuitive and mindful form of expression. Influenced by her sister, who studied at the Beaux-Arts in France, and her grandfather, an oil painter, Mymi creates vibrant abstract works in acrylic that celebrate color, movement, and emotion. She exhibits regularly at the Grand Bazaar NYC, the Artrider Fine Art Shows, and is an ongoing student at the Art Students League of New York.

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  • Land Mass

    leather, acrylic paint, and spray paint on canvas

    Size of Piece: 9 x 12 x 1

    Using leather in my artwork felt like a calling. I’m not sure where it came from, but I knew I was supposed to explore using leather in my work and see where it took me. I have fully leaned into it. I love working with the organic edges and unique shapes of the leather. I enjoy the challenge of arranging the pieces into a composition to tell a story or evoke a feeling or vibe.

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  • Beehive Ginger Portrait - Costa Rica

    photograph on canvas

    Size of Piece: 16 x 16

    Walking through the tropical area of a Costa Rican coffee plantation, I discovered these vibrant beehive ginger plants. I spent an hour capturing them from different perspectives, ultimately focusing on the spiral pattern at the very top of the bloom. This overhead view emphasizes the bold fuchsia color, geometric structure, and natural symmetry of this tropical flower. Placing the image against a black background—my signature approach to floral portraits—transforms the living plant into a sculptural study that reveals the universal beauty found in nature's diverse forms.

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  • Antiquity

    oil

    Size of Piece: 24 x 24

    Painting is my expression and my analysis of the world around me.  It’s a progress of continual growth, which sometime fairs well and other times pushes me to go beyond my comfort zone."

    My hope is that my art may entice your senses and inspire memories from that past or your future which is yet to be.   

    Susan Klem has taken classes and workshops from nationally known artists.  She thanks them greatly for opening her spirit for painting.

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  • Shelter Island Flowers #3 fiber
    Size of Piece: 13.5 x 13.5

    Susan Schrott is an award-winning textile artist celebrated for her luminous, soul-stirring creations that radiate color, strength, and joy. Through hand-dyed fabrics, intricate stitching, and shimmering embellishments, she brings to life powerful feminine figures that embody resilience and hope. Susan’s art has been exhibited nationwide in both solo and group shows, featured in major publications, and collected by institutions and private patrons alike. Her work has also appeared multiple times on CBS Sunday Morning. Guided by the belief that art awakens the dormant light within us, she seeks to inspire transformation and emotional connection through every piece. Susan is the author and illustrator of Rise with Radiance: Drawings and Inspirational Words to Light Your Path Every Day.

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  • I See You fabric and mosaics
    Size of Piece: 20 x 20 x 1

    Cathy Lazar is a fiber artist living in Northern New Jersey. At age 14, she studied with Walter Nottingham at Haystack Hinckley School of Crafts. She received a degree in Textile Design at the Rhode Island School of Design. After graduating, Cathy brought Kermit and Miss Piggy to life at the Muppet Workshop. Soon after, she founded Cathy Lazar Costumes and Soft Props, producing three-dimensional works for Claes Oldenburg, Bruce Springsteen, SNL, Laurie Simmons…She constructed over-sized objects for iconic brands such as Reebok, Oreo, and Elizabeth Arden. Cathy was introduced to mosaics in 1992. In her Shardonnay Mosaic Studio she has mentored women and girls for over 25 years. In 2018, Cathy returned to her textile roots, creating art quilts. Her quilts expand beyond the traditional.

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  • Winter Blues oil
    Size of Piece: 12 x 16

    In midlife after my children were in college, I wanted to immerse myself in art. Up to this point, I had painted with watercolors and only planned to improve drawing skills. I fell in love with oil painting when my then instructor and now business partner, Matt introduced me to oils. Oil painting became my passion almost immediately. My love for running on wooded trails and open fields naturally inspired my desire for landscape and plein air painting. Key achievements have included winning prizes at local art shows and acceptance into organizations such as NAWA.

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  • Waiting for Valentine fabric
    Size of Piece: 16 x 20 x 1

    I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.

    My overarching goal is for my art to be a cause of enjoyment, providing a positive impact on viewers and society by inspiring delight and curiosity. Success and fulfillment in my artistic journey come from creating artworks that I am proud of—pieces that bring me great joy and a sense of accomplishment.

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  • What Do Her Sunglasses Reflect? collage
    Size of Piece: 10 x 10 x .75
    This collage of a woman on a lounge chair represents a state of relaxation and reflection. I'm interested in using various color schemes that I think emphasize states of mind. In this case, the simplicity of black and white with touches of red--and her sunglasses, a visual reference to reflection. The title of the piece is a question since we can't see what the sunglasses are reflecting. I especially like working in the medium of collage because it gives me an almost unlimited supply of materials.
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  • Blue Buick oil on canvas
    Size of Piece: 20 x 24 x 1
    I paint with enthusiasm for color, strong imagery in my work. Lately, I have been painting cars because I find that their sculptural shapes and gleaming surfaces are irresistible. The reflections in those surfaces always call to me, so I capture the image and paint it. I generally make the car the star of my painting but I need to keep it in context so I create as much or as little of the surrounding scene as suits me.
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  • Night Rider oil on canvas
    Size of Piece: 30 x 24 x 1
    I paint with enthusiasm for color, strong imagery in my work. Lately, I have been painting cars because I find that their sculptural shapes and gleaming surfaces are irresistible. The reflections in those surfaces always call to me, so I capture the image and paint it. I generally make the car the star of my painting but I need to keep it in context so I create as much or as little of the surrounding scene as suits me.
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  • Moment in the Movement oil on canvas
    Size of Piece: 30 x 40 .75
    Moment in the Movement is inspired by Bonnie Kerness, a friend and nationally-recognized leader in the U.S. prison abolition movement. Here, Bonnie is rendered using a photo I took of her during a strategy meeting of local advocates in her 50-year role as Director of the Prison Watch Program, an arm of the American Friends Service Committee. Hunched in a gesture of weighty reflection, but perhaps also in prayer, she is cloaked by a life-affirming blue-green that contrasts with an ominousness dark background. The watery movement of her spectacular crown of white hair exists in tension with sharp, foreboding shapes surrounding, and within, her face. It was my aim to evoke a sense of bruising vulnerability, a compassionate melancholy, and also a kind of populist regality.
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  • Trail to Chickenfoot Lake polymer photogravure etching on paper
    Size of Piece: 8 x 10
    “Trail to Chickenfoot Lake” is from a photo I took hiking along Rock Creek in the John Muir Wilderness, with the dramatic clouds and high Sierra backdrop. There is much observation, contemplation, and personal, internal reflection inspired by the magnificence of such grandeur which is captured in the exquisitely detailed etching. “Into the Vineyard” is from a photo I took in the Dry Creek Valley of Sonoma. It is printed direct-to-plate and inked À la poupée with 3 different black inks to create the nuanced feel of looking into the bright, hot vineyard from the cool, vine-covered walkway. After a lazy afternoon in the tasting room, the natural beauty of the valley and the vineyards create a contemplative, reflective state that is translated into this finely detailed etching.
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  • Reflecting digital collage on paper
    Size of Piece: 28 x 20
    My digital artwork is layered with patterns, symbols, metaphors, and archetypal imagery, inviting the viewer into a space where reality is suspended, and deeper connections can be uncovered. Each layer reveals something new—whether it's a reflection of nature, a moment in time, or a spiritual journey—inviting viewers to explore the themes of interconnectedness that run through my work. These digital collages transcend the immediate experience, offering a window into the universal rhythms of life, spirit, and time.
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  • Reflecting digital collage on paper
    Size of Piece: 28 x 20
    My digital artwork is layered with patterns, symbols, metaphors, and archetypal imagery, inviting the viewer into a space where reality is suspended, and deeper connections can be uncovered. Each layer reveals something new—whether it's a reflection of nature, a moment in time, or a spiritual journey—inviting viewers to explore the themes of interconnectedness that run through my work. These digital collages transcend the immediate experience, offering a window into the universal rhythms of life, spirit, and time.
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  • Reflections in Blue oil on canvas
    Size of Piece: 20 x 16 x 1
    My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. Reflections in Blue, 2023 In this painting, objects that were once functional and valuable are now cracked and broken, yet they have acquired a new kind of beauty. They evoke memories and reflections, with fragments of the mirror bringing images from the past back to life.
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  • Triptych in Red and Blue oil on canvas
    Size of Piece: 24 x 20 x 1
    My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. The painting Triptych in Red and Blue consisting of the center part with a stylized still life and two wings with the human images stylized and intertwined with the background is intended to create a strong visual image engaging viewers, provoking thoughts and reflections.
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  • Who Do You Love? oil on canvas
    Size of Piece: 30 x 24 x 1
    Artwork 1: A young woman leans toward her reflection, kissing herself in the mirror. The image speaks not only of solitude, but of the eternal human desire to be seen and loved. In today’s world, the phrase “love yourself” is repeated endlessly-sometimes as healing wisdom, sometimes as a shallow slogan. Is self-embrace the beginning of true connection, or a sign of how distant we have grown from one another? The mirror becomes a symbol of both intimacy and isolation. And it asks us all, in the quiet of our own hearts: Who Do You Love? Artwork 2: Aphrodite, the ancient Greek goddess of love, beauty, and desire, embodies both passion and grace. Born from the sea foam, she symbolizes the power of attraction, creativity, and the eternal force of love that connects all beings.
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  • Reflection oil on canvas
    Size of Piece: 36 x 24 x 1
    When I created Reflection, I asked myself: Who am I? In this painting, I see myself as a Divine Warrior, yet not one dressed in heavy battle armor. Instead, I chose to reveal her strength through contrasts—the grandeur of gold and the delicacy of a soft pink nightgown. To me, this symbolizes the truth of womanhood: we carry both resilience and tenderness, power and vulnerability, often all at once. The helmet becomes more than protection; it is a veil. I am not looking out into the world—I am looking within. This inner gaze reflects the search for identity, the quiet power of self-knowledge, and the courage to face the truths we hold inside. Reflection is both a portrait and a mirror, asking the viewer to pause and wonder: When you strip away the armor, who are you?
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  • Tuk Sip

    acrylic, handprinted paper, collage on canvas board

    Size of Piece: 9 x 12 x .25

    'Offering' was inspired by a trip to India where I participated in a service project. I had made a strong, non-verbal connection with this woman which seemed to grow stronger as the weeks passed. On the final day, she invited me into her home and offered a chai tea to share with her, along with one rupee she had kept hidden behind the counter. Her daughter commented thatches was her gift to me. the woman held my hand tightly as we left for the bus-- and followed my eyes through the bus' window as I sat to leave.. both of us in tears. I wanted to capture that moment when the connection felt as if we were just two women- our shared experiences reflected in each others eyes- no matter how far apart our worlds were. The other piece-'Tuk Sip' from a trip to Cambodia (Tuk=water)

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  • View from the Chicago River

    oil

    Size of Piece: 16 x 24

    The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.

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  • I Was Drawn to the Red Room

    digital archival photograph sublimated to aluminum

    Size of Piece: 20 x 30

    I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

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  • Candles, Colors, and the Promise of Romance, Paris

    digital archival photograph sublimated to aluminum

    Size of Piece: 16 x 24

    I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

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  • A is for Aspiration

    digital archival photography sublimated to aluminum

    Size of Piece: 16 x 20

    I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

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  • Insomnia. Homer

    oil on canvas

    Size of Piece: 40 x 30

    Insomnia This picture was painted shortly after my arrival in New York. There are references to ancient Greek culture and Homer's epic poem Odyssey. The painting symbolized the hope that in our journey we will not lose our own culture. And we will be able to join another culture that is still unknown to us.

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  • Russian Roulette

    oil on canvas

    Size of Piece: 40 x 30

    This painting is about my parents' wedding. My mother was from a rich and powerful family and my father was from exile in the Siberian Gulag family. Mother's parents were strongly against this marriage and it was like Russian Roulette for my father. He did not know if he could have a happy life or he could end up in Gulag which is depicted in the painting.

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  • Twisted

    acrylic on canvas

    Size of Piece: 36 x 36 x 1.5

    Journey to Self, Outside Another Box, and Twisted each explore the complex, non-linear paths we take toward self-understanding and growth. Through layered colors, shifting forms, and circular movement, these works reflect moments of clarity, resistance, and transformation. They invite viewers to consider the ways we navigate change: sometimes breaking free from boundaries, sometimes finding our way back to center, always shaped by the twists and turns that make us who we are.

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  • Journey to Self

    acrylic on canvas

    Size of Piece: 36 x 36 x 1.5

    Journey to Self, Outside Another Box, and Twisted each explore the complex, non-linear paths we take toward self-understanding and growth. Through layered colors, shifting forms, and circular movement, these works reflect moments of clarity, resistance, and transformation. They invite viewers to consider the ways we navigate change: sometimes breaking free from boundaries, sometimes finding our way back to center, always shaped by the twists and turns that make us who we are.

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  • Still Life with White Roses and Medieval Motifs

    oil on canvas

    Size of Piece: 20 x 24 x 1

    White roses and blue-and-white vessels are arranged before a yellowed page from a medieval manuscript. The imagery of knights, heraldic animals, and ancient lettering carries symbolic weight —  courage, loyalty, and the passage of time. The objects and flowers suggest hidden emotions behind their decorative surfaces, inviting the viewer to look for personal and historical meanings within the stillness.

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  • Still Life with Red Roses

    oil on canvas

    Size of Piece: 18 x 24 x 1

    A vivid dialogue unfolds between strong red  background and the dark  blue. glass vessels.  Roses and  glass vessels, in combination with a dagger, a sword, a pomegranate — suggest symbolic meanings. Though still, the composition carries reminiscences, an untold story, suspended in time.

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  • Flower Shop

    acrylic on canvas

    Size of Piece: 20 x 30

    The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.

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  • Irving Theater

    photography

    Size of Piece: 16 x 24

    The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.

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  • Family Portrait

    recycled brown bags & acrylic on canvas

    Size of Piece: 36 x 24 x 1

    I am inspired by nature and I am a gardener and often am inspired by the flowers that I tend to. I use recycled brown grocery bags and paint them with acrylics. When the bags are dry I rip them and glue them together on canvas in the image of my gardens.

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  • Poppies

    recycled brown bags & acrylic on canvas

    Size of Piece: 24 x 36 x 1

    I am inspired by nature and I am a gardener and often am inspired by the flowers that I tend to. I use recycled brown grocery bags and paint them with acrylics. When the bags are dry I rip them and glue them together on canvas in the image of my gardens.

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  • Racing the Big Sandy

    Rives Bfk,watercolor pencil, neocolor2, varnish, Cradled wood panel

    Size of Piece: 30 x 30 x 1.5

    A few years back while visiting my brother and sister-in -law in New York, we took the train out to Belmont Park to watch the horse race. Although I often draw wild horses, I had never before experienced the energy of a live thoroughbred race. The horses, with their graceful yet powerful bodies, rumbled past the stands in a blur of color as their jockeys urged them on. I took many photographs that day ,and I continue to create drawings inspired by that experience. This piece, “Racing the Big Sandy, refers to the local nickname for Belmont Racetrack, and captures the trillI felt watching the racers thunder past.

    I created this drawing using watercolor pencils and Neocolor 2 on Rives Bfk paper adhered to and varnished on a cradled wood panel.

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  • Echoes of Blue Mirage
    fabric
    Size of Piece: 30 x 40 x 1.5

    I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.

    My artistic approach is mostly intuitive with a constant awareness of color combination and contrast. The use of strong colors is a direct influence of my Brazilian heritage. Using fabric as the medium to create my art pieces was a natural choice since I have been working with it from my teenage years.

    My creative process can be described in two phases. The first one is the combination of inspiration and visualization of an art piece. The second phase is transforming what I visualized into actual artwork. It requires selecting fabrics as close as possible to my vision, adjusting, and sometimes, starting all over again.

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  • Beneath the Murmur of the Distant Shores
    fabric
    Size of Piece: 30 x 30 x 1.5

    I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.

    My artistic approach is mostly intuitive with a constant awareness of color combination and contrast. The use of strong colors is a direct influence of my Brazilian heritage. Using fabric as the medium to create my art pieces was a natural choice since I have been working with it from my teenage years.

    My creative process can be described in two phases. The first one is the combination of inspiration and visualization of an art piece. The second phase is transforming what I visualized into actual artwork. It requires selecting fabrics as close as possible to my vision, adjusting, and sometimes, starting all over again.

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  • Aphrodite
    oil on canvas, gold leaf
    Size of Piece: 24 x 20 x 2

    I conjure intimate dialogues on canvas that speak of who we are—beauties, souls, goddesses, lovers, warriors. I paint to celebrate the magic inside every woman. We are beauties, souls, goddesses, lovers, warriors. I paint to show the magic inside every woman. We shine with grace like Aphrodite—the most beautiful goddess of love—full of softness and light. We also stand strong like a divine warrior, wearing gold helmet and gentle pink gown at the same time, showing that our power comes from being both brave and tender. Sometimes we are a mirror too—my painting with a young woman kissing her reflection reminds us we all want to feel seen and loved. That “love yourself” isn’t just words—it’s a deep hug from your own heart, a way to feel close to others again. My paintings are simple conversations with our souls, celebrating how we are strong and gentle, brave and kind, always beautiful and always real.

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  • Unstoppable
    oil on canvas
    Size of Piece: 40 x 30 x 1.5

    "Unstoppable,” is an oil painting that boldly challenges forces that undermine democratic values and silence marginalized communities fighting for equality. Across Ahern’s over 50-year career in business and the arts, she has fought against the systematic subjugation of women’s voices and independence, refusing to accept the institutional barriers designed to limit women’s power and self-determination.

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  • Gathering Support
    oil and acrylic on canvas
    Size of Piece: 30 x 20
    This painting was inspired by Mark Rothko's layered color washes flooding the atmosphere, plus my added subject matter. This piece, Gathering Support, is part of my Deconstructing Hope series. It is about that feeling of simultaneous joy and relief as inner strength grows. I paint this series to support and inspire viewers in their daily struggle toward their goals. In challenging times it is important to take a moment for a deep cleansing breath and replenishing thoughts.
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  • Tree of Life
    mixed media
    Size of Piece: 48 x 47 x 2
    Inspired by the majestic oaks of Brookgreen Gardens’ Live Oak Allée, Tree of Life is a kimono collage that symbolizes endurance, heritage, and interconnectedness. Indigo hues reference the region’s indigo-growing history, while the kimono form, Japanese paper leaves, and repurposed fabric blooms honor both cultural tradition and environmental mindfulness. The tree, crafted from reclaimed denim, draws from the Japanese Boro technique of mending and reuse. Through this fusion of South Carolinian and Japanese elements, the piece reflects Brookgreen Gardens as a living bridge between past and present, nature and culture—a place where beauty and legacy deeply intertwine.
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  • Rain (2701)
    digital archival photograph
    Size of Piece: 11" x 19" (framed)
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  • West End
    acrylic
    Size of Piece: 48 x 36
    On a flight out of Ft Lauderdale, I was stunned by the beauty of the Bahamas' West End. Using varying viscosities of acrylic paint, multiple layers were added, scraped through, and manipulated, creating a tactile surface. Transparent layers intertwine with thick impasto structures reminiscent of the carbonite rocks and coral reefs visible in the crystal clear waters of the Atlantic.
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  • Inyo
    oil on canvas
    Size of Piece: 48 x 80 x 2
    Inyo refers to the place of the great spirit, the believer's heart, seen as the creator and sustainer of all things. As artists, we are the creators and sustainers of our creations, representing yin and yang—the two colors coexist yet are separate, representing positive and negative energies. This piece examines the dynamic patterns in an artist's career, specifically the interplay between change and difference. Enjoy a glimpse into mine, and it is the centerpiece for my upcoming solo show at Inyo Solo Rockport Art Association & Museum August 16–September 4, 2025.
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  • Emerge
    gouache and mixed media on paper
    Size of Piece: 29 x 41
    Working with black and its" variables is a challenge. In this piece I hoped to exploit black and its' cousin gray.
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  • Homage to the Sunsets of the Multiverse
    mixed media (acrylic with metallic pigments)
    Size of Piece: 36 x 36
    My work is Narrative. It is my communicative instrument that translates the intangible into a visual with shapes, color and forms...using symbolism to convey my message. This image was inspired by watching dragonflies seemingly congregate, at the end of each day, to watch the sunset. Dragonflies are a common spirit animal that represent wisdom and resilience to adapt well to change. So many talk about faith...and yet are still blind to scientific theories (one being the existence of a multiverse!?!). Meanwhile, these dragonflies see what we still cannot. This sci-fi is merging into our known reality & has these creatures worshipping the sunsets of the multiverse.
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  • The Quiet Season
    oil on cradled panel
    Size of Piece: 24 x 24 x 2
    A view of modest rental cottages on the North Truro coast of Cape Cod, shuttered in Autumn. In the off-season, visitors are more able to explore the glorious shorelines of the Cape. Sadly, only 12% of the 1,400 miles of Massachusetts coastline is accessible to the public, or 170 miles. This is due to an ordinance from 1647 which extends the private property boundary to the low tide line. The natural beauty and serenity of our coasts should be much more accessible to all.
    Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Caught in the Middle of Chaos
    acrylic
    Size of Piece: 18 x 24 x 1
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  • My Supernova Brain II
    monoprint, collage, acrylic, latex, UV pigments on canvas
    Size of Piece: 20 x 16 x 1
    I had recently completed an edition of 20 works on paper that combined collagraph, monoprinting, linocut, and collage. The monoprints I created for this became the inspiration for new monoprints that I am collaging onto canvas for a new series of works. Combining newer techniques with more familiar ones have created "Supernova" explosions of creative concepts in my brain, which then expand into my studio with surprising and spontaneous results. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.