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Heather Cox Richardson (3) 14 x 11 mixed media collage with gouache and pencil I listen to Heather Cox Richardson every day since the POTUS took office in 2025. She is a well- educated historian and keeps me in a calmer perspective of the constant inundation of bad news. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Heather Cox Richardson 14 x 11 akua ink on BFK rives I listen to Heather Cox Richardson every day since the POTUS took office in 2025. She is a well- educated historian and keeps me in a calmer perspective of the constant inundation of bad news. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Ode to Untamed Women 24 x 24 oil on cradled wood Using Women’s Suffrage sheet music in the National Archives and the colors of the movement (yellow, purple, white), this piece brings the past struggles and present challenges together with words and imagery. The sepia yellow sashes are filled with the chants and songs of the past, while the central bright yellow sash is inscribed with all of the worst thoughts and statements made about women today. The lighted focal box contains a simple message supported by the actions of the past: You Will Not Break Us, We Will Prevail. This lighted box includes a white extension cord and must be plugged in to light. Dandelions represent grit, perseverance, and finding ways to grow and survive even in the most unfavorable environments. Women of today can take hope and inspiration from our foremothers, despite all of the vile anti-feminist ideas bombarding us today. We will prevail. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Triptych: In Full Recognition No. 1 18 x 18 acrylic monoprints on paper This triptych uses the monoprint process to explore the delicate boundary between being seen and being forgotten. Inherently, a monoprint is a singular, unrepeatable ghost of an image—a fitting metaphor for the unique yet often marginalized lives of women throughout our nation’s history, particularly women of color in our national narrative. The fading image of the woman in resplendent headdress (In Full Recognition No. 1) represents the systemic invisibility and erasure that have long sought to diminish her power. As the image recedes over the second and third prints in the series (in Full Recognition No. 2 and No. 3), it also demands a more intentional gaze and prompts feelings of grasping to fully memorialize her before she is gone. What remains when a collective voice is suppressed? What reclaimed when we center HerStory? This triptych does not simply mourn collective loss for what could have been but aims to transform that loss into an empowered future where every woman is fully recognized and heard. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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In Full Recognition No. 3 18 x 18 acrylic on paper This triptych uses the monoprint process to explore the delicate boundary between being seen and being forgotten. Inherently, a monoprint is a singular, unrepeatable ghost of an image—a fitting metaphor for the unique yet often marginalized lives of women throughout our nation’s history, particularly women of color in our national narrative. The fading image of the woman in resplendent headdress (In Full Recognition No. 1) represents the systemic invisibility and erasure that have long sought to diminish her power. As the image recedes over the second and third prints in the series (in Full Recognition No. 2 and No. 3), it also demands a more intentional gaze and prompts feelings of grasping to fully memorialize her before she is gone. What remains when a collective voice is suppressed? What reclaimed when we center HerStory? This triptych does not simply mourn collective loss for what could have been but aims to transform that loss into an empowered future where every woman is fully recognized and heard. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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In Full Recognition No. 2 18 x 18 acrylic on paper This triptych uses the monoprint process to explore the delicate boundary between being seen and being forgotten. Inherently, a monoprint is a singular, unrepeatable ghost of an image—a fitting metaphor for the unique yet often marginalized lives of women throughout our nation’s history, particularly women of color in our national narrative. The fading image of the woman in resplendent headdress (In Full Recognition No. 1) represents the systemic invisibility and erasure that have long sought to diminish her power. As the image recedes over the second and third prints in the series (in Full Recognition No. 2 and No. 3), it also demands a more intentional gaze and prompts feelings of grasping to fully memorialize her before she is gone. What remains when a collective voice is suppressed? What reclaimed when we center HerStory? This triptych does not simply mourn collective loss for what could have been but aims to transform that loss into an empowered future where every woman is fully recognized and heard. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Fence2, When Girls Couldn't Play 24 x 18 In the span of a lifetime, one can only imagine, with the help of learned history, the span of 250 years. The submission here is a moment in one woman’s lifetime, a fraction of that history. The image is an intimate moment on the ballfield, focused on an attending sister, or daughter. The woman’s/girl's perspective is perhaps less noticed: sensitive and also seen or heard differently from the boy with the bat. Printmaking is also an intimate medium- a transference from a block or plate to paper and a transference of feelings into images, whether etched, carved in linoleum, or glued in collagraph. The joy of printmaking of original hand-pulled prints is that of the partially controlled and partly surprising result once run through the press. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Crosswalk5 hand-colored linocut print, soft pastel 15 x 17 In the span of a lifetime, one can only imagine, with the help of learned history, the span of 250 years. The submission here is a moment in one woman’s lifetime, a fraction of that history. The image is in the intimate moment of the street protest. The woman’s perspective is a response to what is seen or heard on the street. Printmaking is also an intimate medium- a transference from a block or plate to paper and a transference of feelings into images, whether etched, carved in linoleum, or glued in collagraph. The joy of printmaking of original hand-pulled prints is that of the partially controlled and partly surprising result once run through the press. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Surf Side oil on board 9 x 12 Surf Side is a visual creation of the heat, sound, and smells associated with a visit to the shore. Juxtaposed to the forced planned unity of the red umbrellas is the variety of humanity whom enjoy the surf. It is a celebration of all that we share in common. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Blast Off acrylic paint on 3 layers of plexiglass 12 x 12 My goal was to use the entire color wheel plus have depth. I achieved depth by painting on 3 layers of plexi and stacking the layers. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Two in the Mist oil on canvassed panel 10.5 x 8 This oil painting focuses on two trees, their trunks thick with delicate, fern-like moss. The perspective, taken close up, looks somewhat exaggerated, bringing the foreground tree forward while the second recedes, partially obscured behind it. A muted, misty background reduces contrast without feeling heavy, showing a whisper of the forms in the back. I was drawn to the quiet presence of the trees and the way they felt almost human, sharing the same experience in the damp, enveloping stillness of the day. This piece became a reflection of that experience: a sense of companionship found in the landscape, where the natural world feels quietly alive and responsive. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Break in the Clouds encaustic on wood panel 9 x 11 “Break in the Clouds” finding comfort & strength in the good in the fields in the clouds in the light that breaks free around us This encaustic painting was created to provide a peaceful pause, a break to take a breath. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Babushka oil 6 x 6 I am in third grade here, 1966, standing in front of our house in Manitowoc, Wisconsin, about to walk to school. My mother had just made me a triangular scarf, the kind every girl wore then. She took the photo that inspired this painting. I took the scarf off halfway to school… I didn’t want to look like a little babushka. This was my neighborhood, I knew every inch of it. When I painted it, I wanted to hold onto the feeling…the story of without being literal about it. The architecture is intentionally abstract, more memory than record. It was painted within the constraints of a 6x6” format, with a limited palette and a single brush so it did not become precious. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Floral Notes with a Hint of Cranberry oil on panel 10 x 10 I paint what piques my interest. I've always gravitated toward color, sparkle and whimsy. It's fun to set up a still life, play with different elements and see what I get. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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What We Carry Unnamed acrylic and oil pastel on canvas with black float frame 13.5 x 13.5 My work gives visual form to the complex, often unspoken emotional landscape of women in transition —those of us moving between identities, roles, and expectations. It is a space that can feel both expansive and disorienting, where language often falls short. I paint the emotions women are taught to carry—but never taught how to name. Through abstraction, I hold what is difficult to articulate: layered, shifting emotional states shaped by transition, accumulation, and change. These works become a way of making visible what is usually carried in silence. My process is informed by years in a precise, detail-oriented profession where structure and discipline are essential. In my art studio, I loosen that control, allowing intuition, interruption, and emotional response to lead. This shift creates a visual language that balances restraint with release. Each painting is built through layered gestures—marks added, obscured, and rediscovered over time—becoming a record of both intention and surrender. I am drawn to the space where form dissolves and reassembles, where clarity and ambiguity coexist, and the viewer is invited to navigate rather than resolve. Ultimately, my work is about emergence: what becomes visible when layers—both seen and unseen—are allowed to remain in dialogue. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lip Service in Blue oil paints, charcoal, paper, encaustics on wood 14 x 14 From the Delft Series: Born into a nomadic childhood, I moved every three years, each relocation driven by my mother’s appetite for new floor plans and color schemes. Though we never left Long Island, only shifting from one expressway exit to the next, each move reconfigured my sense of place. As a child, I accompanied my mother through model homes, where serious decorating conversations shaped how I learned to see. What once felt destabilizing became a way of organizing experience. My memories are color coded and archived by house number, interiors mapped alongside what unfolded outside their walls. Place, for me, is architectural and psychological. These paintings are anchored in the years we lived at 29 Weeks Street (Long Island Expressway, Exit 61), from 1959 to 1962, following our move from Queens to the suburbs. Inside, the house was governed by a strict blue and white palette: every room, every drape, every plate organized into solids and pattern, punctuated by green plants; reenforcing order, control and maternal authority. Outside the house, postwar prosperity and Cold War unease shaped daily life. The work forms a portrait of domestic aspiration, control, and place shaped through design. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Wisdom pastel on paper 12 x 12 I was drawn to the model’s profound gaze—she carries a quiet sense of mystery, yet appears intelligent and confident. I enjoy capturing my subjects using subtle but vivid colors, focusing on mood and personality rather than strict realism, allowing emotional presence to come forward in the work. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Oceanview watercolor 10 x 8 I've always been interested in and inspired by water, how it moves and flows, and have tried to express how it makes me feel in paint. For this painting I was thinking about the night sky over water and the vastness of both. Many transparent washes were applied in order to intensify and vary the color palette. I generally take anywhere from a few weeks to months to complete a painting, as I like to step away and return to a work with a fresh eye for correcting and improving my vision. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lady May oil 9 x 7 My love for horses has no bounds. I look for the sculpted images formed by bone and muscle. This particular horse is named Lady May because she is so graceful and elegant in all her simplicity. She is named after an elderly yet elegant librarian in town named May. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Craftsman graphite, charcoal, and colored pencil on tinted drawing paper 9 x 13 These are my husband's hands. Old. Arthritic. But they continue to create, and make beautiful things from wood. I saw something touching in those gnarled hands as they used his grandfather's chisel to scribe a smooth shallow channel in a piece of reclaimed maple. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Sleeping In The Church digital photograph, inkjet archival print 14 x 11 I was with a group of people photographing in Cuba. We were in a church, when I noticed this man, with his head back, in a light coming from a window, which outlined his features in repose. I was struck by the beauty of the light and how it sculpted his sleeping face. Fortunately, I was able to capture this moment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Turn Under Here collage 15 x 15 I attended a workshop in Portofino, Italy led by Nicholas Wilton. I spent the week creating small collages using acrylic paint, a wide variety of paper and images. My focus was on experimenting freely with size, shapes, color, design, movement, and emotion using my intuition to create a work that resonated and shallenged my audience. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Big Tree acrylic on cradleboard 7 x 5 Big Tree rises in a gentle springtime landscape of emerging greens and yellows. Prominent, but integral to the composition. Subtle shadows and play of light are the result of an overcast day. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Still Standing photograph 10 x 15 When I walk along the beach, I cannot help but wonder whether the pier will ever be reattached. The structure appears so very strong, especially when walking underneath. It is nearly impossible to imagine it being halved by nature. Both halves seem to exist on their own though they were created as one. I set up my tripod switching from place to place to enable the viewer to catch the 'cut' and wonder about the strength of each piece to prevail without the other. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Uplift cradled wood 12 x 12 the bird preparing for flight on the launchpad of her mind, waiting for the perfect moment to soar to the mosaic sun. I was desiring an energetic uplifting art piece and using one of my favorite stream of consciousness methods, I created a patterned background even before any ideas were in place. I let the shapes, colors and values guide me to the imagery and the overall emotion. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Slipstream oil on claybord 8 x 8 This abstract piece has many facets - the whiplash of the news cycle, the transient nature of life's moments, the wake of powered vehicles, and the speed of light. It was created in oil on "claybord" - Ampersand's substrate of clay that absorbs into the surface like a fresco. It carries multiple layers of paint that become richer with every application. It allows for marks and textures unique to the surface. The overall composition is both energetic and calming - as time passes it's both fleeting and timeless. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Saint of Wistful Dreams cabinet card embroidered with metallic gold thread and black thread 6.5 x 4.25 This work celebrates the women of the 19th and 20th centuries who nurtured and stood strong while maintaining no legal or societal rights while married as they were their husband's property. They lost all legal rights upon marriage. The idea of sainting them through embroidery on unknown images of the popular cabinet cards raises them to icons of strength, adaptability and resilience. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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It's My Party no. 3 acrylic, collage, crayon monoprint 13.5 x 13.5 In this series of mixed media collage, I was exploring the relationships between controlled and random shape making and layering affects from mono-printing using both thoughtful placement of the collage pieces and the discovery of random effects from the printing process. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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My backyard at Marnay sur Seine, France acrylic with acrylic texture materials on Canvas 6 x 12 One from a series of small works, I painting this painting during my professional artist residency period at the Camac Centre dArt located in Marnay sur Seine, France. The backdrop for this work was inspired the indigenous foliage that densely framed the Seine River which flowed from Paris to the Champagne Ardenne region of France. It was a cloudy day, and the color of the foliage dominated the water of the river which fascinated me. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Sam paper on canvas 12 x 9 I attended the outdoor, evening gig where this young man was playing keyboard. I was inspired by the halo effect created by the hot pink stage lighting behind him, as well as the movement created by the breeze. The subject matter in my work varies widely, because as in this case, I am often taken with a scene or an image and immediately wonder if I can capture it in paper, which is my only medium. There is no paint in any of my work. All the color is derived from the papers, in a non-traditional collage technique. Sometimes a single paper is just the right color, but usually several layers are required to achieve the right hue and intensity. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Sunny Side Up found objects: vintage kitchen items 10 x 9 x 3.5 How many meals does one prepare in a lifetime? Sometimes it may feel just like a chore. I am thinking of Love Language and recognizing that cooking is one of the many ways we show our love for family, friends, and ourselves. Whether we are celebrating a holiday with a big family meal, making soup for a sick friend, or packing daily lunches, we need to recognize that it is an act of love. I imagine these small works hanging in a kitchen and reminding the cook/chef to smile and know their labor of love is truly appreciated. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Copper Waves fibers, glass beads, metal, wood, & found objects 6 x 4.75 I recently expanded my love for weaving and basketry into complete works of art that tell a story or are based on a theme on a small scale. I begin with a subject for the mini weaving and choose recycled materials to add to the work as as I go along such as glass, beads, raffia, metal and found objects. I do not preplan the design but rather let the objects and fibers determine the composition and direction of the work as I create it. My inspiration for Copper Waves is derived from the strata earth formations in our underground environment and the various metallic colors found there. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Shrapnel glazed ceramic and glass on metal frame 15 x 11 x 6 The news media affects us all, mankind creates weapons to harm people. Shrapnel bursts in the air and lands randomly, scattered all over, often times hurting and maiming many people. I create Abstract art forms that transform objects into works of art, providing the viewer a space of contemplation amongst the pain and violence around us. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Airegin (music: Wes Montgomery, Airegin) oil pastel on paper 14 x 14 I created "Airegin" in response to/collaboration with the jazz standard of the same title, played by Wes Montgomery. The lively rhythms, textures and improvisational feel in the song inspired the active forms I used in the painting. The palette always begins with the colors I hear in the music, and I expand as needed to create a cohesive work. As an artist born with perfect pitch and synesthesia, my ability to 'hear' colors is a wellspring of inspiration. My abstract work explores various musical keys, tempi, rhythms, patterns and moods. As I investigate these varieties of musical palettes and textures, I work with a variety of media and techniques to best express the way I see-hear. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Tohickon Creek winsor and newton watercolor on arches 140 lb. 12 x 9 While hiking along this local creek, I was captivated by the lush green colors and the sparkle of the water. I knew I had to try to capture this enchanting scene. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Legend of Golden Woman oil on canvas 11 x 14 Two hundred years ago, a legendary "gold-boiling city" known as Mangazeya existed in Siberia. Historical accounts mention a massive golden monument standing at the very heart of this city. The monument took the form of a female figure. Many indigenous peoples of northern Siberia lived under a matriarchal social structure and held a deep belief in nature spirits. It is possible that this "Golden Woman"—or *Golden Baba*—embodied the spirit of wealth and prosperity. As life in Siberia evolved and new trade routes emerged, the city began to decline. Eventually, Mangazeya vanished, and with it, the Golden Baba disappeared as well. While the era of matriarchy now survives primarily in memory, the legend of the Golden Baba lives on to this day. Many believe that the golden sculpture was hidden away somewhere, and they continue to search for it in the secluded depths of the Siberian taiga. Yet perhaps they are looking in the wrong place. It is possible that the Golden Baba is, in fact, a symbol of Woman—the very foundation upon which earthly life rests. She represents our grandmothers, mothers, and sisters—those who give life and protect it. I believe, a golden monument to Woman should be erected in every country; that would be truly fair. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Chess.Alice etching. zinc plate. black ink on white paper 5 x 6.25 The first intaglio print I can remember seeing accompanied the story of Alice in Wonderland in a beautiful hardback edition, received as a gift from my Grandfather. As a child, I fell in love with the drawings and use of line to express form, shape, and movement. Still inspired by the classic tale, I created a series of mezzotint plates representing the beasts of Wonderland as seen through the darkness of memory. I continued that theme with this image, etched into a polished zinc plate and refined using engraving, drypoint, and spit bite techniques. Depicting an imagined scene from the other side of the looking glass, I sought to evoke a sense of ennui from the characters left in the quiet evening after Alice has departed. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Pendĕre collage on canvas panel 12 x 12 Pendĕre is built through accumulation — of surface, gesture, memory, and response. Constructed from papers that were hand-painted, stained, textured, and altered by the artist before assembly, the collage embraces imperfection, erosion, and layering as essential elements of its visual language. Each fragment carries its own history while contributing to a larger emotional and rhythmic whole. The composition shifts between order and disruption. Gridded passages and repeated rectangular forms suggest architecture, mapping, or systems of containment, while darker gestural marks interrupt that structure with a sense of movement and instability. Areas of luminous rust, blue, and muted green emerge from an otherwise restrained palette like moments of resonance within silence. The title, Pendĕre, evokes both “to hang” and “to weigh,” suggesting suspension, uncertainty, and reflection. Circular forms appear as anchors or counterweights within the composition, holding tension between gravity and release. The work invites the viewer to move slowly across the surface, discovering relationships between texture, edge, opacity, and mark. Though abstract, the collage is rooted in lived experience and intuitive response. Fragments are layered much like memory itself — partial, altered over time, and continuously recontextualized. Pendĕre does not seek a fixed narrative; instead, it offers a contemplative space where balance and fragmentation coexist, and where meaning emerges through sustained looking. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Painted Water photography 8 x 10 Reflected light created a watery prism... contrary to the adage about water and oil not mixing - here they created a wonderful palate. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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To Market basswood sculpture 14 x 14 x 8 I was inspired to carve TO MARKET after observing women throughout the world carrying heavy loads on their heads with apparent ease. For these women, transporting workloads in this manner is not only efficient but also a necessity of daily life—in both rural and urban environments. Within this necessity lies its beauty. My sculpture aims to highlight the quiet dignity and gracefulness of these women at work. My creative process began with making a small clay maquette of 3 women with varied gaits. I chose basswood as the carving material because its subtle grain pattern would not detract from the overall form. I also incorporated the base into the sculpture to convey the women’s connection with the ground they walk on. The final sculpture is sanded but unstained, my way of emphasizing the unadorned simplicity of the subject matter. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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No Cuckoos Here bronze sculpture 9 x 13 x 9 I frequently use found objects in my work. This beautiful burlwood bowl suggested a nest, and s many of the subjects of my sculptures are birds. I have combined the two in this piece. A graceful sycamore branch and leaf and three handmade wood bird's eggs tie the elements together in a graceful manor. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Summer Sounds acrylic on cradled wood 14 x 11 I recently developed a series of gestural paintings and drawings that translate the experience of music into visual form. Gesture drawing has long been a favorite for me. It is meant to capture the mood, movement, and character of a subject very quickly and intuitively. There is a sense of awareness of what is happening in a single moment Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Long View, Provence oil on panel 11 x 14 The Long View was painted as a small plein air piece in Provence in 2023. Since it is one of my favorite scenes I have always wanted to paint it in larger format. I like the one point perspective of this scene. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Midnight Refuge oil and cold wax on paper 13 x 9 This piece is part of a series where I explore the idea of what home means. A house is not a home until it is defined by its inhabitants who live, breathe, and create memories in that space. Layers of deep blues and textured shadows create a quiet, contemplative atmosphere, centered on a vertical beam of light that breaks through darkness - a subtle reminder of the comfort found in coming home. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Crescent Moon acrylic on paper 7.75 x 7.75 As a mostly abstract painter, sometimes images emerge from the paint. Often they are only fleeting and soon painted out but Sometimes they seem to make their presence known and become a part of the composition. As the Crescent Moon emerged, I was glad to acknowledge it and welcome its presence in this painting. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Late Summer oil on linen mounted on Raymar panel 9 x 15 This plein air artwork was completed on a breezy late summer day. I was accompanied by a friend who knew the owner of this northern Maryland farm, who welcomed those who recorded the landscape in art. The painting captures that landscape, which was full of movement from the constant breeze that enveloped the area, shifting color at a moment's notice. This painting is a dialogue of color and light. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Cloud Study watercolor on paper 15 x 13 I love clouds, and I love the challenge of capturing a mutable changing motif. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Morning Light digital collage 14 x 11 In my work, I explore the relationship between memory, emotion, and sense of place through contemporary landscape photography. I capture the scenes of my immediate surroundings and translate them into soft, ethereal, dreamlike vistas. My images often feature trees, distant hills, pink skies, children, tactile atmosphere and the moon. They convey an existence that extends beyond the physical realm and takes the viewer into my own dream world. My work has often been described as incandescent in both definitions of the word: glowing with luminosity and full of emotion and passion. My hope is that my body of work brings a sense of wonder, curiosity, and nostalgia to my audience, while inviting an opportunity to pause and perhaps see the magic and emotional subtlety in the familiar. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Tsim Tsum digital collage 8 x 8 My work is always beyond (for me) description. Each image begins with a 'thing'. I then wait for the next 'thing' and the next........and always, there is a surprise! I must thank Yayoi Kusama, whose design I appropriated to use as the background........ Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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What Would Dorothy Do? acrylic, ink, thread, hand printed and painted paper, oil, wax medium 13 x 13 This piece began with painted shapes, collage, mark making, layer upon layer until the house images began to take shape. having just returned from a trip to Nashville, TN, I had seen many T-shirts and other souvenir items with the phrase: 'What would Dolly do?' when looking at my work as it neared completion, it reminded me of the house tossed in the tornado in the Wizard of Oz... So... Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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