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    Marina Duvidzon (NY)
    Who Do You Love?

    Who Do You Love? oil on canvas
    Size of Piece: 30 x 24 x 1
    Artwork 1: A young woman leans toward her reflection, kissing herself in the mirror. The image speaks not only of solitude, but of the eternal human desire to be seen and loved. In today’s world, the phrase “love yourself” is repeated endlessly-sometimes as healing wisdom, sometimes as a shallow slogan. Is self-embrace the beginning of true connection, or a sign of how distant we have grown from one another? The mirror becomes a symbol of both intimacy and isolation. And it asks us all, in the quiet of our own hearts: Who Do You Love? Artwork 2: Aphrodite, the ancient Greek goddess of love, beauty, and desire, embodies both passion and grace. Born from the sea foam, she symbolizes the power of attraction, creativity, and the eternal force of love that connects all beings.
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    Marina Kalinovsky (NY)
    Reflections in Blue

    Reflections in Blue oil on canvas
    Size of Piece: 20 x 16 x 1
    My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. Reflections in Blue, 2023 In this painting, objects that were once functional and valuable are now cracked and broken, yet they have acquired a new kind of beauty. They evoke memories and reflections, with fragments of the mirror bringing images from the past back to life.
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    Marina Kalinovsky (NY)
    Still Life with Red Roses

    $2,000.00
    Still Life with Red Roses

    oil on canvas

    Size of Piece: 18 x 24 x 1

    A vivid dialogue unfolds between strong red  background and the dark  blue. glass vessels.  Roses and  glass vessels, in combination with a dagger, a sword, a pomegranate — suggest symbolic meanings. Though still, the composition carries reminiscences, an untold story, suspended in time.

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    Marina Kalinovsky (NY)
    Still Life with White Roses and Medieval Motifs

    $2,000.00
    Still Life with White Roses and Medieval Motifs

    oil on canvas

    Size of Piece: 20 x 24 x 1

    White roses and blue-and-white vessels are arranged before a yellowed page from a medieval manuscript. The imagery of knights, heraldic animals, and ancient lettering carries symbolic weight —  courage, loyalty, and the passage of time. The objects and flowers suggest hidden emotions behind their decorative surfaces, inviting the viewer to look for personal and historical meanings within the stillness.

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    Marina Kalinovsky (NY)
    Triptych in Red and Blue

    Triptych in Red and Blue oil on canvas
    Size of Piece: 24 x 20 x 1
    My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. The painting Triptych in Red and Blue consisting of the center part with a stylized still life and two wings with the human images stylized and intertwined with the background is intended to create a strong visual image engaging viewers, provoking thoughts and reflections.
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    Marisol Ross (NJ)
    Chelsea

    $850.00
    Chelsea 20 x 16 polymer clay, Italian glass on wood Portrait of Chelsea wearing a dress that says "careful", inviting the viewer to ponder the half smile and wonder her thoughts. The subject and medium blends the traditional and the modern. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary Ahern (NY)
    Cosmic Brugmansia, 2024

    oil on canvas 40 x 30 x 1.5"
    This painting was inspired by the flowers on the tropical brugmansia plant I have been overwintering for years and abstractly by images of the galaxy in which we are a part. Drawing inspiration from the vibrant community of life in my garden, my flowers invite universal questions of existence and purpose in their quest for survival, eventual senescence, and rebirth. The merging of the visions of space with the identifiable floral images by using transparent glazing between the micro and macro visions symbolizes the interconnectedness and fragility of all life, underscoring the need for open discourse to ensure universal survival.  
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    Mary Alice Orito (NY)
    Self

    $750.00
    Self digital manipulation of a photo with tracing paper sewn over one eye 10 x 8 Sāji ga hassei suru (a surge occurs) II refers to the place of change, the great spirit, the believer's heart, seen as the creator and sustainer of all things. As artists, we are the creators and sustainers of our creations, representing yin and yang—a surge of positive and negative energies fused by one's attitude and stance. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary Alice Orito (NY)
    Woman Chained

    Woman Chained mixed media 12.5 x 9.5 Digital image, cut and torn pieces from prior art projects with waxed thread used to sew on a statement and torn magazine paper create the collage. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary Bell Steffen (SC)
    Through Magic Lanterns, 41.0082ºN, 2024

    oil on canvas 24 x 18"
    This painting is inspired from a visit to the Grand Bazaar in Istanbul. It is the latest in my series, Faraway Places. The colors and imagery represent the feelings and colors as I walked through the market. With the vibrant colors I sought to capture the vitality and bustling atmosphere as one goes through the market stalls.  
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    Mary Cooper McDonough (SC)
    Sweet Pea

    Sweet Pea collage 16.5 x 16.5 I go out west to Oregon a lot to see my kids. I was there last May and saw sweet peas growing wild all over the hill behind my son’s house. I picked a bunch and took pictures and started calling my grandson, “Sweet Pea”. This painting is for him. He is a colorful character with lots of layers and textures, just like sweet peas. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary Kearney Hull (TX)
    Her Unshaded

    $5,500.00
    Her Unshaded oil 36 x 24 framed size: 39 x 27 Her Unshaded is an art statement commemorating the evolution of women's involvement in American history from the signing of the Declaration of Independence, a moment when women were excluded from political life, to the future being shaped by female voice, knowledge, and leadership. The past has been shaded, with an actual shade at the top of the image and by use of books written during the period on women's lives. There is a painting of a woman of color beginning to rise. Her posture and gaze represent knowledge long held but historically concealed. At the base of the work, coded tags invite the viewer to engage digitally through their smartphones. The links lead to a contemporary art project lead by the artist through her young art students who were asked a single question: What gift would you give to the world if you could give anything? One link goes to their artistically created videos and another to an open source page in Wikipedia, "Timeline of Women's Suffrage in the United States". By integrating historical artifacts, figurative representation and contemporary participation, Her Unshaded connects past, present and future. Women continue to rock our political world. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary Kearney Hull (TX)
    Salty Earth and Cold Tongues
    Flatscreen 5 Work on Paper

    Salty Earth and Cold Tongues charcoal 30 x 42 Salty Earth and Cold Tongues, was inspired by the weight of a physical fall in my sixties and the emotional wounds felt when a person uses hurtful words. My body feels the impact and endurance of both pains. Salt evokes both wound and preservation, while adding crystallisation to the drawing. The stinging is felt from harsh words, while the body is trying to heal and move forward. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary Kostman (MA)
    Exposure

    Exposure printmaking: akua ink on arnheim paper 24 x 18 My work explores themes of perception, identity, and cultural norms. Since the pandemic, I have been incorporating masks, braille, hair, sandpaper, veils, hijabs and materials of everyday life in a series of monotypes entitled "Who Sees?" to explore how we hide or reveal ourselves. How do we perceive women or men when they are veiled or masked? Are they disempowered or empowered? Do the masks/veils offer freedom or protection or bondage? The images that I create are multilayered, pushing us to delve deeper into this subject. “Who Sees” simultaneously draws you in and pushes you away. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary Kostman (MA)
    Three Women

    Three Women
    printmaking
    22 x 14.5
    Since the pandemic, I have been incorporating masks, braille, hair and materials of everyday life in monotypes to explore how we hide or reveal ourselves. This series, “Who Sees?”, explores the use of veils, masks, head coverings, face coverings in different cultures. How do we perceive women when they are veiled or masked? Are they disempowered or empowered? Do the masks/veils offer freedom or protection or bondage? The images that I create are multilayered, pushing us to delve deeper into this subject. “Who Sees” simultaneously draws you in and pushes you away.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
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    Mary Millman (CA)
    Antique Apple Harvest

    Antique Apple Harvest pastel 18 x 22 I worked hard to raise these apples and when I picked them, I was so pleased I had to paint them. When I painted them however I realized I loved the old tin orchard bucket just as much. Painting is a poem, a song, and sometimes a revelation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary Millman (CA)
    All Weather Mom, Harding Elementary School 2021

    All Weather Mom, Harding Elementary School 2021 dry pastel on paper 15.75 x 10.75 Harding Elementary School in Albany CA is alive with great images right when school is out for the day. There was a slight break in the wether so that this Mom and her little kid could maybe get home dry but have some fun on the way. My pleasure to record this moment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary Millman (CA)
    Artemis Reading Greek/CCL Seeking Democracy

    $1,800.00
    Artemis Reading Greek/CCL Seeking Democracy 26 x 21 pastel I'm always compelled by the many meanings in the way people present themselves. The book was actually a Greek text so the cloak might well have been Artemis' lion skin. But hunting, seeking what in 21st c. America 250 years after our founding? Justice, Equity, Democracy. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary Millman (CA)
    Simple Math: 1619-2026 = 407

    $1,250.00
    Simple Math: 1619-2026 = 407 24 x 18 pastel We have a real opportunity, at 250 years from our written constitution and the establishment of our government, to achieve honest equity and functioning justice. Let's go there together. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary O Davidson (MA)
    Stamped Abstract Series

    Stamped Abstract Series #30 acrylic on canvas 44 x 36 I love to paint, be creative and experiment with stamps as my last layer of paint on the surface. This is one of 40 paintings in this series. One painting just leads to the next and is the inspiration depending on what I learned, or got excited about. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mary Sawyer Atkinson (CA)
    Kip’s Angel

    Kip's Angel liquid acrylic, watercolor, transfer on canvas 23 x 20 An image was selected from a graveyard photo series captured by this artist then used as a transfer and combined with painting (artist's competency) on canvas. It was part of an Angel series executed over a few years during severe personal physical events. Angels were always solicited during that time and were always there for me and still are. In particular, it honored the passing of a dear friend's partner, Kip, thus it's name. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Maryann Burton (NJ)
    Inner Light

    $600.00
    Inner Light transparent watercolor on traditional watercolor paper 13.5 x 13.25 This piece was done using a technique that I've been having a lot of fun with. It allows me to play and experiment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Maryann Burton (NJ)
    Glenda’s Barn

    Glenda's Barn watercolor 14 x 21.5 When I find stillness and clarity in the world around me, I thrive on the expression and emotions that my work helps me share with others. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Maryann Burton (NJ)
    Meadowlands

    $1,200.00
    Meadowlands 6.75 x 14 watercolor The movement of the watercolor paint and its interaction with water always fascinates me. Striving to direct the medium to express my thoughts and feelings is enthralling. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Maryann Burton (NJ)
    The Bridge Over the Saddle River

    $1,200.00
    The Bridge Over the Saddle River 6.5 x 10.25 watercolor The movement of the watercolor paint and its interaction with water always fascinates me. Striving to direct the medium to express my thoughts and feelings is enthralling. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Maryann Riker (NJ)
    Fixing the Last Booboo

    Collage Fixing the Last Booboo Size: 3.5 x 2.5 x .25 "In Full Bllom with Thorns" is a series of collage love letters based on correspondence I found between two young people in the 1920s. This is one of the phases of their relationship where it became a little "thorny". "Fixing the Last Booboo" is part of my Mending the Earth Collage series addressing loss of species, environmental concerns. etc. All works include vintage miniature ephemera, watercolor, acrylic paint, ink, graphite, digital images, vintage bandaid, thread and whatever else is needed...enjoy! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
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    Maryann Riker (NJ)
    In Full Bloom with Thorns

    Collage In Full Bloom with Thorns Size: 3.5 x 2.5 x .25 "In Full Bllom with Thorns" is a series of collage love letters based on correspondence I found between two young people in the 1920s. This is one of the phases of their relationship where it became a little "thorny". "Fixing the Last Booboo" is part of my Mending the Earth Collage series addressing loss of species, environmental concerns. etc. All works include vintage miniature ephemera, watercolor, acrylic paint, ink, graphite, digital images, vintage bandaid, thread and whatever else is needed...enjoy! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
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    Maryann Riker (NJ)
    The Saint of Wistful Dreams

    $175.00
    The Saint of Wistful Dreams cabinet card embroidered with metallic gold thread and black thread 6.5 x 4.25 This work celebrates the women of the 19th and 20th centuries who nurtured and stood strong while maintaining no legal or societal rights while married as they were their husband's property. They lost all legal rights upon marriage. The idea of sainting them through embroidery on unknown images of the popular cabinet cards raises them to icons of strength, adaptability and resilience. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Marybeth Rothman (NJ)
    The Falconi Twins (Second Violin, Principal Viola)

    The Falconi Twins (Second Violin, Principal Viola) photo and pigmented beeswax combines on Kozo and wood panel 36 x 24 I create visual biographies honoring communities whose narratives have been marginalized, erased, or never recorded. "The Falconi Twins" portrays the resilience of two women from my childhood town who defied societal expectations in the 1970s. These women lived together, posed as twin sisters, and dressed identically to evade the scrutiny of the conservative community. In truth, they were a gay couple seeking refuge in a world that struggled to accept them for who they truly were. This portrait is a fusion of orphaned vintage photographs, my photographs, abstract drawings, and antique ephemera in subtle layers of pigmented beeswax on Kozo. I replicated a solitary figure to create a twin, etched intricate patterns and sgraffito onto the platform, balustrade, and figures to weave a narrative of secrets and shared experiences that remain unreadable to outsiders. This is a portrait of the power of love, resilience, and enduring bonds. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Marybeth Rothman (NJ)
    Theo Makes the Right Decision
    Nancy Coleman Dann & Harry L. Coleman Productions Award

    Theo Makes the Right Decision mixed media: photo and pigmented beeswax combines on Kozo and wood panel 20 x 16 History comes to us incomplete, in fragments, half-remembered stories, and voices never fully heard. In response, I create fictional visual biographies that honor lives that exist at the edges of recorded history. Each portrait is an act of imaginative witnessing, making space for moments that might have been or should have been. Each of these mixed media works is composed of intricate layers of pigmented beeswax, photographs, and abstract drawings. The photographic elements are a fusion of reclaimed and reimagined vintage photographs, with my own photographs that I combine and repurpose to add narrative texture. This layered process mirrors how we access memory; peering through time with imperfect clarity, discovering the way identity is constructed, concealed, and recovered across generations. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mayya Bork (NY)
    Under Lock and Key

    Under Lock and Key charcoal on paper 24 x 18 Under Lock and Key reflects a state of emotional guardedness—the instinct to remain closed off out of fear of vulnerability and harm. The composition is deliberately constrained within an elongated vertical oval, echoed by a custom mat and enclosed within a metal frame, creating a physical and visual barrier that separates the viewer from the image. At the same time, there is an underlying sense of resilience. The sharp, unyielding forms suggest a kind of steadfastness—an ability to hold one’s ground without wavering. This tension between protection and endurance speaks to the complexity of self-preservation: the ways we shield ourselves, and the strength it takes to withstand what presses against us. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Meg Boe Birns (NY)
    Blue Girl

    Mixed Media Blue Girl Size: 30 x 24 These two paintings are part of a series of Blue Paintings I have done over the years. So this is not really a “Blue Period” a la Picasso, but a sustained interest in returning to blue over the years, from time to time. “Blue Girl” can be said to sustain one reading of the idea of blue, as in waking up with the blues, and going to bed that way too. “Blues Bird” refers to the idea of blue in its “blues music” musical context, which can include joy and vitality. “Blues Bird” also expresses my interest in texture and mixed media in my paintings, although I also think “Blue Girl” is also a painting that includes a sense of texture. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
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    Meg Boe Birns (NY)
    Blues Bird

    Mixed Media Blues Bird Size: 28 x 26 These two paintings are part of a series of Blue Paintings I have done over the years. So this is not really a “Blue Period” a la Picasso, but a sustained interest in returning to blue over the years, from time to time. “Blue Girl” can be said to sustain one reading of the idea of blue, as in waking up with the blues, and going to bed that way too. “Blues Bird” refers to the idea of blue in its “blues music” musical context, which can include joy and vitality. “Blues Bird” also expresses my interest in texture and mixed media in my paintings, although I also think “Blue Girl” is also a painting that includes a sense of texture. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
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    Meg Boe Birns (NY)
    Stone Soul

    Stone Soul acrylic on found wood, found stone 13 x 7 x 7 I am attracted to working with found objects, and have eventually created quite a few found assemblages as a result. I believe they are sometimes called objet trouvé —and I agree with the consensus that what I like is the way I can take discarded objects and can transform and recontextualize and give new life and new aesthetic value. I especially like the way the “real” is transformed into the “surreal” through my creative process. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Melanie Doulton (NY)
    Veiled

    $400.00
    Veiled etching and monotype 10 x 14 This piece was inspired by marriage traditions in India where often women are required to veil themselves once they are wed. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Melanie Reim (NY)
    1940’s Coney Gang

    1940's Coney Gang
    printmaking
    20 x 29
    This monotype represents a simultaneous dive into recently discovered family polaroids and exploration into Monoprint. It is part of a larger body of work, "Why I Love the Beach."
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    Melinda Green Tepler (NY)
    Crystal Land and Sea

    1940's Coney Gang printmaking 13 x 19 This monotype represents a simultaneous dive into recently discovered family polaroids and exploration into Monoprint. It is part of a larger body of work, "Why I Love the Beach." Contact to Purchase: Sales are through Center for Contemporary Printmaking: Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Melinda Welker (SC)
    Drumming Hands

    Drumming Hands photography: digitally enhanced 20 x 16 Drumming Hands When taking this photo of a Gullah drummer, I purposely set a slow shutter speed to capture the blurred movement of the hands, while keeping everything else in the photo in focus. The hands display strength, endurance, and power, all attributes of the enslaved Gullah Geechee people. Originating from African traditions, music and drumming continue to be fundamental aspects of Gullah Geechee culture. Equipment and settings: Nikon D850, 300mm lens, f/11, 1/125 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Melinda Welker (SC)
    Looking Back

    $400.00
    Looking Back photograph 11 x 14 Looking Back (photography) A friend invites me to her garden to photograph anytime I wish. As a wildlife photographer, I enjoy watching and photographing the mallards in her cypress pond. The ducks are quite tame and my presence doesn't bother them. Mallards have more than 11,000 feathers, and when this male mallard struck a pose, I was able to capture many of those feathers, including his distinctive curled tail feathers. The mallard's flexible neck anatomy allows it to rotate its head 180 degrees. When I took this photo, the mallard turned his head to look back over his body, which created a more unique photo. (Equipment/Settings: Nikon D850, 1/1600, f5, ISO 400) Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Meredeth Turshen (NJ)
    Turning and turning in the widening gyre

    Turning and turning in the widening gyre collage: painted paper mounted on paper 11 x 7.5 My daily practice is to create a small collage every morning on awakening. Each is different, using different papers; some papers are painted like the ones used in this artwork, others are cut from magazines. The title is the first line of W.B. Yeats "The Second Coming". The work of daily practice makes it possible to face the day, which is filled with bad news at home an abroad. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Meredith Rosier (NY)
    Edith

    Edith oil on Wood Panel 4 x 4 Portraits are immeasurably fascinating to me for their breadth of expression. They can articulate an expansive language of mood and atmosphere. They can convey intent, brashness or delicacy, anxiety or hesitation. A viewer can vicariously venture into the realm of a face to invent a story about a person. I wanted to make these portraits in a miniature scale, so to bring a viewer close in proximity to the individual moods of each woman. They are intimate in scale yet vigorously alive with thick paint. Each portrait is 4" X 4", oil on wood panel. Painted with tiny brushes, the portraits of these women nevertheless remain hugely present. They reflect an unshakable vitality immersed in atmospheric spaces. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Meredith Rosier (NY)
    Linnea

    Linnea oil on Wood Panel 4 x 4 Portraits are immeasurably fascinating to me for their breadth of expression. They can articulate an expansive language of mood and atmosphere. They can convey intent, brashness or delicacy, anxiety or hesitation. A viewer can vicariously venture into the realm of a face to invent a story about a person. I wanted to make these portraits in a miniature scale, so to bring a viewer close in proximity to the individual moods of each woman. They are intimate in scale yet vigorously alive with thick paint. Each portrait is 4" X 4", oil on wood panel. Painted with tiny brushes, my portraits of these women nevertheless remain hugely present. They reflect an unshakable vitality immersed in atmospheric spaces. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Meredith Rosier (NY)
    Sima
    Honorable Mention

    $350.00
    Sima oil on Wood Panel 4 x 4 Portraits are immeasurably fascinating to me for their breadth of expression. They can articulate an expansive language of mood and atmosphere. They can convey intent, brashness or delicacy, anxiety or hesitation. A viewer can vicariously venture into the realm of a face to invent a story about a person. I wanted to make these portraits in a miniature scale, so to bring a viewer close in proximity to the individual moods of each woman. They are intimate in scale yet vigorously alive with thick paint. Each portrait is 4" X 4", oil on wood panel. Painted with tiny brushes, the portraits of these women nevertheless remain hugely present. They reflect an unshakable vitality immersed in atmospheric spaces. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Mery McNett (OK)
    Blooming

    Blooming oil on canvas 26 x 26 I have always been neurodivergent, and that created a lot of self-criticism. This is piece, I am showing love to all kids out there that feel outcast, shining light on their face, which bloom into beautiful "human flowers" of sorts. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Meyriel Jill Edge (SC)
    My Summer Friend

    $650.00
    My Summer Friend watercolor, Inks, oil sticks, sgraffito on clayboard 14 x 11 Each summer, I return to my homeland and spend five weeks drawing and painting my natural surroundings and its creatures, especially the sheep on the Nature Reserve behind our house. Clayboard is particularly suitable for showing the various textures because it takes almost any medium. Rhys the Ram and his ewes are quite tame because they are used to people, so it is a pleasurable experience. This work is my attempt to keep what time has already taken. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Meyriel Jill Edge (SC)
    Deconstruction

    Deconstruction mixed media: oil paint, ink, letter stamps, torn paper 40 x 16 An intuitive painter, here I combined my poetry and imagery. The challenge was to retain the piece’s painterly quality and its personal story, without it becoming purely illustrative. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Michaelann Bellerjeau (FL)
    Hot Nights, Bright Lights: Pool 1
    Elizabeth Stanton Blake Memorial Medal of Honor Award

    Hot Nights, Bright Lights: Pool 1 oil on canvas 24 x 24 Much of my work explores the transformative effect of light on the ordinary. This nocturne plays off the idea of “reflection,” evoking the nostalgia of swimming on warm summer nights. Bright, scattered lights shimmer across the pool’s surface, mirrored through water-blurred vision, where perception softens and shifts. The perspective bends as if seen through the eyes of a child suspended at the surface, where even a small pool expands into something vast, mysterious, and immersive. Angles double, textures ripple, and light fragments into a dreamlike interplay of color and motion. In this space between clarity and distortion, memory and sensation merge—creating a quiet, luminous fantasy that captures the fleeting magic of a night swim. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Michele Gallagher (PA)
    Ripened Pomegranates

    $1,400.00
    Ripened Pomegranates oil on canvas 15 x 15 I was inspired by the lushness in color and intricacies of form within the pomegranates Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
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    Micheline Klagsbrun (DC)
    On A Golden Breeze

    $1,950.00
    On a Golden Breeze ink and color pencil on vellum. 18 x 24 My work explores transformation and the fluidity of boundaries, both thematically and formally. This work on paper is suggestive of the abstraction of the processes of change and flow. It embodies the tension between the chaotic splashing and pouring of ink and a carefully controlled manipulation of color and line. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Micheline Klagsbrun
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    Micheline Klagsbrun (DC)
    Transit of Venus: Phase 4 Emergence

    Ink, pastel, and color pencil on paper 40 x 22.5 in.   Ever since antiquity, astronomers have studied the 13 phases of Venus, from her rise as the morning star, to her descent into invisibility, and her re-emergence in the evening sky. These phases occur over a 19-month cycle, marking both a physical and a spiritual passage. I expressed each phase in a different work. The journey begins with Inception, passing through Gestation, Birth, Emergence towards Fullness and Self-Discovery. Then Immersion and Transmutation are followed by Rebirth, Remembering, Wholeness, Completion. My inspiration was a found ledger of observations of the 1874 Transit of Venus, a phenomenon occurring every 243 years when the planet moves across the face of the sun.   Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

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