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mixed: paper on canvas 30 x 30 x 1.5" Millennium olive trees have grown in what was historically Canaan for thousands of years, some living today are as old as 3,500 years. They provide sustenance and livelihood to its historic residents. Israeli "settlers" have illegally bulldozed them to build compounds in the historically Palestine territory, affecting both the livelihood and culture established in the 5th century BC.
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acrylic & oil on cradled hardboard 24 x 24" Flowers invite universal questions of existence and purpose in their quest for survival, eventual senescence and rebirth. My floral artwork is inspired by the gardens surrounding my studio and In addition, by the images of the beauty and complexity of our universe as captured by NASA. Embedded in these Micro and Macrocosm depictions of our universe are the stirrings of conversation regarding interconnectedness and co-existence.
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wood 11 x 10 x 8" I am a gatherer. Fallen wood waits for me. Sticks, twigs, branches, and bark fill my arms and backpack while hiking. In the studio, I carve, burn, and apply color using colored pencils. Each piece reveals itself as I work. Beetle tracks on the carved blue sticks read as ancient secret text.
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gouache and mixed media on paper 46 x 35" I create abstract paintings on paper where color and chaos collide. Each painting weaves it way to its desired end. It is complete when it feels right. I work with marks, color and gesture to engage the eye in a visual dance and remain open to the unexpected.
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digital 30 x 37.875"
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mixed media 56 x 44 x 1.5" I recently lost a dear artist friend and mentor, Betty, on the third anniversary of the death of a beloved Lab, named Beela. I was reflecting on those beautiful souls, Betty's always wise words, Beela's devotion, and processing my grief.
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acrylic painting 40 x 30 x 1.5" My freehand, hard-edged abstract, sculptural form floats within a harmonized color field. I created my color pair with techniques used by figurative painters to give atmospheric perspective to landscapes and depth to objects in space. Can you sense the depth? Sentinel is a regal abstraction, placidly on guard. My signature tiny golden heart rests on the underside of the canvas, a talisman of joy, hope, and love. I varnished her with a matte finish. A minimal white wooden float frame and a small portal to view the golden heart can be added to this painting.
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acrylic 20 x 16" Bold hydrangeas always attract my attention. For this painting, I was inspired by dappled late afternoon sunlight falling among hydrangea blooms. Warm colors capture the fleeting late summer sun. Already a few leaves gather at the base of the steps, suggesting the change of seasons. The iconic green striped awnings and door hark back many decades, adding a sense of timelessness to this cottage near Alexandria Bay, New York. On a whim, I added a single hydrangea peeking from the window on the left to balance the composition and suggest the owner's touch.
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paste & ink on Arches paper 42 x 108" Quoddy I was created in the summer of 2022. I drove to downeast Lubec, Maine and over several days, I made ten "walk and draw" studies as I explored the trail there. There is a strong Japanese inspiration here in the simplified shapes. At the same time, in almost a cubist manner, I combine different views into one sweeping, overall view. The sunset in the back shows this shift of time and color. I also add Japanese kanji into the piece, to flatten the space and add eternal meanings. The ink is added after blending 20 layers of pastel.
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cast handmade paper wall sculpture 96 x 96 x 14" I am fascinated with the topography of landscapes, full of complex lines shapes, colors and textures. I create staged landscapes defined by human presence. With forced perspective I invite the viewer to enter my landscapes of Illusions and fantasy. Playing with the mind, scale, pocket openings, and crevices evoke a sensibility of self in-space. A call for a consciousness.
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collage on canvas 24 x 18 x 1" When I was working on this series I felt that these faces starring back at me were powerful and fierce and I wondered where was I going with these images. They slowly evolved by the addition of several symbolic images- Crosses, Birds & feathers. Crosses dividing the face - We are all two spirits the good and evil, the yes & no. Birds - I put birds on the eyes- Birds eye view of life! They are soaring through the sky with their eyes wide open! I like the old saying “See the soul through ones eyes” Feathers: In different Native American communities, the feather has many different meanings. It represents wisdom, spirituality, honor, respect, energy and also represents the sky and air.
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watercolor & gouache on polypropylene 27.25 x 33.25 x 1.5" The Italian word “capriccio” has various definitions: playful; whimsical; fanciful notion; an instrumental free form composition, usually lively in tempo and brilliant in style; characterized by unpredictable, sudden turns and changes were my muses for this painting. If ever a word described the Italian spirit, this is that word. It is the word that inspired the playground of the Roman emperors – Capri. “Capriccio” expresses all the definitions simultaneously. Using only the elements of art in a non-narrative composition afforded me the opportunity to take a capriciously joyful approach in my artistic interpretation of the word and the joyful Italian spirit and overall approach to life.
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acrylic 24 x 18"
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oil on linen 24 x 36 x 1.5" This painting is inspired by my walks with my dog Bodhi. He's a spirited energetic animal so it was a rare opportunity to catch him in a contemplative moment In this painting, I feel that Bodhi is enjoying nature in a similar way to me, but with different sensations, including his exquisite sense of smell, and touch. The painting reflects my sense that as humans, we are part of nature, and having an experience with a different species can enhance our appreciation of the world around us.
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collage 40 x 50" I am fascinated by the mythic concept of one’s daimon, or spiritual companion. According to Plato, the daimon acts as a carrier of our destiny. I refer to these companions as “the Grandmothers” and wonder how do they manage? Where do they reside? How do they carry such an important weight both physically and emotionally? While softly swinging in my hammock, the feeling of a vessel gliding effortlessly through the cosmos came to me. These boat-like vehicles developed into soul sleds. They are the agent from which the Grandmothers run the show and watch over us. Exploring the ideas of one's soul journey is my work's focus.
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oil & cold wax on wood panel 20 x 20" This painting was one of my first pieces upon moving to South Carolina. I was inspired by the ever-changing sky as a storm approached along the Intracoastal waterway. This is my first piece using cold wax. I used the cold wax to blend the colors and sought to achieve the glow in the sky. The cold wax was integral in creating the reflections in the water.
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colored pencil 12 x 8 x 1" PeaceWood is from my Revealed series showing the beauty that can be found even among erosion.
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acrylic on canvas 36 x 36 x 1.5" My piece, "Irreconciliation," explores the uncomfortable experience of irreconcilability. In today's political climate, it is unfortunately an ever-present force. Through abstraction, the painting captures the dynamisms, complexities, contradictions and opposing forces resulting in irreconciliation, yet also depicts the seeds of possible conciliation, if only we could acknowledge them.
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watercolor 35 x 28 x 1" The inspiration is the plethora of late summer-plantings in the St-Michel-de-Cuxa Cloister at The Cloisters Museum in northern Manhattan. My intent was to convey the contrast between the permanence of the 12th-century architectural elements and the fragile, transient essence of the blooms.
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limited edition digital print 2/50 15.5 x 18" Midnight is a mysterious and magical transition in time that reveals new opportunities and experiences.
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acrylic on canvas 48 x 60" I like soft colors and ways to find “safe passage” through the canvas, in the same way that we all maneuver through life and find our way. I want to create a feeling of depth, with forms intertwining, like stories of individuals in a city full of people. I strive to create contrast, vibrant interaction, raised and recessed surfaces, glossy and matte combined finishes. Life is a little like a puzzle and we all have to find our way to make the pieces fit. Intuitively, I convey my feelings in a particular painting, depending on my situation at the time… exploring the way shapes intersect in life and the way we sometimes hide the obvious behind a mask.
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oil on oil primed linen 40 x 30 x 2" Inspired by a recurring dream, I am interested in past experiences and how they mold and form who we become. Childhood memories are often the source of meaning and inspiration for my work. I use a shallow space and multiple perspectives in my compositions, working partly from life and partly imagination. All imagery has a specific meaning to me personally but I do not wish to embed a narrative in the painting. The inspiration serves only as an excuse to make the painting.
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plaster 19 x 16 x 5" Iris is an artist model. She began her career mid- life age 50. An artist asked her to pose for him She shared. Iris relished the idea and began her Art model journey. She brings a spiritual energy to the pose. Thank you, Iris.
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acrylic on canvas 24 x 16 x 1.5"
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acrylic 48 x 20" The invasion and destruction of Ukraine has caused me to question why this can still happen in today's world. None of the answers given (power, society, insanity) help me understand the destruction and death we are witnessing once again.
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oil on canvas 20 x 24" “Just Before the Stars Come Out” speaks of the end of the day; when the moon is up, just before the stars are readily visible. That sky has the most beautiful shade of royal blue, like lapis lazuli. It only lasts for a moment but is such magic. “I often find myself painting in two’s – such as the two chairs or two lampposts. It suggests a story, and I’ve been told it’s romantic.” I work both from direct observation of nature and from imagination. My work is about color and feelings. The thrill for me in painting lies in the countless possibilities of the interjection of a single stroke of color, upon color. My art is my effort to capture a moment and preserve the uniqueness of it.
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photography 28.5 x 24" Around the Keukenof Gardens, you will find the most beautiful tulip fields in the Netherlands. The designers' arrangements of the tulips excited me. Beautiful yellows, reds, pinks, purples, and whites transformed into a magnificent painting. I was inspired to create with my camera my interpretation of the tulips. Using a Topaz filter, I was able to push and pull the colors of the tulips until I was satisfied that the Explosion of colors were perfect. I want the viewer to experience my image so that it will enhance your imagination and lift your spirit. I hope that what I have seen through my heart becomes visible through your eyes.
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linocut 20 x 16 x 1" My prints reflect my lifetime fascination with the eternal truths and beauty found in the natural world. I find these in the grace and elegance of living forms and the majesty of scenic landscapes. I channel them into a personal visual statement. Each print is the result of an idea, a narrative that forms in my mind, which I execute as a design. Then there is the challenge of cutting the image into the plate and printing the edition. Cutting each plate provides a new learning experience.
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opalstone on granite 15 x 20 x 6" This sculpture was created in 2020 after George Floyd was murdered. My work often involves archetypal images like Sheela-na-gigs and vultures. The vulture harkens to the ancient Egyptian goddess Nekhbet. The vulture was the first image I saw in the stone. The Black Lives Matter protests in Portland continued for 100 nights. At one point, a nude white woman postured as a Sheela-na-gig, displaying her vulva toward the police. For me, she was the perfect back of the vulture as the vulture was the perfect front for the Sheela. Combined, they gave me hope for a new future.
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oil on canvas 30 x 24 x 1" A toddler gazes out of the glass door of an historic 18th century home. We learn from the past and also have an outlook on future prospects.
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oil on panel 17 x 25" Portraits afford an opportunity to paint light and compelling form, as well as explore wide-ranging emotive qualities.. Each work is about what the face portrays, In painting individuals at different ages and life stages I am also engaging themes of temporal change, individual vulnerability and human mortality. Moments of strength, decency, calm or vulnerability; traces of pain, self protection, openness, or glimmers of hopefulness, pride and earnestness are lurking in these faces. I am engaging with the enigmatic. The difficult and satisfying challenge in my portraiture is to portray some truth and in so doing to suggest our complex humanity and shared experience.
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acrylic on canvas 36 x 36 x 2" I’m interested in notions of landscape that focus on shallow water systems in both natural and man-made environments. The work combines representational and abstract approaches for a dialogue that addresses complexity and metaphor and which celebrates the intuitive response across painting, sculpture, drawing and print media. Composed Shallow (Three Leaves) proposes an intimate experience of a natural water system where familiar color, structure, and perspective are replaced and re-ordered.
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acrylic and mixed media on stretched canvas 48 x 48 x 1.5" As a native Swede I have always felt a strong connection to the ancient Scandinavian and Nordic culture and rituals, passed down from generation to generation in the form of poems, sagas and the ancient written alphabet Runes. I translate my memories from my childhood into textured layered paintings; ; weaving layers upon layers of paint, graphite, pigments, marks and symbols. My artistic journey is somewhere at the confluence of the removing and adding layers, the destroying and creating, and the notion that time is a reflection of change and inadvertently leaves an imprint.
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oil, gouache, pastel, on Arches oil paper 34 x 34 x 1.5" I create portraits of military spouses in mixed media. These paintings, which lean on drawing, display layered surfaces that disrupt and entwine with figures- representing the relentless cycle of moving and starting over. This figurative work revels in the immediacy, intensity, and expressiveness that drawing provides while exploring mark-making and surfaces. These qualities add tension between the figures and background while visually representing the struggle of spouses to not lose their individuality in lives dictated by another's military career. While being a military spouse is a tremendous honor, these portraits are an expression of their psychological space and tumultuous lives.
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mixed media 32 x 24 x 3" Contemplating the graphic nature of quilts, I decided to use that concept for a mixed media piece using old photos of my family. I manipulated a photo of myself by turning it into a black-and-white jpg cut and rearranged it to become a graphic outline. I sewed some photos onto the paper with antique buttons, and used tracing paper to "cloud" some of the memories and outline. I continued the stereotype of using quilts as decoration and made the frame to hang the project.
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oil 38 x 40 x 1.75" This painting is the beginning of a new series limiting the color palette. It tells the story of living in a place I love. My inspiration is the beauty of the city that keeps moving amongst its iconic structures and deep shadows. Daylight is used to outline both the buildings and people. I have always been a fan of antique silhouettes. They illustrate a history of fashion and stature in the most simple form. Fast forward to my version of silhouettes 2023.
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acrylic 31 x 41 x 2" In keeping with my deep interest in cultural signs, symbols and phrases I wanted to abstractly capture the slang term that was popularized on social media. RIZZ is a shortening of the word Charisma.
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photo/digital art 17 x 21" I took this photograph on a rainy day inside a local bicycle shop. It was for a Northern California art exhibit with a bicycle theme. Of all the photos I took that day, this was the most pleasing.
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oil 44 x 34" I was inspired to paint this piece while traveling in Cambodia. I am in awe of the spirituality, serenity, and peacefulness of monks. I strive to embody their powerful qualities in my new work.
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collage 24.25 x 30.5 x .75" The series of family portraits completed in 2021-23, "They Had Good Habits", had its inspiration from fond memories and old family photos. This group portrait of my wonderful grandmother and her sisters, conveys their happiness in being together.
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acrylic 30 x 40" Karlene explores memories and perceptions of the natural world through her colorful, gestural paintings. She uses shapes and lines to mimic organic forms found in nature, playing with positive and negative space and layers of paint to build up a sense of atmosphere on a flat plane. Her work is also fueled by bursts of color. While not true to life, her palette creates a conversation between cool and warm tones and serves to energize her compositions.
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sculpture relief 48 x 34 x 3" Bobbi Mastrangelo is known for her unique art theme based on manhole covers, water covers, grates and drains called “Grate Works of Art.” This light-weight wall relief is carved from sheets of polystyrene. It is based on a scene in a Hollywood Florida parking lot. Reference materials included photos and a rubbing of the manhole cover.
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photography on acrylic 12 x 16" During a gentle rain, I was walking in the garden and noticed that the petals of this rose looked just like a beautiful dress in a ballet, I couldn't help, but think that this rose was dancing in the rain.
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embroidery and felting 13 x 10" This is one of a series called “Ariadne Slept Here” showing Ariadne in current locales, a spinner who can help us escape the modern Minotaurs. Bonnie MacAllister renders in figurative embroidery, handspun threads, globally sourced farm wools and fibers, and recycled textiles. The language of textiles is also that of connection, threading together identity, history, biology, and personal experience. My portraits on handmade felt are created from an original figure drawing, transformed into needlepoint, bounded and knotted with each physical perforation, a gesture of self-healing, promoting mindfulness.
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colored pencil on paper 10.75 x 14.5 x 1" The original inspiration for Currents/Countercurrents was a view of wildly rushing waters flowing over a multitude of rocks in a pool of lake water. Each second I observed them, water would flood in anew to present more and more complex patterns. As I began to draw, vibrating colors akin to Op Art began to occur. I emphasized these, as well as building up the color in almost impasto effects adding to the frenzy. As the drawing progressed, it expressed additional meanings of the temper of the times.
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acrylic, graphite, water soluble crayon on canvas 66 x 78 x 1.5"
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pastel on paper, mounted photograph 50 x 103 x 3" My assemblages: pastel on paper and mounted photographs, are created by layering juxtaposing elements: nature vs. glitter. The viewers are immersed into my glowing, dazzling world of color, light, dimension and beauty. I create these stills by combining the elements: photographs of the landscape in seasons and detailed photographs of glowing or glittering moments . The paralleling objects are added to accentuate these phenomena. These compelling compositions are the culmination of many carefully executed steps that define my unique creative process. My intent is to captivate the audience and lure them into my world of undeniable beauty.
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oil on canvas 48 x 36 x 1.3" My abstract work reflects personal experiences depicted without naturalistic objects. After painting a series of highly-structured, static, mostly gray compositions, I created "Breach" in a series called "Chaos." My world had gone from inertia to movement and color and disorder. "Breach" shows water breaking through rocks surrounded by coral and other sea life in an underwater scene. Though there is destruction and chaos, there is also beauty and joyousness.
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coated copper wire and glass beads 22 x 22 x 6" The oranges, yellow, and reds of autumn have always spoken to me. I find the changing hues moving, an inherent part of nature's cycles. I selected wire and glass beads to depict this glorious time.
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acrylic on canvas 48 x 65" When people get married, they are in love and feel like on the cloud. But marriage life takes a lot more than feeling good. It also takes resistance, keeping the promise, forgiveness, etc. My painting is composed to show the contrast between the love high and the reality of married life. "The Kiss of Rodin" is painted on the cloud as a symbol of a trance moment of love while holding hands over letters of troubles of married life showing the physical and emotional tie of a married couple.
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