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Dry Pastel on Paper
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pastel 12.25 x 13.75" Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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The First Glow Collage with digital images and watercolor Size: 3 x 2 These works were inspired by the objects I found. "Burnin' Love )" was inspired by a found matchbox in the back of a drawer and I did a series of matchbox assemblages...this being one. My mom loved Elvis and took me to every movie he was in and I thought this would be a fun use of the piece. "The First Glow" was inspired by a pile of letters I found between a couple who wrote to each other and the letters revealed the development of the relationship and this piece is about how they both began to edge more towards love and "the first glow" or blossoming of new love... Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Collage Fixing the Last Booboo Size: 3.5 x 2.5 x .25 "In Full Bllom with Thorns" is a series of collage love letters based on correspondence I found between two young people in the 1920s. This is one of the phases of their relationship where it became a little "thorny". "Fixing the Last Booboo" is part of my Mending the Earth Collage series addressing loss of species, environmental concerns. etc. All works include vintage miniature ephemera, watercolor, acrylic paint, ink, graphite, digital images, vintage bandaid, thread and whatever else is needed...enjoy! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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assemblage 3 x 2" Maryann Riker is a mixed media artist whose collages and artist books convey a visual narrative relating to women's roles, historical topics and internal landscapes. She uses vintage ephemera, book parts and vintage photos to create collages, assemblages and artist books. Her work is in many private and public collections. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Collage In Full Bloom with Thorns Size: 3.5 x 2.5 x .25 "In Full Bllom with Thorns" is a series of collage love letters based on correspondence I found between two young people in the 1920s. This is one of the phases of their relationship where it became a little "thorny". "Fixing the Last Booboo" is part of my Mending the Earth Collage series addressing loss of species, environmental concerns. etc. All works include vintage miniature ephemera, watercolor, acrylic paint, ink, graphite, digital images, vintage bandaid, thread and whatever else is needed...enjoy! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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collage: digital photos, watercolor, acrylic, book parts, bandaid 10 x 8" This work on paper is a continuation of works dealing with the life' s journey from work to retirement where reassessment, introspection and reflection were important to me. They are works dealing with the life transition but can relate to many other life scenarios as well. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Assemblage 10 x 8 in.
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collage: digital photos, watercolor, stitching, book parts, vintage papers 10 x 8" This work on paper is a continuation of works dealing with the life' s journey from work to retirement where reassessment, introspection and reflection were important to me. They are works dealing with the life transition but can relate to many other life scenarios as well. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Mixed Media Painting 20 x 20 x 1.5 in. This painting is part of the "Universal Us" series based on the notion that science and reason reveal that we are truly one with the universe. All physical things derive from the same elemental building blocks, making us ... all the same. This series depicts diverse beings (some from the imagination), traveling through time, space or our minds and joining together in harmony. In this painting, a Gong Fu figure formed by genetic coding, a tree like plant, and a landscape from another world, are separately and jointly ruled over by a symbolic law of gravity. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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acrylic & mixed medium
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photo print
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digitally manipulated photography 25 x 19 x 1" Our hands are the most expressive part of our bodies, after the eyes. Being intensely emotional, I find it very instrumental in communicating with people. You can tell a lot about a person by how they move their hands while talking. In this photo collage, I depicted my hands flying all over the place, akin to the conductor's hand movement, creating a dynamic and vibrant image.
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digital drawing on Wacom tablet using digital brushes: watercolor, charcoal, & pastels 15 x 20 x 1" Moonlit Magnolia represents one of my mental places where I go to do my profound thinking. The unobstructed watercolor background of teal creates this velvety feel that is almost tangible. The magnolia tree with its twisted roots is a metaphor for the thoughts on which the dog is resting (with the dog being a self-portrait) whereas the crescent moon is the obvious source of light that can be translated as hopes and dreams. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Photography 12 x 8 in. With this photograph, I'm celebrating the Unique. I've been always drawn to the out-of-the-ordinary. The Satsuma Mandarin is a great example of one of my unusual findings. Despite the flower-like qualities of the hand it simply serves as a pedestal to support the main subject. The fruit is the hero of this picture. It's a portrait of individuality.
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metal print with AI-assisted image 20 x 20" The Trust In Me series came about as a motivating manifestation. Like all artists, I go through the phases of extreme self-criticism. Moving to another city, to another country, you can’t help but start comparing yourself to others. You think you are not doing enough. You are not enough. In order to create freely you need to be connected with yourself. Spending more time alone and reflecting helps to hear that inner voice. Only YOU can know what to do next. I named each work in honor of women who in my opinion changed or magically touched the art world, As part of a series this work represents J. K. Rowling.
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Mixed Media Blue Girl Size: 30 x 24 These two paintings are part of a series of Blue Paintings I have done over the years. So this is not really a “Blue Period” a la Picasso, but a sustained interest in returning to blue over the years, from time to time. “Blue Girl” can be said to sustain one reading of the idea of blue, as in waking up with the blues, and going to bed that way too. “Blues Bird” refers to the idea of blue in its “blues music” musical context, which can include joy and vitality. “Blues Bird” also expresses my interest in texture and mixed media in my paintings, although I also think “Blue Girl” is also a painting that includes a sense of texture. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Mixed Media Blues Bird Size: 28 x 26 These two paintings are part of a series of Blue Paintings I have done over the years. So this is not really a “Blue Period” a la Picasso, but a sustained interest in returning to blue over the years, from time to time. “Blue Girl” can be said to sustain one reading of the idea of blue, as in waking up with the blues, and going to bed that way too. “Blues Bird” refers to the idea of blue in its “blues music” musical context, which can include joy and vitality. “Blues Bird” also expresses my interest in texture and mixed media in my paintings, although I also think “Blue Girl” is also a painting that includes a sense of texture. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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mixed media--acrylic, cloth, wood, clay, other
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Morning Stretch 18 x 12 x in. I’m in love with the line. The language of line, delivered with a crashing landing on a page or the gentlest calligraphic curve, or a collection of marks, exudes a power and a sense of storytelling that is beautiful to me. It transcends the verbal communication. Drawing the human figure in line, connects me to my models and the stories that they tell through their poses. It is a collaboration- the model, the artist, the line. Line educates me, supports me, and excites me. It is the vehicle that tells my stories. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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acrylic, handmade paper, paper, graphite, pastel 16.6 x 20" Drawing from the live figure is an imperative part of my practice. The beauty of the female human figure never waivers. Using a figure drawing, drawn from life, an environment was created in the spirit of Matisse's odalisques. Her gaze is confident, yet sultry; exuding her confidence and power.
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alabaster on black marble base 14 x 5 x 4"
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Painting View of the Pond Through the Reeds 20 x 16 x 1 in. I was on a plein air painting trip to the Brandywine area, and was inspired by the landscape of a beautiful Delaware park, which had a river running through it, and ponds with native grasses and flowers. It was a hot, humid summer day, but the vibrant green of the grasses and reeds beside the water were worth studying. There always seems to be joy in the way wild vegetation grows next to water. I wanted to communicate that sensation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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oil on aluminum
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photograph
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photography digitally enhanced
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photography/digitally enhanced 24 x 18 x .5" Inspiration for this art piece comes from the poetry of Lisa Hammond. Her poem, titled “Three Fish” is of three very different fish - a wood carving, a bream, and a necklace pendant. Her poetry speaks to the world of nature, which aligns with my wildlife photography. While still figurative, this is the first photo I have exhibited that is not a living, breathing subject. I purposely developed each fish at differing exposures to express their individuality.
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acrylic on thin birch board 16 x 12 x .125"I wanted to branch out into less traditional portraiture, and conceived of the idea of modern iconography—portraying everyday people as saints and mythological characters. I loved the reference model's beautiful silhouette and sidelong look, and decided to add a halo and name her Saint Side-Eye to convey a sense of mystery and distinction.
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photography
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monotype with stenciling
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collage 9 x 12" Different media enable a variety of ideas to form and emerge and small dimensions encourage experimentation. What one produces in monotype on a press contrasts with what one creates using encaustic and can look unlike anything done with paper collage. All three media are direct, spontaneous and playful. Here are three skyscapes or, as I prefer, three fantasies about looking out and up. A good way to begin the new year. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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collage 6 x 8" The theme "Frozen Dreams and Abstract Realities: Winter’s Dual Nature" lends itself to a variety of interpretations in different media. My submission explores oil on paper, encaustic and collage to picture the changes in nature that winter brings when hiking in the mountains or walking along the seashore or just looking out of the window. From the slopes of the Jura in France to the shores of Montauk, Long Island, and the view from our window in Dorset, Vermont, snow is the constant winter companion. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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oil on paper 30 x 22" Working in oil-based inks with handmade paper plates and an etching press, I created this monotype by passing the print through several iterations until I achieved the final image. When choosing a title, I read a lot of poetry while looking at the print. The selection, Music of the Spheres, is the title of a poem by Robert Morgan.
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oil on paper 22 x 30" This painting reflects my long love of mountains. I lived for years in Geneva, skied and hiked in the Alps and the Jura. From the Green Mountains and White Mountains of New England to the Tetons of Wyoming, I retain vivid memories. In my imagination these impressions are transformed, reworked with many techniques, and imbued with emotions. Mountains represent many sentiments.
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oil on Belgian linen 12 x 12" The apprehension of movement on abstract shapes figure predominantly in my paintings. Each individual shape is a particular motion enacted on a still substrate, in this case Belgian Linen. The stop action union of these two opposing elements, movement on stillness and the idea of their simultaneous interaction is my longtime pursuit. I wish to offer a near view of particular shapes, conversing together. I propose these conversations in a sculptural manner adding tensions of heightened light, texture and color. My pursuit concurs with my idea that motion itself as a part of life is a mysterious occurrence.