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L is for more than lilies (letter L on braille) oil and crystal spheres on wood panel 12 x 12 Built through dense oil impastos and tactile Braille elements, this work reflects on language as both a visual and sensory experience. The figure partially concealed by flowers exists between presence and silence, suggesting identity as something layered, intimate, and continually unfolding. The Braille letter “L” extends the painting beyond sight, transforming the surface into a space of touch, memory, and perception. Through a contemporary figurative language, the piece explores fragility and resilience while questioning how emotion, beauty, and human connection are translated across different forms of communication. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Wash Day oil 16 x 20 My grandmother was a very important person in my life, encouraging me in my careers of music and art. She loved the sunshine and fresh air, and worked hard as a nurturer for the whole family. I try to follow her lead. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Hands Across Nations oil 16 x 20 Framed Size: 18 x 22 Bringing peace in the world needs a great effort by everyone. I like to think that women know best how to reach out in friendship. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Fortuna: The Uncertain Goddess Of Fortune 26.7 x 20 artbox, acrylic glass print My photography artwork presents an experimental take on light as movement, memory, and connection. I seek out the presence and beauty in city-light. For me the light inhabits a form which is revealed in its motion--a graceful dance of color, darkness, and radiance. I explore the power of light to create shape, define space, capturing a cityscape pulsing with life. Movement transmuted into images where light serves simultaneously as medium, social connection, and visual experience. The story of this image is in its form and its title: Fortuna: The Uncertain Goddess of Fortune. A fitting symbol of America at 250. No longer a land of opportunity, now more and more a land of caprice. Uncertainty, and therefore fear and anxiety, need not become the legacy of America and her-story. The power to restore the land of opportunity, for all, is in our voices and in our votes. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Attention 23 x 19 photos, colored paper and text on paper I see a world changing and not for the better. We are losing so many of the rights that we have fought so hard to achieve. There is so much more lack of respect for differences, hatred and gun violence today. And I'm so sad for our children and grandchildren to grow up in this environment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Reaction 23 x 19 photos, colored paper and text on paper This collage is a comment on the political environment and how polarized we are as a nation. Women have lost their right to choose in many states. Racism and antisemitism are at an all time high. We solve our problems with guns. Respect for differences of opinion is at an all time low. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Gaia silk 24 x 16 Interconnectedness of all women inspired this work of Irish Knots in Sari Silk. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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In Cissy's Eyes watercolor 10.5 x 13.5 framed size: 20 x 24 In Cissy's Eyes This painting is of my cousin at the age of about 3. It was taken from a very old and weathered photo, probably taken in 1949. It was the look in Cissy's eyes which inspired me to create this portrait. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Ella's Legacy mixed media 12 x 12 14 x 14 My dad loved Jazz, and I grew up listening to Jazz legends. I remember the sound before I learned their names. Ella Fitzgerald was The Voice. For me her legacy stands in the sound of her free roaming voice liberating and powerful. A voice beyond social structure and politics. A voice that is uniting and groundbreaking at the same time, appealing to our human nature. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Remember the ladies... printmaking 10 x 8 framed size: 16 x 14 “Remember the ladies..." references women's rights and what women have to bring to the table in protecting our democracy and humanity. The quote is from Abigail Adams' famous 1776 letter to John Adams, urging him to consider women's rights while forming the new nation. When the Declaration proclaimed "unalienable rights," "Life, Liberty, and the pursuit of Happiness," and "consent of the governed," these principles did not extend to women. Over the past 250 years, women — leaders, creators, and changemakers have fought to make these words real. Their impact resonates still and impels us forward—to secure our democracy and the rule of law, and to build a more inclusive and humane society. The image, a protective, nurturing gesture of holding something precious in one's lap, combined with those fundamental values, creates a powerful visual metaphor. The woman becomes a guardian of these principles. The monoprint process, putting transmuted ideas and feelings onto a Gelli plate, not knowing what will adhere, amplifies the uncertainty of the future. The layering implies the persistent courage, creativity, and grit that the women before us have inspired as we continue our work. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Paperbark Play 1 and 2 - diptych silverpoint drawing 10 x 14 Western Australia, home to innumerable intriguing trees, has one that enchants me - the Paperbark tree. Its multiple layers of feather-light bark, that peel off in shaggy disorder, are marked by wonderful striations and patterns... a world unto themselves. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Yellow Striped Head sculpture: ceramic on wood and steel base 7 x 5 x 5.5 This piece was sculpted from clay and glazed with underglazes. It came from the inspiration to go into new directions with color and pattern experimentation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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What Would Dorothy Do? acrylic, ink, thread, hand printed and painted paper, oil, wax medium 13 x 13 This piece began with painted shapes, collage, mark making, layer upon layer until the house images began to take shape. having just returned from a trip to Nashville, TN, I had seen many T-shirts and other souvenir items with the phrase: 'What would Dolly do?' when looking at my work as it neared completion, it reminded me of the house tossed in the tornado in the Wizard of Oz... So... Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Surf Side oil on board 9 x 12 Surf Side is a visual creation of the heat, sound, and smells associated with a visit to the shore. Juxtaposed to the forced planned unity of the red umbrellas is the variety of humanity whom enjoy the surf. It is a celebration of all that we share in common. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Shower Story oil on linen 24 x 20 I like to paint ordinary interiors, especially when there is the opporunity to infuse them with lots of color and add a drop of mystery. With this painting I had the chance to give the observant viewer a bit of a reward if they took the time to look. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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In the Midst fiber art 10 x 10 Seeing a suffragette flag from individual stitches, a figure emerges as part of the tapestry. This piece was created during the period of shuttering and made only of black thread, heirloom fabrics, and farm sourced wool. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Leaning stoneware 15 x 7 x 9 The piece started as a block of clay. The model took the stand and I asked her to take different poises. We settled on a sitting poise that could be held for a length of time. Once the basic poise was set in clay then I could begin to twist and lean and contort the figure into what I wanted. A strong women emerged that had confidence though leaning but keeping her balance. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Dark Hug of Time 24 x 24 x 1.75 oil and cold wax on panel Dark Hug of Time is a meditation on memory and the passage of seasons, rendered in oil and cold wax. The painting’s layered surfaces trace the slow fading and sharpening of recollections, much like autumn leaves fading in the light. Thick, tactile strokes rest alongside translucent washes, inviting contemplation of what endures and what quietly slips away. Created during a period shadowed by my sister’s illness, this work channels the complex embrace of loss—how memories overlap in contrasting layers, some vivid, others more elusive. The fall-inspired palette emerged almost without intent, reflecting the natural cycle of endings that make room for renewal. Through this piece, I sought to hold close the dark warmth of time itself, capturing its weight and tenderness in color and texture. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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ColorPlay digital 15 x 13 Inspired by the power of light and color to energize and create a sense of joy and play, I use custom software to weave individual rays of reflected and refracted light into fluid shapes that visualize this powerful rhapsodic experience. The rhythmic interplay of color, form, and space create a dynamic poetic tension that is only tempered by a snapshot in time. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Rosy Dawn encaustic 24 x 24 The beautiful interior pattern of security envelopes inspired thinking about the concept of “security” & its promise. Hexagons found me a way to “security” blankets and to the long traditions of quilting in America. The subversive use of quilts guided African Americans fleeing the South to safety in the North and recently found me a way to express the importance of our vanishing first amendment rights. Published lists of words that are not to be used resulted in my subtly insinuating reminders of our Right to Free Speech in the encaustic hexagons Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Mariposa oil 20 x 24 framed size: 23 x 27 I was in Costa Rica on a residency and a butterfly flew into my studio, and I saw myself taking flight as an artist. In my early years, I had to use my husband's name to get admitted into galleries. I worked tirelessly as a feminist promoting women's rights, chaining myself to the Statue of Liberty with the Congresswoman Bella Absug. This portrait represents the freedom to express myself as an artist. The imagery around the background represents the nuts on a beach tree (beginnings). The red flowers represent my life flowering. The fern turning brown symbolized my life aging. The butterfly image illustrates my journey to express myself as a woman and an artist. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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She Who Endures watercolor 14 x 13 framed size: 24 x 23 She Who Endures What I love about working with watercolor is its unique freshness, its clean sparkle, clarity and luminosity. Every painting has the potential to emerge as a celebration of the medium. I especially enjoy experimenting with color, and with many layers of glazing, creating harmonious mixes, using veils of color to produce subtle changes and fine nuances in my work. Each painting becomes a learning process, a fascination with what will happen as I walk along its path. Each painting has its own vibration, its own energy. Every success becomes very precious because with watercolor, one can never repeat any part of the work in exactly the same way. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Fill in the Blank watercolor 24 x 24 I have embraced an ancient art form and through the depiction of contemporary subject matter I have made it my own while respecting its traditions. My work focuses on people of the streets. I don’t intrude on their lives, I don’t photograph them, nor do I sketch them, when I paint them, something about their energy, their chi, has locked into my minds’ eye and it comes out my brush. Sumi-e, works the soft contemplative tones of sumi ink with the unique construction of handmade paper and eastern watercolors, creating an image that provides a space for the viewer to reflect. What my work “says” is not fixed, it is left open to the sensibility of each person that stands before it. In this way my work resonates with the spirit of sumi-e, not by imitating tradition, but by capturing a sense of life’s impermanence, fragility and hope. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Eye See You, Why Can't You See Me? acrylic 39.75 x 29.75 framed size: 40 x 30 What defines "SHE"? Is it her clothes? Is it how she looks - conforming (or not) to judgey societal norms? "She" should be accepted for whomever and however she authentically chooses to be. She is the one who defines what and who they are... Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Cloud Study watercolor on paper 15 x 13 I love clouds, and I love the challenge of capturing a mutable changing motif. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Late Summer oil on linen mounted on Raymar panel 9 x 15 This plein air artwork was completed on a breezy late summer day. I was accompanied by a friend who knew the owner of this northern Maryland farm, who welcomed those who recorded the landscape in art. The painting captures that landscape, which was full of movement from the constant breeze that enveloped the area, shifting color at a moment's notice. This painting is a dialogue of color and light. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lip Service in Blue oil paints, charcoal, paper, encaustics on wood 14 x 14 From the Delft Series: Born into a nomadic childhood, I moved every three years, each relocation driven by my mother’s appetite for new floor plans and color schemes. Though we never left Long Island, only shifting from one expressway exit to the next, each move reconfigured my sense of place. As a child, I accompanied my mother through model homes, where serious decorating conversations shaped how I learned to see. What once felt destabilizing became a way of organizing experience. My memories are color coded and archived by house number, interiors mapped alongside what unfolded outside their walls. Place, for me, is architectural and psychological. These paintings are anchored in the years we lived at 29 Weeks Street (Long Island Expressway, Exit 61), from 1959 to 1962, following our move from Queens to the suburbs. Inside, the house was governed by a strict blue and white palette: every room, every drape, every plate organized into solids and pattern, punctuated by green plants; reenforcing order, control and maternal authority. Outside the house, postwar prosperity and Cold War unease shaped daily life. The work forms a portrait of domestic aspiration, control, and place shaped through design. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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In Full Recognition No. 2 18 x 18 acrylic on paper This triptych uses the monoprint process to explore the delicate boundary between being seen and being forgotten. Inherently, a monoprint is a singular, unrepeatable ghost of an image—a fitting metaphor for the unique yet often marginalized lives of women throughout our nation’s history, particularly women of color in our national narrative. The fading image of the woman in resplendent headdress (In Full Recognition No. 1) represents the systemic invisibility and erasure that have long sought to diminish her power. As the image recedes over the second and third prints in the series (in Full Recognition No. 2 and No. 3), it also demands a more intentional gaze and prompts feelings of grasping to fully memorialize her before she is gone. What remains when a collective voice is suppressed? What reclaimed when we center HerStory? This triptych does not simply mourn collective loss for what could have been but aims to transform that loss into an empowered future where every woman is fully recognized and heard. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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In Full Recognition No. 3 18 x 18 acrylic on paper This triptych uses the monoprint process to explore the delicate boundary between being seen and being forgotten. Inherently, a monoprint is a singular, unrepeatable ghost of an image—a fitting metaphor for the unique yet often marginalized lives of women throughout our nation’s history, particularly women of color in our national narrative. The fading image of the woman in resplendent headdress (In Full Recognition No. 1) represents the systemic invisibility and erasure that have long sought to diminish her power. As the image recedes over the second and third prints in the series (in Full Recognition No. 2 and No. 3), it also demands a more intentional gaze and prompts feelings of grasping to fully memorialize her before she is gone. What remains when a collective voice is suppressed? What reclaimed when we center HerStory? This triptych does not simply mourn collective loss for what could have been but aims to transform that loss into an empowered future where every woman is fully recognized and heard. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Triptych: In Full Recognition No. 1 18 x 18 acrylic monoprints on paper This triptych uses the monoprint process to explore the delicate boundary between being seen and being forgotten. Inherently, a monoprint is a singular, unrepeatable ghost of an image—a fitting metaphor for the unique yet often marginalized lives of women throughout our nation’s history, particularly women of color in our national narrative. The fading image of the woman in resplendent headdress (In Full Recognition No. 1) represents the systemic invisibility and erasure that have long sought to diminish her power. As the image recedes over the second and third prints in the series (in Full Recognition No. 2 and No. 3), it also demands a more intentional gaze and prompts feelings of grasping to fully memorialize her before she is gone. What remains when a collective voice is suppressed? What reclaimed when we center HerStory? This triptych does not simply mourn collective loss for what could have been but aims to transform that loss into an empowered future where every woman is fully recognized and heard. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Bridge Over the Saddle River 6.5 x 10.25 watercolor The movement of the watercolor paint and its interaction with water always fascinates me. Striving to direct the medium to express my thoughts and feelings is enthralling. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Meadowlands 6.75 x 14 watercolor The movement of the watercolor paint and its interaction with water always fascinates me. Striving to direct the medium to express my thoughts and feelings is enthralling. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Break the Line- Step Outside to See the Light Mixed Media on Arches Oil Paper Mounted 35 x 26 framed size: 36.5 x 27.5 We’re each born into a specific time and location, with its own set of cultural norms, struggles, and realities. As a woman, I’ve found myself trying to untangle these while facing nostalgia and partaking in personal reckoning. My works on paper have become a visual representation of the questioning dialogue I have with those who have come before me, those who are here, and those who will come. I utilize line to draw and redefine figures, while spray paint, gouache, and oil paint are brushed through them to destabilize them. This visual representation of the disruptive mechanisms that shape our lives is repeated, creating a layered, unfinished look. Like a palimpsest, my surfaces reveal traces of unresolved figures or partially obscured ones; I believe the challenges women face make it difficult to reach their full potential. Nostalgia is a lie, and our future depends on today. In this work, Break the Line, Step Outside to See the Light, I question traditional roles and contemplate the women who have dared to break tradition and step outside. In today’s attack on women’s rights and independence, breaking the line is more important than ever. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Window That Held the Night No.1 photograph 11 x 14 The Window That Held the Night No. 1 was photographed at the Lunar Faire on a night when the moon was a thin crescent. Its faint light offered little illumination, allowing the artificial glow of the fair to shape the scene. Two shadows cross the weathered boards of an old barn. Their bodies are not visible. Only the forms they leave behind appear, stretched and altered by the light that holds them for a moment. At the center of the wall is a dark window. It does not reveal an interior. It simply holds the night. It absorbs light and resists reflection, becoming a still point within the composition. The shadows fall toward it without touching, as if drawn into the same field of tension. The worn surface of the barn carries the marks of time and exposure. It becomes a ground for these passing forms, holding them briefly before they shift and disappear. A quiet exchange emerges between permanence and impermanence, structure and fleeting presence. While the Faire is filled with sound and color, this image comes from its quieter edge, where light and darkness shape one another and absence takes on form. This work is my attempt to keep what time has already taken. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Shrapnel glazed ceramic and glass on metal frame 15 x 11 x 6 The news media affects us all, mankind creates weapons to harm people. Shrapnel bursts in the air and lands randomly, scattered all over, often times hurting and maiming many people. I create Abstract art forms that transform objects into works of art, providing the viewer a space of contemplation amongst the pain and violence around us. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Simple Math: 1619-2026 = 407 24 x 18 pastel We have a real opportunity, at 250 years from our written constitution and the establishment of our government, to achieve honest equity and functioning justice. Let's go there together. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Sunlit Leaves and Railing 24 x 24 x 1.5 oil on canvas These paintings were inspired by quiet moments of contrast in New York City, where life persists within heavily constructed environments. In Sunlit Leaves & Railing, light filtering through begonia leaves softens the boundary between ironwork and nature. In Surreal Perch, a black pigeon pauses on a rusted prism sidewalk in Tribeca, where worn industrial surfaces catch shifting color and light. My process begins with observing overlooked details and the way light changes them. I’m interested in the tension between organic and industrial forms—plants against ironwork, birds moving through hard urban surfaces, and shadows breaking up structure. I build the paintings through layers of paint and texture to capture the atmosphere of a place while allowing ordinary subjects to feel transformed. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Ripened Pomegranates oil on canvas 15 x 15 I was inspired by the lushness in color and intricacies of form within the pomegranates Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Wisdom pastel on paper 12 x 12 I was drawn to the model’s profound gaze—she carries a quiet sense of mystery, yet appears intelligent and confident. I enjoy capturing my subjects using subtle but vivid colors, focusing on mood and personality rather than strict realism, allowing emotional presence to come forward in the work. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Morning oil on panel 12 x 15 Morning comes early some days. But even when the coffee hasn't kicked in yet, that glow that permeates all things as the sun emerges over the horizon - It calms us and reminds us that every day has the potential to be a beautiful day. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Flower ShopAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.
acrylic on canvas
Size of Piece: 20 x 30The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.
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Journey to SelfAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.
acrylic on canvas
Size of Piece: 36 x 36 x 1.5Journey to Self, Outside Another Box, and Twisted each explore the complex, non-linear paths we take toward self-understanding and growth. Through layered colors, shifting forms, and circular movement, these works reflect moments of clarity, resistance, and transformation. They invite viewers to consider the ways we navigate change: sometimes breaking free from boundaries, sometimes finding our way back to center, always shaped by the twists and turns that make us who we are.
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TwistedAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.
acrylic on canvas
Size of Piece: 36 x 36 x 1.5Journey to Self, Outside Another Box, and Twisted each explore the complex, non-linear paths we take toward self-understanding and growth. Through layered colors, shifting forms, and circular movement, these works reflect moments of clarity, resistance, and transformation. They invite viewers to consider the ways we navigate change: sometimes breaking free from boundaries, sometimes finding our way back to center, always shaped by the twists and turns that make us who we are.
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View from the Chicago RiverAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.
oil
Size of Piece: 16 x 24The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.
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Join the Fight acrylic, collage, charcoal 24 x 24 Framed Size: 26 x 26 "Join the Fight" is part of my ongoing series, "Between the Lines," inspired by more than 500 letters my father wrote home during World War II. Written almost daily to his girlfriend, mom, and sisters, these letters document not only the experience of war, but the emotional lifeline between those who served and those who waited. This portrait of my dad's mother in the spirit of a WWII poster symbolizes the countless women who held families together on the home front. She had two sons actively fighting and a third who enlisted just before the war came to an end. It captures the many women of her generation: their strength expressed through endurance rather than spectacle managing daily life, sustaining hope, and offering steady reassurance through letters that crossed oceans. Across the Between the Lines series, fragments of handwritten correspondence are embedded into the surfaces of the paintings. These letters function as both historical record and intimate voice, reminding us that national events are lived through personal relationships. Patriotic symbols appear not as decoration, but as lived realities—woven into ordinary lives shaped by sacrifice and responsibility. As we mark 250 years of American freedom, "Join the Fight" honors the women whose labor, resilience, and emotional leadership made that freedom possible. Their contributions were often invisible, yet foundational. This work asks viewers to recognize freedom not only as something won in battle, but also as something preserved at home—through devotion, courage, and unwavering resolve. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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They Went in Anyway mixed media 22 x 30 framed size: 24 x 32 THEY WENT IN ANYWAY This drawing honors the eleven young women of the group known as The Norfolk 17. These were Black students who, in February 1959, integrated six previously all-white public schools in Norfolk, Virginia, after months of school closures enforced under the state’s policy of “Massive Resistance.” In defiance of the Brown v. Board of Education ruling, Virginia chose to deny education rather than desegregate. The students depicted are: Top row: Johnnie Rouse, Patricia Turner, Carol Wellington, Olivia Driver, Lolita Portis Middle row: Delores Johnson, LaVera Forbes, Geraldine Talley Bottom row: Betty Jean Reed, Claudia Wellington, Patricia Godbolt Out of 151 Black applicants subjected to deliberately discriminatory testing and interviews, only seventeen were admitted. The majority were girls. Supported by churches and the NAACP, these young women entered schools where they faced daily threats, spitting, physical assaults, and profound isolation. Yet they persisted, understanding that their presence carried consequences far beyond their own lives. Rather than depicting spectacle or confrontation, this work focuses on their composure, dignity, and collective strength. Their courage forced the reopening of Norfolk’s public schools and contributed to the nation’s ongoing struggle toward educational equity. These young women were not only students—they were agents of change, embodying the civic power at the heart of She the People. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Woman Warrior In Abstract. Rhythms of Color mixed media 17.5 x 12.5 framed size: 23.5 x 19 Woman Warrior in Abstract is a drawing that explores the evolving role of women in modern society. It has a vibrant, abstract, and dynamic composition. It features a variety of shapes and colors that create a sense of movement and balance. The central female figure is dressed in a stylized medieval armor outfit, incorporating elements of a sword, a vest structure, and a helmet. Posed like a riding horse, she evokes the image of a fearless knight symbolizing courage and readiness to confront challenges. The blue wave surrounding her head represents feminine energy and sensitivity. Together, these elements highlight the harmony between power and emotion that defines contemporary womanhood. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Caffenaited oil on cradled board 14 x 14 Facial expression and gesture provide me the impetus to make art. This painting of a young man, a thoughtful young man with an expression in his eyes and mouth, having his first or second cup of morning java, invites us to wonder his state of mind. Choice of color and loose brush strokes add to the ambiguity of his thoughts. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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No Cuckoos Here bronze sculpture 9 x 13 x 9 I frequently use found objects in my work. This beautiful burlwood bowl suggested a nest, and s many of the subjects of my sculptures are birds. I have combined the two in this piece. A graceful sycamore branch and leaf and three handmade wood bird's eggs tie the elements together in a graceful manor. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Roses in the Studio egg-tempera 12 x 12 Roses in the Studio is a visual tribute to prosperity and creative freshness. This small, but fragrant bouquet juxtaposed against the backdrop of my non-objective painting "Summer Vibes” symbolizes the unity of realistic and abstract expression. The ancient and laborious choice of media, the egg-tempera, is my new fascination both in technical challenges and stylistic nuances. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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