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Painting Healthy Skeptic 18 x 18 x 1 in. When I start a new portrait, I work to establish a faithful depiction of my subject first, through careful sketching and underpainting, paying close attention to the underlying bone structure, musculature and proportion. Then, with my choices of color, texture, brushwork, and some intuition, I try to go beyond, to capture a sense of the subject’s inner self as well. A finished painting conveys a likeness, but hopefully also a presence; when you look at it, you might feel it is looking back at you. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Gouache, pen, ink, pastel on a digital print 19 x 17.5 in
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oil on canvas 24 x 24 x 2" Through my painting I've become attentive to the splendid drama of my everyday world. The drama of an icy wonderland gives scale to the humble figures, in the mundane act of ice fishing as the ice spends them. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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oil on board 14 x 11 x 2" Through my painting I've become attentive to the splendid drama of my everyday world. I've especially been inspired through my travels. This painting was inspired by a memory of a hot day in Tuscany. We sought shade to shelter against the afternoon sun.
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oil on canvas
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oil on panel 18 x 18 x 1.5" Through my paintings, I’ve become attentive to the splendid drama of my everyday world. How the wind can create a ripple in a pond, a flock of birds descending on a field, or how sunlight can illuminate the side of a building are small miracles that happen all around us. In my latest series of oil paintings called Old Souls, I have paid homage to the trees I’m familiar with as I progress through my daily life and work. I thought of these paintings more as portraits of friends than as landscape paintings. I believe nature is intertwined with our lives and has an awareness of our human activity. I find this feeling most prevalent with trees. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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bronze / red rope 16 x 13 x 13"
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bronze with patina 17 x 22 x 20" Traces of our human existence is reflected in the shadows.
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marble
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stone 20 x 9 x 9" Bodhisattva embodies two defining aspects of my life. It reflects my earlier interest as a Buddhist scholar and my concern for the environment in our global effort to recycle and reuse unwanted materials. The piece is made out of an old building stone discarded during renovation and other salvaged items from Community Forklift, a non-profit reuse center in the DC area. Vowing to promote spiritual awakening and save all beings, the bodhisattva aspires to enlightenment for the good of others.
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gold painted marble heads on wood stand 7 x 18 x 12" Two lines of thought influence my work: The prehistoric Neolithic Period and Buddhist figures. I used leftover stone and reclaimed wood to create both landscapes. Gold paint is the latest addition to my work. One landscape tells the story of Venus of Willendorf, whom I imagine being a female direct carver standing tall among her self-made stone sculptures. In the other piece, I created the burial ground of four parts that make up a whole: the self, the person, the living soul, and the being reunited in their resting place. The four selves are a recurrent theme in my work.
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Marble 26 x 13 x 23"I work on the stone directly. Memories feed my inspiration. Those of past and present studies and travels around the world. Direct carving means letting the stone guide you. It is an act of faith that aims to bring balance to my mind and body as I look forward to satisfying my insatiable curiosity. The Universe, I see, reveals itself by expressing itself and knows itself through every bit of experience, and so is my work as a female sculptor, only limited in the process by the material circumstances I encounter: the quality, size, and veins of the marble.
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photography, digital 19 x 13" Ice and snow storms bring dramatic change to the landscape. It can be quite magical, and this is what I try to capture with my photographs. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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collage of digitally enhanced photographs on a light box
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inkjet print of photographed & digitally altered cut-out collage using transparent paper over a light box 10 x 8" I work with women images, creative colorful women in abstract shapes and light; this work illustrates women’s inner strength and balance. As Above So Below. Moving energy is an important skill. Feeling in your gut and projecting that feeling out is powerful. Holding up your power to present to the world is engaging. Our ideas are ready to materialize in the world.
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digital, archival inkjet print 13 x 19"
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Acrylic, Gouache, & Colored Pencil on Paper 5.5 x 8.5 in. The Gates is an exploration of life beyond the physical senses, inviting viewers to consider an ethereal realm where the boundaries between the known and the unseen blur. Through swirling colors and intricate textures, the painting presents a vision of transcendence. At the heart of the composition is an angelic figure, bathed in soft light, symbolizing the connection between the physical and spiritual planes. The wrought-iron gates in the foreground serve as both a literal and metaphorical threshold, suggesting a passage from the material world into realms of deeper consciousness. The sky, filled with fiery reds and tranquil blues, evokes a universe brimming with unseen energies. This piece reflects a fascination with metaphysical themes, encouraging viewers to reflect on the possibility of realities that lie beyond what we can immediately perceive.. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Works on Paper- Inkjet print 11 x 14 in
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ink jet print 15.375 x 12.25 x .75" My quilt top studies are a part of a larger body of work which pays tribute to family quilt makers and stone masons. This work has evolved since the 1960's and has included Conceptual Art systemic paintings, prints, and sculpture as well as more random explorations in assorted media.
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cut canvas, acrylic, collage mounted on panel 29 x 17 x 2" My Off the Wall series are experimental, dimensional, sculptural works that hang on the wall. These pieces reflect my aim to breakaway from traditional 2D canvas and paper surfaces. I like to "destroy" or "violate" these traditional surfaces in order to discover new working platforms that stimulate my way of seeing and interacting with each unexpected outcome.
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alkyd oil 30 x 48 x 1.5"Painting and poem inspired by survivors of COVID-19 Gathering together They've made it out of the woods. From the edge of darkness and back Broken but patched back together, They take their places on pedestals, like trophies. They've won. They survived. And who are these witnesses below? Did they escape the pandemic- Or did they succumb to it?
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Watercolor on Archers 140# 30 x 30"
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India ink, archival ballpoint, crayon, coffee, watercolor, gouache, color pencil, acrylic on paper 28 x 21"
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Collage 15 x 11 in. I love collage. I collect paper, cut it up, and move the bits around until an image comes together. With no idea in mind, it’s just play & discovery, with a surprise reward at the end! “Girlfriends” reflects new techniques I was trying out: painting and printing on wallpaper scraps and deli paper, and, experimenting with “faux” encaustics: transferring an image onto matte Dura-lar Mylar and adhering it image side down, producing a translucent, beeswax effect. Using people as subject matter is also new. A friend had given me a packet of old photos, and immediately, they spoke to me.
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Ink on washi paper
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Ink on paper 20 x 19 in