encaustic on wool, silk, paper, & cotton
5.5 x 9.5 x 1″
Dot Bergen is fascinated by processes that reference the passage of time; nature profoundly influences her work. She has always been captivated with mineralization, fossilization, weathering and erosion. There is beauty and power in change, but there is also a sense of vulnerability, the idea that nothing is constant. “Creating a temporal landscape of an ongoing process encourages the viewer to contemplate the past conditions contributing to this portrayal.” In Dead Man’s Party, Dot explores the fragility of the human relationship with the ever-changing natural world.
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