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Photography 11 x 14" In the image, I captured the simple beauty in a state park on Amelia Island, Florida. I used the platinum/palladium printing process to capture a softer, painterly effect, evoking late 19th century idyllic landscapes and lending a poetic quality to the image.
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platinum/palladium photograph 11 x 14" In my art work, I capture the simple beauty in everyday life, the commonplace or ordinary scenes in the natural environment. These images offer us rare moments of solitude, time to slow down and observe the world around us, and to enjoy quiet beauty and serenity. I use water and light as beautiful threads that draw the eye in. The quality of light is of paramount importance, defining the textures and forms in nature, and patterns of light and shadow. In these images, I combined infrared film negatives with the platinum/palladium printing process to capture a softer, mystical effect, evoking late 19th century idyllic landscapes and lending a poetic quality to the images.
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acrylic 60 x 48 x 1.5"
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Acrylic on paper mounted on canvas 10 x 10 x 1.5"Welcoming my inner child, a curly headed girl playing with the magic of color, freely exploring energetic worlds of my imagination connects me with my true spirit. Above and Below depicts sea creatures below with a vibrant sunset above the horizon. Depth perception is felt in the free form swirling deep blue line work adjacent to a white horizon line. Your eyes dive into the sea below and swirl up into the warmth above.
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acrylic 48 x 60 x 1.5" Nature, for me, is a constant source of inspiration. This pink jungle has many paths to travel. Playfully we encounter many different animals throughout this landscape, even a dog with green dancing shoes! Being in nature reminds me of the paradox of our own complexity and our own smallness. Our feeling both small and vast in the natural world leads to stillness. In the stillness, we become aware of our inner light. This is the light of our true nature and our sacred heart. May all beings cultivate joy along this path to true enlightenment.
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Acrylic Summer Creekside Size: 20 x 20 Frame Size: 21 x 21 After art school, I lived in Alaska for several years, an experience which profoundly impacted me and my art. After long winters, as the snow started to melt and the ice started to break, unique colors emerged throughout all of nature. In "Summer Creekside", I play with darks and lights to re-create the bright Alaska summer nights when the sun would set close to midnight. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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acrylic & pastel on wood 48 x 48 x 2" In summer 2022, I was invited to my neighbor’s house at midnight to watch the blooming of their Queen of the Night flower (also known the Dutchman’s pipe cactus). It blooms only once a year in the darkness of the night and withers in the morning. It was such a profound lesson to me that nature allows such magnificence to occur in darkness. Applying this lesson to my own life, I was encouraged in my personal health challenges. Even in the hardships and darkness, I should continue fighting because beauty flourishes even in the most adverse of circumstances.
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Painting Healthy Skeptic 18 x 18 x 1 in. When I start a new portrait, I work to establish a faithful depiction of my subject first, through careful sketching and underpainting, paying close attention to the underlying bone structure, musculature and proportion. Then, with my choices of color, texture, brushwork, and some intuition, I try to go beyond, to capture a sense of the subject’s inner self as well. A finished painting conveys a likeness, but hopefully also a presence; when you look at it, you might feel it is looking back at you. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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oil on canvas 24 x 24 x 2" Through my painting I've become attentive to the splendid drama of my everyday world. The drama of an icy wonderland gives scale to the humble figures, in the mundane act of ice fishing as the ice spends them. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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oil on board 14 x 11 x 2" Through my painting I've become attentive to the splendid drama of my everyday world. I've especially been inspired through my travels. This painting was inspired by a memory of a hot day in Tuscany. We sought shade to shelter against the afternoon sun.
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oil on canvas
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oil on panel 18 x 18 x 1.5" Through my paintings, I’ve become attentive to the splendid drama of my everyday world. How the wind can create a ripple in a pond, a flock of birds descending on a field, or how sunlight can illuminate the side of a building are small miracles that happen all around us. In my latest series of oil paintings called Old Souls, I have paid homage to the trees I’m familiar with as I progress through my daily life and work. I thought of these paintings more as portraits of friends than as landscape paintings. I believe nature is intertwined with our lives and has an awareness of our human activity. I find this feeling most prevalent with trees. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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bronze / red rope 16 x 13 x 13"
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bronze with patina 17 x 22 x 20" Traces of our human existence is reflected in the shadows.
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marble
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stone 20 x 9 x 9" Bodhisattva embodies two defining aspects of my life. It reflects my earlier interest as a Buddhist scholar and my concern for the environment in our global effort to recycle and reuse unwanted materials. The piece is made out of an old building stone discarded during renovation and other salvaged items from Community Forklift, a non-profit reuse center in the DC area. Vowing to promote spiritual awakening and save all beings, the bodhisattva aspires to enlightenment for the good of others.
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gold painted marble heads on wood stand 7 x 18 x 12" Two lines of thought influence my work: The prehistoric Neolithic Period and Buddhist figures. I used leftover stone and reclaimed wood to create both landscapes. Gold paint is the latest addition to my work. One landscape tells the story of Venus of Willendorf, whom I imagine being a female direct carver standing tall among her self-made stone sculptures. In the other piece, I created the burial ground of four parts that make up a whole: the self, the person, the living soul, and the being reunited in their resting place. The four selves are a recurrent theme in my work.
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Marble 26 x 13 x 23"I work on the stone directly. Memories feed my inspiration. Those of past and present studies and travels around the world. Direct carving means letting the stone guide you. It is an act of faith that aims to bring balance to my mind and body as I look forward to satisfying my insatiable curiosity. The Universe, I see, reveals itself by expressing itself and knows itself through every bit of experience, and so is my work as a female sculptor, only limited in the process by the material circumstances I encounter: the quality, size, and veins of the marble.
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photography, digital 19 x 13" Ice and snow storms bring dramatic change to the landscape. It can be quite magical, and this is what I try to capture with my photographs. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Manifest Aluminum Print Size of Piece: 20 x 16 x 25 I like photographing translucent collages on a light box and enhancing the images to come up with new ways of seeing things. I started this practice when checking in with a therapeutic light box for my seasonal affective disorder. I started exploring ways of arranging shapes and colors with layers. The light holds in the finished work and the colors are jewel-toned. 'Energy in Motion' is about finding our power. Orange is a strong color and rules the naval center. Find your energy and move it. Manifest what you desire. Aluminum prints work well with this work. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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collage of digitally enhanced photographs on a light box
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inkjet print of photographed & digitally altered cut-out collage using transparent paper over a light box 10 x 8" I work with women images, creative colorful women in abstract shapes and light; this work illustrates women’s inner strength and balance. As Above So Below. Moving energy is an important skill. Feeling in your gut and projecting that feeling out is powerful. Holding up your power to present to the world is engaging. Our ideas are ready to materialize in the world.
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Exit Neon Photography Size: 11 x 14 As a mixed media artist, I have spent years exploring and combining various materials to express the intricacies of human memory, emotion, and perception. My work often bridges 21st-century Modernism with the new realism movement, capturing not what is seen, but what is felt and remembered. The intuitive realism at the heart of my paintings has led me on a journey to explore photography as a new medium in my artistic practice. Although my roots are in painting, I began developing my photography work in earnest just last year, bringing with it a fresh dimension to my exploration of light, color, and texture. Photography allows me to capture fleeting moments, unveiling hidden beauty in the everyday. It is an evolution of my mixed media approach, focusing on the delicate interplay between light and shadow, abstraction, and the way our eyes perceive the world around us. In my photographs, I seek to express not just the subject, but the emotional and sensory experience of the moment. Each image is an invitation to see beyond the surface, to find resonance in the seemingly ordinary, and to embrace the energy that exists in the unseen. Through photography, I continue to challenge myself and my artistic practice, using the camera as another tool to reveal the truths that lie beneath the surface. I am excited by the endless possibilities this new medium offers and look forward to sharing more of this evolving work with the world. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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ink jet print 15.375 x 12.25 x .75" My quilt top studies are a part of a larger body of work which pays tribute to family quilt makers and stone masons. This work has evolved since the 1960's and has included Conceptual Art systemic paintings, prints, and sculpture as well as more random explorations in assorted media.
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Scholar Roots 1 Dead ivy roots, molding compound, acrylic on panel Size of Piece: 33 x 33 x 2.5 Salvaged ivy clusters and tendrils assembled and formed to represent calligraphic marks promoting reflection. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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cut canvas, acrylic, collage mounted on panel 29 x 17 x 2" My Off the Wall series are experimental, dimensional, sculptural works that hang on the wall. These pieces reflect my aim to breakaway from traditional 2D canvas and paper surfaces. I like to "destroy" or "violate" these traditional surfaces in order to discover new working platforms that stimulate my way of seeing and interacting with each unexpected outcome.
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alkyd oil 30 x 48 x 1.5"Painting and poem inspired by survivors of COVID-19 Gathering together They've made it out of the woods. From the edge of darkness and back Broken but patched back together, They take their places on pedestals, like trophies. They've won. They survived. And who are these witnesses below? Did they escape the pandemic- Or did they succumb to it?
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India ink, archival ballpoint, crayon, coffee, watercolor, gouache, color pencil, acrylic on paper 28 x 21"
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Collage 15 x 11 in. I love collage. I collect paper, cut it up, and move the bits around until an image comes together. With no idea in mind, it’s just play & discovery, with a surprise reward at the end! “Girlfriends” reflects new techniques I was trying out: painting and printing on wallpaper scraps and deli paper, and, experimenting with “faux” encaustics: transferring an image onto matte Dura-lar Mylar and adhering it image side down, producing a translucent, beeswax effect. Using people as subject matter is also new. A friend had given me a packet of old photos, and immediately, they spoke to me.
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Alcohol Ink Almost a Square of Red Lines Size: 11 x 11 Framed Size: 15 x 15 Cheryl Levin’s current minimal ink drawings on paper use repetition to bind herself to the creative process. Using dip pen or brush, each line she applies is akin to a sentence in a letter making paragraphs on a page; each drawn line follows the next creating a correspondence with her inner and outer self. Almost a Square of Red Lines is part of multiple series of Levin's as part of her growth and transformation from major life changes thus her work is often viewed as landscapes of lives' journeys or life paths. Here, the whole square - not quite filled in - reflects what is left out of the landscape of our lives. The papers' edge and the ink absorption become part of the fragile journey. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Alcohol Ink Orange Landscape with a Mistake on the Left Size: 18 x 18 Framed Size: 27 x 27 Cheryl Levin’s current minimal ink drawings on paper use repetition to bind herself to the creative process. Using dip pen or brush, each line she applies is akin to a sentence in a letter making paragraphs on a page; each drawn line follows the next creating a correspondence with her inner and outer self. Orange Landscape is part of multiple series of Levin's as part of her growth and transformation from major life changes thus her work is often viewed as landscapes of lives' journeys or life paths. The papers' edge and planned accidental "mistakes" become part of the fragile journey. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Ink on washi paper
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acrylic, collage on canvas 24 x 24 x 2" My Portals are acrylic, mixed media on canvas. They represent openings to opportunities, the unknown, which seem promising, beautiful, enticing. Like Native American "dream catcher," portals offer a landscape of positive energies surrounded by edges that can snag and encumber the viewer as they reach for the magic in the center. Portals reflect opportunities for a quiet, meditative, and peaceful space encumbered by unknown obstacles, dangers, and barriers. One must focus on the safety and quietness in the portal's center, while also navigating the broken, seen and unseen impediments that may interfere with the journey forward.
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Onyx mounted on limestone
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ink on yupo paper 12 x 16 x 1"In times of darkness, there is always a ray of hope, positivity, and light. The painting, Always Follow the Light, is an image to remind the viewer to never give up. There is a choice to seek the possibility that comes in every phase of life. It is within each soul to seek that special light. This painting is dedicated to my mother, who while battling cancer, spoke her last words " Well, I have had a wonderful life". She always followed the light.
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oil on linen 60 x 42 x 1.25"
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oil on linen 38 x 28 x 1.5" My paintings deal with the luminosity of light. They are inspired by a need and my choice to embrace brightness and positivity in the darkness that seems to hover over the entire world like an enormous dark cloud. I use organic shapes that are derived from nature with the intention to lift the spirits of the viewer. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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alcohol ink on yupo paper 14.5 x 11.5 x 1" The aging torso contains many mysteries as it embodies the person’s history ranging from injuries to stress both physical and mental. As I age, I am inspired by process and how it has transformed me physically and spiritually.
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acrylic on canvas 24 x 36"
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soft pastel on sanded paper
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Watercolor 9 x 13"
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soft pastel on Canson Mi-Teintes Touch sanded paper 18.25 x 13.375" My work is inspired by objects and scenes from the natural world. I work mainly in soft pastels, and watercolor. When I'm observing something, I'm not simply noticing the object or the landscape before me, I see the dance of colors in color, the lyricism of line, and the play of shapes through value and space. We are surrounded by sublime beauty in the mundane as much as in the extraordinary, and it's this transitory beauty that I am compelled to capture. Aiming to make my work accessible and easy to understand, I prefer to create representational work.
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Works on Paper 36 x 36 in. This piece, Windblown, is part of a series called Transitions. When I started this series I was touched by the lament of “women of a certain age”, feeling that they were invisible, overlooked, and insignificant. This series is my attempt to visually capture this time in a woman’s life as an ending as well as a new beginning as the sunflower emits its seeds and begins again. The subject of this work is an aged, dried sunflower. I used Chinese ink to explore the transient nature of life and the strength of that transience. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Peachy Beach Day Oil on panel Size of Piece: 12 x 6 Size of Piece Framed: 13.5 x 7.5 I like to paint slice of life vignettes. "Peachy Beach Day" was inspired by a little girl on the beach. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.