• Acrylic on Canvas Hope Springs Size: 48 x 48 x 3 Birds began to appear in my work at the start of the Pandemic. The beginning of the bird fashionistas - little characters that emulate the personalities of the people around me: They are fun to make and are a constant reminder of what is important in my life. When someone asks me “What happened to you during the pandemic?” I think “Well, a lot,” but the constant reminder of life came from looking through the living room window, watching a cascade of different types of birds vying for their spot at the bird feeder. Over and over and over! So many hours spent on the sofa just watching them and being thankful for being alive. While sitting on that sofa I did draw a LOT in my journal book. I wrote about the places I’ve been to, the people I’ve been with, meanings of the icons and images I was incorporating in my work. When we all began to venture out of our houses, I was more mindful of the journaling process and drawing the “memories” of place. The images in the journal book are the genesis of this work. If you would like to learn more about my work, please visit my website: candacenicolgarlock.com Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Acrylic on Canvas Love and Beloved Size: 48 x 48 x 3 Birds began to appear in my work at the start of the Pandemic. The beginning of the bird fashionistas - little characters that emulate the personalities of the people around me: They are fun to make and are a constant reminder of what is important in my life. When someone asks me “What happened to you during the pandemic?” I think “Well, a lot,” but the constant reminder of life came from looking through the living room window, watching a cascade of different types of birds vying for their spot at the bird feeder. Over and over and over! So many hours spent on the sofa just watching them and being thankful for being alive. While sitting on that sofa I did draw a LOT in my journal book. I wrote about the places I’ve been to, the people I’ve been with, meanings of the icons and images I was incorporating in my work. When we all began to venture out of our houses, I was more mindful of the journaling process and drawing the “memories” of place. The images in the journal book are the genesis of this work. If you would like to learn more about my work, please visit my website: candacenicolgarlock.com Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Egg Tempera Painting Winter Pears Framed Size: 10 x 13 x 1 I have studied at the Art Students League for several years, initially focusing on drawing. Other mediums I have explored include acrylic and colored pencil. Most recently, I have begun exploring egg tempera in still life. and currently study with Doug Safranek. I have participated (and sold pieces) in the Visual AIDS annual project Postcards from the Edge. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Collage In Full Bloom with Thorns Size: 3.5 x 2.5 x .25 "In Full Bllom with Thorns" is a series of collage love letters based on correspondence I found between two young people in the 1920s. This is one of the phases of their relationship where it became a little "thorny". "Fixing the Last Booboo" is part of my Mending the Earth Collage series addressing loss of species, environmental concerns. etc. All works include vintage miniature ephemera, watercolor, acrylic paint, ink, graphite, digital images, vintage bandaid, thread and whatever else is needed...enjoy! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Collage Fixing the Last Booboo Size: 3.5 x 2.5 x .25 "In Full Bllom with Thorns" is a series of collage love letters based on correspondence I found between two young people in the 1920s. This is one of the phases of their relationship where it became a little "thorny". "Fixing the Last Booboo" is part of my Mending the Earth Collage series addressing loss of species, environmental concerns. etc. All works include vintage miniature ephemera, watercolor, acrylic paint, ink, graphite, digital images, vintage bandaid, thread and whatever else is needed...enjoy! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Oil Curtsey and Carry On Size: 50 x 26 x 3 My submissions represent the most current work I have completed. The figurative series was intended to encompass all things about creation. The cubist quality happened rather organically while I was troubleshooting creative ways to represent parts of a figure, and the pieces that make up a whole being. These are only two examples, while some of the works not pictured are more irregular and varied shapes, rather than the hard-edged linear shapes seen here. The pallet varies as well but overall the works are a neutral with vibrant undertones. The contour lines will appear and subtly disappear. I enjoyed the thinking process behind the pieces as much as the actual creation of them. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Oil All My Favorite Colors Size: 50 x 26 x 3 My submissions represent the most current work I have completed. The figurative series was intended to encompass all things about creation. The cubist quality happened rather organically while I was troubleshooting creative ways to represent parts of a figure, and the pieces that make up a whole being. These are only two examples, while some of the works not pictured are more irregular and varied shapes, rather than the hard-edged linear shapes seen here. The pallet varies as well but overall the works are a neutral with vibrant undertones. The contour lines will appear and subtly disappear. I enjoyed the thinking process behind the pieces as much as the actual creation of them. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Egg Tempera Painting Green Tea Framed Size: 10 x 13 x 1 I have studied at the Art Students League for several years, initially focusing on drawing. Other mediums I have explored include acrylic and colored pencil. Most recently, I have begun exploring egg tempera in still life. and currently study with Doug Safranek. I have participated (and sold pieces) in the Visual AIDS annual project Postcards from the Edge. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Tuk Sip

    acrylic, handprinted paper, collage on canvas board

    Size of Piece: 9 x 12 x .25

    'Offering' was inspired by a trip to India where I participated in a service project. I had made a strong, non-verbal connection with this woman which seemed to grow stronger as the weeks passed. On the final day, she invited me into her home and offered a chai tea to share with her, along with one rupee she had kept hidden behind the counter. Her daughter commented thatches was her gift to me. the woman held my hand tightly as we left for the bus-- and followed my eyes through the bus' window as I sat to leave.. both of us in tears. I wanted to capture that moment when the connection felt as if we were just two women- our shared experiences reflected in each others eyes- no matter how far apart our worlds were. The other piece-'Tuk Sip' from a trip to Cambodia (Tuk=water)

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  • Reflection oil on canvas
    Size of Piece: 36 x 24 x 1
    When I created Reflection, I asked myself: Who am I? In this painting, I see myself as a Divine Warrior, yet not one dressed in heavy battle armor. Instead, I chose to reveal her strength through contrasts—the grandeur of gold and the delicacy of a soft pink nightgown. To me, this symbolizes the truth of womanhood: we carry both resilience and tenderness, power and vulnerability, often all at once. The helmet becomes more than protection; it is a veil. I am not looking out into the world—I am looking within. This inner gaze reflects the search for identity, the quiet power of self-knowledge, and the courage to face the truths we hold inside. Reflection is both a portrait and a mirror, asking the viewer to pause and wonder: When you strip away the armor, who are you?
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  • Who Do You Love? oil on canvas
    Size of Piece: 30 x 24 x 1
    Artwork 1: A young woman leans toward her reflection, kissing herself in the mirror. The image speaks not only of solitude, but of the eternal human desire to be seen and loved. In today’s world, the phrase “love yourself” is repeated endlessly-sometimes as healing wisdom, sometimes as a shallow slogan. Is self-embrace the beginning of true connection, or a sign of how distant we have grown from one another? The mirror becomes a symbol of both intimacy and isolation. And it asks us all, in the quiet of our own hearts: Who Do You Love? Artwork 2: Aphrodite, the ancient Greek goddess of love, beauty, and desire, embodies both passion and grace. Born from the sea foam, she symbolizes the power of attraction, creativity, and the eternal force of love that connects all beings.
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  • Triptych in Red and Blue oil on canvas
    Size of Piece: 24 x 20 x 1
    My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. The painting Triptych in Red and Blue consisting of the center part with a stylized still life and two wings with the human images stylized and intertwined with the background is intended to create a strong visual image engaging viewers, provoking thoughts and reflections.
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  • Reflections in Blue oil on canvas
    Size of Piece: 20 x 16 x 1
    My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. Reflections in Blue, 2023 In this painting, objects that were once functional and valuable are now cracked and broken, yet they have acquired a new kind of beauty. They evoke memories and reflections, with fragments of the mirror bringing images from the past back to life.
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  • Reflecting digital collage on paper
    Size of Piece: 28 x 20
    My digital artwork is layered with patterns, symbols, metaphors, and archetypal imagery, inviting the viewer into a space where reality is suspended, and deeper connections can be uncovered. Each layer reveals something new—whether it's a reflection of nature, a moment in time, or a spiritual journey—inviting viewers to explore the themes of interconnectedness that run through my work. These digital collages transcend the immediate experience, offering a window into the universal rhythms of life, spirit, and time.
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  • Reflecting digital collage on paper
    Size of Piece: 28 x 20
    My digital artwork is layered with patterns, symbols, metaphors, and archetypal imagery, inviting the viewer into a space where reality is suspended, and deeper connections can be uncovered. Each layer reveals something new—whether it's a reflection of nature, a moment in time, or a spiritual journey—inviting viewers to explore the themes of interconnectedness that run through my work. These digital collages transcend the immediate experience, offering a window into the universal rhythms of life, spirit, and time.
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  • Trail to Chickenfoot Lake polymer photogravure etching on paper
    Size of Piece: 8 x 10
    “Trail to Chickenfoot Lake” is from a photo I took hiking along Rock Creek in the John Muir Wilderness, with the dramatic clouds and high Sierra backdrop. There is much observation, contemplation, and personal, internal reflection inspired by the magnificence of such grandeur which is captured in the exquisitely detailed etching. “Into the Vineyard” is from a photo I took in the Dry Creek Valley of Sonoma. It is printed direct-to-plate and inked À la poupée with 3 different black inks to create the nuanced feel of looking into the bright, hot vineyard from the cool, vine-covered walkway. After a lazy afternoon in the tasting room, the natural beauty of the valley and the vineyards create a contemplative, reflective state that is translated into this finely detailed etching.
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  • Moment in the Movement oil on canvas
    Size of Piece: 30 x 40 .75
    Moment in the Movement is inspired by Bonnie Kerness, a friend and nationally-recognized leader in the U.S. prison abolition movement. Here, Bonnie is rendered using a photo I took of her during a strategy meeting of local advocates in her 50-year role as Director of the Prison Watch Program, an arm of the American Friends Service Committee. Hunched in a gesture of weighty reflection, but perhaps also in prayer, she is cloaked by a life-affirming blue-green that contrasts with an ominousness dark background. The watery movement of her spectacular crown of white hair exists in tension with sharp, foreboding shapes surrounding, and within, her face. It was my aim to evoke a sense of bruising vulnerability, a compassionate melancholy, and also a kind of populist regality.
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  • Night Rider oil on canvas
    Size of Piece: 30 x 24 x 1
    I paint with enthusiasm for color, strong imagery in my work. Lately, I have been painting cars because I find that their sculptural shapes and gleaming surfaces are irresistible. The reflections in those surfaces always call to me, so I capture the image and paint it. I generally make the car the star of my painting but I need to keep it in context so I create as much or as little of the surrounding scene as suits me.
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  • Blue Buick oil on canvas
    Size of Piece: 20 x 24 x 1
    I paint with enthusiasm for color, strong imagery in my work. Lately, I have been painting cars because I find that their sculptural shapes and gleaming surfaces are irresistible. The reflections in those surfaces always call to me, so I capture the image and paint it. I generally make the car the star of my painting but I need to keep it in context so I create as much or as little of the surrounding scene as suits me.
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  • What Do Her Sunglasses Reflect? collage
    Size of Piece: 10 x 10 x .75
    This collage of a woman on a lounge chair represents a state of relaxation and reflection. I'm interested in using various color schemes that I think emphasize states of mind. In this case, the simplicity of black and white with touches of red--and her sunglasses, a visual reference to reflection. The title of the piece is a question since we can't see what the sunglasses are reflecting. I especially like working in the medium of collage because it gives me an almost unlimited supply of materials.
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  • Layered Planes 4 Collage 16 x 20 x 1 My process as an artist is disciplined, intellectually challenging and inquisitive, much as it had been in architectural practice. I am not obliged however, to follow the many requirements that were once necessary to create functioning buildings. Works are now fantasy environments and constructions. I create vivid, colorful abstract compositions reinterpreted from actual building groupings or from shapes that come to my imagination. The first step in the process is to sketch out ideas, which I often change as I move forward to completion. I focus on juxtaposed, overlapping shapes, receding and advancing in space. The use of acrylic paint and metallic paper lend well to sharp delineation of each element. Mounting paper on foam core board for selected portions, helps create a three dimensional illusion for the observer. I am energized and made joyful by the world I create. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Earth and Aether Oil 24 x 16 x .5
    Romm's art examines the divine intelligence permeating all existence, employing a visual language rich in light, color, and symbols that transcends the mundane and draws viewers into supernatural realms. Romm's creative process-guided by intuition and experimentation-blend influences from music, poetry, and personal dreamwork to explore themes of transformation, rebirth, and transcendence. ​She often employs nature's symbols—drawing from skies, trees, water, birds, and other elements—infused with dynamic color to depict emerging forms symbolizing the union of physical (earth) and spirit (aether). These compositions blur tangible-ethereal boundaries, transforming her paintings into portals that invite exploration of mystical landscapes where sacred and surreal converge. ​ Romm’s paintings are not simply representations but invitations to connect with the deeper forces shaping existence.
    Waiver
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  • The Cloisters Museum in Shadow and Light Watercolor 30 x 22
    For those of us fortunate enough to live in Upper Manhattan NYC, Fort Tryon Park is our own mini Central Park and also something more. With the Cloisters Museum serving as its "castle on a hill", the Park with its lush landscaping in the same English Romantic style as Central Park, but with sweeping views of the Hudson River and the Palisades of NJ beyond, Fort Tryon Park is a place that brings out the best of us. It is a little-known gem, a neighborhood treasure that reminds us that we can daily experience renewed awe in its beauty, find calm in its idealized version of nature, delight in its wildlife, and take heart in how we and our neighbors and visitors alike smile, say hello, and find common cause in our love for the place. In the daily stresses of urban life that can sometimes bring out the worst in its residents, the Park is a place where we access a different side of life, a place we all agree that we treasure despite other disagreements. And in so doing, it is a place that prompts us to be a better, nobler version of ourselves.
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  • Sleeping Beauty Digital Painting: Micro-Pointillism, Corel Painter 28 x 23
    As an Artist, I can weave together the threads of myth and reality while exploring the deep, multifaceted nature of the female psyche. With a unique approach that blends traditional inspiration with cutting-edge technology, My artwork serves as a bridge between the past and the present, the tangible world and the dreamlike. My pointillist pieces, created using a computer painting program, breathe life into my powerful creations, capturing the inner stories of women and the emotional landscapes they navigate. A key influence on my artwork is the traditional beauty of Japanese woodblock prints and the ethereal quality of pre-Raphaelite paintings. These historical works saturate her pieces with a sense of timelessness. Yet, my choice of a computer program as my primary art medium places me firmly in the realm of contemporary art-making. By embracing modern technology, I reinterprets these classical influences through a digital lens, creating works that feel both nostalgic and forward-thinking. At the heart of my artwork lies a fascination with the interplay of fantasy and truth. My creations speak to a realm where stories and symbols come alive, where ancient tales are reimagined through a state-of-the-art viewpoint. The result is a body of work that honors the past while challenging contemporary perceptions of femininity, identity, and self-expression. Through my art, I offer a playful yet profound exploration of the desires and dreams that shape the female experience.
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  • Hemara Welcomes the day Digital Painting: Micro-Pointillism, Corel Painter 20 x 18
    As an Artist, I can weave together the threads of myth and reality while exploring the deep, multifaceted nature of the female psyche. With a unique approach that blends traditional inspiration with cutting-edge technology, My artwork serves as a bridge between the past and the present, the tangible world and the dreamlike. My pointillist pieces, created using a computer painting program, breathe life into my powerful creations, capturing the inner stories of women and the emotional landscapes they navigate. A key influence on my artwork is the traditional beauty of Japanese woodblock prints and the ethereal quality of pre-Raphaelite paintings. These historical works saturate her pieces with a sense of timelessness. Yet, my choice of a computer program as my primary art medium places me firmly in the realm of contemporary art-making. By embracing modern technology, I reinterprets these classical influences through a digital lens, creating works that feel both nostalgic and forward-thinking. At the heart of my artwork lies a fascination with the interplay of fantasy and truth. My creations speak to a realm where stories and symbols come alive, where ancient tales are reimagined through a state-of-the-art viewpoint. The result is a body of work that honors the past while challenging contemporary perceptions of femininity, identity, and self-expression. Through my art, I offer a playful yet profound exploration of the desires and dreams that shape the female experience.
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  • Fall Near Napes FLX1 oil 36 x 48 x 1 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Spring Sunrise PY FLX3 oil 36 x 30 x 1.5 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Blossom Reverie acrylic 12 x 16 The artworks submitted are built slowly letting each mark settle before adding the next and the unexpected bursts of colors emerged intuitively throughout the process. Together they tell a story of growth happening quietly beneath the surface. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Swirl of the Sun Garden acrylic 24 x 24 x .5 The artworks submitted are built slowly letting each mark settle before adding the next and the unexpected bursts of colors emerged intuitively throughout the process. Together they tell a story of growth happening quietly beneath the surface. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Own optical clearance technology / tempera, oil, watercolor 11 x 14 I'm thrilled to be participating in my first virtual exhibition at NAWA. I'm presenting two paintings created using a very interesting optical clearance technology. I'm a little nervous, but I hope these works will be a positive experience. I wish everyone creative inspiration! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Still Life optical clearance technology / tempera, oil, watercolor 14 x 16 I'm thrilled to be participating in my first virtual exhibition at NAWA. I'm presenting two paintings created using a very interesting optical clearance technology. I'm a little nervous, but I hope these works will be a positive experience. I wish everyone creative inspiration! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • TopsyTurvy 3 acrylic paint & paper on board 16 x 16 x 1.5 My process as an artist is disciplined, intellectually challenging and inquisitive, much as it had been in architectural practice. I am not obliged however, to follow the many requirements that were once necessary to create functioning buildings. Works are now fantasy environments and constructions. I create vivid, colorful abstract compositions reinterpreted from actual building groupings or from shapes that come to my imagination. The first step in the process is to sketch out ideas, which I often change as I move forward to completion. I focus on juxtaposed, overlapping shapes, receding and advancing in space. The use of acrylic paint and metallic paper lend well to sharp delineation of each element. Mounting paper on foam core board for selected portions, helps create a three dimensional illusion for the observer. I am energized and made joyful by the world I create. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Reverie Oil 20 x 16 x .5
    Romm's art examines the divine intelligence permeating all existence, employing a visual language rich in light, color, and symbols that transcends the mundane and draws viewers into supernatural realms. Romm's creative process-guided by intuition and experimentation-blend influences from music, poetry, and personal dreamwork to explore themes of transformation, rebirth, and transcendence. ​She often employs nature's symbols—drawing from skies, trees, water, birds, and other elements—infused with dynamic color to depict emerging forms symbolizing the union of physical (earth) and spirit (aether). These compositions blur tangible-ethereal boundaries, transforming her paintings into portals that invite exploration of mystical landscapes where sacred and surreal converge. ​ Romm’s paintings are not simply representations but invitations to connect with the deeper forces shaping existence.
    Waiver
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  • Shore Line Drive watercolor 22 x 30 I make art that highlights the resiliency and adaptability of people, nature, and New York City. My 2D art focuses on transporting paintings in watercolor – e.g. bringing the viewer to moments in the city and our natural surroundings. I use vibrant, transparent colors, always thinking about where the light drives the image. In contrast, when creating art sculptures, I focus on cuts to make shadows in alabaster, limestone, clay, and cement castings. The materials allow for elegant lines that highlight the changing fauna/flora as waters evolve. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Lady Liberty watercolor and graphite 4 x 6 I make art that highlights the resiliency and adaptability of people, nature, and New York City. My 2D art focuses on transporting paintings in watercolor – e.g. bringing the viewer to moments in the city and our natural surroundings. I use vibrant, transparent colors, always thinking about where the light drives the image. In contrast, when creating art sculptures, I focus on cuts to make shadows in alabaster, limestone, clay, and cement castings. The materials allow for elegant lines that highlight the changing fauna/flora as waters evolve. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Remnant of the Past II
    intaglio
    11.25 x 7.5
    Remnants of the Past is a series rooted in historical fragments, where photo etching becomes a vessel for memory and quiet testimony. Using archival imagery as a guide, I rework moments from the past that might otherwise fade into obscurity. Figures appear suspended in time, rendered in sepia tones and softened edges, evoking the way history lingers not as a fixed record but as an emotional residue. The recurring train setting functions as both a literal and symbolic passage. It speaks to movement, migration, labor, and the unseen lives that sustained systems yet remained uncelebrated. This imagery was inspired by photographs I took of the historic Skunk Train, itself a remnant of a bygone era. Its weathered presence, worn surfaces, and lingering stillness became a visual and emotional catalyst for the series. Uniformed bodies, bowed heads, and intimate gestures suggest dignity carried under the weight of routine and restraint. These are not heroic poses, but honest ones. Through the etching process, I embrace texture, erosion, and tonal restraint, allowing marks to echo the wear of time itself. Each image functions as a visual remnant, inviting viewers to slow down and witness the humanity embedded within everyday historical moments. This series is an act of honoring. It asks us to sit with what remains, to acknowledge those who came before, and to recognize how their presence continues to shape our collective now.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
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  • On the Dock
    printmaking
    27 x 21
    The Rowing Prints are a series of photo screenprints created to explore the sport of crew from the point of view of a rower and coach. They are derived from normal mundane images of regular practice sessions, mostly on the Hudson River at Poughkeepsie. The photos are then manipulated to create screenprints, and hand colored on the screen itself. When printed with a sheer black ink, I create images that are at once both realistic and nostalgic, which is the aligned with the experience of rowers who ply the waters of the historic Hudson River rowing venue at Poughkeepsie today.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Cappy, Photographer at Large
    printmaking
    15 x 12
    I was creating a demo for my printmaking students on chine collé and decided to keep going on this tangent in my own practice. It can be very simple, but effective, as seen here in the monkey's face. Adding a piece of paper for a more detailed section and extending the paper to create a hard hat over the top of his head eliminated the need to carve another block, and made his face stand out from his body. Also, deciding to keep the space behind his face white, but include typeface in the hat area is a decision to consider when making choices for chine collé materials. The AP card was a real document that I added a paw print and signature to, and the camera was a Xerox collaged on, as well. A lesson for my students that I enjoyed learning from, too.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
    Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Island Man >printmaking
    7.75 x 5.75
    I was creating a demo for my printmaking students on chine collé and decided to keep going on this tangent in my own practice. It can be very simple, but effective, as seen here in the monkey's face. Adding a piece of paper for a more detailed section and extending the paper to create a hard hat over the top of his head eliminated the need to carve another block, and made his face stand out from his body. Also, deciding to keep the space behind his face white, but include typeface in the hat area is a decision to consider when making choices for chine collé materials. The AP card was a real document that I added a paw print and signature to, and the camera was a Xerox collaged on, as well. A lesson for my students that I enjoyed learning from, too.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
    Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Islander
    printmaking
    5.75 x 7.75
    This is a non traditional silkscreen process. The screen itself becomes the canvas on which I create the image directly. I flood the screen with a printmaking medium and pull a squeegee from top to bottom to force all the pigments through the screen. The total image appears all at once on paper.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
    Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Midnight Ride Midnight Ride was inspired by the black horse I grew up with, whose presence and spirit left a lasting impression on me. She was strong, intuitive, and deeply expressive, and this monoprint grew out of my desire to capture not a literal portrait, but the feeling of being with her—the quiet intensity, movement, and emotional connection we shared. I approached the image through mood and atmosphere, using expressive mark-making and layered textures to evoke memory rather than description. Working with oil paint and a variety of tools, I allowed the surface to build intuitively, letting the physical process guide the emergence of form and emotion. The resulting print is both a tribute and an exploration of how memory, gesture, and material can hold presence long after the moment has passed.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Marshide
    printmaking
    12 x 12
    My work investigates loss, memory and the fragility of human connection: Absence and presence, the invisible but indelible record of experience, the prismatic nature of memory. I create work to make visible what is intangible.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
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  • Weeds
    printmaking
    12 x 12
    This summer I started making acetate stencils in an attempt to loosen up, and take a break from oil painting. I cut them freehand with a scissor, and without drawing a design first. It was fun exercise, spontaneous and surprising. I used these stencils for a series of acrylic monoprints, such as this one. When I look at them, I I can see the strong visual influence of botanicals and North African art, both of which dominate my summer surroundings.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
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  • Our Desert Skin
    printmaking
    30 x 22
    My skin monotypes are realized “coats of skin” that are initially molded over bodies of human collaborators and then flattened under a press. The flattened forms become templates that communicate skin patterns and uniqueness. I made them because from birth to death every human weaves a thread around herself-- a story, a shield, a chronicle of injury, trauma, vibration and pain as well as the belief of the existence of a spiritual entity, or astral soul, living within.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
    Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Dance 02
    printmaking
    22 x 30
    Solarplate Etching printmaking technique was the medium used to create this piece. Through repetition and mirroring of a quick drawing depicting a dancing figure, the intention was to portray a movement, a dance. Women dancing in a circle, joyfully supporting each other, celebrating life. I utilized thread, a material traditionally used by women to mend or embroider, to emphasize the connections between the dancers.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Disturbance
    printmaking
    24 x 18
    In the vast expanse of the universe, art serves as a bridge to the spiritual realm, inviting us to explore the infinite and the intangible. Through this series of monotypes, I strive to explore a universal language, which will unite us in our shared humanity and spiritual quest. Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Tranquility
    printmaking
    24 x 18
    In the vast expanse of the universe, art serves as a bridge to the spiritual realm, inviting us to explore the infinite and the intangible. Through this series of monotypes, I strive to explore a universal language, which will unite us in our shared humanity and spiritual quest.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
    Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.