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Wonder Woman gouache on watercolor paper 22 x 15 In this piece, the inhibitions loosen and seem to disappear. This portrait projects the forces that lie beneath what we observe on the surface, revealing power, conviction, and role-play emanating from within. I wanted to explore their divergent emotions, projecting power, strength, vulnerability, joy, and women's power in multiple ways. We all want to be as powerful as Wonder Woman. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Feminist Century Of Women: Was It Good For You? collage on paper 22 x 15 These collages are part of a large series from my collection, and my gratitude for Ms. Magazine and their nurturing of women. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Mandala for a New WorldSize of Piece: 13 x 13 Inspired by Mandalas. First encountered in China in 1995 while a delegate at the 4th World Conference for Women. My fascination with them brought introspection and a need to create a new world mandala to explore our current political situation. The process is meditative, allowing me to play creatively with humor and pathos. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.colored pencil on paper
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Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Inspired by a Chinese poem by Lao Tse.oil on canvas 48 x 72"
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Remembering Degas watercolor on paper 22 x 16.5 The contemplative stance of this dancer never fails to claim my attention. I always feel that she is remembering her creator, Degas. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Pt. Cabrillo Lighthouse Sunsetdigital photograph on archival velvet fine art paper10 x 15This is one of many photos that I recently took at the Pt. Cabrillo Lighthouse which is in a state park on the California north coast. I was fortunate to have the park mostly to myself in the evening and thoroughly enjoyed taking photos as the sunset. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Wispsunique platinum/palladium photograph5 x 7I capture the simple beauty in everyday life, the commonplace or ordinary scenes in the natural environment. This image offers a pristine beach for quiet reflection.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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alcohol ink 7 x 5 in. Carrie Cornils is a professional artist based in Eagle, Idaho, whose vibrant, joyful creations are inspired by a lifelong journey with autoimmune conditions. Based on years of living in Virginia and Idaho, her art is a personal and emotional response to healing—designed to uplift, energize, and soothe. Carrie believes that color, if used intentionally, can heal both body and soul. Carrie’s artistic path continues to evolve alongside her life experiences. Nature is a constant muse, and her work often features colorful, whimsical landscapes that radiate positivity. She is currently focused on developing a cohesive body of work that reflects a distinctive and deeply personal style. Carrie has been passionate about art for as long as she can remember. She pursued her creative education through school and earned a Bachelor of Arts degree from Marymount University in Arlington, Virginia. While there, she studied under John Chapman Lewis, a well-known Washington D.C. artist and member of the Washington School. Committed to lifelong learning, Carrie continues to explore new mediums and techniques through ongoing mentorships with acclaimed artists such as Shawn Dell Joyce, Alain Picard, and Karen Margulis. Before fully dedicating herself to fine art, Carrie built a successful career in commercial interior design in the Washington D.C. area. Her creative expression expanded into graphic design, landscape design, and furniture design. Today, her artwork is included in private collections across the United States and in eight other countries. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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I See You fabric and mosaicsAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.Size of Piece: 20 x 20 x 1
Cathy Lazar is a fiber artist living in Northern New Jersey. At age 14, she studied with Walter Nottingham at Haystack Hinckley School of Crafts. She received a degree in Textile Design at the Rhode Island School of Design. After graduating, Cathy brought Kermit and Miss Piggy to life at the Muppet Workshop. Soon after, she founded Cathy Lazar Costumes and Soft Props, producing three-dimensional works for Claes Oldenburg, Bruce Springsteen, SNL, Laurie Simmons…She constructed over-sized objects for iconic brands such as Reebok, Oreo, and Elizabeth Arden. Cathy was introduced to mosaics in 1992. In her Shardonnay Mosaic Studio she has mentored women and girls for over 25 years. In 2018, Cathy returned to her textile roots, creating art quilts. Her quilts expand beyond the traditional.
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Motion (with an E) mixed media 23 x 23 This piece evokes a pond teeming with life, energizing memory and awakening dreams for the future. It’s a breath of fresh air. Fragments of colored glass, mirror, textiles, and cherished charms gathered from an artist soulmate radiate like currents across the surface, recalling a beloved stream. Woven into a circular form mounted on a clock, this work marks the passage of time while honoring remarkable lives left behind. Hard and soft, structured and organic elements exist in harmony, reflecting renewal. This mixed-media mosaic is a vibrant celebration of life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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What Next? archival inkjet print 13 x 19 framed size: 15 x 21 What Next? Five banners unfurl showing women with ideas, grounded women with fortitude. We can do anything we set our minds to. We have strength in numbers. This was created with translucent paper cutouts photographed on a light box and then printed on archival paper. Cathy Weaver Taylor www.cathyweavertaylor.com Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Featherscape colored pencil on paper 20 x 30 This piece entitled Featherscape emerged in a sudden rush of instinct, faster than I normally plan a composition. My Taino ancestry on my Puerto Rican side has always given me a deep pull toward Indigenous traditions, especially the spiritual relationship between ceremony, land, and sky. A family friend once gifted me an Indian headdress, and the symbolism of that offering stayed with me. When I created this piece, everything came together with an almost magical clarity. The feathers, the desert light, and the woven forms appeared as one vision. They reflect ancestral memory and the spiritual presence that moves through Pacific and Southwestern Native cultures. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Harmony in Stillness Size of Piece: 12 x 8.5 x 7.5 As a metal artist, my artistic evolution has been a journey of discovery and refinement, where experimentation with techniques and materials has shaped my unique voice. From the initial spark of inspiration to the careful execution of each piece, my process involves a thoughtful exploration of form and meaning. Through my art, I strive to engage viewers on both visual and emotional levels, fostering a deeper appreciation for the transformative power of creativity. Each piece serves as a dialogue starter, inspiring connection and contemplation of the shared human experience. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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In Tongues sculpture 30.5 x 11.5 x 11.5 As a metal artist, my artistic evolution has been a journey of discovery and refinement, where experimentation with techniques and materials has shaped my unique voice. From the initial spark of inspiration to the careful execution of each piece, my process involves a thoughtful exploration of form and meaning. I am dedicated to pushing the boundaries of metal as an artistic medium. This journey reflects the enduring power of creativity, drawing on a diverse range of ideas and inspirations. Some elements are rooted in the past, inspired by old drawings and childhood memories, while others emerge from new emotions. Through my work, I aim to forge connections through my creations, transforming metal into vessels of emotion that resonate with viewers. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Seeing Land After a Long Journey is inspired by my many crossings of oceans where no land is seen for many days. There is a special feeling of excitement when experiencing the first signs of land such as twigs, birds and the distant change in the horizon. With each crossing, I was reminded about explorers like Columbus and his crew who voyaged into the unknow and had sense of excitement and relief too when they saw the first signs of land.oil on linen 60 x 42 x 1.25"
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Hope Springs EternalSize of Piece: 12 x 16 x 1 My alcohol inks on Yupo paper paintings deal with the luminosity of light. They are inspired by a need and my choice to embrace brightness and positivity in the darkness that seems to hover over the entire world like an enormous dark cloud. I use organic shapes that are derived from nature with the intention to lift the spirits of the viewer. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.alcohol inks on canvas
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Marshideprintmaking12 x 12My work investigates loss, memory and the fragility of human connection: Absence and presence, the invisible but indelible record of experience, the prismatic nature of memory. I create work to make visible what is intangible.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Stiff acrylic monoprint on paper 12 x 9 From a series of prints exploring the condition of our physical bodies, women’s physical selves, and what they mean to our lives. Moving through life means continually adjusting to changes in our children’s bodies, ourselves, and the aging bodies of our parents. The range of emotions evoked from all of these phases run the gamut, and speak to who we are, both to ourselves and to others. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Weedsprintmaking12 x 12This summer I started making acetate stencils in an attempt to loosen up, and take a break from oil painting. I cut them freehand with a scissor, and without drawing a design first. It was fun exercise, spontaneous and surprising. I used these stencils for a series of acrylic monoprints, such as this one. When I look at them, I I can see the strong visual influence of botanicals and North African art, both of which dominate my summer surroundings.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Marching in Their Shadow graphite 10.25 x 13.5 framed size: 15 x 18.25 My friends, my son, daughter in law, and her family marched in the first two women's marches in Seneca Falls to protest Trump's presidency. The first year we were able to go in to the museum and I was impressed by the statue, First Wave. I decided to add ghost images of some of the statue behind our images. Being from Rochester, these men and women are not ever far from mind. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Black Orchid
oil on canvas
Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Size of Piece: 72 x 48 x 2.5Christine Knize,alumna of Tyler School of Art, BFA and Rhode Island School of Design, MFA, was born in NYC.Her academic journey led her to spend 3 years in Italy and France,specializing in the Renaissance.In 1986, Christine moved to Miami, where she established a paint decoration company which drew the attention of numerous celebrities.Christine dedicated years to the restoration of the Biltmore Hotel, where she meticulously revived the hand-painted finishes adorning the lobby and ballrooms.She also played a role in the initial renovations of Miami Beach Art Deco hotels,contributing to the preservation of historical landmarks.After three decades in Miami;Christine embraced a new chapter in Jacksonville, Florida,where she channels her artistic energy into creating large canvases of orchids.
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Petals for Thee oil on canvas 10 x 8 My painting, Petals for Thee, was inspired by new beginnings and the wonder and joy of things to come. Created with both brush and palette knife, I strived for a variety of textures to infuse depth, form and movement. The unique color palette was chosen to bring Petals for Thee to life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Beatrice and Dante Watch TVPaper, Plaster, Gouache 3D Puppets on Silkscreen background12 x 11I'm a fan of the Divine Comedy and have Florentine ancestry. When Beatrice died, Dante realized "only through love for his Beatrice would he be able to reach the divine." I thought if I, as an artist, could resurrect their relationship to the present time, I would place them cosily side-by-side on a sofa watching TV. Beatrice chooses the film. Dante holds the remote.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Figurines for Marija Gimbutas stains and metallic paint on cartapesta 8.5 x 2.5 x 1.5 If I hadn't been an artist I would have been an archeologist. The woman I would have bowed to and chased on every dig was Gimbutas. Marija Gimbutas was archaeologist and anthropologist known for her research into the Neolithic and Bronze Age cultures. She theorized that the arrival of the Kurgs—the original Proto-Indo-Europeans-- shows how cultures of domination and patriarchy took over the Old European civilization which was centered around the worship of the Earth, The Great Goddess. To make the figurines, I first made small clay sculptures and wrapped them in paper, like 'mummies.' When paper and hardening agents dried, I pulled out the clay sculpture, repaired the wound, and then painted neolithic patterns, similar to the patterns Gimbutas found on pottery from her digs in Eastern Europe, on the figurines. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Our Desert Skinprintmaking30 x 22My skin monotypes are realized “coats of skin” that are initially molded over bodies of human collaborators and then flattened under a press. The flattened forms become templates that communicate skin patterns and uniqueness. I made them because from birth to death every human weaves a thread around herself-- a story, a shield, a chronicle of injury, trauma, vibration and pain as well as the belief of the existence of a spiritual entity, or astral soul, living within.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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R.B.J:Justice stains, foils, lashes, stitching, Elizabethan ruffle on cartapesta 12 x 7 x 6 During the COVID-19 pandemic I made masks--not for health protective reasons or to distribute to health care workers but to record what was happening during that regime changing era. In September 2020, our honorable Supreme Court justice Ruth Baden Ginsburg died. Like many women and men, I looked up to her and admired her accomplishments, particularly appreciating her advocacy for gender equality and women's rights, and for encouraging women to speak up about their experiences with sexual harassment. I honored her life with a cool-blue mask, stitched on her eyeglasses so she could continue to look over us and our lives, and amplified her signature collar with an Elizabethan ruffle. The mask is part of my "The Future Has an Ancient Face" series of 24 masks that chronicle political, cultural and medical events during the 2 years of the 2020-2022 pandemic. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Road to the Vineyardoil on panel10 x 10Always a lover of the natural environment, I became an avid hiker. This translated to studying, and then teaching, environmental science and engineering classes. My love of the outdoors is reflected in my paintings as I study color and nature's subtleties while painting outdoors!Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Dance of the Lily Pads Color Pencil on Drafting Film Size of Piece: 23 x 30 Realism is the style that I have embraced for my work. Perhaps the truth is that it embraced me, flowing naturally from my hand, with inspiration coming from the world around me. Colored pencil is the medium I have chosen for most of my work. What started as a lifestyle choice (pencils are clean and easily transportable from primary residence to lake house) became an artistic choice. I’m a control freak - free and loose is NOT my style - so colored pencils are the perfect medium for me. Their layering and blending capabilities, the transparency of some colors, and vibrant pigments help me convey the interplay of color and light in my subject matter. At times, I use colors that are more brilliant or saturated than what I see in nature. It pleases me, and I hope it pleases the viewer. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lupita Kneeds acrylic 24 x 18 Lupita Kneeds is another of the series inspired by Laura Esquivel's novel "Lupita also Liked to Iron". It is another meditation in motion, with a nod to my Latina heritage and the indigenous adobe homes of Mexico. The title is a play on the word "kneeds" and "Needs". I hope this painting gives the viewer a quiet moment of contemplation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Trees Die Standing
acrylic on canvas
Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Size of Piece: 14 x 14Trees Die Standing
This painting is inspired from a favorite Spanish play I read by Alejandro Cosana called “Los Árboles Mueren de Pie” translated it means Trees Die Standing. The story is about a family trying to prevent their elderly matriarch from hearing tragic news for fear it might kill her. She finally hears the news and continues strong taking care of the family. She says she is dead inside, but still standing, like a tree dies standing up.
“Do not see me fall. Dead inside, but standing tall. Like a tree.”
It reminds me of women who are nurturing caregivers of children and elderly, who need to show strength by standing strong, despite their grief.
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Activated Pocket Idolssculpture2 x 6 x 2With this project, I created a hand-held idol form to explore the relationship between physical touch and spiritual connection through material manifestation. Each idol will hold the same conceptual meaning, no matter materials or processes used. The historical idea of idols being vessels that project or contain something intangible but with a more personal significance. I wanted to create an object that might offer an immediacy in comfort by being on their person. If it is believed to hold this comfort in its physical form and activated all the personal would have to do is touch it for reassurance. The form I created to be a maternal-like roundness and gentle form that abstracts figure into just a head and body. A crucial element that I think promotes the pocketed ability of the idol is the nail or screw at the center: the idol is not activated until the owner drives a nail or screw personally into their idol. Making this physical connection and experience the idol is then able to release and fulfill what it embodies.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Po Paiaclay, wood, acrylic, bone, twine, enamel10 x 6As an artist, my work often explores themes of life, death, and the intersection of nature and humanity. In my latest piece, a mixed media creation that combines clay, wood, acrylic, bone, twine, and enamel, I aim to evoke a sense of contemplation and connection to ancient cultural practices and their poignant representations of the afterlife. The simple face, eyes closed in serene reflection, invites viewers to ponder the quiet stillness that accompanies the passage from life to death. Adorning the forehead is a catfish skull, a symbol of resilience and adaptation in the natural world, while the vertebrae from a large bird protrude from the chin. This juxtaposition emphasizes the blend of life forms and the continuous cycle of existence, suggesting a dialogue between the earthly and the ethereal. Framing the face is twine, which serves as a reminder of the interconnectedness of all beings and the bonds that tie them together. This piece is not just a representation of a face but a meditation on the narratives we share and the remnants we leave behind. Through this work, I invite the audience to engage with the themes of identity, memory, and transformation that resonate across cultures and time.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Stretched on Your Grave
ceramic, acrylic, graphite, enamel
Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Size of Piece: 13.5 x 10 x 5.5“Stretched on Your Grave” is an exploration of grief. While grief is often portrayed as somber and subdued, it can also be vivid, raw, and full of intensity. Strong emotion comes with strong color.
The figure’s raised arm may be a gesture of defense, of shelter, or of reaching—perhaps toward something lost, or something yet to come. Her upward gaze suggests both longing and focus.
Inscribed within the work are three poems that illuminate the many shades of mourning—sorrow, love, memory, and resilience:
“Funeral Blues” by W.H. Auden,
“In Blackwater Woods” by Mary Oliver,
and “For Grief” by John O’Donohue.
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Windowsill GeraniumsOil on gesso panel12 x 6It’s the light! Backlighting is the best. Love painting reds and the glow that light creates. Ala prima painting.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Provencal Home in Lavender Fieldpigment print on canvas8 x 10I was in Provence and spotted this home in this amazing lavender field in early evening light. I was drawn to the composition and had to capture it for posterity.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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No Cuckoos Herebronze/wood sculpture9 x 9 x 10Birds are frequently the inspiriation for my work. In this piece I was thinking about the cuckoo's habit of depositing their eggs in the nests of other birds. Considering the size ratio of wrens and cuckoos a wren would find it relatively easy to spot an intruder in her nest. I often use beautifully turned wood for my bases and this exceptional Gamble Oak bowl is perfect for this piece.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Melly's Way acrylic 36 x 24 framed size: 40 x 28 Melly's Way is a very personal piece for me. Melly is short for Meldgonde, my mother. The last three years of her life she suffered from dementia and I took care of her. The painting has a two fold meaning, it both describes her temperament of all the years I knew her even when she was sane and fully functioning and her years of decline. The painting also captures both her inner turmoil and chaos as well as mine. We see a woman leaving her home in a frightful storm with her purse and her scarf, she wanders pretty far away and the scarf lifts from her head into the wind. The expression of bewilderment and distress is not coming from the dark storm around her but rather from the loss of that piece of cloth. To me, this was also a moment that encapsulated all the craziness we felt around her whether good or bad or whether in youth or old age. Though I did not know it at the time the work was cathartic for me. In addition, the theme of many of my works are about global climatic change and the danger it poses for us all. I included that theme as well as my own personal feelings. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Enchanted Forestoil on panel7 x 5Most of my work is fantasy or Magic realism and one of the continuing themes in my works have been paths, whether its paths along forests or mountains. It is one of my metaphors for life in general. In addition, this piece was done in the grisaille method of oil painting which I love to do. It is the most effective method of conveying depth and atmosphere for me.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Path Takenphotography on metal10 x 15While out for a walk, I was mesmerized by the play of light and shadows on this pathway. I lingered in this light, not wanting to move for the fear of it changing. I set up my tripod and began to work on the best angle to capture this beautiful light show. I chose to print it on metal to maintain the shine of the mist on the trees.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Winter Walkoil on panel12 x 12My work is rooted in direct observation and an interest in subtle shifts of light and temperature within the landscape. In Winter Walk, the primary focus is the contrast between the cool, blue-toned planes of snow and the muted yellow-ochre warmth of the distant trees. These temperature relationships create depth and guide the viewer’s eye through the composition. I aim to suggest form rather than describe it fully, allowing atmosphere and color relationships to carry the painting. The simplified handling of the trees and snow supports a sense of quiet and clarity, inviting the viewer to engage with the scene without distraction. Through restraint and observation, I seek to convey the stillness of a winter landscape.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Earth Angelacrylic on canvas6 x 4Since childhood, I have had vivid dreams, movie-like visits to places and with figures that tell me of things to come, good and bad together. Who or what shares this is not clear - perhaps it is just the by-product of creativity. Colorful swirls present the living world, and the angelic figure brings hope and joy.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Risk Ahead collage with acrylic on Bristol board 13 x 10 framed size: 20 x 16 Alice Andrews Higbee Mathis (1695 – 1784), widow, became the wife of John “The Great Mathis”, a land developer in Little Egg Harbor, New Jersey in 1716. A Quaker of the Tuckerton area, she is recorded as being dark-haired and dark-complexed, strong-minded, possessing unusual business talents, and was reportedly a greater land speculator than her husband. She was fairly educated and wrote a good hand. In this mixed-media monotype, she is surrounded by the colors of war – the stripes of the flag of the colonies, the blood of the families, her hands the color of lost soldiers, her face the determined life force of the Revolution. John and Alice loaned money to the struggle for freedom and were repaid in Continental paper, which proved worthless. They rallied and continued to prosper, leaving a legacy of freedom and lands to their heirs. She was my 6th great-grandmother, and this likeness is based on a mid 1800s tintype of her great-great-granddaughter Martha Mathis, my 2nd great -grandmother. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Petroglyph FiguresSize of Piece: 21 x 27 x 1 Ancient peoples and their activities fascinate me. Using natural elements to record important events in their lives, they carved their stories onto beautiful rock faces, the canvases of the ancients. These hillside Hawaiian petroglyph figures inspired me to paint the rock formations and the dynamic figures, capturing the greys of the stones and the darkness of the stained figures. I try and guess what the stories are telling us. Were they actual events, dreams of things past, or dreams of things to come? Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.acrylic
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Needle and Threadsoft pastel on Uart paper8 x 6I used to love to sew and don’t have time anymore. I have many of these old wooden spools of thread and I liked how the needle was stick into the spool, wit quilt batting in the background.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Spirit GuideSize of Piece: 16 x 16 My narrative mixed media pieces are an intuitive blend of acrylic paint, handmade paper and fabric that give life to my contemporary concepts. Each painting starts with an idea that takes many compositional and decorative turns before I call it complete. The result is an intricate tapestry of visual elements that invites my viewers to explore the many layers of textural detail. In my work, I explore memories and dreams as a way to highlight ideas about the interdependence of humanity and nature. It also reflects life’s changes and our resilience in navigating the ups and downs. I believe we create balance and harmony by being sensitive to our environment and each other. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.acrylic, texture paste, image transfer, & paper collage
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Now What? Acrylic and Ink with Found Photograph Size of Piece: 10 x 10 x 1 This collage centers on unknown characters in a drama captured in a found photograph from the mid-1900s. As I extend the environment of the photo, I devise dialogue in my head and offer a context, giving the individuals a voice. My objective is not merely to fabricate a story but to invite others to join me in reflecting on our own lives, the journeys we have taken, and the ones we have managed to avoid. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Dance 02printmaking22 x 30Solarplate Etching printmaking technique was the medium used to create this piece. Through repetition and mirroring of a quick drawing depicting a dancing figure, the intention was to portray a movement, a dance. Women dancing in a circle, joyfully supporting each other, celebrating life. I utilized thread, a material traditionally used by women to mend or embroider, to emphasize the connections between the dancers.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Interference Fielddigital art13 x 10“Interference Field” explores perception as a dynamic system shaped by repetition, disruption, and visual density. Layered bands and wave-like forms—reminiscent of fingerprint ridges—interact to produce moiré effects, creating moments of alignment and distortion that reference optical and signal interference phenomena. As these elements overlap, the eye oscillates between order and instability. Constructed through iterative digital processes, repetition establishes structure while subtle interruptions introduce tension and movement across the surface. The work invites sustained looking, encouraging viewers to slow down and recalibrate perception. In doing so, “Interference Field” frames seeing as an active process—one that emerges through engagement rather than resolution.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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4:30 at 535 oil on Panel 24 x 18 This is my mother who took us to the Met (and every other museum) as soon as we were old enough to walk and who bought me every art supply I ever wanted when I was a kid. This was a moment in Provincetown, at my cousin's house. There were four of us (artists) sitting around. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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I Danced in the MorningSize of Piece: 49 x 49 x 2 My new series is focusing on movement and how I sometimes feel as if I am dancing across the canvas as I paint. I have never been a good dancer, but I enjoy movement and appreciate the difficulty of the art form. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.acrylic on gallery wrapped canvas
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