• I Don't Want to Remember oil on linen canvas 20 x 16 I painted her from very personal place. She refuses to see because some memories are too much, and sometimes shutting the world out feels like the only way to stay whole. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Lesson Learned (My Octopus Teacher) acrylic/ mixed media on canvas 24 x 24 Two canvases side by side, with only different hues of blue in mind I started painting. No clear idea of a theme, no connection yet, only the joy and the struggles of the process. Half way through the painting an interview with the director of My Octopus Teacher on NPR guided me to an entirely different direction. Rarely I find myself being touched to this extent by a subject. Most of the rest of my journey I was in the flow, as if I were right there under the water with this wise guy. To the contrary of others’ suggestions I insisted not seeing the documentary until I finished the paintings. When I did who could stop the tears? No one. Especially the other of the two paintings, Save The Seaforest, made me believe I was living in this underwater world while creating. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Nesting sculpture: felted wool and glazed ceramics 7 x 9.5 x 1.5 My work melds ceramics and felted wool. My sculptural practice began with ceramics—initially, figurative and then abstraction. Recently, I started incorporating felt into my work—creating felt from raw wool and shaping that material into sculptures. I was drawn to the contrast between the soft, fibrous quality of wool against the hard, glazed permanence of fired clay. Although that contrast remains evident in my works, the materials also serve each other, creating a unity that is further enhanced by the use of color—an element that is intrinsic to both materials. In Nesting, a ceramic form is held within layered folds of felt. The wool drapes around it, creating a protective structure—the soft enclosing the hard, the yielding sheltering the fixed. Rather than treating the materials as incompatible, the piece creates a symbiotic relationship between them, bound together with color. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Who are you? oil, acrylic on canvas 22 x 18 This work explores the fragile boundary between inner identity and external perception. A handwritten phrase within the composition — “The world teaches us to forget ourselves… but who are you?” — becomes a central conceptual element, framing the figure’s introspective state. The fragmented portrait emerges through layers of fluid paint, suggesting a process of self-recognition and reconstruction. The contrast between controlled figurative rendering and uncontrolled, flowing elements reflects the tension between social conditioning and inner truth. Through this work, I examine the act of remembering oneself in a world that imposes self-forgetting through social standards. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.