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    Gaelle Hintzy-Marcel
    Concentration

    Resin and Steel 49 x 16 x 6"
    My work is mainly figurative or semi-figurative. I use positions and body lines in my sculptures to share my emotions and my understandings about life. Steel is a very interesting material, I like bending and rounding rods using my strength only (no heat, no hammer !). Let your eyes follow the lines of this positive spiral, and feel what part of your journey relates to this. The figurative character suspended gives you a key to relate. Concentration like an internal introspection before jumping in projects, social life, new steps, this is up to you. But definitely my work intend to highlight the fact that we should concentrate on ourself before engaging with the world.

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    Natalia Koren Kropf
    Bounded

    Stoneware 14 x 11 x 6"
    This entry contains a union of opposites of organic and non-organic nature, growth and rigidity, biomorphic shape and rough texture, presence and absence of color, fragility and visual sturdiness of the material. Bounded, the inflexible, colorless, yet intricate organic form resembles a crouched figure from the classical era.

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    Donna Corvi
    Tree Totem/All That Is Left/Pollution Series

    Wood 36 x 36 x 9" Tree Totem/All That Is Left/Pollution Series is about the dark side of pollutions effects on the natural world, and if left unchecked, would leave our world unlivable. Created using gathered branches and twigs, compounds, and paint on a plywood base. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
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    Loretta Ana Kaufman
    Cloudspinner: The Celia Series

    Stoneware 12 x 26 x 10" The natural world and the life around us have always been the center of my work. They are the sparks that start the process. I'm always searching for new ways to look at nature and Cloudspinner is my interpretation of the could formations on our planet. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
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    Loretta Ana Kaufman
    Pirouette in Eddy: The Celia Series

    Stoneware 23 x 17 x 5" The natural world and the life around us have always been the center of my work. They are the sparks that start the process.  Pirouette In Eddy is an interpretation of the eddies that occur in our oceans, seas, rivers and streams. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
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    Anita Pearl
    Thinker

    Limestone 19 x 12 x 6" My sculpting is done as direct carving in stone -- meaning that the work is not meticulously preplanned, but proceeds as a collaboration between the artist and the medium. The stone evokes an initial image in the imagination of the artist who proceeds to chip away letting that image emerge. My style can be called realism, tinged with a touch of fantasy. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
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    Jo-Anne Kirkman
    Eye Goddess

    Stoneware 30 x 20" I use pictorial imagery of various cultures, throughout history, by utilizing myths, religious and secular symbols in my work. The images are not literal, but symbolic expressions of prevailing ideas and thoughts about current issues in the world. I am recently exploring Global Warming and mass extinctions of flora and fauna across the world. Looking through the window of history and comparing current social issues with the past, I strive to provoke thoughtful consideration and awareness of diverse cultures in the world today. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
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    Julie Warren Conn
    Stalwart

    Colorado Yule Marble 36 x 12 x 7" Stalwart is one of my many horses produced in the land of horses -- Lexington, Kentucky. My horses are nor literal interpretations of the horse, but suggest an abstract interpretation. Stalwart represents strength, stability and as I finished him, I felt as if I were actually grooming my horse for the next race. He became very personal. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
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    Julie Warren Conn
    Freyr

    Portuguese Marble Sculpture 52 x 18 x 12" Freyr is a large vertical sculptures where forms criss-cross and stack to give volume without extreme weight. It is more easily moved and would work well in an entryway or large interior. A huge drawback to working in stone is dealing with the weight and the movability of the pieces. This was designed with that in mind. The interior form of Freyr (a protective force) actually moves within the outer form. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
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    Sandra Giunta
    The Nest

    Clay 30 x 8 x 8" Clay as a medium allows a wealth of options as to color, texture, and form. In my sculpting journey I originally focused on figurative work, then became captivated by the natural forms of corals and their fragility because of climate change, and now occasionally morph a combination of these two forms. Exploring form and texture, and creating movement and strength, has led to a wide range of outcomes. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
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    Sandra Giunta
    Gradations

    Clay 8 x 35 x 5" Clay as a medium allows a wealth of options as to color, texture, and form. In my sculpting journey I originally focused on figurative work, then became captivated by the natural forms of corals and their fragility because of climate change, and now occasionally morph a combination of these two forms. Exploring form and texture, and creating movement and strength, has led to a wide range of outcomes. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
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    Anna Kasabian
    #1556, Cove Tide

    Hand-formed porcelain 11 x 8 x 6" This work best exemplifies my ability to take porcelain to its thinnest walls and create objects that are intimate views of nature: Cove Tide, being a detail of the sea in motion.

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    Ann Schwartz
    Windswept

    Stone 22 x 12 x 8"
    I always had a love for creating sculptures out of alabaster stone. I worked with direct carving, finding inspiration in the coloration and the flow of the stone itself. My sculptures reveal the female form conveying a sense of movement with the subtle details of flowing fabric. My visions emerge from the stone as I delve deeper into its core and only truly know what will appear with the final polishing. I enjoy sharing my art and insist that people touch ans caress them as they learn what can be created from within a stone.

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    Josie Campbell Dellenbaugh
    Peaceable Francis

    Bronze 24 x 24 x 24"
    This is a seated figure of Francis in meditation The peace and love that flows off of him causes animals that would normally prey upon one another to abide together.

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    Patricia Raible
    Symbiotic

    Collage on deep wood panel 15.75 x 20 x 2.75"
    Symbiotic is part of a series called “Lessons From The Trees.“ It was inspired by Suzanne Simard and her research into North American forests. In her book titled “Finding The Mother Tree,” she explains that she discovered forest life is interconnected through an underground network of tree roots and fungi feeding and healing each other. This symbiotic relationship reminds us that we as a species have also survived throughout history in a similar interdependent manner—families and societies nurturing one another. This work of collage on board includes original photographs, hand-tinted papers, acrylic paint, pencil and ink.

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    Heather Blume
    Absence in Presence

    Cold wax oil on Birch panel 14 x 11 x .875"
    “The absence that defined it became the presence that defined them.” (Everything is Illuminated by Johnathan Safran Foer) I keep a copy of this quote on my studio wall because it tweaks my imagination. In the novel it refers to a shared hole between two bedrooms. The recent unforeseen pandemic years have done much to remind me of our uncertain human condition within the energetic flux of life. This painting is my abstract vision of passing through dynamic energy into an unknowable future.

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    Judy McSween
    Rush Over Me Like The Ocean

    Oil on Aluminum 21.5 x 31.5 x 1"
    I love watching the waves rush toward me when I stand at the water’s edge. I love to feel their cold hit my feet and pull the sand from my wiggling toes. On a hot summer day, I love laying on my back in the ocean and riding the swell of a broken wave. The water is a balm for my fiery skin. When the waves recede, I see the sparkle of sunlight on my body and feel like a child again. With a sense of playfulness and lightness, I am transformed.

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    Susan Gilmore
    West Wind

    Acrylic on Canvas 24 x 48 x 2"
    West Wind is a long distance perspective, spontaneously executed using lyrical brush marks & bold push and pull color.

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    Susan Gilmore
    Blustery

    Acrylic on Canvas 24 x 48 x 2"
    Blustery’s patterns, individual brush marks, shapes & vibrant color build a broad, grandiose viewpoint.

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    Kathleen Zimmerman
    Cloud Nine

    Intaglio/chine colle' print 17 x 15"
    In Cloud Nine, the dog and "cloud nine" float contentedly in front of an abstracted celestial imagery that can be seen as the sunrise/sunset, warm-red sky, or heaven above. 

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    Kathleen Zimmerman
    Dreamscape

    Intaglio/chine colle' print 17 x 15"
    In Dreamscape, the dog and cloud symbolize a dreamer as she(he) perceives her(his) true nature, and her(his) desires in this surreal inner/outer landscape.

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    Sandy Dimke
    Queen Anne’s Staircase

    Photography 24 x 18"
    Queen Anne’s Staircase, in my eye, is a perfect example of Depth Perception.  As we climbed the staircase in this building, it was hard to see to the top and imagine how high it must be. The architect created a masterpiece of design, with just the right amount of height and width while embellishing it with a floral motif. As a photographer I tried to capture this beauty using a wide angle lens and removed all color tones to replicate the cold starkness that I felt as we ascended.

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    Sandy Dimke
    The Moonscape of Wadi Rum

    Photography 18 x 24"
    Recently I had the privilege of visiting magnificent Wadi Rum desert in Jordan.  This magical land features sweeping red sand dunes and towering sandstone and huge granite rock formations. In this World Heritage site, I was able to experience humanity’s earliest beginnings. By placing my camera as close to the earth as possible and using a small lens aperture, my depth of field was expansive.  I was able to accomplish my goal: to bring the present and future together -  to emphasize the dunes while still showing the vistas in the distance.

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    Elinor Freedman
    Go With the Flow

    Pastel on Paper 16 x 12 x 1"
    A stop on the bridge over the marsh at Sesuit Neck in East Dennis reveals a different outlook from day to day, season to season, tide to tide. On a memorable recent viewing, the water was rushing in a way I had never seen before. One could viscerally feel the motion and imagine being carried along to open sea.

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    Elinor Freedman
    Nearing the Clearing

    Pastel on Paper 11 x 14 x 1"
    Walking the beach near my home on Cape Cod was a saving grace during the seemingly endless days of the Covid era lockdown. I was so grateful to have fresh air and space to breathe freely despite the threat of darkness everywhere. One had to hold onto the hope that the clearing was coming if we only could walk far enough towards it.

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    Giti Saeidian
    Life Memories of A Tree

    Oil on Canvas 48 x 24 x 1.5"
    Life Memories of A Tree is inspired by a tree in my neighborhood. The concept of all livings creatures somehow communicate with each other, and with us.. We must not only see them but also hear them. They communicate with us with every fresh branch, broken timber, and every strings in their body to tell us stories of their lifetime.

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    Heather Douglas
    Oncoming Traffic

    Encaustic on board 5 x 7"
    One rainy summer morning I drove my mother to a doctor’s appointment in Manhattan and waited in the car. Between the swishing wiper blades I began taking photographs of people out on the street, navigating the rain and the traffic. I often use toner transfers of photographs I’ve taken, in my encaustic work.This image appealed to me because although there is no real danger, the perception is that the traffic is just waiting to rush forward, while the woman is hurrying to get across the street, before that happens.

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    Heather Douglas
    Inside the Oculus

    Encaustic on board 5 x 7"
    The Oculus is located by the World Trade Center and operates as a transportation hub designed by the Spanish architect Santiago Calatrava. While it is normally quite crowded I happened to be there when most people were wearing masks, avoiding crowds, and still social distancing. From the street level one enters to a platform two stories above, with a view of the entire concourse and soaring walls (if they can be called that), amid skylights to the ceiling. The building is stunning and the height and length of its interior, its depth, reduces those of us inside, to mere shadows of ourselves.

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    Carson Kapp
    Above and Below

    Acrylic on paper mounted on canvas 10 x 10 x 1.5"
    Welcoming my inner child, a curly headed girl playing with the magic of color, freely exploring energetic worlds of my imagination connects me with my true spirit. Above and Below depicts sea creatures below with a vibrant sunset above the horizon. Depth perception is felt in the free form swirling deep blue line work adjacent to a white horizon line. Your eyes dive into the sea below and swirl up into the warmth above.

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    Elaine Langerman
    View From My Studio 2021

    Photograph 8 x 10"
    During this season of Thanksgiving and the coming New Year, I am so grateful that I am still alive creatively! In my glorious tree-house--my studio!

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    Elaine Langerman
    View From My Studio 2022

    Photograph 8 x 16"
    During this season of Thanksgiving and the coming New Year, I am so grateful that I am still alive creatively! In my glorious tree-house--my studio!

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    Marie Massey
    Romantic Evening at Pebble Beach

    Oil on Panel 12 x 24"
    Romantic Evening at Pebble Beach was painted "en plein air" on a deck overlooking the ocean, bluffs and cypress trees with Point Lobos in the distance. This is one of my favorite spots to paint. It offers something new every time depending on the time of day, the season, the clear or cloudy sky, the color of the sea, or the height of the waves. This rendition was done for the Carmel Art Festival on an evening in May. I started at about 5pm, working quickly to capture the light of the setting sun on the water.

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    Marie Massey
    Springtime Seas

    Oil on Panel 18 x 18"
    Springtime Seas was painted "en plein air" on the sand in Pacifica, California.  The waves were high and the sea was reflecting the bluster of the clouds and wind of the brisk, Spring Day. It was fun to watch the waves rush in and crash, leaving tendrils of foam and wet sand on the shore. Gazing out to the horizon where the sea meets the sky, purples and pinks touched the clouds, shadows lengthened and the sun kissed the edges of the trees and the tops of the waves.

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    Mai Mai Pietrowski
    The Bubbles

    Acrylic on Canvas 30 x 24 x .75"
    The mountains and ponds of Acadia National Park extend an invitation to the viewer to explore and make new discoveries. By looking to the horizon and taking steps toward the future, one can experience forward movement towards a new destination. In taking a bold step forward, one can discover the pathway to new experiences and opportunities.

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    Mai Mai Pietrowski
    Lavender Field

    Acrylic on Canvas 30 x 24 x 1.5"
    The vast distance and rich smell of the lavender fields entice the viewer to become immersed in the beauty of Provence. It invites the viewer to move through the fields to a distant place of openings and new beginnings.

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    Jill Law
    West End

    Acrylic 50 x 38 x 2"
    West End was inspired as I gazed out the window on a flight back from Ft Lauderdale on a crystal-clear morning. Leaving the urban jungle, the Atlantic Ocean consumed the horizon with a palette of deep blues and greens, sparkling like gems. As the West End of Grand Bahama Island came into view, the push and pull of tonal range increased creating an amazing design of shallows and depths. Inspired and in awe of this natural, abstract vision, West End was destined to be painted.

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    Heather Stivison
    Distant Voices Before Sleep

    Oil on Canvas 36 x 36 x 1.5" I rely on the unconscious to paint meditations that are beyond my daily life, using paint to express what my language cannot. This painting reflects my sense of awe at the recognition that we are but tiny specks floating untethered enormous cosmos around us. I used an analogous color palette to create the misty, blurry sensations of my meditation on this vastness. These ideas are beyond my grasp and beyond my words. I recall Carl Sagan’s words that the Cosmos is “beyond ordinary human understanding. Lost somewhere between immensity and eternity is our tiny planetary home."

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    Karlene McConnell
    Burnt Orange Woods

    Acrylic 40 X 30" Burnt Orange Woods was created as part of a series that I titled Perspective. The drawing elements and color fields in the negative spaces between the trees are used to create depth. The nontraditional colors create a dialogue when placed next to each other. I relied on my own experiences of hiking several trails throughout the United States to convey a universal sense of place.

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    Karlene McConnell
    Birches and Lace

    Acrylic 20 x 20" In my painting, Birches and Lace, I explore memories and perceptions of the natural world through the colorful, gestural use of shapes and lines to mimic organic forms found in nature. The negative spaces between the trees take on just as much importance as the positive subject matter. While not true to life, the palette creates a conversation between cool and warm tones.

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    Larisa Waya
    By the Well

    Digital Photography 24 x 35 x 1"
    I've been drawn to this space since the opening of new addition to Swartz Hall at Harvard University. It's an entryway connecting the existing Swartz Hall structure (built in 1911) and contemporary addition (built in 2021), which creates incredible flow of natural light. As I came to photograph this space for NAWA submission "Depth Perception", I encountered a permanent display of an ahkukq/cooking vessel, created by Artist and Mashpee Wampanoag member Nosapacket (Ramona Peters). Indigenous presence in clay provided an additional dimension of depth, so I reversed the image and it became "By the Well".

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    Patricia Search
    Jeweled Landscape: Lyrical Reflections

    Digital 12.5 x 15"

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    Beau Wild
    A Reflective Moment

    Acrylic 6 x 6"
    Her mindful thoughts are marked by long, measured, quiet thinking. She rarely speaks, but when she does, her words are worthwhile and propitious.

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    Jocelyn Benford
    Bring It On

    Watercolor 12.5 x 9.5" I am an abstract painter, and I work primarily in watercolors with mixed media elements. I’m inspired by the interplay of colors, shapes, and uneven lines, and I love the fluid, unpredictable nature of watercolor paints. I work very intuitively: I always have a starting point - a particular color combination or focal point - but then I just go wherever inspiration leads me, often surprising myself! Painting brings me peace, balance, and joy, and it helps me maintain an even keel in our uncertain times.

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    Pokey Park
    Yoga Too

    Sculpture 8 x 13 x 6"

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    Jody Cukier
    Mussels on Tray

    Photography 11 x 14" Based in Hampton Bays on the East End of Long Island, I collect seashells and marine-life fragments from which I create small sculptures and abstract assemblies that form the basis of my photography. I am drawn to the soothing rhythms and repeating patterns of the design elements found in nature. I marvel at how their beauty endures, despite a tumultuous journey. My images try to capture that essence and share that feeling with others.

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    Bernadette Youngquist
    The Sun Always Rises

    Acrylic 13 x 13" I seek to express the intangible experience of spirit. It is the awareness of the big picture. It is about the meaning of life and connection to self and others.  I am exploring and expressing an inner experience through abstract images. I paint images that feel solid and spacious which is how I feel when I am experiencing “presence”. I have always noticed the subtleties of life whether it was observing beauty in nature or man-made, overcoming difficult challenges, and the complexities of the human experience. I process these experiences through painting.

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    Pamela Waldroup
    Entering NYC, A Passenger’s View

    Photography 14 x 11.75" Travelling into New York City, camera in hand, I leaned as far as possible out the passenger window to capture the incredible, repeating patterns in the Williamsburg Bridge as it skyrocketed over me like a giant erector set while the arched lampposts created a graceful dance-like rhythm along the edge. I used extreme angles, heightened contrast and an intuitive, geometric sense of composition to prompt the viewer to take a closer look and come away with a deeper appreciation of the "ordinary." In the words of Henry David Thoreau, "The question is not what you look at, but what you see."

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    Jordan Manning
    Animal Kingdom

    Acrylic 14 x 11" As one of my earlier pieces of art, Animal Kingdom, was pivotal in understanding what I'm capable of as an artist. To me, this piece means so much more to me than an homage to the vivid and diverse colors and animals of our earth. It honors animals as sentient beings and draws a relationship from human to animal. We are more alike than we think. However, ultimately the meaning behind this piece is up to the viewer and whatever connection they inspire with it.

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    Barbara Canney
    Stormy Fences

    Photography 14 x 11" When a Noreaster hits the New England coast in winter it is usually fierce. I was watching how far the breaking waves would dare to come. Rivers of water washed through the snow fence. As the water receded, the sky brightened and left behind this wonderful reflection in the sand. I was especially focused on the broken picket, then the wavering lines and the fan like fence in the foreground standing strong against the wind and waves. I could feel the back and forth tug between the man made fence and mother nature.

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    Linda Post
    On the Edge of the World

    Oil 14 x 11"
    I make paintings of women, the sea, mysterious encounters, and uncommon places. “On the Edge of the World” is from my ongoing series portraying young girls coming of age. We look deeply into these faces and bodies and revisit our own memories filtered through the lens of childhood and adolescence. My subjects are often on the cusp of change. They are contemplating their futures, preparing their imaginations - and their lives - to take flight. Within these girls lies the power to achieve their dreams.

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    Staci Swider
    Grandmothers 05

    Collage 8 x 6" The idea of one's guardian is near and dear to me. I am comforted by the notion that there is someone or something that keeps an eye out for all of us and keeps us from harm. I often refer to these guardians as the "grandmothers", emanating from our female relatives and ancestors who came before us and acting as a collective blanket of safety. Collaged from old textiles and other bits of my own papers and canvas. The edges are embellished with intricate designs inspired by Slavic Pysanky eggs.

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    Jody Shyllberg
    The Chanteuse and the Nightingale

    Oil 15 x 15" What began as a life painting session, The Chanteuse and the Nightingale evolved as a conceptual painting that recognizes the model, Mozelle Andrulot, and her talents as a jazz singer. With the loveliest sound of all song birds, the nightingale symbolizes Mozelle's marvelous jazz vocals. The distant view of low tide at dusk honors both the model’s first name, Hebrew for "drawn from the water,” and acknowledges that both the jazz chanteuse and the nightingale share their gift with us after the sun goes down.

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    Louise Durocher
    La Barca

    Sculpture 14.5 x 14.5 x 6" The vessel that carries hope, The promise of a better life, Globally overextended. To stay or abandon? To push or restrain? To think of me First Others maybe.

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    Sheryl Levine
    The Great Divide

    Fiber Art 15 x 15" Creating The Great Divide was a fusion of my passion for mixed media, collage and meditative stitching. My process was quite intuitive, beginning with painted cheesecloth fabric and a palette of neutrals, blues and greens in fabric and a gel print on rice paper. After creating my collage, I began to stitch with thread. Not only did my stitching act as the “glue” for my collage, but it created mark making and texture. The strong cork fabric diagonal provided me with the title, The Great Divide.

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    Marsha Tidy
    Profile of Harry

    Pastel 13.5 x 11" The painting of the “ profile of Harry” was in inspired by my trip to South Africa this past November.I travel a lot and pastels are much easier to transport. For the past 2 1/2 years my journey using this medium has proven to be inspiring and challenging. I mainly work on pastelmat for it allows many layers for the richness of the medium.

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    Laura McRae-Hitchcock
    XOXO

    Acrylic 12 x 12" XOXO speaks to choosing joy in the midst of fear and opening your heart despite the danger that you may feel great pain and sorrow. When my son and his wife were expecting our first grandchild, we anxiously waited and watched… for this was a very complicated and dangerous pregnancy. From the moment I learned she was pregnant, I decided to feel all the joy, all the excitement, and let the fear take a backseat. This painting was created as we waited. 

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    Katherine Grossfeld
    Summer Temptations

    Oil 10 x 10" There’s no denying the allure of fresh warm peaches with their soft fuzz and intoxicating summer scent. These Georgia beauties were brought home as a special treat by my daughter. She had stopped at a fruit stand outside of Savannah, which just happened to be in the parking lot of a “gentlemen’s” club named Temptations. We had a good laugh when I chose the title, Summer Temptations, a little inside joke between us.

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    Linda Pearlman Karlsberg
    Dark Rising

    Oil 12 x 8" Skies offer the challenge of describing infinitely variable light, color expression and forms that appear three dimensional but also porous, translucent or reflective. My skies series, dependent on one moment’s light, are also about temporality in nature and our lives; the ongoing metamorphosis witnessed in the clouds that mimics the unstoppable sea of change we ride in life. I find every attribute from fearsome power, stunning beauty to quiet sublimity reflected across the sky. I hope to evoke the metaphorical display of life’s fragility, to give testament to life’s volatility and emotional range, and to celebrate elusive earthly moments when condensation and weather create something so humanly resonate.

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    Christina Williams
    Beach Rocks I

    Watercolor 9 x 13"

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    Jennifer Sugarman
    Garden of the Harvest Moon

    Watercolor 8 x 10" My small paintings center on spaces from my imagination that reflect reality but do not represent it, much like a surreal dream. I rarely know where a painting is going when I begin working. I am rather obsessed with the moon, architecture, texture, and pattern. I also enjoy mixing perspective. I want my small, intimate paintings to feel large.This painting, “Garden of the Harvest Moon”, is an abstraction of ideas incorporating my interests in the above areas.

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    Paula Borsetti
    Coastal Basin

    Acrylic 12 x 12" I love to work in series, and Coastal Basin is part of my Coastal series. This ongoing body of work is inspired by the coast of New England where I have lived all my life. Morning walks to sunrise show me colors, textures, patterns, shapes and forms that I borrow and rearrange in my studio to re-create the essence of that moment.

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    Julie Conn
    Blanca (Alabama Marble)

    Sculpture 13 x 13 x 10" Taking a raw block of Sylacauca marble and beginning to carve, not knowing the beginning or the end, is the most intuitive, exciting way I sculpt. If the design is already planned, it simply becomes process  to get to the final form. But, direct carving, with no preconceived idea, is strictly an exploratory and intuitive approach to sculpting. The raw stone for Blanca, already triangular in shape, became a form with movement, where the inner void becomes as important as the outer form.

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    Carolyn Rogers
    Spanish Moss

    Photography 11 x 14" In the image, I captured the simple beauty in a state park on Amelia Island, Florida. I used the platinum/palladium printing process to capture a softer, painterly effect, evoking late 19th century idyllic landscapes and lending a poetic quality to the image.

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    Zemka Carra
    Birds Eye View

    Photography 11 x 14"
    The photographic image is done on Canson, Mi-Teintes photo paper with a natural 11x14" wood frame. I prefer using natural light. This image drew my eye because
    it combined both painterly qualities and an abstract component as well.

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    Sandra Giunta
    Coral Reminder 80

    Sculpture 6 x 9 x 9" “Coral Reminder 80” is one clay sculpture from the Coral Reminders series. The possibility that these incredible natural structures and life forms could be destroyed by a 2° rise in ocean temperatures is our reality. Sandra’s work is intended to bring the underwater world above the surface to keep it visible and increase awareness of its precarious balance.

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    Julie Sim Edwards
    Hochhauser’s Walk

    Collage 12 x 14" My collages are intimate in size and are meant to be experienced close up. They may be narrative or suggestive. I relish the spontaneous process of instinctive play without knowing whether it will result in wonderful visual chaos or composed lyrical poetry. Collage is perfect for my creative process. “Hochhauser’s Walk” is a map of a personal journey, both literal and figurative. Although it is small, I have incorporated tearing, gluing, painting, stamping, scratching and mark-making to convey my experience, and perhaps to trigger memories or resonate with the viewer's own journeys.

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    Linda Gillen
    White Peonies

    Acrylic 12 x 12" Painting is something I returned to in the last few years after a 4 decade detour into show business. Painting challenges, overwhelms and inspires, coaxing me to connect and explore the conscious and subconscious worlds of fear, curiosities and stillness where words are difficult, translating my inner life to a visual one on canvas.

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    Heather Quay
    Reflections at the Pier

    Pastel 12.5 x 11.5" Painting is a much-needed creative outlet for me and I love to experiment with different techniques, pastels and surfaces.  What drew me to the scene for “Reflections at the Pier” was the contrast between the red building and the cloudy sky.  I was trying to capture the stillness and flat light of a cold day on the water and the texture of the wooden pier and posts.

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    Jane Colgan
    Down on the Farm

    Acrylic 12 x 12" Down on the Farm is one of a series of small paintings (12x12”) inspired during a late summer morning stroll through Homecoming Farm on Long Island.  The people who developed & run the farm are devoted to organic methods honoring the immutable connection between Mother Earth and Holy Spirit. With a prophetic vision, they take responsibility for the health of our land, the bounty she produces, and the nourishment of the poor in our midst. I hope my paintings honor their commitment & their service to our community.

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    Susan Hammond
    Billboard

    Photography 14 x 11"

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    Mary Doering
    Low Tide

    Digital 14 x 14"
    Mary Doering is a multimedia artist who lives in Brewster Massachusetts. I draw freely from the various disciplines of art. Using a computer as both a tool and a collaborator, I layer original photographs, textures, and personal drawings together in Photoshop. These separate elements often combine in surprising ways.  Working intuitively, I allow for mystery and unpredictability to dictate where the process leads. Low tide tries to capture Skaket Beach in Orleans, Ma. at low tide. I am fascinated by the variety of surfaces, textures, rivulets and marks left by the receding tide.

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    Susan Silkowitz
    People At The Oculus

    Photography 15 x 15"
    I want to capture the fast-paced dynamics of New York City Street life.  What is exciting and energizes me is how spontaneous the process is, and unpredictable people are.  Some are completely unaware of being photographed, some may see me and try to pose or wave, others may be hostile to what they consider an intrusion.  I will sometimes stop and ask someone if I can photograph them. Generally, I like to photograph on sunny days, which increases contrast in light and shadows.  Places with interesting forms, light, and street geometry provide a good background and foreground to the people I choose to photograph.

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    Lilian R Engel
    Morning Sun

    Sculpture 9.75 x 14 x 6"

    My sculpture is inspired by the human connection to nature. I use natural materials to create organic forms that move through space. The delicate translucency of calcite or the heavy trunk of wood, both present unique technical and creative opportunities.

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    Anna Kasabian
    Tides Off Crow Island

    Sculpture 14 x 9 x 7.5"

    All of my sculptural work is nature-themed with a focus on the sea and florals, both abstract and moving toward realism. My inspiration for this work came from my frequent visits to a beautiful spot of land—ocean on three sides-- with the same name, that juts into the open ocean. I submitted this because it is a special example of what I believe is the magic of working with porcelain—that I can bring it to wafer thin forms while turning, twisting and lifting it into organic shapes that recall the energy of the sea.

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    Patt Baldino
    Chickadee and Pomegranates

    Oil 14 x 14" As a child I had a pet parakeet, so I have loved birds since then. I also enjoy, in the spring, watching the small Chickadee's visit our bird feeder. They are such delicate beautiful creatures. I choose pomegranate's rich colors to compliment the Chickadee's colors.

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    Lori Horowitz
    Figures Embracing

    Sculpture 15 x 15 x 3" In Figures Embracing, the delicate nature of humanity is portrayed through sculpted figures, creating haunting shadows as important as the physical beings. Capturing body language, movement and how they relate to emotion and character, reflect the human condition exposed in these works. Sculptures of wire mesh reveal figures whose existence is precarious. These copper sculptural works represent a time and place of isolation, where home, assimilation and community are important social issues relevant to our current climate. By penetrating façades, we look deeply into transparent figures seeing what lies in the shadows of the unseen and unspoken.

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    Monique Robidoux
    Mod Orange

    Pastel 14.5 x 14.5" In all my work I try to create depth and dimension through colors, lines, and marks, drawing the viewer into my paintings, to give them a reason to look deeper into the underlying structure of the work. This piece “Mod Orange” was an exploration of the spectrum of orange. I used acrylic on a canvas paper substrate in a variety of shades and shapes. To heighten the range, I used gold leaf and metallic gold acrylic paint, glazing with orange pigments. Pastels rubbed into the surface allowed me to blend and connect the composition.

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    Ann Kozeliski
    Bar Fly

    Watercolor 15 x 9"

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    Ellen Maidman-Tanner
    Gazelle in the Studio

    Oil 14 x 11" I am friends with the delightful model Gazelle with whom I have worked for several years. While she is primarily a ‘nude life model’, she is a warm and creative person.  When she sat down fully clothed in the crazy chair I have in my studio, she looked wonderful and the light was good, and the materials were new for me – cradled pine panel versus canvas, and a very limited palette – and viola, this little oil portrait was born. Both she and I were very pleased with the results.

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    Nadine Saitlin
    Visual Syncopation

    Sculpture 10 x 10 x 10"

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    Gabriele Lodder
    Standing Tall

    Pastel 9 x 12" There are so many beautiful trails throughout the Adirondack Region in New York State.  I have taken many of them and have admired the beauty of what all the four seasons have to offer. I came across this majestic tree in all its glory standing tall as a sentinel and new I had to do justice to it on canvas.

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    Laura Carpenter
    Embrace

    Sculpture 15 x 11 x 6" Embrace is made from a solid 25 lb block of porcelain clay, running it through a slab roller, cutting it apart and then reconstructing thin layers into a gravity-defying vessel. The resulting form appears simultaneously both architectural and figurative.

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    Karen Fitzgerald
    Ice Reflections

    Photography 12 x 11"

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    Jean Burdick
    Bell’s Woodlands

    Printmaking 15 x 15" Bell’s Woodlands is a print from my recent series “ Trail Musings”. Being surrounded by nature has always been a source of interpretation for me, I am concerned about the impact and consequences of climate change. From remembered landscapes, I draw on my landscape photographs recording light, shadow and memory. Merging the images from several perspectives gives a closer interpretation of my experiences. The resulting images suggest narratives of unfolding life cycles: birth, growth, death and renewal.

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    Irina Gromova
    It Rains Again On The Trinity Bridge

    Pastel 15 x 15" The Trinity Bridge of Saint Petersburg reflects the notion of sorrow for the times past and present with the rainy glare, yet a gleaming hope of indelible light. It gives me great pleasure and a sense of fulfillment to be able to capture and express the virtuosity of both, the stark, but genuine nature, and the skillful excellency of the architecture.

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    Pennie Brantley
    Flight of Life (Lyons, France)

    Oil 13.25 x 13.25"

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    Rosemary Pergolizzi
    Ascending

    Pastel 12 x 14" This 8 x 10” pastel was an experiment that started with a watercolor of cloud formations while looking out of my 4th floor studio window. I liked the composition but the shapes weren’t fluid and the colors needed nuance. Pastels breathed life into the colors and imagination took over for the cloud like forms emoting a feeling of infinite distance and depth.

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    Mary Ahern
    Gerbera Daisies With Hypericum

    Digital 15 x 12"

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    Deena Smith
    We Are Travelers

    Photography 12 x 12" The years before my Mother passed away, I flew cross country frequently to help with the numerous needs and to ease my mental health as she faded into the ether. I'd tuck into a window seat for the day-long journey. Flying gave me wings to get there, the speed to know I'd not miss another sacred moment and the strange euphoric freedom that being hurled 600+ miles an hour through the atmosphere creates within our nervous system. It was both exhilarating and horrifying...reminders “We are Travelers” on this big blue rock.

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    Paige Bradley
    Purple Shoes

    Sculpture 9.5 x 11 x 11"
    Little Madison came to model for me but she was very shy and didn't know what pose to take. I asked her what she did for fun and she said she loved to draw. I said, "Me too! Would you like to use my drawing pencils and paper and make some drawings for me?" For over two hours she sat and drew, while I created this little sculpture. Her “Purple Shoes” led me to believe that deep inside this shy little girl, there was a big artist inside.  

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    Natalia Dovgaia
    Last Days of Fall

    Oil on canvas 24 x 18" Autumn represents the ultimate culmination of the lifecycle when it transforms from full summer blossoms to a winter hibernation, while gifting us with a spectacular performance of changing colors, smells, temperature, and feelings. And that is what I attempted to capture in my work.  

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    Natalia Dovgaia
    Autumn Light

    Oil on canvas 18 x 24" Autumn represents the ultimate culmination of the lifecycle when it transforms from full summer blossoms to a winter hibernation, while gifting us with a spectacular performance of changing colors, smells, temperature, and feelings. And that is what I attempted to capture in my work.

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    Natalia Dovgaia
    Late October

    Oil on canvas 28 x 22" Autumn represents the ultimate culmination of the lifecycle when it transforms from full summer blossoms to a winter hibernation, while gifting us with a spectacular performance of changing colors, smells, temperature, and feelings. And that is what I attempted to capture in my work.

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    Kailey Maher
    Flux

    Soapstone 11.5 x 8 x 5" My artwork mirrors a twin-flame magnetic polarity of mediums; stone and ceramics, pushing against and pulling within. They allow for the expression of my form—an undulating essence of consciousness, a beginning and a beginning-again. Each work reflects the effects of time—shaping and reshaping, not in minutes and seconds, but a living lifetime of transformative movements of contractions and expansions intertwined in the nature of the self; ever-exposing the causeways of a life lived, unlived and yet-lived. In these veins of life, my raison d'etre runs, giving way to what is hidden within and what is exposed without.

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    Kailey Maher
    Shapeshifter

    Stoneware 27 x 10.5 x 10.5" My artwork mirrors a twin-flame magnetic polarity of mediums; stone and ceramics, pushing against and pulling within. They allow for the expression of my form—an undulating essence of consciousness, a beginning and a beginning-again. Each work reflects the effects of time—shaping and reshaping, not in minutes and seconds, but a living lifetime of transformative movements of contractions and expansions intertwined in the nature of the self; ever-exposing the causeways of a life lived, unlived and yet-lived. In these veins of life, my raison d'etre runs, giving way to what is hidden within and what is exposed without.

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    Kailey Maher
    Murmuration

    Earthenware 46 x 120 x 4" My artwork mirrors a twin-flame magnetic polarity of mediums; stone and ceramics, pushing against and pulling within. They allow for the expression of my form—an undulating essence of consciousness, a beginning and a beginning-again. Each work reflects the effects of time—shaping and reshaping, not in minutes and seconds, but a living lifetime of transformative movements of contractions and expansions intertwined in the nature of the self; ever-exposing the causeways of a life lived, unlived and yet-lived. In these veins of life, my raison d'etre runs, giving way to what is hidden within and what is exposed without.  
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    Kailey Maher
    Heartsong

    Marble 22 x 20 x 12" My artwork mirrors a twin-flame magnetic polarity of mediums; stone and ceramics, pushing against and pulling within. They allow for the expression of my form—an undulating essence of consciousness, a beginning and a beginning-again. Each work reflects the effects of time—shaping and reshaping, not in minutes and seconds, but a living lifetime of transformative movements of contractions and expansions intertwined in the nature of the self; ever-exposing the causeways of a life lived, unlived and yet-lived. In these veins of life, my raison d'etre runs, giving way to what is hidden within and what is exposed without.

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    Erin Miller
    Looking

    Acrylic on paper 22 x 30" Multiple or singular figures in ambiguous settings engaged in uncertain activities populate my compositions. I work in drawing, painting, sculpture and collage. With variable brushwork, textured surfaces and unlikely color combinations, I aim to imbue my indeterminate narratives with a sense of humor, disorder and possibly something suggestive of risk or danger.

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    Kailey Maher
    Like Calls to Like

    Earthenware 13 x 6.5 x 6" My artwork mirrors a twin-flame magnetic polarity of mediums; stone and ceramics, pushing against and pulling within. They allow for the expression of my form—an undulating essence of consciousness, a beginning and a beginning-again. Each work reflects the effects of time—shaping and reshaping, not in minutes and seconds, but a living lifetime of transformative movements of contractions and expansions intertwined in the nature of the self; ever-exposing the causeways of a life lived, unlived and yet-lived. In these veins of life, my raison d'etre runs, giving way to what is hidden within and what is exposed without.

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    Erin Miller
    Seated Figure

    Acrylic on canvas 8 x 10" Multiple or singular figures in ambiguous settings engaged in uncertain activities populate my compositions. I work in drawing, painting, sculpture and collage. With variable brushwork, textured surfaces and unlikely color combinations, I aim to imbue my indeterminate narratives with a sense of humor, disorder and possibly something suggestive of risk or danger.

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