• Break in the Clouds encaustic on wood panel 9 x 11 “Break in the Clouds” finding comfort & strength in the good in the fields in the clouds in the light that breaks free around us This encaustic painting was created to provide a peaceful pause, a break to take a breath. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Conversation photography: wrapped canvas print 18 x 12 Frederick Franck's sculpture, dedicated to the Great Law of the Six Nations Iroquois Confederacy, stands overlooking Boulder Hot Springs, Montana. The nested silhouettes progressing from light to shadow visualize intergenerational responsibility—each generation emerging from and containing the next. This meditation on collective continuity honors Indigenous women's foundational contributions to democratic governance, reminding us that women's civic voice has always been essential to forging pathways toward inclusive democracy. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Sunny Side Up found objects: vintage kitchen items 10 x 9 x 3.5 How many meals does one prepare in a lifetime? Sometimes it may feel just like a chore. I am thinking of Love Language and recognizing that cooking is one of the many ways we show our love for family, friends, and ourselves. Whether we are celebrating a holiday with a big family meal, making soup for a sick friend, or packing daily lunches, we need to recognize that it is an act of love. I imagine these small works hanging in a kitchen and reminding the cook/chef to smile and know their labor of love is truly appreciated. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • A is for Aspiration

    digital archival photography sublimated to aluminum

    Size of Piece: 16 x 20

    I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

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  • Sima oil on Wood Panel 4 x 4 Portraits are immeasurably fascinating to me for their breadth of expression. They can articulate an expansive language of mood and atmosphere. They can convey intent, brashness or delicacy, anxiety or hesitation. A viewer can vicariously venture into the realm of a face to invent a story about a person. I wanted to make these portraits in a miniature scale, so to bring a viewer close in proximity to the individual moods of each woman. They are intimate in scale yet vigorously alive with thick paint. Each portrait is 4" X 4", oil on wood panel. Painted with tiny brushes, the portraits of these women nevertheless remain hugely present. They reflect an unshakable vitality immersed in atmospheric spaces. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Searchlight acrylic on canvas 12 x 12 Light enables vision. In this piece "Searchlight", light dances in an out of the abstract 2 -D plane. Solving an abstract painting is more than a bit of searching. This complex process of searching is deeply satisfying. Can a simple surface take on the discovery and searching my own emotions. I think so. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • When You Sit Quietly You See Many Things acrylic on paper 13 x 13 An ongoing theme in my work is the interconnectedness of all life and that the wellbeing of humanity is directly related to the health of our natural world. With living in the woods in Maine and traveling extensively, I have had the gift of experiencing nature in many parts of the world. This painting was done in a small village in Japan while my family and I were traveling around the world. While sitting a very long time with my daughter on the side of a river we were able to observe this graceful egret. I strive to convey through color and brushwork what my direct experience is in a place. Over the past ten years, I have moved from realism to full abstraction. This painting is my early stages of abstraction in which I was loosening up by using a palette knife. My work comes from my heart and seeks to offer healing and hope. It is a vehicle to see strength and beauty and to connect with the infinite wisdom of the earth. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Morning Light digital collage 14 x 11 In my work, I explore the relationship between memory, emotion, and sense of place through contemporary landscape photography. I capture the scenes of my immediate surroundings and translate them into soft, ethereal, dreamlike vistas. My images often feature trees, distant hills, pink skies, children, tactile atmosphere and the moon. They convey an existence that extends beyond the physical realm and takes the viewer into my own dream world. My work has often been described as incandescent in both definitions of the word: glowing with luminosity and full of emotion and passion. My hope is that my body of work brings a sense of wonder, curiosity, and nostalgia to my audience, while inviting an opportunity to pause and perhaps see the magic and emotional subtlety in the familiar. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Sleeping In The Church digital photograph, inkjet archival print 14 x 11 I was with a group of people photographing in Cuba. We were in a church, when I noticed this man, with his head back, in a light coming from a window, which outlined his features in repose. I was struck by the beauty of the light and how it sculpted his sleeping face. Fortunately, I was able to capture this moment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • What We Carry Unnamed acrylic and oil pastel on canvas with black float frame 13.5 x 13.5 My work gives visual form to the complex, often unspoken emotional landscape of women in transition —those of us moving between identities, roles, and expectations. It is a space that can feel both expansive and disorienting, where language often falls short. I paint the emotions women are taught to carry—but never taught how to name. Through abstraction, I hold what is difficult to articulate: layered, shifting emotional states shaped by transition, accumulation, and change. These works become a way of making visible what is usually carried in silence. My process is informed by years in a precise, detail-oriented profession where structure and discipline are essential. In my art studio, I loosen that control, allowing intuition, interruption, and emotional response to lead. This shift creates a visual language that balances restraint with release. Each painting is built through layered gestures—marks added, obscured, and rediscovered over time—becoming a record of both intention and surrender. I am drawn to the space where form dissolves and reassembles, where clarity and ambiguity coexist, and the viewer is invited to navigate rather than resolve. Ultimately, my work is about emergence: what becomes visible when layers—both seen and unseen—are allowed to remain in dialogue. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Yankee Pond photograph 15 x 19 I have been doing a portfolio, studying this pond, for over 15 years. I shoot it all times of the day, in rain and snow storms, in every season, depending on what is is revealing on a particular day. It is a beautiful place, with an active beaver’s den, and changing seasonal growth. There are sunny days, ominous days, stormy days etc. The pond never disappoints me, Having a house upstate for many years has revived my interest in all things having to do with nature; and nature does not disappoint. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Slipstream oil on claybord 8 x 8 This abstract piece has many facets - the whiplash of the news cycle, the transient nature of life's moments, the wake of powered vehicles, and the speed of light. It was created in oil on "claybord" - Ampersand's substrate of clay that absorbs into the surface like a fresco. It carries multiple layers of paint that become richer with every application. It allows for marks and textures unique to the surface. The overall composition is both energetic and calming - as time passes it's both fleeting and timeless. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Risk Ahead collage with acrylic on Bristol board 8 x 5 framed size: 14 x 11 I feel that we are at a crossroads in this country and that the path that we take will have great bearing on our future. I wanted to depict a young girl at a fork in the road. The sign alerts her to pay attention and to proceed with care. To me, the network of roads symbolize the complexities and the uncertainties that lie ahead for our younger generation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Are You Listening? archival pigment print on paper 16 x 12 framed size: 20 x 16 This photography reminds us of the sacrifices of the Greatest Generation fighting for our freedoms and our right to vote. We in turn pass on the importance of our precious vote to our youth by our involvement in democracy. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • View From The Dock soft pastel on paper 13 x 15 This is an early morning interpretation of a dock on Rathall Creek in the marshlands that surround my neighborhood in South Carolina. This location changes color and mood based on time of day or season and is always visually intriguing to me. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Irving Theater

    photography

    Size of Piece: 16 x 24

    The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.

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  • Candles, Colors, and the Promise of Romance, Paris

    digital archival photograph sublimated to aluminum

    Size of Piece: 16 x 24

    I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

    Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Familiar Rose intaglio 8 x 5.5 Framed Size: 17 x 14 This is a portrait of Rose Greenfield Cliffer, 1901-1979. The solarplate etching was made from a picture of her in her 20's in the 1920's. Rose was born in Romania, and came to the US as a child, as (Jewish?) girls could not be educated at that time in Romania.. She was elegant (hat and white gloves), strong and hard-working. She was a seamstress, a Marshall Fields store model, and the mother of my father and his twin brother (died at age 6) and my aunt Carole Cliffer Kramer. Her "bob" speaks of the fashion of the time, and my heart speaks to the thoughtful gaze that was captured by this young woman, my grandmother. She had a "green thumb," kept a jade plant in her window that overlooked Lake Michigan, smoked Kent cigarettes, and taught us many card games. I felt the print needed my touch, so added the line and pastel work to enhance the image. I continue to honor her memory. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • What Did You Say pastel 10.25 x 12.25 Animals are one of my favorite subjects. I love the texture of this dog's hair and I knew I wanted to paint him. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Veiled etching and monotype 10 x 14 This piece was inspired by marriage traditions in India where often women are required to veil themselves once they are wed. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Landscape 105 oil on canvas 12.5 x 12.5 The Earth’s diverse surface is fascinating. The vegetative environments invite viewers to visit a place. Local light and atmosphere affect the plant life that thrives, the colors we see and experience of mood and energy. These paintings explore memory and landscape with complex spatial environments that hover between painterly realism and abstract passages. Raised in rural Wisconsin and moving to Florida and Texas in my first thirteen years piqued my interest in diverse landscapes and flora. Whether a mass of color blur or the focal point, each is recording its environment and time. My creative practice, focusing on materials and process, reflects my chemical engineering background. The bold use of initial marks that swirl through the backgrounds of compositions, echo and amplify the rhythms of the naturally created elements. Visual density from transparent to opaque are leveraged in creating organic textures. Color is a vehicle to convey energy from nature. This work is my attempt to keep what time has already taken. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Summer Sounds acrylic on cradled wood 14 x 11 I recently developed a series of gestural paintings and drawings that translate the experience of music into visual form. Gesture drawing has long been a favorite for me. It is meant to capture the mood, movement, and character of a subject very quickly and intuitively. There is a sense of awareness of what is happening in a single moment Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Pendĕre collage on canvas panel 12 x 12 Pendĕre is built through accumulation — of surface, gesture, memory, and response. Constructed from papers that were hand-painted, stained, textured, and altered by the artist before assembly, the collage embraces imperfection, erosion, and layering as essential elements of its visual language. Each fragment carries its own history while contributing to a larger emotional and rhythmic whole. The composition shifts between order and disruption. Gridded passages and repeated rectangular forms suggest architecture, mapping, or systems of containment, while darker gestural marks interrupt that structure with a sense of movement and instability. Areas of luminous rust, blue, and muted green emerge from an otherwise restrained palette like moments of resonance within silence. The title, Pendĕre, evokes both “to hang” and “to weigh,” suggesting suspension, uncertainty, and reflection. Circular forms appear as anchors or counterweights within the composition, holding tension between gravity and release. The work invites the viewer to move slowly across the surface, discovering relationships between texture, edge, opacity, and mark. Though abstract, the collage is rooted in lived experience and intuitive response. Fragments are layered much like memory itself — partial, altered over time, and continuously recontextualized. Pendĕre does not seek a fixed narrative; instead, it offers a contemplative space where balance and fragmentation coexist, and where meaning emerges through sustained looking. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Uplift cradled wood 12 x 12 the bird preparing for flight on the launchpad of her mind, waiting for the perfect moment to soar to the mosaic sun. I was desiring an energetic uplifting art piece and using one of my favorite stream of consciousness methods, I created a patterned background even before any ideas were in place. I let the shapes, colors and values guide me to the imagery and the overall emotion. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Turn Under Here collage 15 x 15 I attended a workshop in Portofino, Italy led by Nicholas Wilton. I spent the week creating small collages using acrylic paint, a wide variety of paper and images. My focus was on experimenting freely with size, shapes, color, design, movement, and emotion using my intuition to create a work that resonated and shallenged my audience. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • The Craftsman graphite, charcoal, and colored pencil on tinted drawing paper 9 x 13 These are my husband's hands. Old. Arthritic. But they continue to create, and make beautiful things from wood. I saw something touching in those gnarled hands as they used his grandfather's chisel to scribe a smooth shallow channel in a piece of reclaimed maple. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Floral Notes with a Hint of Cranberry oil on panel 10 x 10 I paint what piques my interest. I've always gravitated toward color, sparkle and whimsy. It's fun to set up a still life, play with different elements and see what I get. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Many Are Called 14 x 11 photograph When visiting New Orleans I went for a tour of the city's oldest one, the St. Louis Cemetery No.1. The ornate monuments, graves, and mausoleums are above ground due to the high-water table in New Orleans. I found it interesting that most of the statues were of women and there was only one male figure which I believe is important because women are strong and represent ideas like Faith, Hope, or Charity. This particular one is titled "Many Are Called" because it represents hope in darkness, my constant companions. It reflects the times we are currently experiencing in our country. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Spiridoula 8 x 10 photograph I was on a photo shoot in a rural town when I walked into a small restaurant. Passing the kitchen doorway, I saw a woman carefully peeling a bucket of potatoes. It was a humbling sight that instantly reminded me of Sunday dinners at my grandmother’s house. I asked her name, and she told me it was Spiridoula. When I asked to take her photo, she graciously welcomed me to do so. It was a very tender moment that connected me to a woman who rarely gets attention as she works in the back kitchen. It made me mindful of the importance of taking time to recognize these hidden figures, rather than overlooking their behind-the-scenes contributions, no matter how small they may seem. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • People at the Oculus 13 x 17 digital Photography, inkjet archival print I have been photographing for over 50 years, having started in the 1970s, photographing my young children in NYC. I've always loved photographing peopl,e and , in the last few years, become interested in the challenge of documenting people on the streets of New York. This is a spontaneous and unpredictable process, in an ever-changing street environment. My work has been exhibited in galleries, in NYC and Long Island, as well as museums on Long Island. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Dance of the Chimney Pipes 12 x 18 digital archival photograph sublimated to aluminum I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at us at warp speed, there is profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of a single image made with the vision and ever evolving techniques of fine art photography. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Looking Back photograph 11 x 14 Looking Back (photography) A friend invites me to her garden to photograph anytime I wish. As a wildlife photographer, I enjoy watching and photographing the mallards in her cypress pond. The ducks are quite tame and my presence doesn't bother them. Mallards have more than 11,000 feathers, and when this male mallard struck a pose, I was able to capture many of those feathers, including his distinctive curled tail feathers. The mallard's flexible neck anatomy allows it to rotate its head 180 degrees. When I took this photo, the mallard turned his head to look back over his body, which created a more unique photo. (Equipment/Settings: Nikon D850, 1/1600, f5, ISO 400) Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • In Full Recognition No. 3 acrylic 12 x 12 Framed Size: 18 x 18 In my contribution of a series of three images to the She the People exhibit, I use the monoprint process to explore the delicate boundary between being seen and being forgotten. Inherently, a monoprint is a singular, unrepeatable ghost of an image—a fitting metaphor for the unique yet often marginalized lives of women throughout our nation’s history, particularly women of color in our national narrative. The fading image of the woman in resplendent headdress (In Full Recognition No. 1) represents the systemic invisibility and erasure that have long sought to diminish her power. As the image recedes over the second and third prints in the series (In Full Recognition No. 2 and No. 3), it also demands a more intentional gaze and prompts feelings of grasping to fully memorialize her before she is gone. What remains when a collective voice is suppressed? What is reclaimed when we center Her-story? This piece does not simply mourn collective loss for what could have been but aims to transform that loss into an empowered future where every woman is fully recognized and heard. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Morning Mist oil on gessoed panel 12 x 9 This studio painting is based on a plein air study of trees on a foggy morning along the coast of Maine. The colors were muted and the value range limited, conditions I find create unique opportunities for expression. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Fish of Fowl and Flower mixed media 7.4 x 9.5 I am a multidisciplinary artist, author, and lifetime educator. My creative practice is a dialogue between nature, technology, and the transformative power of narrative. I seek to bring overlooked details into sharp focus—a visual philosophy that mirrors my professional dedication to finding the unique story within the larger picture of a lived life. My work is deeply influenced by symmetry, color, and relishing the unpredictable. This fascination with "the story within" has evolved into my current exploration of the natural world through found objects. By repurposing terrestrial elements—such as rooster feathers and pressed botanicals, I aim to deconstruct their original forms to tell an entirely new story, reimagining the familiar as something unexpected and ethereal. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Wading in the Sea Grass soft pastel on sanded paper 13 x 15 I live by the seaside and am inspired by the beauty of the landscape each and every day. Soft pastel enables me to spontaneously capture color and movement with vibrancy. Hopefully, my images evoke that in the viewer. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Holding the Line soft pastel on sanded paper 10 x 10 Please use the description I used for the other work for the new pieces..OR for Tipping The Scales: The main purpose of all of my work is to blend the abstract with the recognizable by simplifying shapes and the using color that doesn’t necessarily represent the subject. Holding The Line uses minimal detail to represent a single tree holding onto it's place in the world. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Purple Rain acrylic/mixed media on canva 12 x 12 I’m inspired by the environment around me as well as my own internal landscape. My process involves creating multiple layers of paint and collage, extensive mark-making, and distressing the surface with a variety of tools. My paintings invite the viewer to share and experience my creative journey — a quest to make peace with the chaos and complexity of being human — and feel a sense of resolution, even if the resolution is momentary. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • It's My Party no. 3 acrylic, collage, crayon monoprint 13.5 x 13.5 In this series of mixed media collage, I was exploring the relationships between controlled and random shape making and layering affects from mono-printing using both thoughtful placement of the collage pieces and the discovery of random effects from the printing process. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • I Was Drawn to the Red Room

    digital archival photograph sublimated to aluminum

    Size of Piece: 20 x 30

    I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

    Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Crosswalk 3 printmaking 8 x 10 Framed Size: 15 x 17 On June 14, 2025, protests against a wannabe king took place all over the country. Leaving the protest, as we crossed the street, I took a photo of the characters in this image. It seemed quite emblematic of the time we are in now, when liberty is at stake. A woman dressed as the Statue of Liberty and was crossing simultaneously with a woman holding a "No Kings" placard and a woman in an abaya covering, with a small boy. There were others, so I included a gentleman to round it out. The photo, for me, was not enough, nor was the watercolor painting I made from it. I had to challenge myself, and this print is one of the two best from a very difficult registration process. I felt it worth pursuing as a moment in history and culture. The crosswalk is a good symbol- representing what we are crossing from and where we are going. The characters are many, and all worthy of liberty. The crosswalk may also represent following the rules for our own safety. Freedom does have its boundaries. This is a tribute to the US Constitution and its basic premises, that we can all walk here as long as we are following the rules. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Risk Ahead collage with acrylic on Bristol board 13 x 10 framed size: 20 x 16 Alice Andrews Higbee Mathis (1695 – 1784), widow, became the wife of John “The Great Mathis”, a land developer in Little Egg Harbor, New Jersey in 1716. A Quaker of the Tuckerton area, she is recorded as being dark-haired and dark-complexed, strong-minded, possessing unusual business talents, and was reportedly a greater land speculator than her husband. She was fairly educated and wrote a good hand. In this mixed-media monotype, she is surrounded by the colors of war – the stripes of the flag of the colonies, the blood of the families, her hands the color of lost soldiers, her face the determined life force of the Revolution. John and Alice loaned money to the struggle for freedom and were repaid in Continental paper, which proved worthless. They rallied and continued to prosper, leaving a legacy of freedom and lands to their heirs. She was my 6th great-grandmother, and this likeness is based on a mid 1800s tintype of her great-great-granddaughter Martha Mathis, my 2nd great -grandmother. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Summer Bouquet oil on canvas 13 x 13 These flowers from my daughter's friends were such a bright and happy memento from a perfect May morning that I wanted to paint them to memorialize a day of graduating and celebrating. The multi-colored bouquet makes me think of a living rainbow, or flower fireworks. I used a combination of brush and palette knife, to create a thick impasto for the central yellow focus flower, and to show the solidity of the jar holding the bouquet. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • ThisIsAlsoAmerica printmaking 6 x 6 ICE has been terrorizing US citizens. This is aggressive agent Bovino in a Nazi inspired SS officer uniform spraying orange pepper spray at protesting citizens. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Babushka oil 6 x 6 I am in third grade here, 1966, standing in front of our house in Manitowoc, Wisconsin, about to walk to school. My mother had just made me a triangular scarf, the kind every girl wore then. She took the photo that inspired this painting. I took the scarf off halfway to school… I didn’t want to look like a little babushka. This was my neighborhood, I knew every inch of it. When I painted it, I wanted to hold onto the feeling…the story of without being literal about it. The architecture is intentionally abstract, more memory than record. It was painted within the constraints of a 6x6” format, with a limited palette and a single brush so it did not become precious. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Crosswalk5 hand-colored linocut print, soft pastel 15 x 17 In the span of a lifetime, one can only imagine, with the help of learned history, the span of 250 years. The submission here is a moment in one woman’s lifetime, a fraction of that history. The image is in the intimate moment of the street protest. The woman’s perspective is a response to what is seen or heard on the street. Printmaking is also an intimate medium- a transference from a block or plate to paper and a transference of feelings into images, whether etched, carved in linoleum, or glued in collagraph. The joy of printmaking of original hand-pulled prints is that of the partially controlled and partly surprising result once run through the press. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Heather Cox Richardson 14 x 11 akua ink on BFK rives I listen to Heather Cox Richardson every day since the POTUS took office in 2025. She is a well- educated historian and keeps me in a calmer perspective of the constant inundation of bad news. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Heather Cox Richardson (3) 14 x 11 mixed media collage with gouache and pencil I listen to Heather Cox Richardson every day since the POTUS took office in 2025. She is a well- educated historian and keeps me in a calmer perspective of the constant inundation of bad news. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Heather Cox Richardson (2) 16 x 20 akua ink monotype with chin collé I listen to Heather Cox Richardson every day since the POTUS took office in 2025. She is a well- educated historian and keeps me in a calmer perspective of the constant inundation of bad news. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Georgia 24 x 18 photograph The Iiris is one of my most photographed flowers symbolizing one of my favorite artists Georgia O'Keefee. Her life and creative style have been a great source of inspiration to me in my artistic journey. Leading me to read her biography's and making pilgrimages to New Mexico to visit her home at Ghost Ranch, her permanent home in Abiquiu, NM, museum in Santa Fe, NM, as well as her residence at Lake George, NY. I make a point to visit her work at places and museums that display her paintings! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.