-
Pivotal Moment wax pastel on paper 14 x 20 framed size: 20 x 26 I don’t plan my pieces in advance. They evolve and develop like a deep conversation and close relationship. As this piece was taking shape, I was struck by how it was starting to look like a woman from the back, her shoulders, and her head tilted to one side with long flowing hair. And one of the last things I did was to add all the yellow color in the background. Two days after I finished this piece, Renee Good was murdered by ICE on the streets of Minneapolis less than 10 miles from where I live. Soon after, I remember reading a tribute written by Renee's wife. She said that Renee was “made of sunshine”, and in that moment I realized the yellow in my piece was that sunshine. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Outside Inside Acrylic on Canvas Board Size of Piece: 24 x 30 I feel that every human being is like a portal. We first encounter the external frame, but an entire universe unfolds as we step through the doors. Our inner world shapes our outer reality, just as the outer world, in turn, influences our inner state. A lingering sense of loneliness etches itself into our expressions, while a habit of noticing beauty and goodness softens our features, bringing light to our presence. Perhaps the most powerful anti-aging secret is a genuine smile—one born from childlike trust in life, the belief that everything is unfolding as it should, and the certainty that our adventures are limitless. There is an ever-present, knowing part of us—an angelic essence—watching over, guiding, and smiling at our journey through our many mystical paths. This painting emerged as an unfolding, evolving process that presented infinite possibilities until I realized it was not about choosing a single direction. Instead, I was capturing a state of being, a process of disc. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
AphroditeAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.oil on canvas, gold leafSize of Piece: 24 x 20 x 2
I conjure intimate dialogues on canvas that speak of who we are—beauties, souls, goddesses, lovers, warriors. I paint to celebrate the magic inside every woman. We are beauties, souls, goddesses, lovers, warriors. I paint to show the magic inside every woman. We shine with grace like Aphrodite—the most beautiful goddess of love—full of softness and light. We also stand strong like a divine warrior, wearing gold helmet and gentle pink gown at the same time, showing that our power comes from being both brave and tender. Sometimes we are a mirror too—my painting with a young woman kissing her reflection reminds us we all want to feel seen and loved. That “love yourself” isn’t just words—it’s a deep hug from your own heart, a way to feel close to others again. My paintings are simple conversations with our souls, celebrating how we are strong and gentle, brave and kind, always beautiful and always real.
-
Faith Ringgold acrylic 24 x 18 Framed Size: 26 x 20 MY DEAR FRIEND AND ICONIC LEGENDARY ARTIST, FAITH RINGGOLD SAT FOR ME WHILE I PHOTOGRAPHED HER IN ORDER FOR ME TO PAINT THIS PORTRAIT OF HER. FAITH WAS AN ACTIVIST WHO FOUGHT FOR EQUAL RIGHTS FOR ALL WOMEN. SHE WAS A PIONEER IN THE WOMEN'S MOVEMENT. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
I Am A Woman photography 36 x 24 I AM WOMEN, NOT A HOST On June 24, 2022, when Roe v. Wade was overturned, thousands gathered in New York City in urgent protest. I stood not only as a witness, but as a participant, using my camera as both instrument and voice. These two images form a single statement. On the front of her body, the words I Am Woman declare identity, autonomy, and presence. On her back, Not a Host confronts the reduction of women to vessels. Together, they hold the tension between visibility and erasure, power and vulnerability. Photographed in the surge of collective resistance, this woman’s body became both canvas and proclamation. She carries the language of protest on her skin, transforming flesh into testimony. Presented in Seneca Falls, where the women’s rights movement first took organized form, these images connect past to present. They ask what has changed, what remains fragile, and how we continue to stand — visible, embodied, and unyielding. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Beneath the Murmur of the Distant ShoresAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.fabricSize of Piece: 30 x 30 x 1.5
I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.
My artistic approach is mostly intuitive with a constant awareness of color combination and contrast. The use of strong colors is a direct influence of my Brazilian heritage. Using fabric as the medium to create my art pieces was a natural choice since I have been working with it from my teenage years.
My creative process can be described in two phases. The first one is the combination of inspiration and visualization of an art piece. The second phase is transforming what I visualized into actual artwork. It requires selecting fabrics as close as possible to my vision, adjusting, and sometimes, starting all over again.
-
Echoes of Blue MirageAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.fabricSize of Piece: 30 x 40 x 1.5
I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.
My artistic approach is mostly intuitive with a constant awareness of color combination and contrast. The use of strong colors is a direct influence of my Brazilian heritage. Using fabric as the medium to create my art pieces was a natural choice since I have been working with it from my teenage years.
My creative process can be described in two phases. The first one is the combination of inspiration and visualization of an art piece. The second phase is transforming what I visualized into actual artwork. It requires selecting fabrics as close as possible to my vision, adjusting, and sometimes, starting all over again.
-
Motion (with an E) mixed media 23 x 23 This piece evokes a pond teeming with life, energizing memory and awakening dreams for the future. It’s a breath of fresh air. Fragments of colored glass, mirror, textiles, and cherished charms gathered from an artist soulmate radiate like currents across the surface, recalling a beloved stream. Woven into a circular form mounted on a clock, this work marks the passage of time while honoring remarkable lives left behind. Hard and soft, structured and organic elements exist in harmony, reflecting renewal. This mixed-media mosaic is a vibrant celebration of life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Posterity acrylic on gallery wrapped canvas 40 x 30 The preamble mentions "...promote the general welfare, and secure the Blessings of Liberty to ourselves and our Posterity.." The loving sacrifice many of us have made as mothers is essential for posterity. In our quest to "do it all" we often forget the importance of our role as mothers in shaping the future of our people. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Julia Ann watercolor with collaged watercolor 24 x 18 framed size: 25 x 19 Julia Ann was born at the end of the Civil War. She married when she was 15 years of age and had her first child at 18. Julia Ann and her husband had thirteen children; twelve lived to adulthood. During her lifetime, women could not own property and could not vote. It is hard to imagine how many diapers she washed or how she grew and cooked enough food while keeping the household running. Family stories include how she refused to learn to drive, even after the family owned a car. She made extra household income by selling butter and eggs to neighbors, delivering them by horse-drawn surrey. Stories are told of how she made deliveries quickly, frequently turning down conversations and gossip to get to her next delivery. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Mary Fields sculpture 25 x 14 x 13 I was reading about relatively unknown African Americans, and I came across Mary Fields. I wanted to capture her essence in sculpture, and worked from a few photos. She was a freed slave who made her way by working for a convent, running a laundry, a stagecoach driver, and the first woman US mail carrier. She was 6 foot tall, cigar smoking, gun toting, and dressed in men's clothing, but always wore a white apron. Her one concession to being a woman. She was tough and no one messed with her. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Eleanor Roosevelt: No, I Mean Yes mixed media on paper 19 x 13 framed size: 27 x 21 "Perhaps in these times where we see women's rights being literally ripped away from us, we can be inspired by those in the past like Eleanor Roosevelt who battled the odds and never gave up -- she fought for us. Let's keep fighting with all we have, from protest marches to voting for change to electing a judicial body that speaks for us. We must use all the tools we have, including conte crayon on paper, to salute our heroines and ignite others to continue the good fight. The battle continues . . . " Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
In Tongues sculpture 30.5 x 11.5 x 11.5 As a metal artist, my artistic evolution has been a journey of discovery and refinement, where experimentation with techniques and materials has shaped my unique voice. From the initial spark of inspiration to the careful execution of each piece, my process involves a thoughtful exploration of form and meaning. I am dedicated to pushing the boundaries of metal as an artistic medium. This journey reflects the enduring power of creativity, drawing on a diverse range of ideas and inspirations. Some elements are rooted in the past, inspired by old drawings and childhood memories, while others emerge from new emotions. Through my work, I aim to forge connections through my creations, transforming metal into vessels of emotion that resonate with viewers. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Asking Questions acrylic and metallic paint on canvas 36 x 36 37 x 37 More than seven layers of transparent paint create the background upon which opaque black acrylic paint was used to inscribe research questions copied from an ocean scientist's handwritten notebook. Several more transparent layers were added over the writing. Silver metallic paint was then used to define the fluid shapes suggesting ocean water. Though specifically about ocean research, the painting celebrates the tremendous growth in all the scientific research that has taken place over the past century, and the significant ways that women now take on leadership roles in all the sciences. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Conversation watercolor 30 x 22 framed size: 38.5 x 31 "Conversation" came to me as we were experiencing the pandemic. People were isolated and, in many cases, not able to speak to each other in person. As I painted, the skirt felt like a flag unfurling to encompass a dialogue among many people. I began to think about the wider meaning of this image as it related to a founding principle of this country. This great experiment called the United States of America was born of immigrants escaping a monarchy to live in freedom. Women of every color and creed--an underserved, underestimated, and overlooked population--constituted the spine of our nation, working tirelessly to shore up their families. They developed their own networks of communication, which eventually became systematized and even voted into law. The woman depicted here contains multitudes--depicted in her skirt, under the "flag" of protected speech. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
She Spoke Up XI, Carrie Chapman Catt charcoal 22 x 30 framed size: 28 x 35.75 The ‘She Spoke Up’ series began as a reaction to the destructive and inflamed political and social climates. With the cascading revelations of the Me Too movement, centennial anniversary of the adoption of the 19th Amendment, surreal landscape of the Covid pandemic, unrelenting flood of lies and misinformation, and the incessant assault on democracy by our elected politicians, I chose to elevate the work and words of women who have spoken truth to power, pursued freedom and equity, amplified truths at great personal cost and transformed the broader world. Their contributions, stories and lives are often obscured, forgotten or deliberately contradicted. Collectively the series stands as a response to endemic misogyny, racism, sexism and obstruction. Birds, symbolizing keen vision, spirituality, and freedom, are potent symbols of humanity’s hopes and dreams. I integrated specific bird imagery into each work, finding their symbolism often uncannily mirrored the characteristics of each woman. Falcons symbolize endurance survival, victory; wisdom, methodical hard work, rising above challenging situations and success. The series reflects on struggles and inequities of the past, underscores fundamental challenges that still exist, highlights transformative achievements of intelligent, courageous women, commemorates the truth of their words and work, and suggests possible tomorrows. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Haro of Sorrows - goodbyes sculpture 25 x 16 x 9 I am of Irish descent. My great grandparents emigrated in 1855 from Ireland to the US (upstate New York) because of the potato famine. The sculpture is symbolic of the Irish diaspora. One side the family is waving goodbye to a family member leaving on a boat. The other side is a woman who signed up to be an indentured servant in the new land. She is looking through the sails as her family recedes in the distance. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Access with Absurd Assumptions oil 18 x 36 Framed Size: 19.5 x 37.5 On one of our trips abroad, we visited a lovely stone church. We were stunned by the voluminous steps by which a truly handicapped person could not possibly navigate. Yet, there was a small handicapped sign at the TOP of the stairs. I hope they have since improvised a way to help those who cannot help themselves. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Not So Delicate Flowers mixed media 20 x 20 This image is silent, though filled with voices. A thick crowd had amassed on that cold, windy day in 2018. We didn’t feel unsafe. We listened to speakers who delivered warnings of what would come if we gave up the fight. Someone asked to take our photo, and a few hours later, we learned that we had become the faces of National Geographic for the Women’s March. We exercised the empowerment of our triad, utilized our rights to speak up against hate, and with the help of a friendly stranger, our message made its way to southern Haiti within hours. Our signs were shaped with intention, and filled with love to remind those who saw them that above all, we can live our lives without identifiers - except family. We represent what love look like, no matter where we were born, no matter what our language is. We don’t look like one another, and we find that to be beautiful. We laugh together. We argue together. We work together, lending more hands to lighten the load. This piece is a reminder to dare to hope. To look fear in the eye and conquer hatred. We have seen what fear and hatred can do - tear people and things apart. Love and hope can do so much more. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
The Weight of Liberty oil 36 x 24 framed size: 37 x 28 A figure shaped by the long passage of American history and by the demands placed upon the ideals she represents. Since her arrival in the late nineteenth century, Liberty has stood at the nation’s threshold as a presence associated with aspiration, refuge, and civic promise. Across generations, her form has absorbed movement, conflict, and change, gathering responsibility and endurance into a single enduring figure. Conceived as a woman, her image has carried layered meaning through time, shaped by use, expectation, and memory. In this work, Liberty bears visible signs of passage. Her surface appears worn and fractured, marked by strain and accumulation. The lowered head conveys gravity and inward attention, a posture shaped through duration and responsibility. The flame is held downward and close to the body, suggesting care, protection, and sustained watchfulness. The figure stands upright, grounded in weight and continuity, carrying history forward through presence and bearing. The work considers the persistent role of women in sustaining shared ideals through responsibility, labor, and continuity across generations. Liberty appears as an active presence shaped by those who uphold her, carrying a charge that remains ongoing and entrusted forward. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
I Dissent: Lipstick Justice (RBG) collage 20 x 16 framed size: 30 x 26 My inspiration was Queen Anne of Austria (former Queen of France). With my feminist spin, I've transformed her persona into Supreme Court Justice Ruth Bader Ginsburg. During a talkback session following a 2018 performance of "The Originalist", an Off-Broadway play at 59E59 Theaters in New York, she referred to herself as a "flaming feminist". The play centered around her close friend and ideological opposite, the late Justice Antonin Scalia. During the theatrical outing, at 85 years old, she also joked about her then, newfound, mainstream fame (Notorious RBG) and expressed her intention to remain on the bench for at least another five more years. This declaration was part of her long history of speaking boldly and openly about her advocacy for gender equality and women's rights, during her entire career as a lawyer and as a Supreme Court Justice. She was inducted in The National Women's Hall of Fame in 2002. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Her Unshaded oil 36 x 24 framed size: 39 x 27 Her Unshaded is an art statement commemorating the evolution of women's involvement in American history from the signing of the Declaration of Independence, a moment when women were excluded from political life, to the future being shaped by female voice, knowledge, and leadership. The past has been shaded, with an actual shade at the top of the image and by use of books written during the period on women's lives. There is a painting of a woman of color beginning to rise. Her posture and gaze represent knowledge long held but historically concealed. At the base of the work, coded tags invite the viewer to engage digitally through their smartphones. The links lead to a contemporary art project lead by the artist through her young art students who were asked a single question: What gift would you give to the world if you could give anything? One link goes to their artistically created videos and another to an open source page in Wikipedia, "Timeline of Women's Suffrage in the United States". By integrating historical artifacts, figurative representation and contemporary participation, Her Unshaded connects past, present and future. Women continue to rock our political world. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Unified oil on canvas board 11 x 14 framed size: 15 x 18 The power of being unified in a belief can reveal strength, depth and simplicity, which sometimes goes overlooked. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
In Memoriam charcoal, ink, watercolor on paper 25 x 25 framed size: 36 x 36 In Memoriam by Linda McCune is a somber even ghostly image of lilies of remembrance for an unnamed, contributing multitude of women who are not famous in the sense that we know their names or faces, laude their achievements, and record much of their lives. In the 250 years that we are celebrating this year, an estimated 235 million women have been born in this country, based on this number of years 250 have been selected by USA Today and categorized by founders, suffragist and reformers, trailblazers and leaders, and of modern era importance. Indeed, these should be highly regarded an acknowledged. However, my mind wandered to the scant history of my mother, grandmothers, great grandmothers multiplied by thousands of women, each with an importance unrecognized in this celebrated public way. As the movement in my drawing suggests, they amazingly pushed women’s collective history forward daily as an unseen force amidst much gender bias and I wanted to acknowledge their lives as if I had taken this bouquet to each funeral. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Farm woman oil on canvas 24 x 18 framed size: 28 x 24 I was particularly moved by this young girl's vibrant energy and hardworking hands; there's a sense of groundedness and reassurance in her feminine presence. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
On the Eve of Apocalypse oil 24 x 18 framed size: 28 x 22 This painting is dedicated to my great-grandmother Anna. Anna and her husband lived in Siberia. They were a wealthy family from the upper class. In 1917, the Russian Revolution took place and civil war began. The communist Bolsheviks who came to power killed the rich and took away their property. Anna survived, but she was left alone, without a husband and without any money. I don't know exactly how my great-grandmother overcame this nightmare, but I know that she continued to live alone, still living her life with dignity. She didn't ask for help, she offered it. I know very little about her, but that doesn't make her resilience any less significant. She fell from a rich and predictable life into a poor and destitute one, but remained a person of dignity and faith. The background on which Anna is depicted is a symbolic image of her native Siberian city as it was before the Revolution, on the eve of Apocalypse. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Anastasia. The Firebird Oil on Canvas Size of Piece: 30 x 24 Dinner with my nonagenarian friends inspired this piece and is why i called it "Social Hour" I decided to render them through colors and shapes so the focus would be on the connection between them and on the mood of the moment rather than on their features. What I see, hear, feel and experience makes its way into my art. Growing up in multiple cultures influences my work, and my love of fairy tales, fiction, fantasy, and sci-fi seeps through as well. I paint mostly in acrylics and gouache and love to experiment with a variety of techniques and materials. At times my work is autobiographical as I aim to tell a story, convey a feeling, or share memories. In Social Hour my focus was on friendship and aging. Through the use of vibrant colors, a sense of movement, and unexpected imagery, I hope the viewer is drawn into my work in a way that provides space for their own interpretation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Insomnia. HomerAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.
oil on canvas
Size of Piece: 40 x 30Insomnia This picture was painted shortly after my arrival in New York. There are references to ancient Greek culture and Homer's epic poem Odyssey. The painting symbolized the hope that in our journey we will not lose our own culture. And we will be able to join another culture that is still unknown to us.
-
PoppiesAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.
recycled brown bags & acrylic on canvas
Size of Piece: 24 x 36 x 1I am inspired by nature and I am a gardener and often am inspired by the flowers that I tend to. I use recycled brown grocery bags and paint them with acrylics. When the bags are dry I rip them and glue them together on canvas in the image of my gardens.
-
Russian RouletteAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.
oil on canvas
Size of Piece: 40 x 30This painting is about my parents' wedding. My mother was from a rich and powerful family and my father was from exile in the Siberian Gulag family. Mother's parents were strongly against this marriage and it was like Russian Roulette for my father. He did not know if he could have a happy life or he could end up in Gulag which is depicted in the painting.
-
Two Critical Questions Acrylic Size of Piece: 42 x 51 x 1.5 Hayoon Jay Lee is an interdisciplinary artist who explores the tension between indulgence and abnegation as it exists in terms of mind and body as well as on a socio-political level. Her work locates points of contact between Korean material tradition and Western avant-garde vocabulary by using rice shape and rice as an object, motif, commodity, and metaphor. As a building block of civilizations and a marker of wealth differences, rice allows Lee to conceptually play with points of conflict conceptually — oscillating between attraction and repulsion, between Orient and Occident— with the aim of ultimately encouraging reflection on the different ways our conditions and fates are interlinked. Renowned for integrating rice-inspired motifs and organic, visceral shapes in her paintings, sculptures, installations, performances, and videos, Lee’s work features figures embedded within rice forms. This highlights the deep connection between food and life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
-
Family PortraitAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.
recycled brown bags & acrylic on canvas
Size of Piece: 36 x 24 x 1I am inspired by nature and I am a gardener and often am inspired by the flowers that I tend to. I use recycled brown grocery bags and paint them with acrylics. When the bags are dry I rip them and glue them together on canvas in the image of my gardens.
-
U.S. Constitution in a Knot sculpture 41 x 25 x 25 “U.S. Constitution in a Knot” distills the current political impasse into sculptural form. Robin Antar carves the full text of the Constitution, with all seven articles, into a tightly bound marble knot, transforming a foundational democratic document into an image of tension and entanglement. The work speaks to a nation caught in partisan gridlock, where core principles feel strained yet remain structurally intact. The knotted form is held aloft by a carving of the artist’s own hands, asserting individual accountability and the role of personal agency in sustaining civic ideals. Below, a bed of rough granite chips contrasts with the polished marble, evoking fragmentation, erosion, and the instability of public discourse. Through material precision and symbolic compression, Antar positions realism as a vehicle for critique, presenting the Constitution not as a static relic, but as a living framework under pressure, twisted and contested yet still upheld. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.







































