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acrylics 30 x 30 x 1.5" I began this work as a non objective abstract painting. However, once I dipped my paintbrush into green it became a flowing garden, Perhaps it was the Chopin or the spring day.
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pastel 20 x 16 x 1"
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oil on panel 36 x 18 x 1" The Edge - Ukraine is a metaphor for strength in the face of overwhelming adversity.
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painting 72 x 72"
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mixed media oil painting 42 x 28 x 2" My work in general hints at what is behind the eyes, the flesh and what we recognize as being human. Our bodies are bound by the laws of nature but our souls are not. Moon Garden draws us into the natural world to be lit up by the light of the moon, surrounded by flowers that bloom at night while becoming an intimate part of nature herself.
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photography 27 x 18" By manipulating light sources, imagery, and time, I create a sense of time travel in each frame. Through the use of vintage source material juxtaposed with modern LED lights, I create a striking tension between old and new. My work is centered around experimentation and the unexpected. The in-camera collage of the moon goddess Selene and her chariot, for example, came to life only after the 30 second exposure was complete and I played back the frame. This approach to photography allows me to push the boundaries of what's possible, creating images that are as surprising as they are beautiful and evoking a sense of wonder while transporting the viewer to another time and place.
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acrylic on canvas 24 x 36 x 2" Kane's work always begins with line(s) of many types. Lines build upon lines to create a sense of volume and depth. Sometimes the result is recognizable visually. Sometimes, as in "Mixed Lineage", the visual result may not be immediately recognizable as a thing. Your perception of this image is your own. I hope you enjoy this piece and smile.
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acrylic 48 x 60 x 1.5" Nature, for me, is a constant source of inspiration. This pink jungle has many paths to travel. Playfully we encounter many different animals throughout this landscape, even a dog with green dancing shoes! Being in nature reminds me of the paradox of our own complexity and our own smallness. Our feeling both small and vast in the natural world leads to stillness. In the stillness, we become aware of our inner light. This is the light of our true nature and our sacred heart. May all beings cultivate joy along this path to true enlightenment.
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glazed stoneware 17 x 6 x 6" After the pandemic I was feeling protective of myself and my friends and family. I had been doing nudes for a long time, but it didn't feel appropriate anymore. I made a series of these sentinels. They are combined thrown and modeled forms. i see them as entities that will look over us and out for us. Making them made me feel better.
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acrylic on canvas 24 x 83 x 1.5" Dead Zone I, published in the print edition of the international literary an arts journal, Still Point Arts Quarterly XI, was inspired by media reports of agricultural and industrial runoffs occurring in deltas, estuaries, lakes, rivers and oceans worldwide. Add in climate change acidifying and warming the waters, the end results are low oxygen levels that lead to reproduction problems in sea life, reduction of the population of large fish and suffocation of marine life. There may be a light at the end of the tunnel. Scientists have stated that dead zones due to human activity are reversible if their causes are reduced or eliminated. Surely a challenge and an uphill battle.
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photography/digitally manipulated 16 x 24 x 1" On the surface, the digital images in Judy's Under the Big Top portfolio portray circus troupes as glamorous, athletic, and cooperative. Further thought reveals deeper truths, such as commitment to disciplined practice produces impressive results. In "En Garde!" a clown models resilience despite adversity and imperfection, a way to grow from failure and heal through self-recognition and laughter. Although a clown may be ill-prepared and quivering with fear, he still bravely shows up.
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acrylic on canvas 48 x 65" When people get married, they are in love and feel like on the cloud. But marriage life takes a lot more than feeling good. It also takes resistance, keeping the promise, forgiveness, etc. My painting is composed to show the contrast between the love high and the reality of married life. "The Kiss of Rodin" is painted on the cloud as a symbol of a trance moment of love while holding hands over letters of troubles of married life showing the physical and emotional tie of a married couple.
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coated copper wire and glass beads 22 x 22 x 6" The oranges, yellow, and reds of autumn have always spoken to me. I find the changing hues moving, an inherent part of nature's cycles. I selected wire and glass beads to depict this glorious time.
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oil on canvas 48 x 36 x 1.3" My abstract work reflects personal experiences depicted without naturalistic objects. After painting a series of highly-structured, static, mostly gray compositions, I created "Breach" in a series called "Chaos." My world had gone from inertia to movement and color and disorder. "Breach" shows water breaking through rocks surrounded by coral and other sea life in an underwater scene. Though there is destruction and chaos, there is also beauty and joyousness.
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pastel on paper, mounted photograph 50 x 103 x 3" My assemblages: pastel on paper and mounted photographs, are created by layering juxtaposing elements: nature vs. glitter. The viewers are immersed into my glowing, dazzling world of color, light, dimension and beauty. I create these stills by combining the elements: photographs of the landscape in seasons and detailed photographs of glowing or glittering moments . The paralleling objects are added to accentuate these phenomena. These compelling compositions are the culmination of many carefully executed steps that define my unique creative process. My intent is to captivate the audience and lure them into my world of undeniable beauty.
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acrylic, graphite, water soluble crayon on canvas 66 x 78 x 1.5"
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colored pencil on paper 10.75 x 14.5 x 1" The original inspiration for Currents/Countercurrents was a view of wildly rushing waters flowing over a multitude of rocks in a pool of lake water. Each second I observed them, water would flood in anew to present more and more complex patterns. As I began to draw, vibrating colors akin to Op Art began to occur. I emphasized these, as well as building up the color in almost impasto effects adding to the frenzy. As the drawing progressed, it expressed additional meanings of the temper of the times.
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embroidery and felting 13 x 10" This is one of a series called “Ariadne Slept Here” showing Ariadne in current locales, a spinner who can help us escape the modern Minotaurs. Bonnie MacAllister renders in figurative embroidery, handspun threads, globally sourced farm wools and fibers, and recycled textiles. The language of textiles is also that of connection, threading together identity, history, biology, and personal experience. My portraits on handmade felt are created from an original figure drawing, transformed into needlepoint, bounded and knotted with each physical perforation, a gesture of self-healing, promoting mindfulness.
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photography on acrylic 12 x 16" During a gentle rain, I was walking in the garden and noticed that the petals of this rose looked just like a beautiful dress in a ballet, I couldn't help, but think that this rose was dancing in the rain.
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sculpture relief 48 x 34 x 3" Bobbi Mastrangelo is known for her unique art theme based on manhole covers, water covers, grates and drains called “Grate Works of Art.” This light-weight wall relief is carved from sheets of polystyrene. It is based on a scene in a Hollywood Florida parking lot. Reference materials included photos and a rubbing of the manhole cover.
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acrylic 30 x 40" Karlene explores memories and perceptions of the natural world through her colorful, gestural paintings. She uses shapes and lines to mimic organic forms found in nature, playing with positive and negative space and layers of paint to build up a sense of atmosphere on a flat plane. Her work is also fueled by bursts of color. While not true to life, her palette creates a conversation between cool and warm tones and serves to energize her compositions.
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collage 24.25 x 30.5 x .75" The series of family portraits completed in 2021-23, "They Had Good Habits", had its inspiration from fond memories and old family photos. This group portrait of my wonderful grandmother and her sisters, conveys their happiness in being together.
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oil 44 x 34" I was inspired to paint this piece while traveling in Cambodia. I am in awe of the spirituality, serenity, and peacefulness of monks. I strive to embody their powerful qualities in my new work.
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photo/digital art 17 x 21" I took this photograph on a rainy day inside a local bicycle shop. It was for a Northern California art exhibit with a bicycle theme. Of all the photos I took that day, this was the most pleasing.
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acrylic 31 x 41 x 2" In keeping with my deep interest in cultural signs, symbols and phrases I wanted to abstractly capture the slang term that was popularized on social media. RIZZ is a shortening of the word Charisma.
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oil 38 x 40 x 1.75" This painting is the beginning of a new series limiting the color palette. It tells the story of living in a place I love. My inspiration is the beauty of the city that keeps moving amongst its iconic structures and deep shadows. Daylight is used to outline both the buildings and people. I have always been a fan of antique silhouettes. They illustrate a history of fashion and stature in the most simple form. Fast forward to my version of silhouettes 2023.
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mixed media 32 x 24 x 3" Contemplating the graphic nature of quilts, I decided to use that concept for a mixed media piece using old photos of my family. I manipulated a photo of myself by turning it into a black-and-white jpg cut and rearranged it to become a graphic outline. I sewed some photos onto the paper with antique buttons, and used tracing paper to "cloud" some of the memories and outline. I continued the stereotype of using quilts as decoration and made the frame to hang the project.
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oil, gouache, pastel, on Arches oil paper 34 x 34 x 1.5" I create portraits of military spouses in mixed media. These paintings, which lean on drawing, display layered surfaces that disrupt and entwine with figures- representing the relentless cycle of moving and starting over. This figurative work revels in the immediacy, intensity, and expressiveness that drawing provides while exploring mark-making and surfaces. These qualities add tension between the figures and background while visually representing the struggle of spouses to not lose their individuality in lives dictated by another's military career. While being a military spouse is a tremendous honor, these portraits are an expression of their psychological space and tumultuous lives.
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acrylic and mixed media on stretched canvas 48 x 48 x 1.5" As a native Swede I have always felt a strong connection to the ancient Scandinavian and Nordic culture and rituals, passed down from generation to generation in the form of poems, sagas and the ancient written alphabet Runes. I translate my memories from my childhood into textured layered paintings; ; weaving layers upon layers of paint, graphite, pigments, marks and symbols. My artistic journey is somewhere at the confluence of the removing and adding layers, the destroying and creating, and the notion that time is a reflection of change and inadvertently leaves an imprint.
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acrylic on canvas 36 x 36 x 2" I’m interested in notions of landscape that focus on shallow water systems in both natural and man-made environments. The work combines representational and abstract approaches for a dialogue that addresses complexity and metaphor and which celebrates the intuitive response across painting, sculpture, drawing and print media. Composed Shallow (Three Leaves) proposes an intimate experience of a natural water system where familiar color, structure, and perspective are replaced and re-ordered.
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oil on panel 17 x 25" Portraits afford an opportunity to paint light and compelling form, as well as explore wide-ranging emotive qualities.. Each work is about what the face portrays, In painting individuals at different ages and life stages I am also engaging themes of temporal change, individual vulnerability and human mortality. Moments of strength, decency, calm or vulnerability; traces of pain, self protection, openness, or glimmers of hopefulness, pride and earnestness are lurking in these faces. I am engaging with the enigmatic. The difficult and satisfying challenge in my portraiture is to portray some truth and in so doing to suggest our complex humanity and shared experience.
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oil on canvas 30 x 24 x 1" A toddler gazes out of the glass door of an historic 18th century home. We learn from the past and also have an outlook on future prospects.
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opalstone on granite 15 x 20 x 6" This sculpture was created in 2020 after George Floyd was murdered. My work often involves archetypal images like Sheela-na-gigs and vultures. The vulture harkens to the ancient Egyptian goddess Nekhbet. The vulture was the first image I saw in the stone. The Black Lives Matter protests in Portland continued for 100 nights. At one point, a nude white woman postured as a Sheela-na-gig, displaying her vulva toward the police. For me, she was the perfect back of the vulture as the vulture was the perfect front for the Sheela. Combined, they gave me hope for a new future.
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linocut 20 x 16 x 1" My prints reflect my lifetime fascination with the eternal truths and beauty found in the natural world. I find these in the grace and elegance of living forms and the majesty of scenic landscapes. I channel them into a personal visual statement. Each print is the result of an idea, a narrative that forms in my mind, which I execute as a design. Then there is the challenge of cutting the image into the plate and printing the edition. Cutting each plate provides a new learning experience.
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photography 28.5 x 24" Around the Keukenof Gardens, you will find the most beautiful tulip fields in the Netherlands. The designers' arrangements of the tulips excited me. Beautiful yellows, reds, pinks, purples, and whites transformed into a magnificent painting. I was inspired to create with my camera my interpretation of the tulips. Using a Topaz filter, I was able to push and pull the colors of the tulips until I was satisfied that the Explosion of colors were perfect. I want the viewer to experience my image so that it will enhance your imagination and lift your spirit. I hope that what I have seen through my heart becomes visible through your eyes.
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oil on canvas 20 x 24" “Just Before the Stars Come Out” speaks of the end of the day; when the moon is up, just before the stars are readily visible. That sky has the most beautiful shade of royal blue, like lapis lazuli. It only lasts for a moment but is such magic. “I often find myself painting in two’s – such as the two chairs or two lampposts. It suggests a story, and I’ve been told it’s romantic.” I work both from direct observation of nature and from imagination. My work is about color and feelings. The thrill for me in painting lies in the countless possibilities of the interjection of a single stroke of color, upon color. My art is my effort to capture a moment and preserve the uniqueness of it.
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acrylic 48 x 20" The invasion and destruction of Ukraine has caused me to question why this can still happen in today's world. None of the answers given (power, society, insanity) help me understand the destruction and death we are witnessing once again.
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acrylic on canvas 24 x 16 x 1.5"
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plaster 19 x 16 x 5" Iris is an artist model. She began her career mid- life age 50. An artist asked her to pose for him She shared. Iris relished the idea and began her Art model journey. She brings a spiritual energy to the pose. Thank you, Iris.
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oil on oil primed linen 40 x 30 x 2" Inspired by a recurring dream, I am interested in past experiences and how they mold and form who we become. Childhood memories are often the source of meaning and inspiration for my work. I use a shallow space and multiple perspectives in my compositions, working partly from life and partly imagination. All imagery has a specific meaning to me personally but I do not wish to embed a narrative in the painting. The inspiration serves only as an excuse to make the painting.
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acrylic on canvas 48 x 60" I like soft colors and ways to find “safe passage” through the canvas, in the same way that we all maneuver through life and find our way. I want to create a feeling of depth, with forms intertwining, like stories of individuals in a city full of people. I strive to create contrast, vibrant interaction, raised and recessed surfaces, glossy and matte combined finishes. Life is a little like a puzzle and we all have to find our way to make the pieces fit. Intuitively, I convey my feelings in a particular painting, depending on my situation at the time… exploring the way shapes intersect in life and the way we sometimes hide the obvious behind a mask.
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limited edition digital print 2/50 15.5 x 18" Midnight is a mysterious and magical transition in time that reveals new opportunities and experiences.
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watercolor 35 x 28 x 1" The inspiration is the plethora of late summer-plantings in the St-Michel-de-Cuxa Cloister at The Cloisters Museum in northern Manhattan. My intent was to convey the contrast between the permanence of the 12th-century architectural elements and the fragile, transient essence of the blooms.
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acrylic on canvas 36 x 36 x 1.5" My piece, "Irreconciliation," explores the uncomfortable experience of irreconcilability. In today's political climate, it is unfortunately an ever-present force. Through abstraction, the painting captures the dynamisms, complexities, contradictions and opposing forces resulting in irreconciliation, yet also depicts the seeds of possible conciliation, if only we could acknowledge them.
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colored pencil 12 x 8 x 1" PeaceWood is from my Revealed series showing the beauty that can be found even among erosion.
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oil & cold wax on wood panel 20 x 20" This painting was one of my first pieces upon moving to South Carolina. I was inspired by the ever-changing sky as a storm approached along the Intracoastal waterway. This is my first piece using cold wax. I used the cold wax to blend the colors and sought to achieve the glow in the sky. The cold wax was integral in creating the reflections in the water.
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collage 40 x 50" I am fascinated by the mythic concept of one’s daimon, or spiritual companion. According to Plato, the daimon acts as a carrier of our destiny. I refer to these companions as “the Grandmothers” and wonder how do they manage? Where do they reside? How do they carry such an important weight both physically and emotionally? While softly swinging in my hammock, the feeling of a vessel gliding effortlessly through the cosmos came to me. These boat-like vehicles developed into soul sleds. They are the agent from which the Grandmothers run the show and watch over us. Exploring the ideas of one's soul journey is my work's focus.
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oil on linen 24 x 36 x 1.5" This painting is inspired by my walks with my dog Bodhi. He's a spirited energetic animal so it was a rare opportunity to catch him in a contemplative moment In this painting, I feel that Bodhi is enjoying nature in a similar way to me, but with different sensations, including his exquisite sense of smell, and touch. The painting reflects my sense that as humans, we are part of nature, and having an experience with a different species can enhance our appreciation of the world around us.
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acrylic 24 x 18"
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watercolor & gouache on polypropylene 27.25 x 33.25 x 1.5" The Italian word “capriccio” has various definitions: playful; whimsical; fanciful notion; an instrumental free form composition, usually lively in tempo and brilliant in style; characterized by unpredictable, sudden turns and changes were my muses for this painting. If ever a word described the Italian spirit, this is that word. It is the word that inspired the playground of the Roman emperors – Capri. “Capriccio” expresses all the definitions simultaneously. Using only the elements of art in a non-narrative composition afforded me the opportunity to take a capriciously joyful approach in my artistic interpretation of the word and the joyful Italian spirit and overall approach to life.
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collage on canvas 24 x 18 x 1" When I was working on this series I felt that these faces starring back at me were powerful and fierce and I wondered where was I going with these images. They slowly evolved by the addition of several symbolic images- Crosses, Birds & feathers. Crosses dividing the face - We are all two spirits the good and evil, the yes & no. Birds - I put birds on the eyes- Birds eye view of life! They are soaring through the sky with their eyes wide open! I like the old saying “See the soul through ones eyes” Feathers: In different Native American communities, the feather has many different meanings. It represents wisdom, spirituality, honor, respect, energy and also represents the sky and air.
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cast handmade paper wall sculpture 96 x 96 x 14" I am fascinated with the topography of landscapes, full of complex lines shapes, colors and textures. I create staged landscapes defined by human presence. With forced perspective I invite the viewer to enter my landscapes of Illusions and fantasy. Playing with the mind, scale, pocket openings, and crevices evoke a sensibility of self in-space. A call for a consciousness.
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paste & ink on Arches paper 42 x 108" Quoddy I was created in the summer of 2022. I drove to downeast Lubec, Maine and over several days, I made ten "walk and draw" studies as I explored the trail there. There is a strong Japanese inspiration here in the simplified shapes. At the same time, in almost a cubist manner, I combine different views into one sweeping, overall view. The sunset in the back shows this shift of time and color. I also add Japanese kanji into the piece, to flatten the space and add eternal meanings. The ink is added after blending 20 layers of pastel.
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acrylic 20 x 16" Bold hydrangeas always attract my attention. For this painting, I was inspired by dappled late afternoon sunlight falling among hydrangea blooms. Warm colors capture the fleeting late summer sun. Already a few leaves gather at the base of the steps, suggesting the change of seasons. The iconic green striped awnings and door hark back many decades, adding a sense of timelessness to this cottage near Alexandria Bay, New York. On a whim, I added a single hydrangea peeking from the window on the left to balance the composition and suggest the owner's touch.
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acrylic painting 40 x 30 x 1.5" My freehand, hard-edged abstract, sculptural form floats within a harmonized color field. I created my color pair with techniques used by figurative painters to give atmospheric perspective to landscapes and depth to objects in space. Can you sense the depth? Sentinel is a regal abstraction, placidly on guard. My signature tiny golden heart rests on the underside of the canvas, a talisman of joy, hope, and love. I varnished her with a matte finish. A minimal white wooden float frame and a small portal to view the golden heart can be added to this painting.
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mixed media 56 x 44 x 1.5" I recently lost a dear artist friend and mentor, Betty, on the third anniversary of the death of a beloved Lab, named Beela. I was reflecting on those beautiful souls, Betty's always wise words, Beela's devotion, and processing my grief.
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digital 30 x 37.875"
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gouache and mixed media on paper 46 x 35" I create abstract paintings on paper where color and chaos collide. Each painting weaves it way to its desired end. It is complete when it feels right. I work with marks, color and gesture to engage the eye in a visual dance and remain open to the unexpected.
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wood 11 x 10 x 8" I am a gatherer. Fallen wood waits for me. Sticks, twigs, branches, and bark fill my arms and backpack while hiking. In the studio, I carve, burn, and apply color using colored pencils. Each piece reveals itself as I work. Beetle tracks on the carved blue sticks read as ancient secret text.
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acrylic & oil on cradled hardboard 24 x 24" Flowers invite universal questions of existence and purpose in their quest for survival, eventual senescence and rebirth. My floral artwork is inspired by the gardens surrounding my studio and In addition, by the images of the beauty and complexity of our universe as captured by NASA. Embedded in these Micro and Macrocosm depictions of our universe are the stirrings of conversation regarding interconnectedness and co-existence.
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mixed: paper on canvas 30 x 30 x 1.5" Millennium olive trees have grown in what was historically Canaan for thousands of years, some living today are as old as 3,500 years. They provide sustenance and livelihood to its historic residents. Israeli "settlers" have illegally bulldozed them to build compounds in the historically Palestine territory, affecting both the livelihood and culture established in the 5th century BC.
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oil 30 x 24 x 2" I am fascinated by light reflected on glass and water. One of my goals is to be able to render it impressionistically in oil paint. The glass box was made by my father who has passed away, so the scene held a double challenge for me as artist. I wished to pay a tribute to his artistry with my own.
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monotype 23 x 17.5 x 1" I am using layers of printing from stencils that are not from recyclable materials to tell the story of our fragile predicament here on earth. I am using non toxic inks and Arches paper to produce images alluding to the natural world colliding with development and commercialism.
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watercolor 23 x 19 x 3" I lovingly created this symbolic painting with great respect of the mother, daughter relationship and the spirits that sometimes influence its growth.
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encaustic, oil stick, and paper on panel 15 x 15" My work is processed driven. The many layers of wax combined with mark making, creates a sense of history. and timelessness. This allows me to visually communicate ideas of loss, renewal, discovery and joy in a meaningful way.
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acrylic on canvas 20 x 20 x .5" Statement for new works. Layering and revealing what is underneath is the basis of this new direction in my painting. This is in line with what I have always sought, the subconscious manifesting itself in the conscious execution of my work. Striping gradually evolved as a device to create a surface layer that must be penetrated to find the hidden core, the third dimension in a two dimensional work.
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photography 20 x 20"
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mixed media 24 x 30 x 2.25" I am fascinated by the interaction between the surface of water and what lies beneath. As more of our planet experiences flooding the interaction becomes more profound. The sea stories and secrets held just under the mirror like surface tension are mysteries and chrinicles of not only history but possibly the future.
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unique photo transfer technique with intaglio print 21 x 17" My husband and I went to a fundraiser for the Litchfield Jazz Camp in Connecticut, and there was a young man playing with the adults in the ensemble that was entertaining. I was so impressed with his playing that I took a few photos. I have used this unique photo transfer technique, which mimics aquatint (sort of- not purely of course), because I like the texture and unpredictability of it. I created a drypoint intaglio plate to superimpose over the photo transfer, and this is the result. There is jazz music around me all the time, so musical themes are some of the subject matter in my artwork. I enjoy the challenge of showing something purely aural in a visual way.
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watercolors and fluid acrylics 24 x 28 x 1" This “Ghost story…” epitomizes the perpetuity of time’. A woman's experiences flow like water. Our adventures can be charted seen ebbing from the past and streaming towards the future. Tenaciously, we live and as we tally up experiences, adapting our stories to make our lives work, our memories resiliently swing from the past to become optical illusions for the present.
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monotype 21.5 x 17.5" My piece "Wandering Triangle" is one of a series of monotypes where I have experimented with movement and abstraction. Monotypes are often called "the painters's print" because they are a free, easy and fluid technique. People have often commented on how much directional motion they observe in both my prints and paintings. This may emerge from the fact that I am a dancer in addition to being a visual artist. In this case, the triangle subject seems to take a multi-dimensional journey as we all do in life.
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watercolor and mixed media 18 x 14 x 1" I am an abstract painter, and I work primarily in watercolors with mixed media elements. I’m inspired by the interplay of colors, shapes, and uneven lines, and I love the fluid, unpredictable nature of watercolor paints. I work very intuitively: I always have a starting point - a particular color combination or focal point - but then I just go wherever inspiration leads me, often surprising myself! Painting is the best therapy I know. It brings me peace, balance, and joy, and it helps me maintain an even keel in our uncertain times. My Blue Heaven is a reminder to find intentional moments of gratitude.
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acrylic 21 x 17 x 1" I have always been interested in the stories of women who create. Whatever the medium is--poetry, fiction, non-fiction, painting, sculpture, music--wherever the muse takes them. My own artistic career has been varied, with writing fiction, non-fiction (journalism) and painting taking precedence. A passion for photography has led to an interest in expressionistic portraiture, using photographs of artists, past and present, as a springboard for my own painting. Some believe that a photograph lies as it only captures a moment but what can be read in that moment has helped me in my own search for the truth behind the image., which has led to my Strong Women series.
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photograph 26 x 26 x 1.5" Inspired by Andy Warhol, the range of expressions in this quad was captured through conversation while exploring the idea, What is Female? I would offer that the best version of ourselves is not chromosomal assignment, but an enlightened combination of the feminine and masculine traits that we all possess, which are clearly visible in our expressions, and shared in our daily interactions with one another.
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cast concrete, reclaimed materials, and pigments 3.75 x 10 x 2" In an attempt to adapt to the onslaught of changes being done to the environment by humans, nature is increasingly creating hybrid forms that fuse the man-made with the natural. These hybrids, like many of products we consume, are simultaneously compelling and toxic. Using these new life forms as inspiration, I create uncanny forms intended to suggest an animated fusion of the organic and the industrial. All of these fusions represent an artificial reality that is a hallmark of our anthropocene age. My work is an exploration of the legacy of our current lifestyle and its effects on our world.
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metal print with AI-assisted image 20 x 20" The Trust In Me series came about as a motivating manifestation. Like all artists, I go through the phases of extreme self-criticism. Moving to another city, to another country, you can’t help but start comparing yourself to others. You think you are not doing enough. You are not enough. In order to create freely you need to be connected with yourself. Spending more time alone and reflecting helps to hear that inner voice. Only YOU can know what to do next. I named each work in honor of women who in my opinion changed or magically touched the art world, As part of a series this work represents J. K. Rowling.
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acrylic on panel 18 x 18" My My Blueberry Pie is about a favorite memory shared with my mom who is 94. Every summer we watch the hummingbirds on the porch at the lake. We get in our kayaks and paddle to a little island that is loaded with blueberries. We pick in silence, except for the sound of the birds, waves and boats. I look over and my mom is happy as a clam as she climbs deeper and deeper into the blueberry bush. We bring our stash home, clean them. We find the recipe, earmarked in our camp journal, written in my mother's handwriting. Realizing with a smile we have omitted the main ingredient. We work in tandem making the pie. We savor every bite back on the porch with the hummingbirds. Summer has arrived.
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oil on canvas 13.25 x 13.25 x 2.5" A lone flapping curtain tossed by the wind could be a commentary on the fragility of life or a sign of optimism. Looming and moving clouds cast an eye on the measure of the progress of our existence on earth. Proffered shelter in the warmth of the buildings renew our hope for the future.
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photography 18 x 24" While photographing one very cold morning in New York City, I noticed a woman approaching half a block away.. She reminded me of my sister. Using some plastic sheeting hanging from a doorway as a filter I made an image at a slow shutter speed. Upon returning home I found it. There she was. My sister never said goodbye as I had arrived too late.that fateful day. This felt like my moment to do so.
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collage with hand painted papers, cut up prints, & additional papers 20 x 20" My collage started with the spider web image which was from a print. I then used acrylic painted papers, more cut up prints, and finally added the woman caught in the web.
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acrylic on canvas 24 x 36" I was working on a series of Memories, and I pictured a persons' brain thinking about people of the past, and on the side a group of people that brought to her the memory.
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pastel 19 x 23" My pastel paintings are inspired by my observations of nature. This painting is based on my photographs and memories of hiking in Bear Mountain State Park. I wanted to convey the vastness of the landscape and a feeling of awe in the view from atop Perkins Point.
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reduction linoprint 16 x 20"
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freehand digital painting, archival ink on canvas 24 x 30 x 1.5" “Never Again” is my response to Roe v. Wade being overturned. In this painting we see a scared, young woman being escorted to a clinic. One of the escorts holds up a hanger with the bottom wire twisted to read “never again.” My fear is that abortions will once again become deadly. In reality, this only affects lower income girls and women as those more financially secure will just go to other states or countries.
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gouache & Carand'Ache NeoColorsII on oleo paper 14.625 x 18.62 x 1.5" Having a vantage point away from people can give you the opportunity to really "study and see" the life happening around you. As an artist, this is very important and inspirational. The medium, gouache and Carand'Ache ll Aquarelle colors, gives an immediate opportunity to express and create the artwork. It lays down fast and dries quickly. I hope this piece, "Sunday morning at Track5, Coffee Shop", draws you in to really observe the painting. The "Characters" enjoying coffee under the moody warm lighting, seeming to create a movie like set. The fun of being so close, yet in your own space. Sometimes having nothing more in common than that morning brew & conversation. Enjoy!
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acrylic, archival repurposed artist's rags, 23.5k gold leaf 10 x 10 x 3" At eight, when studying oil painting, I knew I would speak through my art. I have always been passionate about the beautiful palette of human diversity and nature, but also empathetic to the struggles of humanity and the vulnerability of all life forms. My decades long art career has been dedicated to making art about these passions. I observe and research for each painting. Something as small as a fruit fly, a beautiful human head, or a magnificent winter landscape seen from the train as I travel between my studios in Pittsburgh and NYC can inspire a large, multifaceted painting that combines human diversity, Mother Nature, and often the global struggles of women.
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relief print with chine-colle 11 x 14 x 1" This is a view from my studio building, using real and imagined colors. I constructed the collagraph plate with multiple layers of cardboard and string. Initially conceived as a print in black and white, I am inspired to add color using chine-colle. In this piece I roll out the ink first, apply glue to each piece of colored paper, then place the individual papers colored side down on the inked plate. The print paper is then placed on top of the plate, where the ink will now transfer to the colored papers, and the colored papers will adhere to the print paper. I hand rub, and finally pull the print from the plate. I am having so much fun playing with a variety of color combinations!
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house paint, acrylic paint, paper, gold leaf 10 x 10 x 2" Through The Veil is a story about coming out of a fog with an anxiety attack. The piece is suppose to calm your brain and whole being..The blue represents the skies and clouds within the brain when it is overly active. The gold is the ray of sunshine peeking through the anxiety fog saying it is going to be okay. All the colors and textures used are suppose to have a calming effect and to have you feel finally at feel at peace. I want my piece to do just that. Bring peace and feeling that everything will be all okay.
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acrylic on canvas 24 x 24" My acrylic on canvas titled "Surrender'' is my emotional response to the upside world we are all living in . I painted my self-portrait to reveal my journey through COVID and life since COVID. I feel that I have surrendered to the world around me. Don't know if that's a good thing or bad thing. I do know it is what it is. and I painted it.
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acrylic 24 x 20" People are hurting and need healing. There is healing in nature and nature has inspired me to create art, My intent with "Healing Waterfalls," is to bring a visual, uplifting experience to the viewer and foster healing though the exploration and imagery of nature.
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oil on canvas 30 x 30 x 1.5" This painting, like many other of my paintings conveys a visceral experience of a place, rather than describing its likeness. The painting itself evolves from a synthesis of memory, imagination and the process of painting itself. Natural elements are expanded or reduced as I layer on glazes of color. The layered veils of color reflect a fragile luminous quality.
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mica rock, fiber and molding paste, acrylics on wood cradle board 12 x 16 x 2" My inspiration came from challenging myself using unusual materials that I already had and a subject that I’ve never selected before. Working on a wooden cradle board, I glued on thin transparent layers of mica rock. A small palette knife with fiber and molding pastes were used to create the textured feathers. Acrylic pants completed the bas relief painting. I surprised myself with the results because I did not know if the combination would work.
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acrylic 16 x 20 x 2" I am often inspired to paint by the skies lit above and around me. Seasonal changes, daily shifting cloud shows, spectacular displays of color with dawn and the setting sun remind me to pause and take note....this moment....this very one will never happen again.
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bronze 13 x 12 x 4.5" My first job after college was as a graphic designer in Lexington, Ky. Having ridden my whole life, I always wanted to train a young horse. A friend said, you have to see this colt, he’s headed to the kill pens. I paid the kill price, he’d never been handled, came right over to me, & followed me. 18 mo. old and he knew. He walked right on the trailer. For almost 20 years, Maximillion was my constant companion & soulmate through 3 states, new jobs, new relationships. Sane, willing and smart. Maximillion earned us many championships including National ones. He got sick one day, suddenly. He was almost twenty and retired, He didn’t make it through surgery. This sculpture is dedicated to him.
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oil 30 x 30 x 2" My paintings speak of the accumulation of life experiences. The multi-faceted nature of that which is beautiful but sad, is evidenced by heavily textured surfaces with repeated scrapings, layers and metallic pigments. The surfaces draw the viewer to the mystery of what is hidden and to the artist's internal reflections. Radiant pigments counterbalance the rough textural terrain of the emotional landscape. They afford glimpses of lightness, mystery and joy.
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acrylic 30 x 30 x 1.5" A native New Yorker who has recently moved full time to Montauk, NY, I find the extraordinary sunsets throughout the years changing seasons inspirational. Whether taking walks in the woods or on the beach, the light never disappoints. Camp Hero was a former Air Force Station in Montauk, now part of Camp Hero State Park. It was during a walk here at sunset that my mind's eye captured and remembered the forceful color explosion that turned into this painting.
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acrylic on canvas 27.5 x 19.5"
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photography 20.5 x 19 x 1.25" In many ways, "Mussels on Tray" reflects the “lightbulb moment” in the development of my art form. It signifies the point in time during which I realized that the assemblies I was making from collected seashells and marine-life specimens, could be conveyed in photographs - still life’s that took on an almost painterly quality, highlighting the rhythm and repeating patterns found in nature. They twist and turn, nestled in one another, reflecting the force of movement that brought them to the shore, not unlike the force of movement that brought me to the full-time pursuit of creative expression – losing my daughter 13 years ago, when she crossed the street for a school bus in Los Angeles.
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watercolor and vinyl emulsions on paper 22 x 28 x 1" This piece was in response to a long hike on the Pacific Northwest Hurricane Ridge, in Washington State. We passed under the cathedral-like canopy of giant cedars, up trough the mist, and to the the top of the ridge overlooking the Pacific.
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oil on linen 24 x 18 x 1" This still life was created to show the play of light and dark contrast within the objects. I was inspired by the play of light and shadow; when painting still life, I am inspired by the visual communication created by the objects within the composition.
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