painted steel wire on wood panel
23 x 26 x 2"
My art depicts a broad and embracing perspective of human closeness to allow viewers' imaginations to respond in as open a way as possible. My parents suffered extreme early traumas that left them fearful of others. Their influence was a huge obstacle for me to overcome. As a result, I am sensitive to the damage to people, communities, and nations when fear prevents us from finding trust through recognition of our similarities and negotiation of our differences.
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ink on yupo paper 12 x 16 x 1"In times of darkness, there is always a ray of hope, positivity, and light. The painting, Always Follow the Light, is an image to remind the viewer to never give up. There is a choice to seek the possibility that comes in every phase of life. It is within each soul to seek that special light. This painting is dedicated to my mother, who while battling cancer, spoke her last words " Well, I have had a wonderful life". She always followed the light.
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painting 16 x 20 x 1.375"Stinger Flight is from my Visual Poems series of drawings that I have been developing for the past seven years. This piece was inspired by a Loquat leaf I found abandoned in nature. Within each object, hidden personalities are found and speak to those that listen.
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photography, digitally enhanced 26 x 38"As a fine art photographer my goal is to engage the viewer. It is not my purpose to document an event as a photojournalist would be doing, but to create a work of art that stirs an emotion. I photographed these penguins on the Falkland Islands off South America and waited until the penguins started interacting with one another before I attempting to photograph them. By waiting until the right moment, the viewer can now feel the same excitement as I experienced, when I saw these two penguins greeting each other… ready to kiss!
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digital fabricating to ink on paper, AP1 14 x 14"This QR code links to an animated portrait of Abraham Lincoln, where the digital marks of its creation unfold one-mark-at-a-time. The marks themselves are both a witness to the spirit of the man as well as to the medium that is defining our technological age. This portrait is part of a larger series of black and white drawings of Abraham Lincoln created by the artist during the tumult of the last presidential election.
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encaustic 8 x 8 x 1"Everything around us was shades of blue and grey. We were sitting outside on the coast of Pico Island, in the Azores, listening to the waves break over volcanic rock. Not the nicest weather for a vacation with friends, but the Sangria we shared muted the chilly, damp weather. I love the contrast of the dark red and the orange against the stormy sky and sea. This piece takes into consideration, unpleasant weather, along with the concept of making the best of it.
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pastel 19 x 23"To find inspiration for painting, I sometimes get off the pavement and take the roads less traveled in the Midwest. This is a painting that resulted from my trip one early morning last Fall. I couldn't see well enough to determine if a deer was really off in the distance that morning, but something in the field looked like the form of a deer. I really enjoy capturing the natural beauty of the Midwest landscape to share with viewers--especially when the morning light creates such vibrant color for a painter to enjoy.
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acrylic on canvas 20 x 20 x 1.5"This painting was initially inspired by images from the James Webb telescope. I have always loved viewing the sky and this is my interpretation of what is out there.
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oil on canvas 30 x 24 x 1"Ego is a significant part of self-esteem, self-worth, self-confidence, and self-image. We care for it, caress it, allure it, so it stays with us, loves us, and lives in us. Although it is the part of the mind that mediates between the conscious and the unconscious, it's responsible for reality testing, and we need it for a sense of personal identity. Overindulgence in loving yourself may bring Ego to a dangerous state that might hurt us. The Ego separates us from ourselves and becomes an unhealthy sense of superiority and importance. It brings arrogance and self-centered ambition. It becomes our enemy. So, what does one do? Live with the enemy? Tame it? Or maybe killing it is the answer?
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oil & mixed media 36 x 84 x 1.5"Tribute to NAWA founders and all subsequent members, names of current SC chapter along base. Divided into 3 centuries, 19, 20,21. Four founders shown handing caged birds, aka female artists, to original, Grace FitzRandolph, who frees them into next centuries. Depicts expected societal rules and fashion. Ironic use of vacuum cleaner bags for samplers, with names stitched, child like. Corsets, keys, cages, chatelain, approved art subjects. 20 century, my artistic journey with doubts, failures, dark places to hide but within glorious symphony of nature. 21 century, my confident, peaceful place with space to think and work. Carolina Wren as guardian. Birds and flight paths connect the centuries.
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alkyd oil 30 x 48 x 1.5"Painting and poem inspired by survivors of COVID-19 Gathering together They've made it out of the woods. From the edge of darkness and back Broken but patched back together, They take their places on pedestals, like trophies. They've won. They survived. And who are these witnesses below? Did they escape the pandemic- Or did they succumb to it?
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acrylic on thin birch board 16 x 12 x .125"I wanted to branch out into less traditional portraiture, and conceived of the idea of modern iconography—portraying everyday people as saints and mythological characters. I loved the reference model's beautiful silhouette and sidelong look, and decided to add a halo and name her Saint Side-Eye to convey a sense of mystery and distinction.
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oil on canvas 24 x 24"
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stone 17 x 6 x 6"
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oil 24 x 30"
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monoprint 14 x 12 x 1.5"
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painted foundry molds & found materials 28.5 x 17.5 x 6"
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acrylic 30 x 30 x 1.5"
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photo screenprint 24 x 18 x .5"
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acrylic on wood 12 x 12"
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mixed media sculpture 27 x 26 x 5"
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colored infrared print on vellum gilded with 24kt gold leaf 15 x 13 x 1"
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oil on ceramic 13 x 6 x 6"
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digital 14 x 17"
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graphite 27 x 23 x 1"
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sculpture 10 x 8 x 8"
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printmaking 23 x 14 x 2"
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photopolymer lithograph with chine collé 25 x 33"
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mixed media including stitchery, painting & drawing 24 x 24"
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batik on silk 18 x 24"
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oil 30 x 30 x 1.5"
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wool roving 13 x 9 x 5"
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watercolor 45 x 51"
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fresco (plaster); salvaged wood 22.5 x 24 x 2"
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acrylic, airbrush, latex, ink, oil pastel, UV pigments on canvas 60 x 120"
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drawing 24 x 32 x 1"
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watercolor on paper mounted to board 22 x 30 x 1"
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paper & acrylic on canvas 24 x 18 x 2"
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acrylic / mixed media 30 x 24"
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oil 21 x 25 x 1"
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India ink, archival ballpoint, crayon, coffee, watercolor, gouache, color pencil, acrylic on paper 28 x 21"
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ink & watercolor on museum-grade canvas 20 x 20 x 2.25"
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oil 24 x 24 x 1.5"
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digitally enhanced photograph 16 x 20"
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collage 17 x 19"
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etching - drypoint, aquatint, engraving with Gampi chine collé 15 x 17 x 1"
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collage / acrylic 18 x 22 x 2"
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walnut ink, sumi ink, minerals, pigments, graphite powder, oyster shell, silver leaf, found tulle, paper scarps, mitsumata, on mulberry paper mounted to panel 24 x 48"
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resin & steel 18 x 4 x 4"
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acrylic on canvas 20 x 24 x 1"