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  • acrylic on canvas
    16 x 20 x 1" I am primarily a cityscape painter, and it is the urban landscape of New York that inspires me the most.  Although, my cityscapes reflect my particular experiences of places, I try to convey something beyond the personal that will resonate with others, whether it be taking a walk in Brooklyn or taking in a spectacular view in Manhattan.  
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  • oil on canvas
    25 x 13" I've been told "paint what you know".  The glass top table in my living room was so pretty with the flowers from my garden that I just had to capture it with paint. The reflections were quite a challenge. The image of the child in the doorway is my daughter, age 1 year, just learning to walk, and exploring everything!  
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  • mixed media drawing on paper
    20 x 30" Rainy Days can be raw and challenging or  peaceful and cozy. The bodies sheltering together in this mixed media drawing, In the Rain create a shape that is reminiscent of a cityscape..  The group in this image projects a sense of community and unity.  
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  • watercolor
    11 x 15" Brunch with a friend in Cobble Hill, Brooklyn. A fun daily activity that is shared with friends.
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  • Eastern watercolor/sumi-e on single Shuen rice paper
    20 x 32 x 2" The world of the people of the streets is stripped down to basic survival, but with a need of self worth, ownership. The grocery cart has become the symbol of that need to show ownership of something, anything. A metaphor for they themselves, cast offs, other peoples throw aways.  The carts, battered and bent, with the wonky wheels we hate to get when shopping, they live with it everyday, until the carts themselves are discarded and they become a part of the landscape, the urban landscape, lawn ornaments, trash piling up in vacant lots, bus stations and public parks. Seen and acknowledged by all that pass by, much more so than the people that once used them to transport their worlds.
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  • digital drawing fabricated to pigment ink on paper
    25 x 18 x 1" This work aligns the art of drawing with digital brush strokes and textures with our "everyday" utilitarian tools, while also extending their pop cultural interpretations. It pays homage to the way the Old Masters depicted and interpreted everyday objects. It speaks to a larger paradox within the life/death struggle and contain spiritual energy beyond the subjects themselves.
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  • watercolor
    6 x 4" This painting is about ordinary commonplace experiences. I have been frustrated more than once by finding that a place I need to go to is closed for repairs. Being a longtime midwesterner, there's a certain look the sky gets in winter when you can feel the snow coming, and a particular beauty to the bareness of the trees.
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  • digital photography, Inkjet archival print
    14 x 11 x 1" My passion for photographing people on the street started on a trip to Cuba in 2016. I saw the boy sitting behind a fence in a small park in Cuba.  The dappled light on him and the rest of the scene, is what made this shot so enchanting for me!
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  • photography
    33 x 23 x 2" The Compressed City is a photography series captured between 2017 and 2023 in New York City. It focuses on street garbage, reflecting the city's waste issue and its impact on people's psychological state. The artwork emphasizes the connection between garbage and human existence, symbolizing the pressure and constraints of modern society. Through synthetic imagery and symbolism, it urges viewers to address environmental concerns and handle psychological stress in a healthier way.  
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  • photograph
    8 x 8" The universe is reflected in the everyday!
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  • oil on canvas
    24 x 24 x 2" A fleeting instant seizes my awareness, ensnaring my focus with its captivating allure. It could manifest as a harmonious composition, a symphony of hues, or a transient observation reverberating with a smoldering emotion's echoes. The impulse to metamorphose this ephemeral vision into a tangible form eclipses my cognitive and emotional terrain, propelling me into creative fervor. In that moment, the world around me dissolves, and I become an alchemist, transmuting the intangible into a visceral, evocative expression that captures the essence of that singular, transcendent experience.
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  • oil on panel 12 x 16" 2023   My work has been described as Contemporary Impressionism and is inspired by the beauty I see around me everyday. Sometimes the idea for a painting spontaneously presents itself as in plein air painting. I am inspired by the quiet meandering of a river, the vastness of a desert gorge, or the way afternoon sun lights the curve of an arch. Sometimes my paintings are inspired by many impressions and feelings of a place. I use technique to express relationships and create a sense of atmosphere, time and space.. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • digital photograph
    8 x 10"
    In Tales of a Consulting Detective, Sherlock Holmes said: “You see, but you do not observe. The distinction is clear.” I take my camera out. I may choose a subject; I may think “that would make a great picture”; I may visit a new place or one I’ve seen before. I want to observe and to present things in a way that causes the viewer to stop and observe.  We have the technology to immediately capture whatever is in front of us. The challenge is for people to slow down; to question whether there is only one way to look at something; and to search for new meaning in something they may have seen before.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Sold
    oil, ink on canvas
    24 x 36 x 1"
    Painting en plein air, in Rhinecliff, on the shore of  the Hudson, by the tracks where Lincoln's death train passed, I make my humble, everyday watercolor and consider carefully the way that two lines of infinite length seem to connect on the horizon, I think of the thousands and thousands of young men who died all can be equal in America. I seem to see the ghost of Lincoln, shimmering on the event horizon, "With the tolling tolling bells' perpetual clang, Here, coffin that slowly passes, I give you my sprig of lilac." - Walt Whitman I turn to the East and see an everyday field, no big stuff, nothing picturesque. My heart is in tears, exquisite America, I love you.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • refractured oil with poem
    24 x 20 x 1"
    My work is about sky.  We live in the sky, usually at ground level, and it is the most volatile and vibrant part of our world, our every next breath. Refracturing cuts and reassembling the image into the pieces we focus on before our mind stitches it back together to one scene.   My addition of poetry that I write for the skyscape guides the user to the feeling behind the painting.  Sunset brought the proof, this was a beautiful day, it ended in gold.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic & oil on canvas
    5 x 5"
    Coming Soon is part of the ongoing series of Bog Bodies I started in 2008. While exploring the theme of Bog Bodies and the constant cycle of all organisms, our impact on the environment and daily living took me on a side road to look for more. Water is the most important part of keeping everything alive, and my theme flowing. But when nature takes a turn and brings drought, it leaves an imprint on my ideas. And my ideas affect every single aspect of my life.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic on ashwood coated in epoxy resin
    22 x 18 x 2"
    I'm Tasha Branham, a NJ-based artist, practicing contemporary multidisciplinary art influenced by Henri Matisse. Using epoxy resin, wood, acrylics, and more, I fuse mediums to convey storytelling, faith, and hope, aiming to encourage joy and healing. Inspired by God's grace, I parallel Black women with elegant flowers, striving to inspire joy and reconnect viewers with their imagination. My work has been featured in "Journey of Surprises" and displayed at Marcus Samuelsson LIVE! Bar and Grille in East Rutherford, NJ.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on canvas
    24 x 18 x 1.5"
    My work is representational though interpretive. I want the viewer to move between planes and have begun to layer using several techniques and medium to achieve this. Our eyes are constantly focusing, refocusing and readjusting as we view the world around us and I try to manipulate this effect through my work. I see energy in our surroundings. I am striving to transfer that immediate ‘colpo di fulmine’, that ‘love at first site’ onto my canvas or paper as I work on 2-3 pieces at the same time, moving from one piece to the next.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on canvas
    24 x 30 x 2"
    This painting is about loyalty and devotion to the art despite an impossible environment for the art. Despite sever climate, poverty, and faded future there is always a person who devoted his or her life to the beauty of the world.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic on panel, framed with natural floater frame
    10 x 10 x 2"
    In Heart to Heart Tea Talk, I explore the idea of connections that bind us as humans and invoke memories of past and present. The painting is an invitation to remember a special time as you perhaps had a tea party or shared a warm cup of something with a dear one. It was created during a time of turmoil to escape, meditate and process all that was happening in the world. They build and reveal themselves as I add traces of lace as a symbol of nurturing. I scan, print and collage handwriting, and add more layers to create a rich surface.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • litho inks on Rices BFK handmade paper
    4.75 x 6.75"
    My series of "adobe" images uses commonly found objects (scraps of paper, pieces of fabric, nets from vegetable bags) to create images of beauty.  My colors are reminiscent of trips to the western United States, reminding me of days spent in the beautiful images that can be found around us each and every day.  I work in the abstract to invite the viewer to use their imagination to enter into my world, and participate in the beauty that I hope to capture.  My goal is to reflect the joy and peace that I find in creativity.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • collage
    18.5 x 21.25 x 1.75"
    Our model was a wonderful person, covered in tattoos and piercings. I thought, at the time, so many people would consider her as different, but why? What if she was a Saint? What if she lived a life full of grace and beauty? I wanted to create layers of colors and hidden bits for people to find when they looked at it. Just like people.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic 23.5 x 31"
    How to depict the illusive concept of sin? Choosing an apple strongly symbolized this religious meaning, but how to render spirituality, devoid of gravity, was the challenge. The painting method implemented was to paint a setting of various deep blues pushing space forward and back. The wispy leaf-like lines created movement and visually flowed across the canvas implying spirit. The apple, in its purest form and color, is braced by 2 branches and created a stillness... Now the apple is ready to be picked.  
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  • watercolor, colored pencil 30 x 27 x 1"
    For the past fourteen months, I have been mourning the death of my daughter. She taught middle school ancient history, and my current work connects to images from those times. That’s what’s led me to look at a schematic of the Biblical tabernacle in Jerusalem and make paintings based on it. Some of this work has focused on the scarlet, purple, and indigo veils that divide the three sections of the tabernacle. Making paintings with these references lets me feel connected to my daughter and is helping me process my grief.
     
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  • mixed media on vinyl tile 12 x 12 x 1"  
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  • enamel on copper 18 x 18"  
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  • driftwood, oil pastels & soft pastels 30 x 15 x 6"  
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  • oil on canvas 16 x 20"  
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  • orange alabaster 12 x 12 x 5" Luminosity shines bright to get the attention of the viewer. Octopuses, with their three brains are brilliant and are on the top of the oceanic hierarchical chain. Their keen ability to sense their surroundings, the interaction with humans, and how they care for and defend themselves is a marvel. Luminosity was created to represent the importance of the ocean and her creatures. I , personally , have immense respect for these sentient beings. Man's interference has taken a toll on all these glorious beings. How can we understand the impact we have had and change what we have done?  
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  • wood, found metal, magnets 10 x 8 x 3" I love collecting sticks while hiking. When I return to my studio, I sort the sicks by length, width, straightness or curvature, and color. When a stick's bark is spotted or striped, it often remains, but I also carve, burn, and use colored pencils on others. My next step is to search through my bins of found materials to find the perfect match between sticks and usually abandoned metal. The entire process of creating is fun and exciting, filling me with joy.  
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  • oil painting 24 x 24" This artwork sparks a vital conversation reflecting the interconnectedness and balance within the microcosm of my garden and the macrocosm of the cosmos. My work draws inspiration from the life cycle of flowers to explore existential questions about existence, purpose, fragility, and interconnectedness. By blending recognizable floral imagery with cosmic visions through layered, transparent glazing techniques, the painting symbolically merges the micro and macro realms. This convergence aims to underscore how all life forms, from the smallest flower to the vast cosmos, are intricately connected and demand an open dialogue to ensure the survival of this universal interdependence.  
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  • acrylic on canvas 15.5 x 16.5 x 1.5" My work is all about New York. The sense of belonging, and the desperation felt whenever I'm not in New York. It is about finding the place where I feel like myself. My work seeks to ask the viewer: ‘what is it that you desire? Where is it that you’d wish you could be? Where are you the happiest? What are you doing or where are you when you are your most authentic self? Who would you so dearly wish that would appear in front of you? What dreams do you have? What keeps you moving forward? Through my paintings I hope the viewer will engage in a conversation that could also relate to their own personal story, their own memories, their own personal questions, hopes, and aspirations.  
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  • collage with acrylic and paper 18 x 18" This collage, which presents a destroyed landscape, comes from my emotional response to the devastation of human displacement. Working loosely with abandon, layering paint and papers on a panel, the intuitive process itself supports the creation of an abstracted evocation of the chaotic aftermath of a cataclysmic event.  
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  • 3D mixed media 30 x 23 x 5" War is the number one cause of child hunger. War destroys a country’s infrastructure thereby disrupting the chain of food production. This, in turn, leads to the vicious cycle of yet more unrest and violence. Children living in war-torn countries such as Yemen, Syria, South Sudan, Nigeria, Ukraine, and Palestine are very likely to be malnourished and ravaged by stomach-aching hunger. Where there is war and conflict, children are dying at a rate unfathomable to our well-fed sensibilities. How can we, as flourishing members of the global community, prevent these unnecessary and endless conflicts, these wars that result in the heartless deaths of millions of children?  
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  • oil 36 x 26 x 2" This is a self-portrait done at my favorite location in my house - the kitchen! It includes a small colored glass sailboat hanging in the window, made by my father shortly before his death.  
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  • drypoint with monotype & hand additions 17 x 15" I live in Maine. Every year we wait for the spring peepers to signal that winter is finally over. I use the process of monotype with drypoint and toxic free inks to freely express gestural aspects of nature that surround me. I used various textured offsets to get a nuanced blue surface in this piece which had several iterations. Knowing when to stop is always the question.  
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  • photography 13 x 16"  
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  • acrylic painting 24 x 24 x 2" The Haro Strait is one of the main channels connecting the Strait of Georgia to the Strait of Juan de Fuca, separating Vancouver Island and the Gulf Islands in British Columbia, Canada from the San Juan Islands of Washington state in the United States. The forested mountains running down to the shore and the color of the water create a very different landscape than the south Florida coastline. With whales, seals and dolphins watching the marine life is pure joy.  
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  • acrylic, oil & markers on canvas, plaster & found object 20 x 30 x 2.5" Reflections is a hybrid sculptural painting that expands the viewer's perspective and viewing options. Front and back sides of the canvas are visible simultaneously, revealing hidden elements & layered meanings, both physical and conceptual. Seemingly ordinary objects carry concealed narratives beneath their innocent façade, suggesting deeper, even unsettling layers. A dismembered bottle nipple with a faint human reflection rests in white impasto and in a busy background of suggestive textural movement. A partially formed, unpainted baby bottle precariously balances in front of a baby apparition that seeped onto the backside canvas. Reflections is about reflections and interpretations.  
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  • collage on clayboard with sgraffito 16.5 x 13.5" I used to have students render statues. As demonstrations, I started using the truncated female torso in my own work, repeating variations in different media- watercolor, oil pastel, woodblock printing, and more. This reflected thoughts about aging- how a statue can lose parts over long periods of time. What may once have been adulated in youth has changed and is now attractive in very different ways. This art piece uses the same torso shape repeated throughout the series, and adds a portion of a cotton lace curtain from my first home that finally fell apart. It is dipped in encaustic wax, which preserves it. The line work scratched in the clayboard suggests breaking of bonds or barriers.  
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  • oil on canvas 24 x 18" The painting is based on two stages of a dawn off my back porch, looking over the Salton Sea. Earlier the sky was darker, later, more light comes in. During this time the clouds also change. The two paintings, done on lose canvas, were refractured - cut up and reassembled - mounted on a stretched canvas - to incorporate the two phases. The following poem is written for and painted into the painting: Storm clouds, fluffy clouds All the product of weather, changes are the key.  
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  • poured watercolors, fluid acrylics & paper collage 28 x 24" Abstract painting is an opportunity, for me, to retreat into my imagination and paint with my “mind’s eye”. In recent years, the universe has been an intriguing source of inspiration. I watch from afar, wondering who or what is out there? For me, the big question is what path or door should I go through in order to better understand my place in a universe of spinning planets filled with other beings.  
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  • oil on linen 20 x 20" I take joy in going on plein aire expeditions in the beautiful Catskill countryside near my home in upstate New York. I love the beautiful landscape, the barns old and new, the animals and plants in the region. The particular barn in this painting was built by the owner himself - a former New York City discotheque owner! I was drawn to the colors and patterns in the scene and enjoyed talking to the owners. Plein aire painDDting is always an adventure and full of surprises.  
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  • watercolor & mixed media on paper 25 x 21 x 1" This exuberant abstract watercolor piece is a reflection of the joy and engagement I feel when I'm painting. I created this piece last July, and I was clearly inspired by the lush and verdant summer foliage I love, which gave this piece its name: Flourishing.  
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  • encaustic 10 x 10 x 2" Caribbean Cottages is inspired by the vibrant colors that abound in tropical seaside towns. The mesmerizing blues of the ocean provide the backdrop to quaint, colorful cottages that dot the landscape. These colors encapsulate the idea of slow-living; being present and enjoying each day as it unfolds before you.  
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  • acrylic 21 x 17 x 1" I am currently working on a series of Strong Women, inspired by artists, writers, and other women of prominence in their fields who have demonstrated a passion for their work and a resilience to survive, sometimes against all odds.  By delving into the past as well as the present, through paintings and photography, I have been inspired to recreate those images in my own expressionistic style. It is an ongoing challenge and hope that the finished portrait will give a sense of immediacy and permanence to the subject, that the strength and depth will shine through.  
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  • monotype (printmaking) 16 x 24" The Inner senses to me are as much of a truth as the outer senses. My art is an expression of that Truth. The Truth which goes beyond our five senses. The truth which goes beyond the senses of seeing, hearing, smelling, tasting and touch. This is a truth of feeling and sensing, the inner world and the intangible outer world. I use visual art forms such as painting, drawing, printmaking and photography to express my inner and life experiences.  
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  • oil on canvas 20 x 26 x 1" I was inspired by Martin Johnson Heade and his ability to incorporate floral imagery in landscape. I am interested in creating surreal, fantasy elements in a traditional style.  
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  • photography 25 x 25" Worn by a variety of cultures in Africa, antiquity documents the wearing of Locs or Dreadlocks and braids back to 3000 BC in the Sahara Desert. Dreadlocks are worn for many reasons including religious/spiritual beliefs, rites of passage, ethnic pride, the rejection of capitalism and colonialism. The Crown Act, first signed into law in California in 2019, now law in 24 states including Texas, prohibits the denial of employment and educational opportunities based upon natural hair texture or style. Texas continues to draw national attention as it denies educational opportunites to students with Locs (protected under the Crown Act). The Crown Act has failed to pass the US Congress twice.  
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  • mixed media 14 x 17.5" My mother just died and the dogs in my mind were visiting. To say she is alright. It is made with acrylic paint fabric and mosaics. Dogs are all around my neighborhood so they become the animal inspiration. And heaven is a beautiful place with mosaics all around. I miss her very much and hope she safe.  
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