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watercolor on paper mounted on board 60 x 40 x 1" "The Nurturers" is expressing many women's proclivity towards caring for others throughout their lives. Even when women have aging parents &/or adult children, many of us tend to have a penchant to provide support & caregiving to those in need.
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Fused Glass using different glass compounds 12 x 10 in. w/ frame 12 x 10.5 in. This body of glass artwork depicts my personal journey of exploration of kiln-forming glass techniques over the years and bringing to life other facets of my art into glass with my live model sketches. Over the years I have been studying different glass techniques, and at the same time sketching live models. My goal was to have the live models as glass art pieces. Learning enamel drawing and experimenting with powders to form different tones has enabled me to do just that. The pieces are layered glass with backgrounds using various glass powders and stenciling. This combination reflects drawing skills with kiln-forming glass. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Layered Fused Glass
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Digital Zone Plate Photograph 10.6 x 16 in
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photograph 18 x 24 x 2" I'm an artist-photographer interested in people in places. Some interact and some are alone in a crowd. The Metropolitan Rooftop is a beautiful environment to watch people in a setting that is unfamiliar but provides a space to be who they are.
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oil 20 x 20 x 2" From the Invisible Women Collection: Voyeur is small to replicate the sensation of peering into a closed space. Apprehensive, yet drawn to that upstairs window, we are unable to resist the temptation of looking inside, but feel guilty for invading someone’s privacy. The figure may have gone unnoticed. Returning outside, one might see that the odd sizing of the brick exterior is both curious and uncomfortable, dreamlike in the way it feels warped from sitting in the sun. This peculiar patterning draws us down to a solitary figure looking out a darkened window below, penned in, trapped, invisible.
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photo 14 x 11" My source of inspiration is nature and frozen objects come from natural surroundings. The frozen droplets on iced branches create something of beauty and surreal wonder of nature. They appear as jewels suspended from golden lines and the evening background illuminates them. Taking a moment to gaze at the photo is a healing experience and transcends you closer to the universal one. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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fused glass and enamels 12 x 10 x 2" My inspiration was to use my live figure drawings and creat them in glass using layered fused glass, powders, and enamels.
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fused glass 14 x 14" Glass is a very technical medium and my journey has been to learn different glass kiln-forming techniques to intertwine them together. My intention with new glass artwork is to start using glass sheets, crushed glass, glass stringers, glass powders and enamels to create images that go beyond the definition of fused glass (kiln-forming glass). Combining my artistic ability of drawing/painting to the glass elements allows the glass to appear as if I am painting with glass and giving it a magical flow.
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acrylic 30 x 40 x 2"
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acrylic painting with high glaze 16 x 20 x 2" Portrait of Jaune Quick-To-See Smith is part of an ongoing collection of portraits of women artists who have impacted the arts. The artwork includes recreation of one of Jaune's Memory Map paintings, as well as the rabbit icon she has used in several works. A true portrait of an artist needs to reflect their soul, which including their work helps to achieve. A retrospective of her work, Jaune Quick-to-See Smith: Memory Map, organized by The Whitney Museum of American Art in New York, is traveling nationwide.
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Hand-cut rice paper, historical element, NY Times 15 x 15"
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Photography (4-color) 11 x 11 in. w/frame 12 x 12 in. The fall is a favorite time of year to travel to nearby Jerome, Arizona, a booming copper-mining town incorporated in 1899. House of Joy is a delightful spot to visit with its antique curiosities that are so lovingly displayed in their window. We enjoy visiting this former ghost town, especially on Halloween and Christmas. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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collage with hand-cut found paper, historical elements, decorative rice paper
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Mixed Media Collage Made From Hand-Cut Found Paper, NY Times, Silver French Tulle, and Ink 40 x 30 in
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Collage with hand-cut found paper, historical NY Times, doily, ink
30 x 26 in
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Collage with hand-cut historical elements- NY Times- Valentine- ink 16 x 11 in
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collage / work on paper 20 x 16 x 1" Genji, in his poem, names the "murasaki" or purple gromwell, because its color resembles the colour of the wisteria (in Japanese, fuji) thereby obliquely referring to Fujitsubo, "the Lady of the Wisteria Court", a woman he is violently in love with for the first part of the novel. The Tale of Genji is a classic work of Japanese literature written in the early 11th century by the noblewoman and lady-in-waiting Murasaki Shikibu. The original manuscript, created around the peak of the Heian period, no longer exists.
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acrylic on canvas with mixed media 32 x 12 x 2" Mabel Dodge Luhan was an American patron of the arts who was associated with the Taos art colony. After her marriage to Native Tony Luhan in 1923 she purchased Kiowa Ranch near the Lobo Mts. The couple hosted influential artists and poets in New Mexico, where she experienced a spiritual awakening.
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oil on canvas 22 x 28 x 0.8"
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oil, metal leaf, and waxed thread on canvas 19.25 x 15.25 x 1.25" "Avocado Selfie" is not a self-portrait in the traditional sense, but it is an exploration of my current visual interests set against the backdrop of my own facial features. In the piece, I explore the tension between the representational and the abstract; the flat expanses against modeled forms. I am inspired by medieval European aesthetics and my background in theater, which influenced my color and material choices and the decision to stitch thread throughout the piece.
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acrylic & oil on canvas 48 x 60"
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oil on canvas 30 x 30 x 1.5" This painting, like many other of my paintings conveys a visceral experience of a place, rather than describing its likeness. The painting itself evolves from a synthesis of memory, imagination and the process of painting itself. Natural elements are expanded or reduced as I layer on glazes of color. The layered veils of color reflect a fragile luminous quality.
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acrylic & oil paint on canvas 48 x 48 x 1.5"
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oil on canvas 30 x 30 x 1.5" Inspired by my daily walks in the nearby woods with my dog, I sought to capture my experience of the natural world through a colorful and dynamic composition. What sets Giverny Reflections apart is the overall patterning of colored marks, created through vigorous brush strokes.Someone told me that the intermingling blues, reds, greens, and yellows reminded her of Giverny. The sense of movement and depth, around the portion that suggests reflection and possibly water surrounded by foliage-like forms on either side, reminded her of standing in the garden there. So despite the fact that the inspiration came from my local walks I adopted the reference to that beautiful garden in France.
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acrylic, sculpted paper, ground metal, metallics, bamboo, & pressed flowers 36 x 24"
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mixed media 28 x 29 x 1.5"
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acrylic 24 x 24 x 1.5" "I Wanna Scream" for those who cannot. For the women whose right to speak up for themselves is constantly suppressed. For the journalists who cannot speak about a government's corruptions and/or atrocities without threat of imprisonment or physical retaliation against those they love. For the physically and emotionally abused who cannot cry for help for fear of what might happen to them. For the doctors who are threatened by their own government if they administer the care that their female patients so desperately seek. Art has always been an echo of the artist's world and of his time. And our present world has too many voices being muted. Too much silence when we need to scream!
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printed photographs & magazine photos on painted canvas 20 x 20 x 2" DARE TO BE ME was inspired by my passion for women, color and nature. Creating a luscious colorful environment in my work in unexpected ways is a strength of mine. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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original collage (Primal Parts) printed on canvas with acrylic paint and marker, modeling paste, coarse pumice gel, glass bead gel diptych - each canvas is 48 x 40 x 1.5" Primal Parts II is a canvas print of my collage Primal Parts inspired by the work of Frida Kahlo. I used strong colors, female figues and elements of nature to denote women's strengths. Primal Parts II is texturized and accented with acrylic paint and markers as well as various mediums to create texture on the piece. The piece evolved into a diptych due to a printing error which created a reverse image.. The diptych further strengthens the piece.
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Linocut 12 x 12 in. Every year for the past 30 years my family travels to St. John VI . It is a place we have enjoyed year after year. Of course one of my favorite things to do is just sit on a lounge chair -with a pina colada and look out at the beautiful water. I created this print by carving the image into two plates inking them and registering the plates to create one image, they were printed using my press. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.