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Lilies 20251 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

Have a Seat Size: 12 x 12" Have a Seat is part of my FLORA series, an exploration and celebration of plants growing in the state of Rhode Island. These paintings were created using acrylic paint marker and ink wash on wood panel. I started this one in a greenhouse at one of my favorite places: Ragged Island Brewing Co. I spent a few hours on site composing, blocking in shapes, choosing base colors, and getting the perspective correct. I then took it into my studio, where the story in the painting revealed itself and I made decisions about what’s in / what’s out. I returned to the greenhouse to complete the piece a few days later. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

Cityscape Size: 20 x 24 In “Cityscape” I balanced texture, color, geometric shapes, and dimension through shadow to create a dynamic environment. I was intrigued with the play of positive and negative space. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

Talisman #8 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

Parts of the Whole Printmaking: Monotype w/chine colle, acrylic paint, gold leaf Size: 10 x 8"

My current work investigates the nature of communication - natural, political, interpersonal and geographical - to see how they attune to each other and hold the whole intact or fail and misfire. I use various printmaking methods like a cook would mix edible ingredients. The inherent notion of trust in systems as safety nets, protection and comfort is currently a consideration for every American given current political policy makers. It is only with scrutiny and discernment that we can examine which systems we have become complacent about saving or redeeming. This piece evolved from 2024 through 2025. Collage bits, text and gold leaf obliquely mirror current overload of information from which we are to extract our truth.

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Thoughts Extend Sculpture-wood, found rust Size of Piece: 20.5 x 7

I negotiate my world as a maker. I love trees. Picking up fallen branches and twigs delights me. Rooting through my collection of gathered materials, I'm always thrilled to combine disparate elements and create a new object. My current piece, Extended Thoughts, is wood-carved, burned, and pigmented with colored pencil. The base is composed of various pieces of Rust - a square washer, a vintage gutter guard woven with coated yellow wire, and an old tree stand.

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Glass Bowl of Oranges, Pitcher with Top, Red Peppers Watercolor Painting Size: 8 x 13" For over twenty-five years, I was a Professor of Sociology and Women’s Studies at Northeastern University in Boston, where I live. After a productive life as an academic: teacher and scholar who wrote several books, I retired and changed direction completely. Spontaneously, I started to paint with watercolors, taking classes and workshops whenever and wherever I could. I was possessed with the desire to visually represent, in beautiful watercolor, fruits and vegetables in bowls and on plates, creating a new way of seeing beauty in everyday, taken-for-granted objects. I love color and transparent watercolor. Light and shadow --created by the sun outside but observed primarily indoors in the kitchen-- are magic. For me, lighted round fruits of vibrant colors, such as oranges and tomatoes, combined with blues, usually found in ceramics and fabric, represent a promise: of the pleasures of food, meals, community, and peacefulness. Watercolors are part of that promise. The term ‘still life’ is significant in more ways than one: the world needs still life. Using a transparent palette and techniques, I arrange and rearrange kitchen items, often food, in the sun attempting to capture beautiful colors with their shadows and reflections. My goal as an artist is to represent life in ways that create viewers’ pleasure in my artistic accomplishment and images. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

Still Life I have a green glass pitcher that was my grandmother’s. When the pink roses in my yard are in bloom they find their way to the pitcher. It always makes me think of her. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

Thoughtful Woman Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

Power Of One: Visitor to the Cornfield Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

The Sky Above Oil paint, tissue paper, oil pastel Size of Piece: 16 x 20"

I am both a professional musician and artist. I experience life as having order as well as disorder through sound and sight. I create art along with music. The execution of the painting therefore becomes a personal performance, as were my song recitals when I was singing professionally, the one difference being: I am not interpreting someone else's poetry - I am creating my own in color and shape.

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The World Askew Size: 18 x 18" This work speaks abstractly to the total chaos in the current world. The background field is a blended roll of intense color layered on a plexi plate which is printed first. The smaller circular and geometric shaped plates are created from cut up Yupo painted with hot wax and printed in relief then layered on top of the blended roll image.. The dynamic positioning of the cut plates reflects my stress at the state of our current society. I struggle to create beauty during these chaotic times. The title "A World Askew" encompasses my intention and inspiration for this work. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

Small Work With A Dot On The Left Levin’s ink drawings use dip pen on paper. Her undulating lines contain stops and starts, deliberate accidents, ink bleeding into the paper fibers, one line at a time in a repeated pattern. In the artist’s words, “Repetition is a mediating factor between things that came before and the present.” From a distance, we see a whole shape. Up close, however, the series of thinly drawn and repetitive lines ripple from one to another, creating connections to natural phenomena, such as, the rings on a tree, the whirls on a fingertip, water patterns, or the markings of an ancient cuneiform. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

Breakthrough Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

Yellow Sky Interior Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  

Martin Newell C, M Relief Print (linoleum) on paper Size: 19.25 x 17" I made this print based on a black and white photo I took of Martin Newell. I was teaching a printmaking class in which I wanted to instruct newer students how to think about making an image without outlining the subject, but instead to utilize negative space (i.e.: high key lighting). The first pull was done with black ink on white paper, but then I thought it would be even more intriguing to use transparent process colors and layering, thus another lesson! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.