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B/W photograph, silver gelatin print 18 x 12 in. Artist (myself) draped in black embroidered velvet fringed shawl, black silk scarf, black leather gloves and shoes, holding my Grandfather's Coyote Pelt, near Canyon Diablo, AZ. Date: 10/17/2016 taken with tripod Note: Not digitally enhanced Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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collage with hand-cut found paper, rice paper, historical elementals, NY Times 13 x 10" Geisha in Full Cold Moon (Tokyo, 1908) depicts a traditional Japanese geisha who is surrounded by the beauty and mystery of the night sky. In Japan's Winter Solstice called "Toji," people do a particular tradition for health. They take warm baths in yuzu, sweet smelling citrus fruits from across East Asia. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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collage with hand-cut found paper, rice paper, historical elementals, NY Times 13 x 10" Geisha in Murasaki Kimono (Tokyo, 1908) Genji, in his poem, names the "murasaki" or purple gromwell, because its color resembles the colour of the wisteria (in Japanese, fuji) thereby obliquely referring to Fujitsubo, "the Lady of the Wisteria Court," a womyn he is violently in love with for the first part of the novel (11th century). Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Sadako Sasaki (Full Flower Moon, Hiroshima, 1955)collage w/ hand-cut rice paper, quilt scraps, inkSize: 13 x 10Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Sadako Sasaki was a Japanese girl who became a victim of the atomic bombings of Hiroshima and Nagasaki by the United States. She was two years of age when the bombs were dropped and was severely irradiated. She survived for another ten years, becoming one of the most widely known hibakusha -- a Japanese term meaning "bomb affected person". She is remembered through the story of more that one thousand paper origami cranes that she folded before her death of radiation induced leukemia at age twelve on October 25, 1955. After her death, Sadako's body was examined by the Atomic Bomb Casualty Commission (ABCC) for research on the effects of the atomic bomb on the human body, before she was cremated and laid to rest. Sasaki has become a leading symbol of the effects of nuclear war and has become an international symbol for peace.
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Sadako Sasaki was a Japanese girl who was born in Yamaguchi, Japan. When she was two years old, she was at home about one mile away from ground zero, when the United States dropped an atomic bomb on Hiroshima. Sadako was blown out of the window and her mother ran outside to find her, suspecting she may be dead, but instead found her two-year-old daughter alive with no apparent injuries. While they were fleeing the atomic blast, Sadako and her mother were caught in black rain. She survived for another ten years, becoming one of the most widely known "hibakusha" -- a Japanese term meaning "bomb-affected person" and later died of malignant lymph gland leukemia in 1955. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.20 x 16 x 1"collage with hand-cut found paper, historical elements, decorative rice paper
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collage / work on paper 20 x 16 x 1" Genji, in his poem, names the "murasaki" or purple gromwell, because its color resembles the colour of the wisteria (in Japanese, fuji) thereby obliquely referring to Fujitsubo, "the Lady of the Wisteria Court", a woman he is violently in love with for the first part of the novel. The Tale of Genji is a classic work of Japanese literature written in the early 11th century by the noblewoman and lady-in-waiting Murasaki Shikibu. The original manuscript, created around the peak of the Heian period, no longer exists.
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acrylic on canvas with mixed media 32 x 12 x 2" Mabel Dodge Luhan was an American patron of the arts who was associated with the Taos art colony. After her marriage to Native Tony Luhan in 1923 she purchased Kiowa Ranch near the Lobo Mts. The couple hosted influential artists and poets in New Mexico, where she experienced a spiritual awakening.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.Sharks have been on this planet for over 400 million years and have survived multiple mass extinctions, Yet, they never evolved a swim bladder and so must swim constantly. I wanted to paint a shark out of its element. Baking in the desert under the beam of a spotlight.oil on canvas 22 x 28 x 0.8"
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Still Life: Green and Orange StudySize: 18 x 24 I am constantly hoarding; filling my studio with empty plastic bottles and discarded packaging. I commemorate these objects through painting before I let them go. My work investigates consumerism, environmentalism, and sentimentality under the framework of Western still-life painting traditions. However, I reach for formal haphazardness, letting my eyes wander around the dark, messy corners of my studio until they land naturally on interesting moments. I then zoom in and out of this potential composition, not moving anything but rather adjusting my own body’s placement in relation to what is already there. I transform candy wrappers and tabletops into odd, illogical spaces. The result is a traffic jam of bottles and forgotten Post-It notes, rendered almost unintelligible. I paint from life in oil paint, experimenting with colorful lighting. Though I am looking intensely at the tableau set before me, I am an unreliable narrator, creating visual puzzles and selective realities. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.oil on canvas
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oil, metal leaf, and waxed thread on canvas 19.25 x 15.25 x 1.25" "Avocado Selfie" is not a self-portrait in the traditional sense, but it is an exploration of my current visual interests set against the backdrop of my own facial features. In the piece, I explore the tension between the representational and the abstract; the flat expanses against modeled forms. I am inspired by medieval European aesthetics and my background in theater, which influenced my color and material choices and the decision to stitch thread throughout the piece.
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"Prophets of the Embarcadero" San Francisco-in blue Acrylic underpainting, oil on gallery wrap canvas Size: 36 x 48" Walking by these 3 men I asked if I could take their pictures and they immediately starting pose sing for me…after assuring them I just wanted to have them go back to their conversation I took more than a dozen pictures of them involved ln a great story, thanked them and I knew as I walked away I would paint these three happy men. I love painting people most of all. I created an underpainting of geometric shapes in acrylic paint and left part of the underpainting showing through. This is my favorite painting and my fsvorite people I’ve painted… so far😎 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Koi Fish: Where's Dinner Pastel on Paper Size: 11 x 14 I am a modernist, realist, figurative painter, and I love to paint scenes from my travels and everyday life which tell a story. I take a subject which I find beautiful or interesting, and paint it in a way that allows the viewer to see it realistically for what it is, with a touch of mystery or style added to emphasize the other forces going on below the surface. With oils, I accomplish this by using an acrylic underpainting, which I allow to show through in places. In soft pastels, I use watercolor, inks, or alcohol washes for the underpainting. For example in “Three Wise Men”, I used a multicolored geometric pattern as an underpainting to give the viewer an added perspective. I love to paint my stories, and my goal is to have the viewer enter my world and share in my experiences. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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acrylic & oil on canvas 48 x 60"
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oil on canvas 30 x 30 x 1.5" This painting, like many other of my paintings conveys a visceral experience of a place, rather than describing its likeness. The painting itself evolves from a synthesis of memory, imagination and the process of painting itself. Natural elements are expanded or reduced as I layer on glazes of color. The layered veils of color reflect a fragile luminous quality.
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Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Fire and Ice is a plea for us to recognize our profound interconnection with all life on earth, the impact of humanity's disconnection from the natural world and from each other. It offers solace and a recognition of the inherent beauty of our natural world even as It highlights the need to address this existential challenge. My intention is for Fire and Ice to be part of the great web of healing. I invite you to engage with the painting, lose yourself in its details, meditate on its meanings, and to carry those messages into your daily lives.acrylic & oil paint on canvas 48 x 48 x 1.5"
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.oil on canvas 30 x 30 x 1.5" Inspired by my daily walks in the nearby woods with my dog, I sought to capture my experience of the natural world through a colorful and dynamic composition. What sets Giverny Reflections apart is the overall patterning of colored marks, created through vigorous brush strokes.Someone told me that the intermingling blues, reds, greens, and yellows reminded her of Giverny. The sense of movement and depth, around the portion that suggests reflection and possibly water surrounded by foliage-like forms on either side, reminded her of standing in the garden there. So despite the fact that the inspiration came from my local walks I adopted the reference to that beautiful garden in France.
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Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.My work is narrative. I use nature, people or symbols to simplify & tell my stories. My art is but one visual page, allowing viewers to use their unique life experiences to make the story their own.acrylic, sculpted paper, ground metal, metallics, bamboo, & pressed flowers 36 x 24"
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I Dreamt I Was a Bird but I Could Not Fly_#3 Acrylic on Gallery Wrapped Canvas Size of Piece: 36 x 12 There are times I struggle with depression. It's often a result of chronic physical pain from arthritis and from migraines...as well as from the maddening sounds of my tinnitus. Therefore, I turn to my Art as my primary emotional therapy. In my third painting, from my series "I Dreamt I Was A Bird But I Could Not Fly", I created a visual metaphor of my physical pain. Once I felt boundless, soaring like a fearless hawk; only to eventually have my wings clipped... entwining & binding me to the ground. In "Escape into My Garden" I use the tactile elements of molded paper, words & flowers from my own garden, to represent the therapeutic physicality in processing my feelings in my personal Art Therapy. Meanwhile, the visual of a person climbing inside this magnificent flower best expresses the Emotional Escapism & happiness that's often derived from 'Garden Therapy'. "Escape into my World" incorporates a myriad of elements which have brought joy to my life: My art as my visual Storytelling of our world & our human condition. As a woman who loves looking at the stars, wondering how we fit within our vast universe, while spending time in, on or around water, appreciating how precious our Earth’s water really is. And I am also a musician who has found that playing flute has gifted me friendships (over many decades) with like-minded creative musical souls...most of whom also share a love for creating art. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Playing Ball on the Streets of CasaresThis is from my series called "Textures in Storytelling". It is symbolic of my visit to Casares, Spain. A beautiful white town built into the mountainous terrain. But this didn't deter the children who lived there from playing. They were laughing & kicking & playing with balls; all the while running up and down these steep paved streets which came together at the base of each road in the town's center square. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.acrylic with sanded & tinted gesso w/ paint skinsSize: 24 x 24
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.Taken is the story of those whose lives have been turned to chaos in minutes. Those who were taken hostage, kidnapped or sold into slavery…. abused and the innocence of their youth is destroyed at the hands of their captors. They feel isolated and forgotten and... even if they want to cry out loud...they are too terrified to make a sound. I hear your cries in my mind... and I want the rest of the world to see it.mixed media 28 x 29 x 1.5"
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acrylic 24 x 24 x 1.5" "I Wanna Scream" for those who cannot. For the women whose right to speak up for themselves is constantly suppressed. For the journalists who cannot speak about a government's corruptions and/or atrocities without threat of imprisonment or physical retaliation against those they love. For the physically and emotionally abused who cannot cry for help for fear of what might happen to them. For the doctors who are threatened by their own government if they administer the care that their female patients so desperately seek. Art has always been an echo of the artist's world and of his time. And our present world has too many voices being muted. Too much silence when we need to scream!
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printed photographs & magazine photos on painted canvas 20 x 20 x 2" DARE TO BE ME was inspired by my passion for women, color and nature. Creating a luscious colorful environment in my work in unexpected ways is a strength of mine. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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original collage (Primal Parts) printed on canvas with acrylic paint and marker, modeling paste, coarse pumice gel, glass bead gel diptych - each canvas is 48 x 40 x 1.5" Primal Parts II is a canvas print of my collage Primal Parts inspired by the work of Frida Kahlo. I used strong colors, female figues and elements of nature to denote women's strengths. Primal Parts II is texturized and accented with acrylic paint and markers as well as various mediums to create texture on the piece. The piece evolved into a diptych due to a printing error which created a reverse image.. The diptych further strengthens the piece.
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Oct 7th Yule Marble Size of Piece: 15 x 26 This piece represents the attack on Israel on Oct 7th. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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U.S. Constitution on a knot Sculpture: Carrara marble and granite Size of Piece: 36 x 22 x 26"
Political parties in the United States are fighting against each other and can’t agree on anything. Everyone is in a knot. So I decided to make a literal knot out of the Constitution, held up with a carving of my hands. My hands, my statement. - Robin Antar “U.S. Constitution in a Knot” is a symbolic piece featuring the U.S. Constitution as a document, with all seven articles, tied into a knot, representing the complexities and challenges within the nation's principles. The intertwined form reflects current turmoil, while intricately detailed hands symbolize individual responsibility and the struggle to uphold these values. The sculpture rests on a pile of rough granite chips, highlighting themes of fragmentation and disarray, contrasting with the smooth marble. Overall, it serves as a poignant commentary on the chaotic state of the nation, embodying both despair and determination in the effort to maintain important values amidst societal conflict.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.Recently, I've been working on collographs. A collagraph is a print that is made from a collage of various materials that are glued together on cardboard, metal, or a hardboard plate. Texture can also be created by gouging or cutting into the board. It is then inked as either an intaglio or relief then run through the printing press with dampened paper on top. I enjoy this technique as it gives me the freedom to experiment with different materials and textures. I also work with decorative papers as an added element. It is also a departure from my more realistic linocuts, allowing me to explore abstract compositions.printmaking 23 x 14 x 2"
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Striped LilySize: 17.5 x 13.5" My work includes many genres of printmaking. Recently I have rediscovered Dry Point. Although I tend use color mostly in my monoprints I enjoy working in black and white. I love experimenting with the tones can achieve. I don't look at the subject as flowers, but shapes to explore line, texture and shadows. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Monoprint Dry Point printed on Hahnemuhle paper
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acrylic on stretched canvas 26 x 24 x 1.5" I paint abstract scenes of women, drawing on evocative color palettes to explore themes of identity, beauty, and power. Each painting is a self-portrait of my own emotional experience, emerging from roles as a mother, daughter, friend, and psychotherapist. In this piece, the woman appears to be experiencing a profoundly personal moment as she melds into an organic, ethereal landscape, enveloped in vibrant hues of pink, yellow, and orange. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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acrylic on stretched canvas 30 x 24 x 1.5" My artwork features a vibrant color palette, body language, and movement in abstract scenes of women. As I apply layers of charcoal and acrylic paint, figures are revealed and their stories emerge. My inspiration is rooted in my work as a somatic psychotherapist. It was a privilege to co-create healing spaces with women. as their narratives unfolded and we processed them together. These deeply personal moments and rich interior worlds, theirs and mine, are an ongoing theme in my paintings.
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acrylic on cradled panel 24 x 24"
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.mixed media, acrylic 12 x 12 x 1" My love of architecture is evident in my work. Trained originally as a sculptor, I try combining the feeling of depth and structure in my 2D pieces. The small spaces in my work allows the viewer to enter the space and capture their imagination.
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Tapestry in Cerulean Blue Mixed Media Acrylic Size: 14 x 11 I consider myself an abstract intuitive painter. Adding one layer at a time. I develop my style using color coordination and lines.and shapes. I also use geometric pieces, sometimes in the form of painted paper, to add form and dimension. My blank canvas begins without preconceived notions which allows my instincts and emotions to guide me. This intuitive style encourages me to use creative thinking and experimentation to expand the process. My imagination helps shape my unique artistic vision. This process results in one-of-a-kind pieces allowing the viewer to trust their instincts and letting their emotions guide their appreciation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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mixed media collage 12 x 12 x 2"
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oil 12 x 6" Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Painting The Forest Glows at Night 42 x 42 in. I live on the shoreline in eastern Connecticut where there is a bounty of inspiration. I began years ago as a landscape painter. Over time I transitioned into abstraction. I still consider myself a landscape painter but focusing more the abstract components of nature. My work explores patterns using aerial views of landscapes, i.e. coastlines, marshes, forests and rivers. I use symmetrical, asymmetrical, and organic shapes that I see around me. I am influenced by indigenous peoples, Japanese wood block prints and the work of Gustav Klimt. I don't sketch my ideas first but paint directly onto the canvas and create as I go along, Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.acrylic 16 x 20"The inspiration for this work comes from the highly invasive Oriental Bittersweet vine that grows in the woods behind my house.
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Acrylic on Canvas
Malkhei Square
16 x 20
“Malkhei Square” from my recent “Even Darkness has Light” Series (landscapes) & large mixed media art. A place close to my soul: Jerusalem- a view in a park. My soul with an attachment to my ancestors represent femininity that is strong and colorful.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.I was walking near Ben Yehuda Street when I noticed the color contrasts. A less busy street it glowed with warmth. The night sky that usually intimidates me felt inviting. Using a limited palette this little painting on recycled wood makes a BIG statement.acrylic on wood 12 x 12"
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Pastel 12 x 14" This 8 x 10” pastel was an experiment that started with a watercolor of cloud formations while looking out of my 4th floor studio window. I liked the composition but the shapes weren’t fluid and the colors needed nuance. Pastels breathed life into the colors and imagination took over for the cloud like forms emoting a feeling of infinite distance and depth.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.oil on canvas 24 x 24"
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wax, pastel, ink 21 x 17" The drawing was done in presence of the model through superimposition of multiple fast poses in one session. The drawing was later completed through emergence of the figure. This drawing is part of a series of drawings which will be used for the production of a short stop motion animation. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.25 x 18 x 1" This work aligns the art of drawing with digital brush strokes and textures with our "everyday" utilitarian tools, while also extending their pop cultural interpretations. It pays homage to the way the Old Masters depicted and interpreted everyday objects. It speaks to a larger paradox within the life/death struggle and contain spiritual energy beyond the subjects themselves.digital drawing fabricated to pigment ink on paper
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No, I Mean Yes (Eleanor Roosevelt Series) Conte Crayon & pencil on Sunset Velvet rag paper Size of Piece: 19 x 12 Framed Size: 26 x 20 Eleanor Roosevelt shines a beacon for us all in these difficult times. Looking at her determined face as a landscape of sorts, I meld my own emotions with hers where, one mark at a time, I attempt to breathe her bold courage and compassion back to life -- inspiration for a new age. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.digital fabricating to ink on paper, AP1 14 x 14"This QR code links to an animated portrait of Abraham Lincoln, where the digital marks of its creation unfold one-mark-at-a-time. The marks themselves are both a witness to the spirit of the man as well as to the medium that is defining our technological age. This portrait is part of a larger series of black and white drawings of Abraham Lincoln created by the artist during the tumult of the last presidential election.
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World's Greatest Bar ChartSize: 20 x 28" I created this work while working in the halls of capitalism at the World Trade Center in the 90s developing some of the first new media divisions for top corporations like Deloitte and WSJ.com. Its' multi-layered imagery can be further explored as an audio visual experience on the web: https://worldsgreatestbarchart.com/ Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.digital painting fabricated to pigment-on-paper
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conte crayon and ink on Sunset Velvet Rag 18 x 24 x 1" Perhaps in these times where we see women's rights being literally ripped away from us, we can be inspired by those in the past like Eleanor Roosevelt who battled the odds and never gave up -- she fought for us. Let's keep fighting with all we have, from protest marches to voting for change to electing a judicial body that speaks for us. We must use all the tools we have, including conte crayon on paper, to salute our heroines and ignite others to continue the good fight. The battle continues.
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digital painting as archival pigment ink laminated on wood box mount with interactive narrative: https://frogpledge.com 13 x 13 x .1" FROG PLEDGE is an interactive painting digitally created in layers using Photoshop software with a custom coded software that allows all to interact with its eight layered audio/visual PLEDGE OF ALLEGIANCE TO THE FROG. It was created in 2008 in the year of the frog (Chinese calendar) It is a tribute to both America and the frog, an animal that isi now an endangered species. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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assemblage 8 x 8" Everything I use in my work I find on my walks. I'm cleaning up the environment in a small way. The beauty of these pieces never ceases to amaze me. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Acrylic 10 x 11 in. I see my work as an abstracted narrative. The figures seem to have something to say, or express; are often amid doing something and I feel the chatter in their heads. There’s a physicality in the work, the action of mind and body in the process. Showing what something feels like is what I hope to convey in paint. Puppeteer represents one from a series painted quickly and directly without prior drawing, leaving me open to being in response mode accessing motion and story without referencing much reality.
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