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silicone, rainwater, & acrylic paints onto an indigo background 60 x 48 x 2" While exhibiting my paintings in Italy in 2018, I traveled by car to Reggio, Calabria, the home of my grandparents. I visited many museums along the way, and discovered that mermaids were prevalent in Italian lore and art. They reminded me of the Celtic selkies, and the Native American myth of Sedna. I instilled the wonder, joy, and hope I absorbed from their stories into She Harbors the Sea.
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Breakthroughsoft pastel on paperSize: 20 x 26Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Light breaking through dark clouds highlighting mountain peaks
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acrylic 21.75 x 17.75 x 1" Sitting on the river bank on a sunny day, I tried to capture the movement of the river flowing over the rocks.
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acrylic 20 x 16" Bold hydrangeas always attract my attention. For this painting, I was inspired by dappled late afternoon sunlight falling among hydrangea blooms. Warm colors capture the fleeting late summer sun. Already a few leaves gather at the base of the steps, suggesting the change of seasons. The iconic green striped awnings and door hark back many decades, adding a sense of timelessness to this cottage near Alexandria Bay, New York. On a whim, I added a single hydrangea peeking from the window on the left to balance the composition and suggest the owner's touch.
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Study for Stress Series 19For many women, a hectic life results in being overcommitted and overwhelmed. The Stress, Pit, and Covid Series drawings reflect upon this common-place tension. Small studies are drawn before the time-consuming larger works are started. Studies, from 30 x30 inches such as the one entered, to many only a few inches in size, are used to confirm the composition of drawings or to clarify implied messages in sculptural projects. These preparatory efforts also gauge my interest in pursuing a similar image in a much larger format. Observed in these studies are minuscule close-up details that have interest separate from their practical preliminary studio function. This beginning work assures that the desired implication is evident that visual images can reflect the complexity of emotional states. Paradoxically, for me, working on these drawings causes a “flow experience” that relieves stress. Linda McCune Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Charcoal, watercolor, ink, graphite on paperSize: 18 x 18
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Into the Blue Nightscape Mixed Pastel/ Acrylics, Pencil Size of Piece: 9.75 x 6.5 I set a challenge for myself –my foray into COLOR language. Explore its symbolic memory-stories told with color/texture/value. Paint–THEN read the story. A HAZY landscape- going in or leaving all behind? Dawn or dusk? A middle vertical space parting- a door to a Soft Blue life beyond? Anchored by a bold horizontal Yellow (a barrier to overcome?) A Blue and Yellow contradiction ! Below- Airy Blue-Green path detouring to the right. Above- hovering Blue/Magenta- weighting on our will to move forward? The Thrill of Blue-Blue Shadows-Sacred Blue- Blue Gods Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The composition for this painting was inspired by the view from my campsite at Buffalo Gap Campground, part of the Dakota Prairie National Grasslands, during a road trip in September 2020. The mood and quality of the sky and sunset, though, borrowed from every sacrifice I have made in life. Whether I realized it at the time or not, each of those sacrifices involved a kind of faith. Sometimes, often much later, that faith can seem so foolish -- if not designed to deceive. However, this painting does not connote anger at that cycle, but rather peace. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.24 x 22 x 1"oil on canvas
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oil on canvas 18 x 24 x 1" Although the viewpoint of this painting is at a slightly elevated angle, the title alludes to the need to consider the landscape from above, looking straight down. These are eyes that look at the human viewer askew but look up at the heavens with no distortion.
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Works on Paper 20 x 16 x .50 in. My art is inspired by the 19th-century Fontainebleau painters and their up-close sous-bois perspective. I focus on the intricate details of natural textures, colors, and diverse life in the undergrowth of Florida's native trees. My contemporary up-close viewpoint is rooted in exploring light and shadow within monotype prints, plaster sculptures, and paintings. Layers of additive and reductive color are carved with mark-making tools to create textures that vibrate between contemporary, impressionism, and abstractionism, forming an interdependent relationship with the past and present. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Monotype 36 x 24.74 x .75 in. The forest, for me, is more than just a place. It's a sanctuary, a source of inspiration, and a canvas for my art. It's where I slow down and appreciate the gifts of nature, experience serenity, and seek healing. This deep connection to nature is the driving force behind my work. It reflects life's journeys as an artist, a mother, and my role as a human in the natural world. My art vibrates with this, communicating with mark=making rooted in impressionism and abstractionism, forming a symbiotic relationship with the past and present with the joy of raising children and sadness of leaving the nest. The works are a dance of light and hope that I found in change and share with the viewer. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Gulf Tide Monotype on Printmaking Paper Size of Piece: 18 x 24
My art is a vibrant celebration of nature's dynamic energy, inspired by the breathtaking landscapes of Naples, Florida. During a morning walk, I was captivated by the shimmering sunlight kissing the horizon, the playful splashes of fish beneath the surface, and the gentle sway of seagrass on coral as it danced to the rhythm of each tidal wave. Through the expressive medium of Monotype and impressionistic mark-making, I endeavored to capture the gulf's movement and vitality—including its intense color palette and abundant life below reaching upward to the sunlight.
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Photograph on watercolor fine art paper 11 x 14 in. w/ frame 16 x 20 in. The forest is my sanctuary, a place where I can slow down and appreciate Nature's gifts—serenity, solace, and healing. It's where I reconnect with a sense of childlike awe and collective bonding to its physical, mental, and spiritual riches of light and connectivity. My works capture the dappled light and life up close and personal, creating a symbiotic relationship with the past and present. The subjects of lichen, moss, algae, and insects showcase the symbiotic relationship with trees in textural detail and harmonizing colors found beneath the trees and offer observations of symbiotic life, hope, and light of our collective future. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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inked plexi plates, printed on rives bfk paper 23 x 24 x 24" As I approached working away from my studio during the Covid 19 'stay at home' order, I worked small, using material that I had at hand, including family debris monoprints, created by layering inked printing plates with my family's ephemeral & permanent cast offs, a record of the mundane and obsolete. After completing a large series of small ‘art in isolation’ mixed media prints, I went 3d, using double sided family debris monoprints as components for building sculptural forms. Folded paper vessels were stitched together to create abstract sculptures that pushed the limits of paper, ink and thread. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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ware-soluble media, India ink, acrylic paint, & acrylic paint marker 24 x 24 x 2.5" Other Dimensions is in my 'Celestial' series. Outerspace, clouds, floating, weightlessness, ... I feel like I'm looking into other dimensions or other worlds places I want to go and see. Where will it take me? With many layers of complex and pure color receding and coming forward. I especially enjoy beginning with water-soluble mark making media of various line qualities. Using my favorite brush, I move colored India Ink around on the canvas to create lovely grays. I then add acrylic paint as I respond to what is happening on the surface. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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pastel 12 x 9" The natural world always inspires me to paint with pastels. Cobalt reflections was inspired by a local hike after a recent snowfall. The blue sky reflections in the water with the rust colored leaves below the water attracted me to the location. The remaining scene unfolded before me and I knew I would paint it. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.After traveling to Svalbard on the Arctic Circle residency, I was inspired to do larger works on watercolor with unusual presentations. The glaciers were astounding, magnificent, and fragile. This piece has been around the world promoting climate awareness (even at COP 21 in Paris for the conference). I love that this piece has been able to represent my work even if I couldn't be there.watercolor on paper mounted to board 22 x 30 x 1"
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I am a witness. All Polar and frozen landscapes are dominated by an absence that is in stark contrast to the lush landscapes of the rest of the planet. In this absence, I am inspired by the clarity andd color I have seen in my travels to Antarctica, Iceland, Alaska, and the High Arctic. Ice is so beautiful - even the ice caught by NASA on Mars. As a watercolorist, I work with the transitory nature of water. The balance of fragility and strength of frozen worlds mirrors the balance between water and ice. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.22 x 30"watercolor on clayboard
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watercolor 15 x 16"
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Retooling the Millsacrylic paint, fabrics, cork, bobbins, yarns, wireAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.Size: 24 x 18Imagine the magnitude of quickly reviving the old mills across America to retool for speedy manufacturing. It seems such a monumental task, that took a generation to build the first time. Growing up in New England I was surrounded by textile mills, some still working, some newly converted to restaurants and shops. Here's my take on attempting the modern retooling of those textile mills. Created with acrylics, fabrics, fibers, and metal bobbins, the weaving of the fibers represents a mix of old and new fibers, with gold wire to hint at the future.
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As the saying goes "when you know better, you do better", and I've applied that philosophy to my paintings, many of which I've repainted/reclaimed and turned into something completely different. I'm the only one who knows what the underpainting looked like--and most of that gets covered up (as in this painting Dressed Up) with a combination of acrylic paint and stenciling. I never know what the finished piece will look like, and that is what keeps the process exciting and interesting for me. There is always more than meets the eye! Additional shipping/delivery charges will be handled between artist and buyer after the purchase.12 x 12 x 1.5"acrylic on canvas
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acrylic on canvas 50 x 46" Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Chinese Magnolia Oil on Canvas Size of Piece: 30 x 30 x 1.5 While working on my first portrait series of Latino Youth with a Black Bird, I learned a lot about ravens and crows. Even though my two favorite subjects are faces and flowers, their iridescent plumage inspired me to paint several more of them. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.For the last five years I have been painting a series of portraits of the LGBTQ+ community. My main goal when painting their portraits was to achieve a likeness, but also show who the sitters are as individuals. For that purpose I asked them to choose their own clothing and ideas for the background designs. This young man was wearing his red hat when I met him on the subway. He is an actor and singer, having finished 3 years of playing the genie in the Broadway production of Aladdin.oil on canvas 26 x 22 x 2"
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Magnoliasoil on canvasSize: 24 x 30Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Portraits are my favorite subject. While I am painting a face, I am one with the person, and there is an exhilaration that comes from achieving this intimacy. To me, comparable to painting faces is painting flowers. My favorite is the Magnolia. I am attracted to it because of its colors, so delicate and nuanced, from white to cream to amazing tints and shades of pink. By weaving elements of art such as shape, space, color and value, my goal is to elicit a kind of internal gasp of recognition from the viewer: “Ah, yes, that is a beautiful painting”.
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Raven Oil on Canvas Size of Piece: 20 x 16 x 1 While working on my first portrait series of Latino Youth with a Black Bird, I learned a lot about ravens and crows. Even though my two favorite subjects are faces and flowers, their iridescent plumage inspired me to paint several more of them. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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oil on canvas 30 x 24" This painting is one of my new series of 18 portraits celebrating the LGBTQ community. As the mother of a son who identifies as Queer, as an American citizen and as a human being, I believe it is important to give a tribute of love to those too often ignored, discriminated against, at best misunderstood and at worst persecuted. Documenting this population’s personal stories and intimate dreams beyond their sometimes-non-conforming appearance or behaviors, is crucial to further their universal acceptance and enable them to live their lives openly and freely. Gary is a friend of a friend and he was very willing to let me paint his portrait.
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Lady in Grottoacrylic on canvasAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.Size: 10 x 14I experiment with various acrylic paints, gels, fiber pastes, mica flakes, charcoal, found/recycled items, and most recently water-based oil paints. I do not use digital art as I enjoy using my hands in a painterly manner, like a gardener putting her hands in the Earth’s soil. I use these materials as most are water based and kinder to our planet. The emotional base of my work are the environmental challenges we face. My never-ending ideas come from news reports, science-based books and native culture tradition and stories.
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Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.10 x 10" If one lets go of fear and sits quietly in the woods, another world reveals itself. I go there often since I read the book, The Hidden Lives of Trees by Peter Wohllben. This world lives alongside our commercial world. Litter from the commercial world abounds. Is the handkerchief a hindrance to this natural life or will a bird use it in a nest? Is man a hindrance to nature or are we meant to work together?Gauze, bespoke 3D leaves, acrylic, oil on board
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acrylic, oil, glass 12 x 12 x 2" My work is experimental. I used the left overs in my studio such as dried acrylic skins, seed beads, and a remnant of a bespoke glass piece gone wrong. I threw done the initial paint and let it dry. I stayed in a state of being open as I layered the skins, seed beads and glass pieces on the board. I added more paint and then finished the pieces using fat oil sticks in white or black.
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A leisurely Sunday of Pup, Park and Peoplepen on paper with watercolor washes.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Size: 6 x 12I love drawing and painting people and animals where ever I happen to be ...trains, buses, waiting rooms, parks, etc. Most of my subjects don't know that I'm drawing them. I draw from life and often mix and match to create idyallic yet quirky scenes. I was walking a close family pet in the park. In my mind, she jumped up on the bench of random strangers and became family. it inspired this bucolic friendly Prospect Park image.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.watercolor, marker, ink, pencil 20 x 16 x 2" The art piece, Facade, represents either being unaware or hiding a situation, condition or ailment for a long time that either threatens to bring down or squelch its host. It insists on normalcy and coping/acting as if all is fine in the face of the biggest life challenges. It could be autism, eating disorders, a congenital ailment, effects of smoking, phobias, IBS and and even acting as you are someone that deep down you don't feel as if it's who you are. The effects are exhausting and dangerous.
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watercolor, pencil 15 x 18"
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Family Group (Variation VIII) Collage Size: 9 x 12 Family Group and Animated Forms are recurring themes in all my 2D and 3D work. My interest is in exploring the boundaries between representation and abstraction. I reduce the subjects to bold, simplified forms and create excitement, tension and often lots of space in the artwork. Form, color and texture became increasingly important in development of the collage, and man-made and natural materials like felt, suede, velvet, paper, sandpaper and copper were incorporated into the pieces. This is an exciting, intuitive and challenging way to work. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.Animated Forms is a recurring theme in my paintings, sculptures and mixed media work. My interest is in exploring the boundaries between representation and abstraction. I reduce the subjects to bold, simplified forms and like to create excitement, tension and often lots of space in the work. Color and texture became increasingly important in development of the collage, and man-made and natural materials like suede, copper and paper were incorporated into the piece. This is an exciting, intuitive and challenging way to work.suede, paper, copper 22 x 26"
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Chaos (Variation III)Size: 24 x 18 Nature & the the life around us have always been the major influences in my art. The palette for Chaos was inspired by the rare & endangered Itombwe owl of Africa. With his magnificent plumage of flecks & spots of chestnut brown, rust, black, white & grey. Form, texture & color became increasingly important in development of the collage & man-made & natural materials like wool, suede, leather, sandpaper, cotton & copper were incorporated into the piece. Chaos III addresses the conflict, unrest, oppression, crises & friction so prevalent in our society today. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.leather, suede, wool, cotton, sandpaper, copper
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.8 x 9 x 7"Stoneware
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Spring Dance: The Celia Series Slab-built Stoneware Size of Piece: 17 x 8 x 6 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Collage 14 x 11 in.
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Stoneware 12 x 26 x 10" The natural world and the life around us have always been the center of my work. They are the sparks that start the process. I'm always searching for new ways to look at nature and Cloudspinner is my interpretation of the could formations on our planet. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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acrylic on canvas 24 x 83 x 1.5" Dead Zone I, published in the print edition of the international literary an arts journal, Still Point Arts Quarterly XI, was inspired by media reports of agricultural and industrial runoffs occurring in deltas, estuaries, lakes, rivers and oceans worldwide. Add in climate change acidifying and warming the waters, the end results are low oxygen levels that lead to reproduction problems in sea life, reduction of the population of large fish and suffocation of marine life. There may be a light at the end of the tunnel. Scientists have stated that dead zones due to human activity are reversible if their causes are reduced or eliminated. Surely a challenge and an uphill battle.
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paper, sandpaper, copper 16 x 12"
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Stoneware 23 x 17 x 5" The natural world and the life around us have always been the center of my work. They are the sparks that start the process. Pirouette In Eddy is an interpretation of the eddies that occur in our oceans, seas, rivers and streams. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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mixed-media, aluminum, sculpted photo, fabric, fiber, encaustic wax and paper 20 x 18 x 5" “Rooted in Humanity” is a series of relief sculptures that records moments of humanity and issues of the environment, reflecting tensions within our current diverse and often divisive society. Inspiration for these works began with long walks in the woods examining nature’s design and detail. By exploring innovative methods and materials, Horowitz’s path is always evolving as are her techniques. Capturing body language, movement and how they relate to emotion and character are essential. Forms emerge from the earth, deeply rooted past struggles and growth. These works depict the human form both isolated and vulnerable and examine the frailty of the human condition.
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Sculpture 15 x 15 x 3" In Figures Embracing, the delicate nature of humanity is portrayed through sculpted figures, creating haunting shadows as important as the physical beings. Capturing body language, movement and how they relate to emotion and character, reflect the human condition exposed in these works. Sculptures of wire mesh reveal figures whose existence is precarious. These copper sculptural works represent a time and place of isolation, where home, assimilation and community are important social issues relevant to our current climate. By penetrating façades, we look deeply into transparent figures seeing what lies in the shadows of the unseen and unspoken.
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acrylic on canvas 36 x 36 x 1.5" My piece, "Irreconciliation," explores the uncomfortable experience of irreconcilability. In today's political climate, it is unfortunately an ever-present force. Through abstraction, the painting captures the dynamisms, complexities, contradictions and opposing forces resulting in irreconciliation, yet also depicts the seeds of possible conciliation, if only we could acknowledge them.
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acrylic on canvas 24 x 36 x 1.5" In "Territory Unknown", I use abstraction to convey the notion and emotion of displacement. Given the pandemic, political acrimony and the ever-present refugee and immigrant experience, we can all relate to the sense of feeling displaced. This painting attempts to capture and evoke such feelings.
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