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limited edition digital print 2/50 15.5 x 18" Midnight is a mysterious and magical transition in time that reveals new opportunities and experiences.
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watercolor 35 x 28 x 1" The inspiration is the plethora of late summer-plantings in the St-Michel-de-Cuxa Cloister at The Cloisters Museum in northern Manhattan. My intent was to convey the contrast between the permanence of the 12th-century architectural elements and the fragile, transient essence of the blooms.
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acrylic on canvas 36 x 36 x 1.5" My piece, "Irreconciliation," explores the uncomfortable experience of irreconcilability. In today's political climate, it is unfortunately an ever-present force. Through abstraction, the painting captures the dynamisms, complexities, contradictions and opposing forces resulting in irreconciliation, yet also depicts the seeds of possible conciliation, if only we could acknowledge them.
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colored pencil 12 x 8 x 1" PeaceWood is from my Revealed series showing the beauty that can be found even among erosion.
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oil & cold wax on wood panel 20 x 20" This painting was one of my first pieces upon moving to South Carolina. I was inspired by the ever-changing sky as a storm approached along the Intracoastal waterway. This is my first piece using cold wax. I used the cold wax to blend the colors and sought to achieve the glow in the sky. The cold wax was integral in creating the reflections in the water.
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collage 40 x 50" I am fascinated by the mythic concept of one’s daimon, or spiritual companion. According to Plato, the daimon acts as a carrier of our destiny. I refer to these companions as “the Grandmothers” and wonder how do they manage? Where do they reside? How do they carry such an important weight both physically and emotionally? While softly swinging in my hammock, the feeling of a vessel gliding effortlessly through the cosmos came to me. These boat-like vehicles developed into soul sleds. They are the agent from which the Grandmothers run the show and watch over us. Exploring the ideas of one's soul journey is my work's focus.
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oil on linen 24 x 36 x 1.5" This painting is inspired by my walks with my dog Bodhi. He's a spirited energetic animal so it was a rare opportunity to catch him in a contemplative moment In this painting, I feel that Bodhi is enjoying nature in a similar way to me, but with different sensations, including his exquisite sense of smell, and touch. The painting reflects my sense that as humans, we are part of nature, and having an experience with a different species can enhance our appreciation of the world around us.
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acrylic 24 x 18"
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watercolor & gouache on polypropylene 27.25 x 33.25 x 1.5" The Italian word “capriccio” has various definitions: playful; whimsical; fanciful notion; an instrumental free form composition, usually lively in tempo and brilliant in style; characterized by unpredictable, sudden turns and changes were my muses for this painting. If ever a word described the Italian spirit, this is that word. It is the word that inspired the playground of the Roman emperors – Capri. “Capriccio” expresses all the definitions simultaneously. Using only the elements of art in a non-narrative composition afforded me the opportunity to take a capriciously joyful approach in my artistic interpretation of the word and the joyful Italian spirit and overall approach to life.
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collage on canvas 24 x 18 x 1" When I was working on this series I felt that these faces starring back at me were powerful and fierce and I wondered where was I going with these images. They slowly evolved by the addition of several symbolic images- Crosses, Birds & feathers. Crosses dividing the face - We are all two spirits the good and evil, the yes & no. Birds - I put birds on the eyes- Birds eye view of life! They are soaring through the sky with their eyes wide open! I like the old saying “See the soul through ones eyes” Feathers: In different Native American communities, the feather has many different meanings. It represents wisdom, spirituality, honor, respect, energy and also represents the sky and air.
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cast handmade paper wall sculpture 96 x 96 x 14" I am fascinated with the topography of landscapes, full of complex lines shapes, colors and textures. I create staged landscapes defined by human presence. With forced perspective I invite the viewer to enter my landscapes of Illusions and fantasy. Playing with the mind, scale, pocket openings, and crevices evoke a sensibility of self in-space. A call for a consciousness.
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paste & ink on Arches paper 42 x 108" Quoddy I was created in the summer of 2022. I drove to downeast Lubec, Maine and over several days, I made ten "walk and draw" studies as I explored the trail there. There is a strong Japanese inspiration here in the simplified shapes. At the same time, in almost a cubist manner, I combine different views into one sweeping, overall view. The sunset in the back shows this shift of time and color. I also add Japanese kanji into the piece, to flatten the space and add eternal meanings. The ink is added after blending 20 layers of pastel.
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acrylic 20 x 16" Bold hydrangeas always attract my attention. For this painting, I was inspired by dappled late afternoon sunlight falling among hydrangea blooms. Warm colors capture the fleeting late summer sun. Already a few leaves gather at the base of the steps, suggesting the change of seasons. The iconic green striped awnings and door hark back many decades, adding a sense of timelessness to this cottage near Alexandria Bay, New York. On a whim, I added a single hydrangea peeking from the window on the left to balance the composition and suggest the owner's touch.
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acrylic painting 40 x 30 x 1.5" My freehand, hard-edged abstract, sculptural form floats within a harmonized color field. I created my color pair with techniques used by figurative painters to give atmospheric perspective to landscapes and depth to objects in space. Can you sense the depth? Sentinel is a regal abstraction, placidly on guard. My signature tiny golden heart rests on the underside of the canvas, a talisman of joy, hope, and love. I varnished her with a matte finish. A minimal white wooden float frame and a small portal to view the golden heart can be added to this painting.
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mixed media 56 x 44 x 1.5" I recently lost a dear artist friend and mentor, Betty, on the third anniversary of the death of a beloved Lab, named Beela. I was reflecting on those beautiful souls, Betty's always wise words, Beela's devotion, and processing my grief.
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digital 30 x 37.875"
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gouache and mixed media on paper 46 x 35" I create abstract paintings on paper where color and chaos collide. Each painting weaves it way to its desired end. It is complete when it feels right. I work with marks, color and gesture to engage the eye in a visual dance and remain open to the unexpected.
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wood 11 x 10 x 8" I am a gatherer. Fallen wood waits for me. Sticks, twigs, branches, and bark fill my arms and backpack while hiking. In the studio, I carve, burn, and apply color using colored pencils. Each piece reveals itself as I work. Beetle tracks on the carved blue sticks read as ancient secret text.
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acrylic & oil on cradled hardboard 24 x 24" Flowers invite universal questions of existence and purpose in their quest for survival, eventual senescence and rebirth. My floral artwork is inspired by the gardens surrounding my studio and In addition, by the images of the beauty and complexity of our universe as captured by NASA. Embedded in these Micro and Macrocosm depictions of our universe are the stirrings of conversation regarding interconnectedness and co-existence.
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mixed: paper on canvas 30 x 30 x 1.5" Millennium olive trees have grown in what was historically Canaan for thousands of years, some living today are as old as 3,500 years. They provide sustenance and livelihood to its historic residents. Israeli "settlers" have illegally bulldozed them to build compounds in the historically Palestine territory, affecting both the livelihood and culture established in the 5th century BC.
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oil 30 x 24 x 2" I am fascinated by light reflected on glass and water. One of my goals is to be able to render it impressionistically in oil paint. The glass box was made by my father who has passed away, so the scene held a double challenge for me as artist. I wished to pay a tribute to his artistry with my own.
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monotype 23 x 17.5 x 1" I am using layers of printing from stencils that are not from recyclable materials to tell the story of our fragile predicament here on earth. I am using non toxic inks and Arches paper to produce images alluding to the natural world colliding with development and commercialism.
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watercolor 23 x 19 x 3" I lovingly created this symbolic painting with great respect of the mother, daughter relationship and the spirits that sometimes influence its growth.
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encaustic, oil stick, and paper on panel 15 x 15" My work is processed driven. The many layers of wax combined with mark making, creates a sense of history. and timelessness. This allows me to visually communicate ideas of loss, renewal, discovery and joy in a meaningful way.
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acrylic on canvas 20 x 20 x .5" Statement for new works. Layering and revealing what is underneath is the basis of this new direction in my painting. This is in line with what I have always sought, the subconscious manifesting itself in the conscious execution of my work. Striping gradually evolved as a device to create a surface layer that must be penetrated to find the hidden core, the third dimension in a two dimensional work.
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photography 20 x 20"
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mixed media 24 x 30 x 2.25" I am fascinated by the interaction between the surface of water and what lies beneath. As more of our planet experiences flooding the interaction becomes more profound. The sea stories and secrets held just under the mirror like surface tension are mysteries and chrinicles of not only history but possibly the future.
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unique photo transfer technique with intaglio print 21 x 17" My husband and I went to a fundraiser for the Litchfield Jazz Camp in Connecticut, and there was a young man playing with the adults in the ensemble that was entertaining. I was so impressed with his playing that I took a few photos. I have used this unique photo transfer technique, which mimics aquatint (sort of- not purely of course), because I like the texture and unpredictability of it. I created a drypoint intaglio plate to superimpose over the photo transfer, and this is the result. There is jazz music around me all the time, so musical themes are some of the subject matter in my artwork. I enjoy the challenge of showing something purely aural in a visual way.
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watercolors and fluid acrylics 24 x 28 x 1" This “Ghost story…” epitomizes the perpetuity of time’. A woman's experiences flow like water. Our adventures can be charted seen ebbing from the past and streaming towards the future. Tenaciously, we live and as we tally up experiences, adapting our stories to make our lives work, our memories resiliently swing from the past to become optical illusions for the present.
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monotype 21.5 x 17.5" My piece "Wandering Triangle" is one of a series of monotypes where I have experimented with movement and abstraction. Monotypes are often called "the painters's print" because they are a free, easy and fluid technique. People have often commented on how much directional motion they observe in both my prints and paintings. This may emerge from the fact that I am a dancer in addition to being a visual artist. In this case, the triangle subject seems to take a multi-dimensional journey as we all do in life.
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watercolor and mixed media 18 x 14 x 1" I am an abstract painter, and I work primarily in watercolors with mixed media elements. I’m inspired by the interplay of colors, shapes, and uneven lines, and I love the fluid, unpredictable nature of watercolor paints. I work very intuitively: I always have a starting point - a particular color combination or focal point - but then I just go wherever inspiration leads me, often surprising myself! Painting is the best therapy I know. It brings me peace, balance, and joy, and it helps me maintain an even keel in our uncertain times. My Blue Heaven is a reminder to find intentional moments of gratitude.
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acrylic 21 x 17 x 1" I have always been interested in the stories of women who create. Whatever the medium is--poetry, fiction, non-fiction, painting, sculpture, music--wherever the muse takes them. My own artistic career has been varied, with writing fiction, non-fiction (journalism) and painting taking precedence. A passion for photography has led to an interest in expressionistic portraiture, using photographs of artists, past and present, as a springboard for my own painting. Some believe that a photograph lies as it only captures a moment but what can be read in that moment has helped me in my own search for the truth behind the image., which has led to my Strong Women series.
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photograph 26 x 26 x 1.5" Inspired by Andy Warhol, the range of expressions in this quad was captured through conversation while exploring the idea, What is Female? I would offer that the best version of ourselves is not chromosomal assignment, but an enlightened combination of the feminine and masculine traits that we all possess, which are clearly visible in our expressions, and shared in our daily interactions with one another.
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cast concrete, reclaimed materials, and pigments 3.75 x 10 x 2" In an attempt to adapt to the onslaught of changes being done to the environment by humans, nature is increasingly creating hybrid forms that fuse the man-made with the natural. These hybrids, like many of products we consume, are simultaneously compelling and toxic. Using these new life forms as inspiration, I create uncanny forms intended to suggest an animated fusion of the organic and the industrial. All of these fusions represent an artificial reality that is a hallmark of our anthropocene age. My work is an exploration of the legacy of our current lifestyle and its effects on our world.
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metal print with AI-assisted image 20 x 20" The Trust In Me series came about as a motivating manifestation. Like all artists, I go through the phases of extreme self-criticism. Moving to another city, to another country, you can’t help but start comparing yourself to others. You think you are not doing enough. You are not enough. In order to create freely you need to be connected with yourself. Spending more time alone and reflecting helps to hear that inner voice. Only YOU can know what to do next. I named each work in honor of women who in my opinion changed or magically touched the art world, As part of a series this work represents J. K. Rowling.
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acrylic on panel 18 x 18" My My Blueberry Pie is about a favorite memory shared with my mom who is 94. Every summer we watch the hummingbirds on the porch at the lake. We get in our kayaks and paddle to a little island that is loaded with blueberries. We pick in silence, except for the sound of the birds, waves and boats. I look over and my mom is happy as a clam as she climbs deeper and deeper into the blueberry bush. We bring our stash home, clean them. We find the recipe, earmarked in our camp journal, written in my mother's handwriting. Realizing with a smile we have omitted the main ingredient. We work in tandem making the pie. We savor every bite back on the porch with the hummingbirds. Summer has arrived.
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oil on canvas 13.25 x 13.25 x 2.5" A lone flapping curtain tossed by the wind could be a commentary on the fragility of life or a sign of optimism. Looming and moving clouds cast an eye on the measure of the progress of our existence on earth. Proffered shelter in the warmth of the buildings renew our hope for the future.
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photography 18 x 24" While photographing one very cold morning in New York City, I noticed a woman approaching half a block away.. She reminded me of my sister. Using some plastic sheeting hanging from a doorway as a filter I made an image at a slow shutter speed. Upon returning home I found it. There she was. My sister never said goodbye as I had arrived too late.that fateful day. This felt like my moment to do so.
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collage with hand painted papers, cut up prints, & additional papers 20 x 20" My collage started with the spider web image which was from a print. I then used acrylic painted papers, more cut up prints, and finally added the woman caught in the web.
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acrylic on canvas 24 x 36" I was working on a series of Memories, and I pictured a persons' brain thinking about people of the past, and on the side a group of people that brought to her the memory.
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pastel 19 x 23" My pastel paintings are inspired by my observations of nature. This painting is based on my photographs and memories of hiking in Bear Mountain State Park. I wanted to convey the vastness of the landscape and a feeling of awe in the view from atop Perkins Point.
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reduction linoprint 16 x 20"
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freehand digital painting, archival ink on canvas 24 x 30 x 1.5" “Never Again” is my response to Roe v. Wade being overturned. In this painting we see a scared, young woman being escorted to a clinic. One of the escorts holds up a hanger with the bottom wire twisted to read “never again.” My fear is that abortions will once again become deadly. In reality, this only affects lower income girls and women as those more financially secure will just go to other states or countries.
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gouache & Carand'Ache NeoColorsII on oleo paper 14.625 x 18.62 x 1.5" Having a vantage point away from people can give you the opportunity to really "study and see" the life happening around you. As an artist, this is very important and inspirational. The medium, gouache and Carand'Ache ll Aquarelle colors, gives an immediate opportunity to express and create the artwork. It lays down fast and dries quickly. I hope this piece, "Sunday morning at Track5, Coffee Shop", draws you in to really observe the painting. The "Characters" enjoying coffee under the moody warm lighting, seeming to create a movie like set. The fun of being so close, yet in your own space. Sometimes having nothing more in common than that morning brew & conversation. Enjoy!
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acrylic, archival repurposed artist's rags, 23.5k gold leaf 10 x 10 x 3" At eight, when studying oil painting, I knew I would speak through my art. I have always been passionate about the beautiful palette of human diversity and nature, but also empathetic to the struggles of humanity and the vulnerability of all life forms. My decades long art career has been dedicated to making art about these passions. I observe and research for each painting. Something as small as a fruit fly, a beautiful human head, or a magnificent winter landscape seen from the train as I travel between my studios in Pittsburgh and NYC can inspire a large, multifaceted painting that combines human diversity, Mother Nature, and often the global struggles of women.
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relief print with chine-colle 11 x 14 x 1" This is a view from my studio building, using real and imagined colors. I constructed the collagraph plate with multiple layers of cardboard and string. Initially conceived as a print in black and white, I am inspired to add color using chine-colle. In this piece I roll out the ink first, apply glue to each piece of colored paper, then place the individual papers colored side down on the inked plate. The print paper is then placed on top of the plate, where the ink will now transfer to the colored papers, and the colored papers will adhere to the print paper. I hand rub, and finally pull the print from the plate. I am having so much fun playing with a variety of color combinations!
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house paint, acrylic paint, paper, gold leaf 10 x 10 x 2" Through The Veil is a story about coming out of a fog with an anxiety attack. The piece is suppose to calm your brain and whole being..The blue represents the skies and clouds within the brain when it is overly active. The gold is the ray of sunshine peeking through the anxiety fog saying it is going to be okay. All the colors and textures used are suppose to have a calming effect and to have you feel finally at feel at peace. I want my piece to do just that. Bring peace and feeling that everything will be all okay.
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acrylic on canvas 24 x 24" My acrylic on canvas titled "Surrender'' is my emotional response to the upside world we are all living in . I painted my self-portrait to reveal my journey through COVID and life since COVID. I feel that I have surrendered to the world around me. Don't know if that's a good thing or bad thing. I do know it is what it is. and I painted it.
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acrylic 24 x 20" People are hurting and need healing. There is healing in nature and nature has inspired me to create art, My intent with "Healing Waterfalls," is to bring a visual, uplifting experience to the viewer and foster healing though the exploration and imagery of nature.
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oil on canvas 30 x 30 x 1.5" This painting, like many other of my paintings conveys a visceral experience of a place, rather than describing its likeness. The painting itself evolves from a synthesis of memory, imagination and the process of painting itself. Natural elements are expanded or reduced as I layer on glazes of color. The layered veils of color reflect a fragile luminous quality.
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