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Bullwhip Kelp acrylic on canvas 20 x 16 There is nothing stranger and more beautiful than what nature conjures up, and bullwhip kelp is no exception. This piece aims to capture the feeling of a gray day on the beach, interrupted by strange beauty. I work primarily in acrylics and gouache and often incorporate found objects, and I focus on the interplay of color, texture and abstraction. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Mexican Dancer digital photography, inkjet archival print 17 x 12.5 I've always loved photographing people, especially dancers. This was taken during a vacation to Cabo San Lucas, Mexico. There were several dancers in motion. I waited for this dancer to pause, then I took the photo. I was especially attracted to the bright colors in her dress and scarf. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Memories in Bloom oil on board 18 x 20 I attended Fashion Institute of Technology. After 10 years of designing clothes for various companies I left to raise a family and complete a BS degree in Visual Arts at SUNY College at Old Westbury. In 2009 I became Co-President of The Art Guild, located in Manhasset, New York. Flowers, gardening, nature and crafts have always appealed to me. My natural inclination is to paint moments where light is the main attraction. I want to emphasize the energy created by the shadows and the glow of the highlights. I work in Pastel, oil and mosaic and have studied with the late Anthony Palombo, Howard Rose, Jackie Kamin and Robert A. Johnson. I have exhibited at The Art Guild, The Graphic Eye Gallery, The Atelier at Flowerfield, Suburban Art League and the National Art League. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Vase of Flowers and a Rose acrylic 19 x 18.75 I love the intersection of geometry and still life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Tea Time acrylic 20 x 16 This is part of a series I did of interiors. This is a stark room, waiting for someone, lonely, but still able to have the pleasure of a cup of tea and a piece of cake. The light is strong as the table is near a window, the only warmth in the room. I work with different medias on gessoed paper, which is adhered to canvas Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Where the quiet begins to speak acrylic on canvas with mixed media on canvas in a floating frame 12 x 12 As women we are taught to be quiet, until now when we must speak up. In a culture that still rewards polished images and fast takes, I’m drawn to making work that honors the in-between—the pauses, the rewrites, the moments when you’re quietly becoming someone new. This painting is part of that exploration: layered, imperfect, and emotionally honest. Beneath soft veils of color and scattered marks, a quiet rhythm gathers courage until the hidden voices of memory rise together and begin to speak. Small bursts of unexpected color build on one another like layers of memory, each mark a gesture of release rather than control. Scribbled lines trace the edges of thoughts that never quite became words, while delicate textures hint at stories just beneath the surface. This is one of two in a series, Unfolding Memories. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Suspended Shadows sculpture: steel, plaster, powder metal 29.5 x 13.5 x 11.5 As a metal artist, I am captivated by the dialogue between strength and softness, where steel and delicate curves intertwine. This sculpture begins with a clay face, grounded and resolute, symbolizing resilience. From this foundation, metal feathers emerge, catching an imagined wind and embodying freedom and motion. The clay anchors the piece to the earth, while each feather represents a movement and tells a story of persistence and care. Working with these materials together, I aim to create a harmonious balance that reflects the complexities of the human experience—where strength meets vulnerability and aspiration takes flight. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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A River Runs Through It oil on panel 24 x 37 At the heart of my work lies the evolving metaphor of the “Galactic Web”—a cosmic thread that connects all things. What began in graduate school as the “Life Line” has matured into a sustained investigation of consciousness and the interconnectedness of all matter. Working intuitively, I allow gestural brushwork and fluid paint drips to guide each composition, without predetermined outcomes. A painting is considered resolved only when visual language, metaphor, and conceptual resonance fully converge. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Canyon Rhythms XXIII acrylic on canvas 60 x 72 This is a painting from my Canyon Rhythms series, paintings of my remembered visit to the amazing Grand Canyon. Paintings evolved over time in my studio through an intuitive process using meditation, music and improvisation. Works slowly unfolded so that subtle transformations of the surface were allowed to emerge. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Judy oil on canvas 16 x 20 I have been painting a series of LGBTQ+ portraits. My model had a moment of surprise as we were taking photos and she placed her hands on her face. I thought it was such a real moment that I decided to paint it. I first did the painting and weeks later I created the stencil for the background, which I thought was appropriate for her expression. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Oceans Last Dance acrylic, ink, glitter, on linen 24 x 24 My paintings represent the beauty of the ocean in an abstract and organic way. Through my art, I strive to capture the essence of the ocean as it feels, the way it appears, and the significance it holds for our planet. While the current state of our oceans is dire, I believe we can still reflect on their beauty and consider what actions we can take to prevent further irreversible damage. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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7-Eleven @ Night, Seattle acrylic on canvas 25.5 x 31.5 I love the 7-Eleven logo, the store's colors, and that they are all over downtown Chicago, let alone scattered across the world! This painting is a tribute to the lovely Georgia O'Keeffe painting, New York, 1929-28, in the collection of the Sheldon Museum of Art. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Everyone Called It The Crossing watercolor 6 x 4 Many transparent washes are applied to create the finished painting in order to intensify and vary the color palette, arriving at an image that often isn't recognized as watercolor. One painting takes anywhere from weeks to months to create, as I like to step away and return to a work with a fresh eye. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Edisto #1 Mother's Bones digital 17 x 11 Botany Bay in Edisto Island South Carolina is a beautiful, heart-wrenching site, where the erosion of the beach has left a graveyard of bleached trees that stretch as far as the eye can see. Visitors decorate the tree bones with shells in a heartfelt tribute where land and sea become one. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Mountain acrylic on canvas 20 x 20 "The Mountain" was inspired by majestic mountain views. Living in the mountains provides constant inspiration and this painting conveys the strength and beauty of those vistas. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Freefall washi paper, watercolor, gold leaf on cradled birch board 36 x 18 As a half-Japanese American, I use traditional Japanese materials like washi paper. in un-traditional ways. This work is a commentary on the Asian American experience of having little control over one's environment while being (metaphorically) naked. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Field Study - Blush & Earth acrylic 24 x 24 Field Study – Blush & Earth is part of an ongoing exploration of color as emotion and presence. Working on raw canvas, I allow acrylic washes to move freely, absorbing into the surface rather than sitting on top of it. This process creates a sense of immediacy and surrender, where the material itself participates in the outcome. The palette—soft blush against grounded earth—reflects a dialogue between vulnerability and stability. The forms emerge without predetermined structure, shaped by gravity, saturation, and time. Drips are not corrected but embraced as evidence of movement and release. In this work, I am less concerned with composition as control and more interested in allowing the painting to reveal itself. The result is a quiet tension between softness and weight, intention and accident—an open field where feeling takes form without the need for narrative. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Inscape #35 acrylic on wood panel 24 x 20 The Forest Inscapes came about accidentally when I was experimenting with dripping acrylic paint on wood panels. I had used dripping extensively in my large Erosion paintings, in which the drips formed veils of colors. Dripped onto a smaller format, the columns of paint looked like trees instead of forming a veil. Thus were born the Forest Inscapes, explorations in color which have evolved to reflect the seasons in the forest around my studio. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Sheila mixed media collage: paper, chalk pastels, leaves on mat-board 20 x 20 Sheila a former student, reach out to thank me for the experience she gained by participating in the school's Annual Talent-Fashion Show. She is now a fashion model and industry professional. I got inspiration from her photos. This one in particular was a challenge. To make each petal of the flower one by one then assembling them, to give them life. I also love her posture and the expression on her face. Soft, Strong and Steady! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Great Egret sculpture 18 x 9 x 10 I love biking along the Potomac River and watch all the wildlife including eagles, ospreys, blue herons and especially the Great Egret which migrates every year to the shores of Alexandria and along the Potomac tributaries. The Great Egret was carved directly into the stone, sanded and polished. It is an abstract shape focused on the essence of the bird itself and its graceful motion. After the sewage spill that took place earlier this year, this sculpture comes as a reminder to keep the Potomac clean and healthy not only for our drinking water but for the very rich wildlife that depends on it.. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Pink Sands mixed media on paper 7 x 9.5 This artwork is inspired by the freedom and happiness I feel near the ocean. Every summer my Mom would load myself and my siblings into our Aspen station wagon and drive 12 hours straight to my grandparents 4 room beach cottage near Boston. By leaving my Dad behind to work, we could all relax. I have many happy memories of beach vacations with family and friends throughout my life. My abstract art attempts to convey those feelings but not specific place. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Turning and turning in the widening gyre collage: painted paper mounted on paper 11 x 7.5 My daily practice is to create a small collage every morning on awakening. Each is different, using different papers; some papers are painted like the ones used in this artwork, others are cut from magazines. The title is the first line of W.B. Yeats "The Second Coming". The work of daily practice makes it possible to face the day, which is filled with bad news at home an abroad. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Victorian Bride (The Gilded Age, 1870) collage w/ hand-cut found paper, NY Times, ink 13 x 10 Olivia Langdon married American writer and humorist Samuel Clemons in Elmira, NY, in 1870. Together they had 3 daughters, including Susy, Clara and Jean. Their son Langdon died of diphtheria in 1872 at the age 19 months. Her husband Mark Twain wrote under his pen name in their gazebo in Hartford, CT. She was a faithful, judicious, and painstaking editor for her husband. Olivia was also a proponent of women's rights, and surrounded herself with influential women including educator Julia Beecher and Isabella Beecher Hooker, abolitionist and suffragette. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Salad, Deconstructed colored pencil 18 x 23 Realism is the style that I have embraced for my work. Perhaps the truth is that it embraced me, with inspiration coming from the world around me. This pile of vegetables from the garden was a perfect subject. It featured lots of detail, lots of vibrant color and worked into a pleasing composition. I hope the viewer enjoys seeing it as much as I did creating it. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Life Shield Series: Creation Dance#2 acrylic and cut paper on round canvas 20 x 20 The Life Shield Series are part of my invented universe, they are both tangible and a virtual reality. The shapes were inspired by pictographic images made by many different indigenous peoples but I have taken symbolic shapes and meanings, and transformed them into my own language. At first, the designs may appear chaotic, but they are not. They are intense meditations, meant to calm the soul.They are receptacles for positive energy. The designs are contained within a circle, a mandala, a protective shield, an armor for life’s journey. My Life Shields are connected to the cosmos and do have universal meaning. They are spiritual and communicate a life force energy and balance. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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She nylon, felted wool and glass on handmade paper 12 x 18 This piece represents my search to find my new identity. I recently lost the love of my life. Now I am alone to face the world. In my work with handmade paper, felted wool and fabric, I use materials that I have used over and over again. They are my comfort "food".Hopefully working with familiar materials in new ways will help me move forward as an individual. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Stormside charcoal, gypsum & pastel on board 16 x 12 My piece hopes to express the times we live in--- a troubled world that's moving faster than we can grasp, where fear and daring are a game that, in the end, no one can win. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Life acrylic & watercolors 16 x 8 "Life" reveals growth as a force that pushes through pressure, texture, and time- a quiet emergence shaped by fracture, memory, and the will to continue. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Glimpses of Eliza encaustic wax with writing, photograph of face, and embedded flowers on wood cradled panel 11 x 9 My great-great grandmother Eliza had her world collapse in 1863 with the death of her husband and loss of their plantation. In this image of a young woman, I see a serenity in Eliza's young face and glimpses of the dreams she held. I've included bits of the love letters from her husband John. Then I've surrounded her with real flowers and leaves, growing upward as she must have with marriage and children. Here, I see a mystery that transcends time and place. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Gaia cashmere, silk sari, paper, pencil, cotton 30 x 15 Inspired by the green silk sari fabric wrapped around soft cashmere cord and weaved into the Irish Knot Embroidery, where there is no beginning and no end. The title Gaia came naturally. It turned out to be a scientific hypothesis that the living and nonliving components of earth function as a single system. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Just Breathe... photograph digitally enhanced 12 x 12 I started working with a light box when I was diagnosed with seasonal affective disorder and I found sitting in front of a light box helped my mood and sleep. I started creating temporary collages and photographing and sharing them on line. I called them luminaries. I work with cut out figures and cut out designs, still on a light box, striving for balance, looking for harmony of shape and color. This piece is part of a series: 'Paper Dolls/Light Ladies, 2026. Archival paper and ink print. 1/1 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lake and Sky oil on canvas 12 x 23 It fascinates me how the sky quickly evolves; as the wind blows the clouds, the light dances, layering, and changing colors. Nature capturing motion and color. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Naschmarkt, Vienna oil on canvas 20 x 16 The color, form and composition of these peppers in the wonderful Naschmarkt made for a wonderful memento of a good trip. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Drumming Hands photography: digitally enhanced 20 x 16 Drumming Hands When taking this photo of a Gullah drummer, I purposely set a slow shutter speed to capture the blurred movement of the hands, while keeping everything else in the photo in focus. The hands display strength, endurance, and power, all attributes of the enslaved Gullah Geechee people. Originating from African traditions, music and drumming continue to be fundamental aspects of Gullah Geechee culture. Equipment and settings: Nikon D850, 300mm lens, f/11, 1/125 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Pattern Play acrylic monoprints collaged on canvas 20 x 20 Pattern Play explores rhythm and visual momentum through a collage of my monoprints, developed from an initial black-and-white composition sketch and realized through printing, cutting, and assembly. Strips of black, white, and gray carry varied textures and mark-making—ghosted prints, scraped surfaces, and stenciled motifs—that create a tactile field of repetition and interruption. Small, deliberate red accents act like visual punctuation, pulling the eye back and forth across the plane and breaking the monochrome rhythm with moments of heat and pause. The work investigates the dialogue between order and improvisation: geometric alignment and repeated patterning hold the composition together, while unexpected textures and irregular edges introduce vitality and tension. Layering is central to the piece, inviting viewers to trace the history of each mark and to experience pattern as movement rather than a static surface Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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The Ridge in Mist oil on panel 6 x 6 This painting began from a photograph I took while hiking in dense mist, where everything from the trees to myself, was soaked and quietly dripping. The atmosphere was beautifully subdued, and the steady rhythm of dripping water felt almost hypnotic. Along the ridge, a lone tree stood resilient against the haze, its presence both subtle and striking. Something about its quiet strength drew me in and compelled me to paint the scene. Through softened edges and muted tones, I aimed to capture not just the landscape, but the immersive stillness and sensory experience of that moment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Mixed Metaphor acrylic on canvas 58 x 44 The work was prompted after listening to a recent press conference at the White House. A haiku accompanies the painting: I wrote it as I worked on the art. "A mixed metaphor - A demimonde rules a land - Based on due process." Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Living Enlightenment I acrylic, oil on canvas 24 x 24 "Living Enlightenment I" emerged from an intuitive line practice. During the drawing process, the artist experienced an intense movement of energy accompanied by a simultaneous feeling of joy and heightened awareness. The resulting composition became a visual record of that moment: layered currents of movement surround a central presence, suggesting the dynamic flow of inner forces while awareness remains awake and quietly playful. This work marks the beginning of the artist’s Living Enlightenment series, an exploration of consciousness within the energetic complexity of human life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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“Never clip my wings “(Amy Winehouse-Nightingale bird) oil on linen 30 x 24 My portrait of Amy Winehouse is inspired by a rare charisma, immense talent, and unforgettable voice. like bright star, she shon intensely yet fed too soon. While learning about her life, I was drown to her tattoo a bird with word never click my wings. in my painting. The bird is no longer confined -it flies freely symbolizing the freedom she longed for. I chose vibrant, joyful color to preserve her in a moment of beauty while gently echoing the fragile line between brilliance and loss. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Global Series - Bear Hugs ink on paper 18 x 18 Global Series is meant as a gentle reminder that humanity is not separate from nature but a part of it. In Bear Hugs, polar bears are portrayed in a circular format to represent life on Earth and a loving embrace. The red dot represents the Sun, warmth and the need to stop and consider the effect humanity has on the natural world. This is a diptych of serigraphs so the pricing is for the pair. Serigraphy, commonly known as silkscreen printing, is the hand-made printmaking mode. The most important part of the process for Zimmerman is making great drawings. She understands this and creates her drawings, not only as works of art on their own, but thinking about how they will translate into serigraphs. Her thoughtful use of the white of the paper, her textured shading and her attention to the negative space are all essential in her drawings and her silkscreens. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Frequency 01 solarplate etching, black and silver thread 12 x 12 "Frequency 01" is part of a series and the product of my fascination and experimentation with the Solarplate Etching printmaking technique. Having as starting point a photograph depicting the shadows casted by the light as I lifted the cut paper I was working at the time; I explore symmetry, repetition and pattern and I create my works by combining materials such as black and silver thread. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Gazing in Color oil on canvas 20 x 16 In this painting, I followed the idea that life is not fully understood. It can feel like learning, illusion, or something beyond explanation. I wanted to reflect that sense of not knowing in the woman’s eyes and in the surrounding space that shifts and flows, in changing shapes and colors. The woman is open to what is present, noticing the beauty around her and allowing different feelings to arise without trying to define them. I used radiant colors to create a sense of movement and atmosphere, while deeper greens bring in a connection to nature and a feeling of grounding. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Salumeria Famiglia Bruno Venturini, Venezia, Italy photograph 8 x 8 My husband and I were walking around Venice and found this wonderful little store selling wine and gourmet pantry items. As I was talking with the proprietor I noticed there was an old photo of the store with an inset photo of a man which I was told was the owner's father. I asked if I could photograph Venturinis holding the photo to document his family's long history in Venice. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Potato Chip Bag Colorado Yule marble and 3D printed chips 33 x 33 x 58 We are submitting our work for flatscreen consideration only and/or online A larger-than-life "Potato Chips" bag turns a familiar object into something monumental. Carved in marble with a crumpled, caught-in-motion form, the bag feels alive, while the 3D-printed chips spilling out sit light against its weight. The result is a conversation between old and new, hand and machine, nostalgia and the moment we're in now. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Kip's Angel liquid acrylic, watercolor, transfer on canvas 23 x 20 An image was selected from a graveyard photo series captured by this artist then used as a transfer and combined with painting (artist's competency) on canvas. It was part of an Angel series executed over a few years during severe personal physical events. Angels were always solicited during that time and were always there for me and still are. In particular, it honored the passing of a dear friend's partner, Kip, thus it's name. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Where the Mermaids Live acrylic texture and paint on gallery wrapped canvas 24 x 18 There are magical coves on some shorelines with tidal pools and caves. The waves come and go freely but the inhabitants are more restricted. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Bad Break Up photography 21 x 31 The layers of a street tell its history. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Nesting linen, watercolor paper, acrylic, and archival glue 15 x 13.5 When I begin an artwork, I often use a method to stimulate my subconscious. It is a unique, reductive method I use for collages. I begin by painting patterns, textures, lines and spatters on a large sheet of watercolor paper or linen. I look at the painted surface, add more where needed, until images start to appear, waiting to be liberated from the chaotic background. Then I carve out the objects with a knife. It’s almost like drawing with a knife. When I have enough, I can start assembly, piece by piece until their shapes are fully realized. I use these instead of the found-images traditionally used for collages, such as photos, magazine pictures, etc. I can also adapt a similar version of this technique to canvases, without cutting. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Sarasota Circuit digital art on HD Meta 38 x 34 “Sarasota Circuit” explores structure as a responsive system shaped by environment. Rectilinear forms and linear pathways establish a controlled framework, while intersections and extensions suggest continuous movement rather than fixed endpoints. The composition reads as an open circuit—nodes connect, redirect, and adapt without full closure. The work draws from the principles of the Sarasota School of Architecture, including the influence of Paul Rudolph, where modernist structures are defined by light, climate, and spatial flow. The yellow field functions as both ground and illumination, activating surrounding forms and reinforcing a sense of atmosphere rather than containment. Surface weathering and overdrawn marks register time within the system—evidence of adjustment rather than erosion. Color operates as signal, guiding movement through areas of density and release. The result is a system that is ordered, adaptive, and continuously revised. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Erinna airbrush with acrylic paint on smooth paper 25 x 29 The pre-Raphaelite style lends itself to paintings by airbrush and I wanted an image that portrayed someone from antiquity. The poet’s shawl is a patchwork of designs, and I used a paintbrush to try to make it flow. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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