• Who are you? oil, acrylic on canvas 22 x 18 This work explores the fragile boundary between inner identity and external perception. A handwritten phrase within the composition — “The world teaches us to forget ourselves… but who are you?” — becomes a central conceptual element, framing the figure’s introspective state. The fragmented portrait emerges through layers of fluid paint, suggesting a process of self-recognition and reconstruction. The contrast between controlled figurative rendering and uncontrolled, flowing elements reflects the tension between social conditioning and inner truth. Through this work, I examine the act of remembering oneself in a world that imposes self-forgetting through social standards. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Nesting sculpture: felted wool and glazed ceramics 7 x 9.5 x 1.5 My work melds ceramics and felted wool. My sculptural practice began with ceramics—initially, figurative and then abstraction. Recently, I started incorporating felt into my work—creating felt from raw wool and shaping that material into sculptures. I was drawn to the contrast between the soft, fibrous quality of wool against the hard, glazed permanence of fired clay. Although that contrast remains evident in my works, the materials also serve each other, creating a unity that is further enhanced by the use of color—an element that is intrinsic to both materials. In Nesting, a ceramic form is held within layered folds of felt. The wool drapes around it, creating a protective structure—the soft enclosing the hard, the yielding sheltering the fixed. Rather than treating the materials as incompatible, the piece creates a symbiotic relationship between them, bound together with color. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Lesson Learned (My Octopus Teacher) acrylic/ mixed media on canvas 24 x 24 Two canvases side by side, with only different hues of blue in mind I started painting. No clear idea of a theme, no connection yet, only the joy and the struggles of the process. Half way through the painting an interview with the director of My Octopus Teacher on NPR guided me to an entirely different direction. Rarely I find myself being touched to this extent by a subject. Most of the rest of my journey I was in the flow, as if I were right there under the water with this wise guy. To the contrary of others’ suggestions I insisted not seeing the documentary until I finished the paintings. When I did who could stop the tears? No one. Especially the other of the two paintings, Save The Seaforest, made me believe I was living in this underwater world while creating. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • I Don't Want to Remember oil on linen canvas 20 x 16 I painted her from very personal place. She refuses to see because some memories are too much, and sometimes shutting the world out feels like the only way to stay whole. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Crescent Moon acrylic on paper 7.75 x 7.75 As a mostly abstract painter, sometimes images emerge from the paint. Often they are only fleeting and soon painted out but Sometimes they seem to make their presence known and become a part of the composition. As the Crescent Moon emerged, I was glad to acknowledge it and welcome its presence in this painting. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Chamber with Centurions #2 acrylic on wood panel 8 x 8 Inspired by Lee Krasner, this collage is made from parts of abandoned paintings. I cut out compositional elements I could salvage from a failed painting on paper and by rearraning them on a fresh surface composed a new work. I like giving an alternative life to select elements that were not in a supportive environment in a previous painting. By releasing selected shapes from a disastrous work, a new painting can emerge. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Nest acrylic and colored pencil on wood 16 x 16 "Nest," is part of my newest series, Soft, which is grounded in the concept of echoes—those lingering impressions that reverberate through memory and emotion. The gentle luminosity of the white line-work evokes breath, reflection, and the passage of time, while the delicately colored backgrounds hum softly beneath the surface—like faint recollections or whispered voices. Through this gentle contrast, I merge the tangible with the ethereal, revealing how stillness can carry energy, and how even silence itself can resonate with profound depth. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Wild Cyclamen acrylic and charcoal on canvas 23 x 19.5 With a background in the biological sciences and a lifelong love of nature, I seek natural forms and organic shapes in particular. Colour is a very important element of my pieces, and with strong brushstrokes, I aim to capture the energy of the wild places of the world, albeit in the Aruban desert or the tangled undergrowth of the city's parks. My abstract pieces begin life as intuitive markmaking, and with layers of colour they assume a botanical quality as they progress. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Summer Cattails acrylic and charcoal on canvas 16 x 20 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Spring Vibe acrylic and charcoal on canvas 20 x 16 With a strong background in Natural History and Botany, I am very much drawn to abstracting from nature both on a gross and cellular level. I have a fascination with the structures, forms, and colours of stems, leaves, flowers, roots, and fruiting bodies of the plants I know so well. The twisted and intertwined organic nature of gardens and natural places is where I gather much of my inspiration these days. I am fascinated with abstracting from both the living and dead forms of plants, and I am just as happy painting neglected flower beds with all the weeds and rotting wood and fungi as I am a manicured garden. Strong brushstrokes, colour, and texture are key elements to most of my works. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Dragon Fly stainless steel sculpture 23 x 10 x 9 My decision to design a boot stems from a fascination with the precision and technical mastery required by the form. Working with rigid, textured metal, I explored the intersection of the fragile and the resilient. My creative process focused on the tension between strength and weightlessness, leading me to adorn the boot with intricate, self-fabricated dragonflies and butterflies. Together, they symbolize transformation and freedom. This work reflects my passion for merging nature with technology, challenging the viewer to see a sculpture that exists at the boundary of fine art and question if it is a wearable design. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Surf Side oil on board 9 x 12 Surf Side is a visual creation of the heat, sound, and smells associated with a visit to the shore. Juxtaposed to the forced planned unity of the red umbrellas is the variety of humanity whom enjoy the surf. It is a celebration of all that we share in common. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Sam paper on canvas 12 x 9 I attended the outdoor, evening gig where this young man was playing keyboard. I was inspired by the halo effect created by the hot pink stage lighting behind him, as well as the movement created by the breeze. The subject matter in my work varies widely, because as in this case, I am often taken with a scene or an image and immediately wonder if I can capture it in paper, which is my only medium. There is no paint in any of my work. All the color is derived from the papers, in a non-traditional collage technique. Sometimes a single paper is just the right color, but usually several layers are required to achieve the right hue and intensity. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Big Tree acrylic on cradleboard 7 x 5 Big Tree rises in a gentle springtime landscape of emerging greens and yellows. Prominent, but integral to the composition. Subtle shadows and play of light are the result of an overcast day. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Morning Mist oil on gessoed panel 12 x 9 This studio painting is based on a plein air study of trees on a foggy morning along the coast of Maine. The colors were muted and the value range limited, conditions I find create unique opportunities for expression. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Stone Wall Universe 3 acrylic on canvas 24 x 24 This painting is a spiritual celebration of resiliency. Its abstract narrative references the tenacity of lichens, that bloom and thrive within the cracks of a dry stone wall in the Scottish fields. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • acrylic on cradled wood panel 24 x 18 x .75"
    This painting, Star Mass, was inspired by the poem, The Sleeping Prophet (Astronomy of Love) written by Josepha Gutelius. The materiality of this poem really spoke to me, especially the lines, "Every one of us in the plush arms of giants, crammed full of dreams and milk and star mass." (copyright Josepha Gutelius) Those lines evoke thoughts of life, death and rebirth - the fiery moment when a star flares out or when a soul's new journey begins.  
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  • We Came So Far oil, pastel, acrylic goache, and charcoal on arches oil paper mounted on panel 33 x 24 We're born into our specific time and location- with its own set of cultural norms and realities. I've found myself trying to untangle these. Faced with nostalgia and engaged in personal reckoning, my paintings use broken color and line to create and then break the very figures I render. The surface becomes rich with layered marks as I scratch and draw into the paper. Slowly building the surface, I question more of my own understandings and those driving change. This forms a dialog between myself, those who have come before me, and those who will come. The women are never fully rendered or depicted as smooth and perfect; nostalgia lies- it was never perfect. Each painting also asks the overarching question "What would they say?" These women, standing near but not too close to a house, seem to say, "We came so far." And then, "But where are we going?" Those who came before us demand that we not forget or succumb to nostalgia; nostalgia for a past that was never designed with women's full potential in mind, that seems to be sweeping our country again. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Break the Line- Step Outside to See the Light Mixed Media on Arches Oil Paper Mounted 35 x 26 framed size: 36.5 x 27.5 We’re each born into a specific time and location, with its own set of cultural norms, struggles, and realities. As a woman, I’ve found myself trying to untangle these while facing nostalgia and partaking in personal reckoning. My works on paper have become a visual representation of the questioning dialogue I have with those who have come before me, those who are here, and those who will come. I utilize line to draw and redefine figures, while spray paint, gouache, and oil paint are brushed through them to destabilize them. This visual representation of the disruptive mechanisms that shape our lives is repeated, creating a layered, unfinished look. Like a palimpsest, my surfaces reveal traces of unresolved figures or partially obscured ones; I believe the challenges women face make it difficult to reach their full potential. Nostalgia is a lie, and our future depends on today. In this work, Break the Line, Step Outside to See the Light, I question traditional roles and contemplate the women who have dared to break tradition and step outside. In today’s attack on women’s rights and independence, breaking the line is more important than ever. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Held oil on canvas 60 x 60 Held explores how experience is carried and remains present over time. A saturated field of red is built through layered gestures, scraped passages, and areas where the paint thins and breathes. Earlier marks are not erased but absorbed, remaining active within the surface. Near the upper center, a pale form emerges—held but not fixed—while vertical traces rise and dissolve beneath it. The structure is felt rather than defined. The painting holds a space between vulnerability and stability, where something might have disappeared, but didn’t. Instead of collapse, there is openness. Instead of fracture, there is presence. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • ThisIsAlsoAmerica printmaking 6 x 6 ICE has been terrorizing US citizens. This is aggressive agent Bovino in a Nazi inspired SS officer uniform spraying orange pepper spray at protesting citizens. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • This is America printmaking 14 x 11 The unbelievable scenes in Minnesota of ICE agents attacking US citizens has me very upset. I am shocked by what our government is doing. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Heather Cox Richardson 14 x 11 akua ink on BFK rives I listen to Heather Cox Richardson every day since the POTUS took office in 2025. She is a well- educated historian and keeps me in a calmer perspective of the constant inundation of bad news. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Heather Cox Richardson (3) 14 x 11 mixed media collage with gouache and pencil I listen to Heather Cox Richardson every day since the POTUS took office in 2025. She is a well- educated historian and keeps me in a calmer perspective of the constant inundation of bad news. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Heather Cox Richardson (2) 16 x 20 akua ink monotype with chin collé I listen to Heather Cox Richardson every day since the POTUS took office in 2025. She is a well- educated historian and keeps me in a calmer perspective of the constant inundation of bad news. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Coney Island Sunset
    Printmaking
    12 x 8
    The light was just right as we trudged towards our car after the Polar Bear plunge on January first. Coney Island is vibrant even without a stunning sunset.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
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  • Seeing Red vinyl, tape, seam binding, staples, grommets (wall hung), and red objects 23 x 18 x 4.25 As a sculptor, I am impelled to collect and sort objects; the gathering of objects is a critical component of my being. Seeing Red is a form created in the shape of a hand from vinyl and filled with acquired objects. My studio overflows with found objects. Eager to construct forms I continually seek, find, and make new constructions from objects that have a past. Joy envelopes me the moment I step into my studio. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Magnolia oil paint on linen panel 8 x 8 This cluster of magnolia blossoms originated from trees at Huntington Gardens. I love the soft, muted palette of the petals with the burst of orange-red at the center. The tangle of branches with so many stages of blooms gave me a real compositional challenge. I tried to convey that profusion while keeping the eye anchored on that one fully open flower. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Leonore acrylic paint and ink on canvas 22 x 18 Leonore Emma Ponton, 1902-1996, my great-grandmother on my father’s side, is a figure I remember only in brief but vivid impressions from childhood. My dad often told us that she had Native ancestry, and as a child, that idea felt both meaningful and mysterious. In a family of light skin and blue eyes, she stood apart—her olive complexion, dark brown eyes, and jet-black hair giving her a presence that felt both striking and quietly powerful. I may never know with certainty the full truth of her heritage, but over time I’ve come to appreciate that identity can live as much in story and feeling as in documented fact. I’m drawn to the symbolism of the oriole, a bird some Native traditions associate with the sun—bright, warm, and full of life. In other cultural interpretations, orioles are seen as messengers, moving between the spiritual and physical worlds. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Selfie terracotta ceramics sculpture 20 x 18 x 1 Selfie, my body part, natural size , made out of my favorite terracotta, which is close to human skin color Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Bust 14.5 x 11.5 high res reproduction of page from collage book celebrating women The black, sumi ink drawing replicates an X-ray/mammogram. I felt inclined to knit the image together with the curves and threads from the image. It's a dance, really. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Annunciation 14 x 11 high resolution print on artist paper Inspired by Art History and socialized fears about Women's Health. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Vital Matter VI 10 x 10 oil on canvas The conceptual framework of my practice focuses on the reenchantment of everyday life and the buoyancy that arises through connecting with what has sacred meaning. The oil paintings reveal inner worlds as verdant spaces in which the garden becomes a metaphor for a flourishing internal world, where one may discover the well being and resilience that is cultivated when one is spiritually engaged. Each painting may be considered a portal to discover the magical, mystical and alchemical in everyday life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Tribute acrylic, Photos printed on vellum collaged on cradled birch board 18 x 24 I’m half-Japanese, half-white. My father’s Japanese-American family was unjustly held in the concentration camp in Minidoka, ID during WWII only because of their ancestry. Around 120,000 Japanese-Americans were rounded up on the West Coast and imprisoned. Over half of them were American citizens but were deprived of their constitutional right to habeas corpus--the right to defend themselves in court. I created "Tribute" to honor my relative Geri Takahashi who was put into concentration camp, along with two of her brothers, a sister and her mother, at the age of 21. She was born in the USA so was an American citizen. She had never even been to Japan yet was treated as if she was a war criminal. Being unjustly incarcerated at a young age affected her self esteem and she never dated or married, she just worked 6 days a week and volunteered in her Protestant church. Like many of her generation who were in camp, she would never speak of her time there. My hope is that "Tribute" tells the story that she could not. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Freefall washi paper, watercolor, gold leaf on cradled birch board 36 x 18 As a half-Japanese American, I use traditional Japanese materials like washi paper. in un-traditional ways. This work is a commentary on the Asian American experience of having little control over one's environment while being (metaphorically) naked. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Stormside charcoal, gypsum & pastel on board 16 x 12 My piece hopes to express the times we live in--- a troubled world that's moving faster than we can grasp, where fear and daring are a game that, in the end, no one can win. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Painted Water photography 8 x 10 Reflected light created a watery prism... contrary to the adage about water and oil not mixing - here they created a wonderful palate. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • As She Lay Dying watercolor pencil on paper 18 x 22 After receiving a text from my brother-in-law, I sat at my desk and imagined my sister slowly losing her moisture into a cloud of personal symbols as her essence became increasingly infinitesimal like a stick figure Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Tea Time acrylic 20 x 16 This is part of a series I did of interiors. This is a stark room, waiting for someone, lonely, but still able to have the pleasure of a cup of tea and a piece of cake. The light is strong as the table is near a window, the only warmth in the room. I work with different medias on gessoed paper, which is adhered to canvas Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • oil on canvas 48 x 60 x 1.5"
    In a day of expectations and heightened awareness, my perceptions focus on an unexpected moment of reverie. The composition excites me, as does the sense that something mysterious and magical is happening. I feel an ethereal twinkling of transition, a subtle change that only color can capture, and I am in thrall.  
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  • Caged printmaking 13 x 15 When fear falls on the human spirit, it chains us to darkness. The only path forward is to see it for what it is. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Petticoats and Pickett Signs encaustic 12 x 9 Suffragettes may seem like ancient history but voting rights are not as stable or guaranteed as we may believe, even in the USA. This series of three images chronicle the ongoing strife. Women secured their vote after much suffering and resistance in 1920. They were dressed in their finest in a time when petticoats were still part of fashion. Black men were granted the right to vote via ratification in 1870 but faced violence and intimidation at the polls. It was not until 1965 in the advent of the Civil Rights movement and the Voting Rights Act before all people regardless of race or gender were promised the true right to vote. Men and women linked arms and marched together. Tragically in 2018, Marjorie Stoneman Douglas High School in Parkland, Florida was another site in a horrific trend of school shootings. Here the students rebelled against the false comfort of “thoughts and prayers”. They rallied and protested on a level never seen before. They called for safer gun laws. Never Again MSD foundation was formed by survivor Emma Gonzales. This threat started a movement to change the voting age from 18 to 20 to prevent this impassioned and articulate group of young people from making a stand with their vote. They gathered in blue t-shirts with simple white lettering: Parkland. No further explanation needed. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Help Us! digital, archival photograph 10 x 8 My photography portfolios deal with beauty that I find in simple places. I search for art in places often overlooked by people rushing by: street abstractions formed by the effects of traffic and the erosion of painted lines; art in the visible layers of torn papers restructured by random anonymous participants; torn ads; changes from weathering; oxidized rusted surfaces creating patterns and vistas; reflections in puddles; ponds, or store windows; ice patterns; simple arrangements of flowers and fruit at markets. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Cornered photography 20 x 16 My photography portfolios deal with beauty that I find in simple places. I search for art in places often overlooked by people rushing by: street abstractions formed by the effects of traffic and the erosion of painted lines; art in the visible layers of torn papers restructured by random anonymous participants; changes from weathering; oxidized rusted surfaces creating patterns and vistas; reflections in puddles, ponds, or store windows; ice patterns; simple arrangements of flowers and fruit at markets. And, as ever, there is the straight image: looking up, down, and around to catch that perfect image, THAT second in time never to be repeated. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • The Kvell oil on canvas 36 x 30 Nana was my first mentor. Her delight in the family she had created and the artists among us gave her a shudder that she would hold tight. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Remember the ladies... printmaking 10 x 8 framed size: 16 x 14 “Remember the ladies..." references women's rights and what women have to bring to the table in protecting our democracy and humanity. The quote is from Abigail Adams' famous 1776 letter to John Adams, urging him to consider women's rights while forming the new nation. When the Declaration proclaimed "unalienable rights," "Life, Liberty, and the pursuit of Happiness," and "consent of the governed," these principles did not extend to women. Over the past 250 years, women — leaders, creators, and changemakers have fought to make these words real. Their impact resonates still and impels us forward—to secure our democracy and the rule of law, and to build a more inclusive and humane society. The image, a protective, nurturing gesture of holding something precious in one's lap, combined with those fundamental values, creates a powerful visual metaphor. The woman becomes a guardian of these principles. The monoprint process, putting transmuted ideas and feelings onto a Gelli plate, not knowing what will adhere, amplifies the uncertainty of the future. The layering implies the persistent courage, creativity, and grit that the women before us have inspired as we continue our work. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Golden
    Printmaking
    10 x 8
    The light entering my studio fell on my face as I opened the blinds. A calm spread through my body as I held the glow and took a breath.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
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  • Fissures and Falls oil on canvas 14 x 17 Part of a series of landscapes, Fissures and Falls is my memory of an excursion to Iceland. The power of the waterfalls, juxtaposed with the deep crevices made by earthquakes, amplified my sense of awe before the landscape of Iceland Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • To Market basswood sculpture 14 x 14 x 8 I was inspired to carve TO MARKET after observing women throughout the world carrying heavy loads on their heads with apparent ease. For these women, transporting workloads in this manner is not only efficient but also a necessity of daily life—in both rural and urban environments. Within this necessity lies its beauty. My sculpture aims to highlight the quiet dignity and gracefulness of these women at work. My creative process began with making a small clay maquette of 3 women with varied gaits. I chose basswood as the carving material because its subtle grain pattern would not detract from the overall form. I also incorporated the base into the sculpture to convey the women’s connection with the ground they walk on. The final sculpture is sanded but unstained, my way of emphasizing the unadorned simplicity of the subject matter. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Circles Dance 2 sculpture: piano key parts, plexiglass, plywood, stain 25 x 10 x 10 CIRCLE DANCE 2 began taking form when a friend gave me a bagful of piano keys and parts. The varied shapes and elements led me to create a work that playfully celebrates its patterns and gentle rhythm. I added clear plexiglass rods to give the piece breathing room while contributing to its overall structure. The plywood base serves as a counterpoint to the verticality of the sculpture. The sea green color I chose adds to the work’s quiet flow. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.