Shop - National Association of Women Artists, Inc.

Zemka Carra
Birds Eye View

Photography 11 x 14"

The photographic image is done on Canson, Mi-Teintes photo paper with a natural 11x14" wood frame. I prefer using natural light. This image drew my eye because

it combined both painterly qualities and an abstract component as well.

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Zemka Carra (NY)
New York Diversity

photograph 7.5 x 10.5" A moment of reality, my inner self and everything that surrounds me. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.

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Zemka Carra (NY)
Autumn Reverie

acrylic 20 x 30 x 1.5" In an Oasis of peace all my senses came to a palette of emotions observing gentle, warm pleasant view of brown and yellow tones. This moment was stollen from my ordinary hasty life style.

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Zahra Jlayer
Home From Above

Acrylic painting 36 x 36 in

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Zahra Jlayer
Abiding Love

Mixed Media 30 x 30 in

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Zahra Jlayer (NY)
Nika Shahkarami

acrylic on canvas 10 x 10" Inspired by the “woman, life, freedom” movement in Iran. These paintings belong to a larger collection of the same size paintings, in the same pallet. Working with gold, white, red and black, I tried to bring a voice to my inner griefs related to loss of beautiful, brave, brilliant youth of Iran that lost their lives in the most tragic ways in battle with brutal oppressive government regime in Iran. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.

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Zahra Jlayer (NY)
Marbled Rainbow, 2024

$5,000.00

acrylic on wood 72" round Beautiful repetitive patterns in nature have been always an inspiration for my art works. You can see flow of life in all different patterns. In my paintings I try to capture these beauties and try to imitate them by the flow of fluid acrylic. My aim is always is to bring calmness and peace to the viewer’s eyes and spirit. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Zahra Jlayer (NY)
Mahsa Amini

acrylic and gold leaf on canvas 10 x 10" Inspired by the “woman, life, freedom” movement in Iran. These paintings belong to a larger collection of the same size paintings, in the same pallet. Working with gold, white, red and black, I tried to bring a voice to my inner griefs related to loss of beautiful, brave, brilliant youth of Iran that lost their lives in the most tragic ways in battle with brutal oppressive government regime in Iran. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.

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Zahra Jlayer (NY)
Cry Tears of Blood

embroidery and acrylic on canvas 10 x 10" Inspired by the “woman, life, freedom” movement in Iran. These paintings belong to a larger collection of the same size paintings, in the same pallet. Working with gold, white, red and black, I tried to bring a voice to my inner griefs related to loss of beautiful, brave, brilliant youth of Iran that lost their lives in the most tragic ways in battle with brutal oppressive government regime in Iran. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.

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Zahava Sherez
Man Women #2

Resin polymer and mixed media 14 x 36 x 14 in.

a cat sits on a ledge surrounded by autumn leaves

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Yvonne Troxell LaMothe
Winds of Change Triptych

Painting- Oil on panel 24 x 60 in

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Yvonne Todd
Tight Knees

Oil painting 12 x 24 in

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Yvonne Todd
Family Unit

Oil painting 10 x 14 in

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Yvonne Rojas-Cowan (NY)
Siren Song I

$1,650.00

Mixed Media Siren Song I 20 x 11 x 2 in. "Siren Song" is a mixed media painting that dives into the ocean's contrasting nature. The textural richness of the impasto technique reflects the power and movement of the ocean, while the abstraction evokes the mystery and allure that has captivated humanity for centuries. The painting hints at the ocean's violence and tranquility. The title, "Siren Song," reflects the ocean's seductive danger, luring viewers in with its beauty just as the mythical sirens did. The impasto technique itself, with its thick application of paint, draws the viewer in, inviting them to explore the textural depths of the artwork, much like the ocean beckons us to delve deeper. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

Black's Creek, Late Autumn by Yvonne Lamothe

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Yvonne Lamothe
Black’s Creek, Late Autumn

Oil on panel 2019 48 x 36 in

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Yuan Butler (GA)
A Gift of Darkness

Cecile Adler Cliffer Memorial Cutting Edge Award

oil 24 x 24" Since childhood I found myself mesmerized in painting the mysterious beauty and complexities of the natural world, later I saw the same qualities of vulnerability and power interwoven in the aesthetic of female forms and nature. Having been forever awestruck by the sanctity and power of water, I infuse fluid organic forms in my paintings to provoke a sense of fantasy, reminding people of brief moments when life felt like dreamy encounters.

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A woman sits naked with a basket next to her

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Yoko Cohen
At Peace

Ceramic 9 x 8 x 8.5 in

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Yoko Cohen (NY)
Afterthought

Virginia Hammond Memorial Award

ceramic 11 x 8 x 8"

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Yildiz Grodowski
Duet

Watercolor on Yupo 9 x 11 in

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Yildiz Grodowski (MA)
Mama’s Garden was Blue

acrylic / mixed media 30 x 24"

Mama’s Garden Was Blue is from the series ‘Into The Woods’, I believe green is a lucky color, most people love it. From spring to fall it presents us a galore of nuanced hues and values. And it takes its place right in the center of the rainbow. Blue, on the other hand, is the foundation of the world. It’s everywhere. It’s our air, our seas, it’s the one that embraces us, another words it’s like a mother. Here my entire interpretation is about a mother’s love. In such, while almost contradicting my own theory, the blues are in the flowers, whereas the green is placed at the mom’s skirt. Challenging myself and wondering what the reaction of the viewer will be. This always enriches me!

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Xiang Li (MA)
Northern Song Dynasty Chinese Empresses

$96,000.00

Painting Northern Song Dynasty Chinese Empresses 108 x 70 in. For the Fall 2024 New Member exhibit, I have selected a painting from my Chinese Empresses collection that features empresses from the Northern Song Dynasty. This piece is primarily painted in black and white, marking a creative shift for me and this collection. While I have always favored rich, vibrant colors in my work, my daughter, Fei Wu, encouraged me to explore a more minimal color palette to express my admiration and gratitude for these empresses. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Woman in Green Shirt

Oil on canvas 30 x 20 in, with black frame 31.5 x 21.5 in

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Winifred Breines
Oranges, Flowers, White Containers, Tile

Gloria Devereaux, AWS Memorial Award

Watercolor 15 x 18"

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Winifred Breines
White Pottery and Peppers

Watercolor 10 x 21.5 in

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Winifred Breines (MA)
Apricots, Daisies, Ceramics

watercolor 16 x 21 x 1" Color, light and shadow—created by the sun outside but observed primarily indoors in the kitchen—are magic. There is something about lighted round vibrant color fruits, such as oranges and tomatoes, combined with blues, usually found in ceramics and fabric, that, for me, represent a promise: of the pleasures of food, kitchens, meals, community, peace. Given the disturbing times in which we live, my paintings are a small pleasurable alternative. I deeply appreciate still life.

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Willie Marlowe
Encrypted Script

Acrylic 6.5 x 8 in

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Willie Marlowe
Kite 10

Acrylic 19.5 x 11 in

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Wiley Holton (MA)
Wishing

acrylic & colored pencil on wood 16 x 20 x 1.5" In my newest series, "Motion" I am exploring the concept of inertia and how that relates to ADHD. I’m sure most of you remember hearing the phrase “an object in motion stays in motion” from high school physics. I take it another step to say “a body in motion stays in motion. People with ADHD can have a difficult time transitioning between tasks. This can be mistaken for “laziness”. For example, if I’m sitting on the couch eating breakfast and know I have to get up to get ready to work, a lot of the time I just can’t. I know I need to, and I even WANT to get up. But my body remains seated. Or, I found in college that if I leaned on my forearms on my lofted bed, I’d get stuck doom-scrolling online for hours. Though my body may be still, my mind is still whirring. I have found that the only way to counteract this is to keep my body moving too—to move from task to task without physically pausing (unless I’m trying to take an intentional break). It’s a daily challenge that I’m sure a lot of people can relate to. My “Motion” series aims to reflect the duality of my mind moving while my body stays where it is and yearns to move forward. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.

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Wendelin Ray
Hellish Hall

Type C digital print 16 x 20 in

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Virginia Aschmoneit
Farewell

Archival pigment print 14 x 18 in

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Victoriya Kondratyuk
Still Life with Chrysanthemums

oil on canvas 18 x 14 x .5" Flowers and landscapes are my passion. Whether working in the garden or enjoying nature, I try to capture the fleeting moment, be it a flower in bloom, trees changing the color of their leaves during the fall, or shrubs with swelling buds during the spring. My camera is always ready in my hands. Still Life with Chrysanthemums, was finished in October of 2022 when chrysanthemums were in full bloom. I especially love these beautiful yellow flowers because they remind me of the departing summer sun. They brighten the room on a gloomy Autumn day. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.

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Victoriya Kondratyuk
Millbrook in June

oil on canvas 20 x 30 x 1" Flowers and landscapes are my passion. Whether working in the garden or enjoying nature, I try to capture the fleeting moment, be it a flower in bloom, trees changing the color of their leaves during the fall, or shrubs with swelling buds during the spring. My camera is always ready in my hands. Millbrook in June, was created after I visited the area. One sunny day during summer, I went there on an excursion and was stunned by the beauty of that place. A man-made lake and the surrounding territory form a picturesque landscape on the outskirts of Millbrook, NY. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.

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Victoria Twomey
Stages

Photography 11 x 14 in

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Victoria Twomey
Her Favorite Place

Work on paper 19 x 24 in.

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Victoria Twomey
Joan of Arc’s First Moments in Heaven

Colored Pencil Drawing 28 x 36 in

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Victoria Ermler
The Lady of Shalott

Oil on canvas 15 x 12 in.

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Victoria Ermler
The Lady of Shalott

Oil on Canvas 15 x 12 in

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Victoria Ermler
Appointment at the Atelier

Oil on canvas 35.5 x 29.5 x 2.75 in

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Vicky Lennon (FL)
Yellow Door

$450.00

Painting Yellow Door 20 x 16 in. Vibrant Colors and Rich textures are a signature of my works. My paintings are always a process. I work intuitively as the image evolves. Varied layers of glazing give lushness and depth, while the addition of mediums helps to create the textures that emerge in the final image. I work pushing and pulling shapes, surfaces, and colors, until I am excited with the uniqueness of each piece. Yellow Door was inspired by the many homes we passed on the waterway while my husband, cocker spaniel and I cruised the great American Loop through the Eastern United States and Canada. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Veronica Lawlor
Ruderal Growth 1

acrylic on cradled wood panel 14 x 11" My practice as an artist grows from the direct observation and immersion of drawing on location, where I uncover the energy and memories that linger. The drawings become a point of departure for my abstract paintings, where I engage with the shapes between form, exposing the residual layers of sensation. Abandoned industrial spaces are of particular interest to me, as the grounds of these former factories are healed by the weeds and shrubs of ruderal growth and the forces of nature, which slowly transform toxic materials back to the earth. Ruderal Growth 1 is part of a series based on the abandoned brick factories of the Hudson Valley area of New York State. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.

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Veronica Lawlor (NY)
Textile Memory

acrylic on cradled wood panel 18 x 24" I recently drew an abandoned textile factory where generations of women, wives and daughters of men who worked the mines and the mills, worked long hours at the looms and held their families together. Their strength and fortitude supported the growing industrial power of the United States. The memories of these long-forgotten women reverberate through the dilapidated equipment, and the traces of their lives intertwines with the weeds that now reclaim the space. The drawing of the factory marks the history; the painting indexes the emotions of the women who worked there and the humming of the now-silent looms. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.

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Veronica Lawlor (NY)
Star Mass, 2023

acrylic on cradled wood panel 24 x 18 x .75"

This painting, Star Mass, was inspired by the poem, The Sleeping Prophet (Astronomy of Love) written by Josepha Gutelius. The materiality of this poem really spoke to me, especially the lines, "Every one of us in the plush arms of giants, crammed full of dreams and milk and star mass." (copyright Josepha Gutelius) Those lines evoke thoughts of life, death and rebirth - the fiery moment when a star flares out or when a soul's new journey begins.

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Veronica Lawlor (NY)
Rewilding

acrylic paint with collage on cradled wood panel 24 x 18 x .75"

This painting, Rewilding, references the ruderal plant growth that breaks through the brick, steel, and concrete of abandoned urban spaces. It is part of a series of abstract paintings made in response to on-site drawings of former brick factories in the forest alongside the Hudson River, NY. The way these plants break through the industrial structures and restore the scarred earth is a metaphor of resiliency and the impermanence of things . By releasing the structures we once thought supported us, we can discover new growth and the power of possibility.

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Vanessa Osmon
The Marvelous Miss Mel

oil painting on wood panel 11 x 14 x .75" This work is part of my Military Spouse Project. One of two bodies of work currently in production, its focus is documenting and honoring our military spouses. The project was initially conceived to thank spouses who participated in my other project; Disrupted Military Portraits. However, these traditional portraits quickly took on a life of their own and I can see this work continuing into the future. As a military spouse myself, I see this as a way to give back to our unique community through artistic representation. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.

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Vanessa Osmon
Maker’s Hand

oil, gouache, pastel, on Arches oil paper 34 x 34 x 1.5" I create portraits of military spouses in mixed media. These paintings, which lean on drawing, display layered surfaces that disrupt and entwine with figures- representing the relentless cycle of moving and starting over. This figurative work revels in the immediacy, intensity, and expressiveness that drawing provides while exploring mark-making and surfaces. These qualities add tension between the figures and background while visually representing the struggle of spouses to not lose their individuality in lives dictated by another's military career. While being a military spouse is a tremendous honor, these portraits are an expression of their psychological space and tumultuous lives.

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Vanessa Osmon (NY)
Sponsor’s Last Four: Aiko

mixed media on Arches oil paper 13 x 13 x 1.25" I paint military spouses who live in West Point, NY- where the United States Military Academy is located. As a proud military spouse, I became interested in the cumulative effects of this lifestyle- exploring identity erasure, community, and impermanence. My work, "Sponors' Last Four," refers to the military's organization of spouses by the last four of the active duty member's social security- instead of their names. I also developed a process that was reflective of these experiences: the chaotic and relentless cycle of breaking down and starting over. I repeatedly disrupt, redraw, and rerender figures. I intend to not only express the challenges these women face but also their beauty.

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Vanessa Osmon (NY)
Sponsor’s Last Four- Ana

mixed media 12 x 12" Currently, my work has focused on military spouses, in the form of figurative and portraiture paintings. The work explores and expresses the psychological impacts felt by this subculture. This small portrait is one from a large series focusing on identity; military spouses are organized and named by their "sponsor's/ spouses's last four" of their social security numbers- not by their name... Additional shipping/delivery charges will be handled between artist and buyer after the purchase.

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Valerie DeBiase
Inventive Workshop II

Honorable Mention

Photography 10 x 8 in. The photo of this workshop captured my eye because it looks like the technicians and workers had just stepped away from their workbenches a moment ago. Perhaps they are on a break and would soon return to their stations. Though there are no people in the image, I could just imagine them toiling away at the projects on which they were working.

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