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Beyond the Last Coordinates acrylic, pens, markers on paper 24 x 19 framed size: 26 x 20 This work reflects Amelia Earhart as both a historical pioneer and a symbolic threshold figure. Rather than presenting a literal portrait, the composition explores the psychological and cultural presence of Earhart navigating uncertainty, exploration, and transformation. Layered forms and atmospheric space reference both the physical terrain of early aviation and the expanding cultural landscape women entered through their achievements. The work honors how individual courage reshapes collective possibility and expands perceptions of freedom. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Gaia silk 24 x 16 Interconnectedness of all women inspired this work of Irish Knots in Sari Silk. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Eye See You, Why Can't You See Me? acrylic 39.75 x 29.75 framed size: 40 x 30 What defines "SHE"? Is it her clothes? Is it how she looks - conforming (or not) to judgey societal norms? "She" should be accepted for whomever and however she authentically chooses to be. She is the one who defines what and who they are... Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

The Echoes they tried to blur acrylic on canvas 30 x 24 The echoes of her voice are persistent, like history refusing to disappear. Her voice is layered into the foundation of democracy. Layered memory maps and circular forms like echoes, wombs, halos, votes cast and recast. There is motion and a veil as if something essential is being obscured yet still pushing through. Legacy embedded in systems. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Woman Warrior In Abstract. Rhythms of Color mixed media 17.5 x 12.5 framed size: 23.5 x 19 Woman Warrior in Abstract is a drawing that explores the evolving role of women in modern society. It has a vibrant, abstract, and dynamic composition. It features a variety of shapes and colors that create a sense of movement and balance. The central female figure is dressed in a stylized medieval armor outfit, incorporating elements of a sword, a vest structure, and a helmet. Posed like a riding horse, she evokes the image of a fearless knight symbolizing courage and readiness to confront challenges. The blue wave surrounding her head represents feminine energy and sensitivity. Together, these elements highlight the harmony between power and emotion that defines contemporary womanhood. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

A Place By The Fire For Everyone sculpture 20 x 18 x 3 Narrative found object assemblage wall-relief sculpture inspired by a lyric from the song "I Want A House With A Crowded Table" by the Highwomen. Created in response to the divisiveness and racism evident in our country today. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Are You Listening? archival pigment print on paper 16 x 12 framed size: 20 x 16 This photography reminds us of the sacrifices of the Greatest Generation fighting for our freedoms and our right to vote. We in turn pass on the importance of our precious vote to our youth by our involvement in democracy. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Conversation photography: wrapped canvas print 18 x 12 Frederick Franck's sculpture, dedicated to the Great Law of the Six Nations Iroquois Confederacy, stands overlooking Boulder Hot Springs, Montana. The nested silhouettes progressing from light to shadow visualize intergenerational responsibility—each generation emerging from and containing the next. This meditation on collective continuity honors Indigenous women's foundational contributions to democratic governance, reminding us that women's civic voice has always been essential to forging pathways toward inclusive democracy. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Women Voting digital 13 x 18 framed size: 14.25 x 19.25 My own grandmother was born in 1912, before women in America were allowed to vote. I based this artwork on a historic 1912 American Press Association photograph that is now in the public domain, of a suffrage parade in New York City. I am inspired that public demonstrations such as this one were an effective part of the broad picture in securing women’s right to vote, as well as the fact that the baby pictured in this image is of a similar age as my own grandmother. I don’t take for granted the hard-won rights women have gained just within a few generations, and realize the efforts continue to this day. This image celebrates the many women who fought to win the right to vote. My creative process utilized mixed media including digital media, pen and ink, and digital printing on watercolor paper, as I made intuitive decisions about distortion, visual closure, white space, pattern, and line. I grew up through and beyond the digital revolution, and am comfortable using digital media in the same manner one might use a graphite pencil or a paintbrush – it is just another tool for artmaking, in my opinion. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Mary Fields sculpture 25 x 14 x 13 I was reading about relatively unknown African Americans, and I came across Mary Fields. I wanted to capture her essence in sculpture, and worked from a few photos. She was a freed slave who made her way by working for a convent, running a laundry, a stagecoach driver, and the first woman US mail carrier. She was 6 foot tall, cigar smoking, gun toting, and dressed in men's clothing, but always wore a white apron. Her one concession to being a woman. She was tough and no one messed with her. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Women Series一 Body Memory • Emergence oil on board 24 x 20 28 x 24 Body Memory is a group within the Women series, initiated in 2015, marking the beginning and ongoing development of my exploration of women’s experience and states of being. Rather than depicting specific female figures, the works consider women as a continuously unfolding state of being. The body becomes a vessel of time, where experience, emotion, and social roles accumulate, endure, and are preserved. From 2015 to the present, time itself has become part of the work. Body memory is not only a record of lived experience, but also a formation of women’s voices—persisting across past, present, and future, and continuously participating in and shaping “the people” themselves. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Alice Paul: The Right to Be Counted oil on canvas 18 x 14 This painting honors Alice Paul, a visionary suffragette whose quiet determination helped reshape the American promise. As a principal architect of the 19th Amendment, Paul devoted her life to the radical belief that democracy must include women—not as an afterthought, but as equals. Positioned before the U.S. Capitol and framed by the American flag, Alice Paul stands not in the shadows of history, but in its full light. The ballot being cast beside her is both an action and an echo—a gesture that carries the weight of decades of protest, imprisonment, hunger strikes, and unwavering resolve. It represents a right not bestowed, but claimed. Rather than portraying Paul as a distant historical icon, this work seeks to capture her humanity: her composure, her resolve, and her faith in a future she knew she might never fully see. The monumental structure behind her contrast with her calm presence, underscoring a central truth of American progress—that lasting change often begins with individuals willing to stand, persist, and endure. Created to mark the nation’s 250th anniversary, this painting invites reflection on the unfinished nature of American freedom. Alice Paul’s legacy reminds us that the ideals enshrined at the country’s founding were expanded not through ease or consensus, but through courage. Her story asks us to consider whose voices have shaped the nation, whose were silenced, and how the act of participation itself remains both a right and a responsibility. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Her Unshaded oil 36 x 24 framed size: 39 x 27 Her Unshaded is an art statement commemorating the evolution of women's involvement in American history from the signing of the Declaration of Independence, a moment when women were excluded from political life, to the future being shaped by female voice, knowledge, and leadership. The past has been shaded, with an actual shade at the top of the image and by use of books written during the period on women's lives. There is a painting of a woman of color beginning to rise. Her posture and gaze represent knowledge long held but historically concealed. At the base of the work, coded tags invite the viewer to engage digitally through their smartphones. The links lead to a contemporary art project lead by the artist through her young art students who were asked a single question: What gift would you give to the world if you could give anything? One link goes to their artistically created videos and another to an open source page in Wikipedia, "Timeline of Women's Suffrage in the United States". By integrating historical artifacts, figurative representation and contemporary participation, Her Unshaded connects past, present and future. Women continue to rock our political world. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Between the Lines acrylic, ink, graphite, image transfer, and thread on paper 15 x 15 framed size: 21 x 21 Created in commemoration of the 250th anniversary of American independence, Between the Lines honors the ways women have shaped democracy through collective care and shared resilience. Based on the Log Cabin quilt pattern, traditionally symbolizing hearth, home, and safe shelter, the work draws on the legend of Underground Railroad quilts as emblems of protection and guidance. Torn and reassembled paper fragments are stitched into a quilt-like field, proposing democracy as a living structure sustained not only by historic declarations, but by the solidarity, dignity, and strength passed from one generation to the next. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

Risk Ahead collage with acrylic on Bristol board 8 x 5 framed size: 14 x 11 I feel that we are at a crossroads in this country and that the path that we take will have great bearing on our future. I wanted to depict a young girl at a fork in the road. The sign alerts her to pay attention and to proceed with care. To me, the network of roads symbolize the complexities and the uncertainties that lie ahead for our younger generation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

They Went in Anyway mixed media 22 x 30 framed size: 24 x 32 THEY WENT IN ANYWAY This drawing honors the eleven young women of the group known as The Norfolk 17. These were Black students who, in February 1959, integrated six previously all-white public schools in Norfolk, Virginia, after months of school closures enforced under the state’s policy of “Massive Resistance.” In defiance of the Brown v. Board of Education ruling, Virginia chose to deny education rather than desegregate. The students depicted are: Top row: Johnnie Rouse, Patricia Turner, Carol Wellington, Olivia Driver, Lolita Portis Middle row: Delores Johnson, LaVera Forbes, Geraldine Talley Bottom row: Betty Jean Reed, Claudia Wellington, Patricia Godbolt Out of 151 Black applicants subjected to deliberately discriminatory testing and interviews, only seventeen were admitted. The majority were girls. Supported by churches and the NAACP, these young women entered schools where they faced daily threats, spitting, physical assaults, and profound isolation. Yet they persisted, understanding that their presence carried consequences far beyond their own lives. Rather than depicting spectacle or confrontation, this work focuses on their composure, dignity, and collective strength. Their courage forced the reopening of Norfolk’s public schools and contributed to the nation’s ongoing struggle toward educational equity. These young women were not only students—they were agents of change, embodying the civic power at the heart of She the People. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    

I Am A Woman photography 36 x 24 I AM WOMEN, NOT A HOST On June 24, 2022, when Roe v. Wade was overturned, thousands gathered in New York City in urgent protest. I stood not only as a witness, but as a participant, using my camera as both instrument and voice. These two images form a single statement. On the front of her body, the words I Am Woman declare identity, autonomy, and presence. On her back, Not a Host confronts the reduction of women to vessels. Together, they hold the tension between visibility and erasure, power and vulnerability. Photographed in the surge of collective resistance, this woman’s body became both canvas and proclamation. She carries the language of protest on her skin, transforming flesh into testimony. Presented in Seneca Falls, where the women’s rights movement first took organized form, these images connect past to present. They ask what has changed, what remains fragile, and how we continue to stand — visible, embodied, and unyielding. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.