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Steel and duct tape sculpture 114 x 80 x 48 in Janet Suslak Indick Award for Contemporary Abstract Sculpture
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These decorative prints are an homage to nature: flowers and birds. Traditionally, flowers symbolize decadence and the transitory nature of life. Ephemeral flowers become eternal in a photograph, the essence of their beauty and light captured with a camera. Turning flowers and birds into eye-catching, decorative objects immortalizes them. This print is a cross-disciplinary fusion of digital photography and traditional intaglio printmaking. With an intaglio or etching, colorful flowers and birds become monochromatic. Nature is eternal, but observed moments are fleeting, the changing light captured by photography. How does a photographer represent them in some way that is different from the infinite number of representations that have come before? The nature of printmaking, which existed long before photography, suggests an ephemeral moment fixed in time, striking a monochromatic note that makes the viewer pause to observe it. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.10 x 8"Polymer plate intaglio from original photo
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.The series of Keeping Up Appearances tackles some of the thornier social issues of mid-20th century America, inspired by text from a 1954 book on etiquette. This text ensured cultural boundaries were not to be crossed. Incorporating vintage linens upon which dye has been painted and text screen-printed, this work is also hand-stitched and machine-stitched. The text is copied from Amy Vanderbilt’s Complete Book of Etiquette and is used with permission by Lincoln G. Clark, trustee of the Amy Vanderbilt Kellar Literary Property Trust.screen-printed, stitched vintage linen 12 x 12 x .875"
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mixed media on stitched textile 40 x 35" As a visual learner, I see art in everything. My morning walks are consumed with taking smartphone photos of shapes, textures, patterns; many of which have inspired my textiles. Additionally collaged images are posted to my social media. Often others respond that these images cause them to look more closely at their surroundings as they move about in their daily lives. Whether pattern, shape, movement or color, the natural world provides endless inspiration.
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mixed media on textile; screen-printed & machine-stitched 20 x 20" After five years of persistent statewide drought, rampant wildfires seemed to consume much of the formerly spectacular California landscape. Shortly thereafter the rains came, and formerly barren areas could not absorb the water. Such a paradox… too little water, too much water, in just three months’ time. Climate change is real. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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screen-printed 20 x 20" After five years of persistent statewide drought, rampant wildfires seemed to consume much of the formerly spectacular California landscape. Shortly thereafter the rains came, and formerly barren areas could not absorb the water. Such a paradox… too little water, too much water, in just three months’ time. Climate change is real.
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digital, cropped, color adjusted 10 x 20"
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digital, cropped, color adjusted 14 x 12"
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.The model for this sculpture Izzy. Arriving in NYC from the west coast, this past year. She expressed her adventure trying many artistic disciplines. Basically figuring out her journey. This pose of contemplating we have all assumed. It also has a lot of “ Power”.sculpture in plaster, oil paint 30 x 20 x 14"
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plaster 19 x 16 x 5" Iris is an artist model. She began her career mid- life age 50. An artist asked her to pose for him She shared. Iris relished the idea and began her Art model journey. She brings a spiritual energy to the pose. Thank you, Iris.
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Collage on canvas, hand painted papers, textures, cloth, and bamboo 30 x 30 in Globus Family Award in memory of Ric Globus
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watercolor and vinyl emulsions on paper 22 x 28 x 1" This piece was in response to a long hike on the Pacific Northwest Hurricane Ridge, in Washington State. We passed under the cathedral-like canopy of giant cedars, up trough the mist, and to the the top of the ridge overlooking the Pacific.
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.18 x 18" The mark making is the primary focus. Playful and layered, the graphite marks dance across the surface – fluid energetic responses to the moment. The transient and illusory is metaphorically suggested by the use of translucent drafting film as the drawing surface. Selected color partners with the graphite repeating and emphasizing the gestures and choreography. The horizontal linear repetition is grounding to the bursts of movement. The 'horizons' suggest a continued process leading us to another level of perception and the persistence of time while centering us in the present moment.graphite, colored pencil on archival drafting film
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.Refugees - maps from geography books published in 1868 are cut and recombined. Combining the maps with antique wooden shoe forms and hand dyed silk ribbons, suggests a journey charted, imagined, or remembered. A unique perspective of mapping the world is depicted utilizing the antique materials in sharp contrast to our present day issues and conflicts, affecting untold populations around the world. The carefully charted topographies, geographies, boundaries and coordinates are ultimately transformed and inviting new explorations. Layering the paper intuitively, responding to the antique cartographic renderings, allows for new territories to form.silk ribbons, antique maps, antique wooden shoe forms 11 x 9 x 3"
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Gampi tissue-thread pages from a Parish Psalmody dated 1849 9 x 9 x 3 in
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Antique iron, scorched linen, & paper 6 x 3.75 x 10"
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thread, rice paper, maps: McNally's System of Geography, 1868 16 x 20 x 3" In Wanderlust I, maps from geography books published in 1868 are cut and recombined. The carefully charted topographies, geographies, boundaries and coordinates are physically sliced, sewn, woven and layered - ultimately transformed and inviting new explorations. Layering the paper intuitively, responding to the existing cartographic renderings, allows for new territories to form. A unique perspective of mapping the world is depicted utilizing the antique materials. In the geography books from the 1800's the observations of the world provides a record of our long held fascination and curiosity for lands beyond. That drive to search for understanding continues to capture our imaginations.
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Antique sad irons, scorched fiber and paper, pages by Hannah More, feminist abolitionist
7 x 20 x 20 in -
Vintage metal egg basket Handblown glass, nesting eggs, pearls, monofilament, Swarovski crystal 20 x 20 in
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drawing 15 x 14" This pen drawing is inspired by our world situation and offers an alternative. I make the Chinese characters for man and woman come alive to create my figures. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Inspired by a Chinese poem by Lao Tse.oil on canvas 48 x 72"
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Additional shipping/delivery charges will be handled between artist and buyer after the purchase.oil 22 x 28" My child self looking at some joys and treasured memories of my life.
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oil on canvas 54 x 54"
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