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Kari Ann Pagano (NY)
Black-bellied Plover

Black-bellied Plover

oil on cotton canvas panel

10 x 8

After a long career as a graphic designer in NYC, I wanted to return to pursuing the fine arts. I began by painting everyday objects. The object taking center stage. Portrait of a pear. One day, I just decided to paint a bird. Spending time away from the city and in nature opened my eyes to the beauty and delight of viewing, listening and learning more about these miracles of nature. Watching them makes me smile. I want the bird to be the focus of my painting, devoid of distracting busy backgrounds. My goal is not to create exact scientific renderings, but to capture something of the uniqueness and personality of individual birds. A portrait.
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Katherine Coakley (FL)
Belles of the Ball

Belles of the Ball

acrylic

Size of Piece: 36 x 36 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Katherine Coakley (FL)
Surmountable, 2019

enamel on copper 12 x 24"

I saw a painting at Art Basel in Miami Beach done with enamel paints on copper and was fascinated with the texture and glistening reflections. After some research and the purchase of new supplies Surmountable was created. I have been experimenting with this medium since and enjoying different results every time.

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Katherine Mar (NY)
Green Tea

Egg Tempera Painting Green Tea Framed Size: 10 x 13 x 1 I have studied at the Art Students League for several years, initially focusing on drawing. Other mediums I have explored include acrylic and colored pencil. Most recently, I have begun exploring egg tempera in still life. and currently study with Doug Safranek. I have participated (and sold pieces) in the Visual AIDS annual project Postcards from the Edge. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Katherine Mar (NY)
Winter Pears

Egg Tempera Painting Winter Pears Framed Size: 10 x 13 x 1 I have studied at the Art Students League for several years, initially focusing on drawing. Other mediums I have explored include acrylic and colored pencil. Most recently, I have begun exploring egg tempera in still life. and currently study with Doug Safranek. I have participated (and sold pieces) in the Visual AIDS annual project Postcards from the Edge. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Kathleen Fietz (CA)
Frog Splash

Frog Splash

airbrush on smooth paper

9.5 x 9

I love using airbrush to paint wildlife, including insects, birds, reptiles, anything with fur. I started out doing biological illustration many years ago but discovered the airbrush and its versatility. The frog was a fun challenge.
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Kathleen Zimmerman (CT)
Global Bear Hugs, 2020

serigraphs 20 x 40 x 1"

Global Series is meant as a gentle reminder that humanity is not separate from nature but a part of it. In Bear Hugs, polar bears are portrayed in a circular format to represent life on Earth and a loving embrace. The red dot represents the Sun, warmth and the need to stop and consider the effect humanity has on the natural world. This pair of serigraphs,, or commonly know as silkscreen, prints, are hand printed on Coventry Rag 290 gram paper using archival serigraphic inks in limited editions of 24 with 2 artist proofs and 3 printers proofs signed by the artist. All artwork was created and is copyrighted by Kathleen Zimmerman, who reserves all rights to their usage.

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Kathleen Zimmerman (CT)
Zoo Series – Farm

Zoo Series - Farm

hand-made small edition serigraph

Size of Piece: 14 x 14 After graduating from Art school I found I wanted to create work that had meaning to me not just what was the current trend in Art, or what someone else thought Art should be. So I began by creating a series of circle of life drawings that communicated the interconnectedness of life. Using one of these drawings, I created a serigraph, or more commonly known as silkscreen print. I adjust the drawing in photoshop to create a bitmap transparency. The transparency is placed under an emulsion coated screen that is developed so the image makes up the open parts on the screen. Ink is pushed through onto paper. Multiple screens or direct application is used for additional colors. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Kathleen Zimmerman (CT)
Zoo Series – Tundra

Zoo Series - Tundra

printmaking

12 x 12

Zoo Series communicates the interconnectedness of life in a series of circles of life drawings which I made into serigraphs. They go along with related animal tales/poems titled Magic Circle. Tundra is a serigraph which used one of those graphite drawings as its basis. When I created my drawing, I thought about how it would translate into a serigraph. I then scanned, refined, and adjusted the scanned image before making a bitmap of it to be printed on a transparency film. I developed the transparency onto a screen, which was coated with a light sensitive emulsion in a developer. After rinsing out the screen I applied ink through the screen onto the paper below. When I edited the print, I added additional colors by painting ink directly onto the print. What makes serigraphy, or more commonly known as silkscreen printmaking, the perfect printmaking mode for my art is, I can retain areas of pure white paper, capture the tonality of my drawings, and place areas of intense color that either overlaps part of the image, or lightly kisses the edge of image. Kathleen Zimmerman

Contact to Purchase: Sales are through Center for Contemporary Printmaking:
Phone Number: 203-899-7999

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Katya Leonovich (NY)
Water World

Water World watercolor
18 x 24
The movement, the turbulence, the danger of the ocean. Everyone and everything can disappear in it. It’s very abstract it’s deconstructed. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Kay Clarke (CT)
The Light Above, 2023

oil on linen 24 x 30 x 1.5"

My inspiration is the view out my window, but I want to capture the light and the response I have to the view, not the exact scene.

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Kay Knight Clarke (CT)
Raspberry Sky

Raspberry Sky

oil on linen

Size of Piece: 24 x 24 x 1.5 Seeing the sky this color out my window. Unusual sunset color. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Kim Barry (MA)
Red Pepper Autopsy

Red Pepper Autopsy oil on canvas Size of Piece: 16 x 16 x 1.5 My subject matter often references the human form, gesture, memory, emotion, and sensuality. “Red Pepper Autopsy” has been fueled by the culinary action of cutting into red peppers. I am viscerally excited by the disembowelment of peppers, their flesh, and seeds. I celebrate the red energy and plump life of this vegetable and always savor its taste. I ingest this experience and then synthesize it into my own expression. My use of paint is visceral. I have an appetite for color and enjoy the manipulation of paint that grabs the eye and stirs the unconscious. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Kris Laping (MA)
Another Brick in the Wall

Another Brick in the Wall
oil on canvas

Size of Piece: 20 x 16 x 1.5

In this interpretation of the Western Wall in Jerusalem, I sought to capture not the structure itself, but the emotional and spiritual resonance it inspired in me when I visited in 2023. I was moved by and have tried to express the collective weight of memory, faith, and longing pressed into stone. The textured layers of paint evoke the passage of time and the countless hands that have touched these ancient blocks, leaving behind silent prayers and fragments of hope. The interplay of color and form mirrors the diversity of humanity that gathers here — vibrant, fractured, yet unified by a shared yearning for peace and connection.

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L BaLoMbiNi (NM)
Purple Mts

Purple Mts

acrylic / cradled wood panel

8 x 8

Our mountain trails take us up and into the valleys above Albuquerque. From a distance what looks purple or blue/green is actually quite different when amongst the sage and cacti.

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L. Marie Lamarche (MA)
Tuk Sip

Tuk Sip

acrylic, handprinted paper, collage on canvas board

Size of Piece: 9 x 12 x .25

'Offering' was inspired by a trip to India where I participated in a service project. I had made a strong, non-verbal connection with this woman which seemed to grow stronger as the weeks passed. On the final day, she invited me into her home and offered a chai tea to share with her, along with one rupee she had kept hidden behind the counter. Her daughter commented thatches was her gift to me. the woman held my hand tightly as we left for the bus-- and followed my eyes through the bus' window as I sat to leave.. both of us in tears. I wanted to capture that moment when the connection felt as if we were just two women- our shared experiences reflected in each others eyes- no matter how far apart our worlds were. The other piece-'Tuk Sip' from a trip to Cambodia (Tuk=water)

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Laisa P Waya (MA)
Gaia

$990.00

Gaia silk 24 x 16 Interconnectedness of all women inspired this work of Irish Knots in Sari Silk. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Laura Gajewski (MI)
Run
Work on Paper Award

Run mixed media collage 4.5 x 6.5 in. This collage highlights color, motion, and line. The muted grayscale house suggests stability and memory, while loose washes of color introduce emotion and disruption. The rigid lines of the building are surrounded by ragged edges and fluid color, creating visual tension. The girl, frozen mid-run, brings urgency and motion to the scene. Her bright dress stands apart from the darker ground, guiding the viewer’s eye and raising a central question: Why is the girl running? Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Laura McRae-Hitchcock (TN)
Dreaming of Dad and Me

Acrylic on canvas 20 x 20 in. When I was a young girl, my dad taught me to swim. He'd let me hold onto him as he swam deep underwater....and I loved that feeling of gliding through the water, holding onto him. I never could last as long as he could underwater, and I'd have to let go and swim madly up for air. Those are some of my favorite memories with him...swimming. When he died, I dreamed we were swimming together again, only this time I was the one swimming deep underwater and he was the one swimming madly to the surface...and this time he went far further than the surface.; he went straight on into the sky. I woke up missing him, but happy we could swim together again...even if it is in my dreams. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Laurel Lake McGuire (IL)
Salt, Pepper, Sugar

Salt, Pepper, Sugar

watercolor on paper

7 x 8

I love incorporating old family heirlooms in my still life’s. In this case I was capturing the delicate light on porcelain and the fanciful designs on prosaic seasoning containers - everyday items infused with delight.
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Leah K. Tomaino (NJ)
Family Portrait

$25,000.00

Family Portrait

recycled brown bags & acrylic on canvas

Size of Piece: 36 x 24 x 1

I am inspired by nature and I am a gardener and often am inspired by the flowers that I tend to. I use recycled brown grocery bags and paint them with acrylics. When the bags are dry I rip them and glue them together on canvas in the image of my gardens.

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Leah K. Tomaino (NJ)
Poppies

$15,000.00

Poppies

recycled brown bags & acrylic on canvas

Size of Piece: 24 x 36 x 1

I am inspired by nature and I am a gardener and often am inspired by the flowers that I tend to. I use recycled brown grocery bags and paint them with acrylics. When the bags are dry I rip them and glue them together on canvas in the image of my gardens.

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Leila Hedayatifar (MA)
Beauty of Love

Oil on Canvas Beauty of Love Size: 16 x 20 x 1 In this paintings, I explore the delicate interplay between love and hope through the vibrant depiction of flowers. Each bloom symbolizes a unique facet of love - passion, tenderness, and resilience - while their vivid colors represent the hope that springs eternal, even in the face of life's challenges. The gentle movement of petals and the harmonious arrangement invite viewers to reflect on their own experiences of love and the light it brings to our lives. These works serve as a reminder that, just as flowers bloom anew each season, love and hope can flourish, inspiring us to embrace the beauty in every moment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Leila Hedayatifar (MA)
Promise of Dawn

Oil on Canvas Promise of Dawn Size: 16 x 20 x 1 In this paintings, I explore the delicate interplay between love and hope through the vibrant depiction of flowers. Each bloom symbolizes a unique facet of love - passion, tenderness, and resilience - while their vivid colors represent the hope that springs eternal, even in the face of life's challenges. The gentle movement of petals and the harmonious arrangement invite viewers to reflect on their own experiences of love and the light it brings to our lives. These works serve as a reminder that, just as flowers bloom anew each season, love and hope can flourish, inspiring us to embrace the beauty in every moment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Leslie Hamrick (OK)
Built to Last

Built to Last

monoprint, charcoal, graphite on archivaln ujabi paper

8.5 x 8.5

Built to Last honors the foundations we build for ourselves. Inspired by Ireland’s enduring stacked stone walls, the work reflects how layers of experience, relationships, and place form the base upon which we grow.
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Leslie L Erdman (VA)
The Magic Lantern
Honorable Mention

The Magic Lantern printmaking 10 x 8 in. This piece imagines a magic lantern show, a form of entertainment that was wildly popular before cinema. Magic lantern shows featured pictures on glass slides, often about travel and exotic lands, with live narration and music. Here the showman projects images about ancient Egypt to an audience, including one with a Theda Bara-like vamp as Cleopatra. The print combines multiple techniques: etching, aquatint, soft ground, dry point, and marbelizing in the lantern smoke. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Leslie Tejada (OR)
Forest Inscape #35

Forest Inscape #35

acrylic on wood panel

24 x 20

The Forest Inscapes came about accidentally when I was experimenting with dripping acrylic paint on wood panels. I had used dripping extensively in my large Erosion paintings, in which the drips formed veils of colors. Dripped onto a smaller format, the columns of paint looked like trees instead of forming a veil. Thus were born the Forest Inscapes, explorations in color which have evolved to reflect the seasons in the forest around my studio.
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Linda Gillen (NJ)
Serious Me

Oil on stretched linen canvas 16 x 16 x 1/2 in. Moving on in life I became steadily aware of the fact that my relationship with dreams and aspirations had become disconnected, survival became the guiding star. Stepping back and embracing larger constellations, realizing that all lives have an end date, it was time to make the most of what time I do have left, which is to nurture my original impulses and challenges while at the same time creating meaningful connections between how I feel and ways to express it. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Linda H. Post (MA)
Lake Effects 1
Honorable Mention

Lake Effects 1

printmaking

24 x 18

My monotypes are essentially printed paintings, each a one-of-a-kind piece. I use a very time-consuming method of working in layers on zinc plates with oil pastels, oil paints, lithographic crayons and hand-cut stencils, often using the ghost image left on a plate or a paint-laden stencil to launch a series. The plate is printed on Arches Cover or Rives BFK on an etching press. This is the first of two prints in this series - the second was created using the ghost image of the first. It is darker, mysterious, and has an added figure.
Contact to Purchase: Sales are through Center for Contemporary Printmaking:
Phone Number: 203-899-7999
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Linda Mulhauser (NY)
Icicle Eve

Icicle Eve

digitally manipulated photograph

10 x 8

I was drawn to the sight of these extraordinary icicles, backlit and glistening, in line with the vertical paneling of the building. The dark window frames added a dramatic element, while the billowy rooftop snow capped the scene.
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Linda Pearlman Karlsberg (MA)
Assessing II

Assessing II

oil on panel

Size of Piece: 24 x 20 In portraying individuals at different ages and life stages I also engage themes of temporal change, individual vulnerability and human mortality. This child’s gaze was arresting; at once exploring, engaging and assessing. This drawing is another in a series of portraits that marvel at the magic of the moment and honor the purest of encounters with the with the special little humans in my life. The difficult and satisfying challenge in my portraiture is to portray some unarmed truth and in so doing to suggest our complex humanity and shared experience. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Linda Pearlman Karlsberg (MA)
She Spoke Up XI, Carrie Chapman Catt

$3,800.00

She Spoke Up XI, Carrie Chapman Catt charcoal 22 x 30 framed size: 28 x 35.75 The ‘She Spoke Up’ series began as a reaction to the destructive and inflamed political and social climates. With the cascading revelations of the Me Too movement, centennial anniversary of the adoption of the 19th Amendment, surreal landscape of the Covid pandemic, unrelenting flood of lies and misinformation, and the incessant assault on democracy by our elected politicians, I chose to elevate the work and words of women who have spoken truth to power, pursued freedom and equity, amplified truths at great personal cost and transformed the broader world. Their contributions, stories and lives are often obscured, forgotten or deliberately contradicted. Collectively the series stands as a response to endemic misogyny, racism, sexism and obstruction. Birds, symbolizing keen vision, spirituality, and freedom, are potent symbols of humanity’s hopes and dreams. I integrated specific bird imagery into each work, finding their symbolism often uncannily mirrored the characteristics of each woman. Falcons symbolize endurance survival, victory; wisdom, methodical hard work, rising above challenging situations and success. The series reflects on struggles and inequities of the past, underscores fundamental challenges that still exist, highlights transformative achievements of intelligent, courageous women, commemorates the truth of their words and work, and suggests possible tomorrows. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Linda Pearlman Karlsberg (MA)
She Spoke Up XXIII, Ayanna Elizabeth Johnson
Second Place Award

She Spoke Up XXIII, Ayanna Elizabeth Johnson charcoal on arches paper 22.5 x 30 The ‘She Spoke Up’ series began as a reaction to the destructive and inflamed political and social climates. With the cascading revelations of the Me Too movement, centennial anniversary of the adoption of the 19th Amendment, surreal landscape of the Covid pandemic unfolding, and the incessant assault on democracy by our elected politicians, I chose to elevate the work and words of women who have spoken truth to power, pursued freedom and equity, and transformed the broader world. Collectively the series stands as a response to so much misogyny, ill intent, sexism and obstruction. Parrot fish, symbolizing adaptability, possibility and freedom, are potent symbols of creative potential, and the world’s intricacies and healing mechanisms. I integrated specific bird and natural imagery into each work in the series, finding their symbolism often uncannily mirrored the characteristics of each woman. The series reflects on the struggles and inequities of the past, underscores the fundamental challenges that still exist, highlights the transformative achievements of intelligent, courageous women, and suggests possible tomorrows. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Linda Pearlman Karlsberg (MA)
Vulnerable and Fierce, 2022

charcoal on Arches paper 25 x 19.5"

In depicting individuals at different ages and life stages, I engage themes of temporal change, individual vulnerability and human mortality. As I preserve a time and moment in the subject’s evolution, I acknowledge the inevitable unstoppable sea of change we ride in life. This child gaze was riveting, both vulnerable and fierce; the drawing is another in a portrait series that honors the purest of encounters with the special little humans in my life. The difficult and satisfying challenge in my portraiture is to portray some unarmed truth and in so doing to suggest our complex humanity and shared experience.

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Linda Popp (MD)
A Place By The Fire For Everyone

$525.00

A Place By The Fire For Everyone sculpture 20 x 18 x 3 Narrative found object assemblage wall-relief sculpture inspired by a lyric from the song "I Want A House With A Crowded Table" by the Highwomen. Created in response to the divisiveness and racism evident in our country today. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Linda Popp (MD)
Embrace Yourself As You Are

Embrace Yourself As You Are found objects 9 x 5 x 5 I am a narrative found object assemblage sculptor. This work is from my Relationship With Female Beauty/Image Series. Women are bombarded with images of how we should look, what we should wear, the products we should use. Our face, our hair, our bodies are judged by some unrealistic standard. No wonder so many young girls struggle with body image. At the other end of the spectrum, we older women often feel we are invisible. I do feel that some women are now standing up to this barrage and reminding us that we are each beautiful in our own way. I am trying to do my part in this effort. I started collecting vintage compacts and beauty products and was motivated to create a series of work reminding us that we are so much more than our reflection in the mirror. All women and girls, all sizes, shapes, colors, and ages should feel beautiful about themselves. Whether you are a cowgirl or a ballerina "Embrace Yourself As You Are." Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Linda Popp (MD)
M’m! M’m! Good

M'm! M'm! Good!

sculpture: found objects, vintage kitchen/cooking objects

12 x 8.5 x 3.5

This work is from my Cooking Is Love Series. I am reflecting on ways we using cooking to show our love for family and friends.
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Linda Popp (MD)
You Are Not Alone

You Are Not Alone found objects Size of Piece: 17 x 7 x 2 "You Are Not Alone" is a narrative found object assemblage wall-relief sculpture. It was inspired by a news report about the increase in teen suicide. When interviewing family members and friends, they repeatedly said they did not have a clue that the person was struggling. It breaks my heart. I feel that as a society we need to do much better in terms of connecting with each other. Get together, or call, or write and check in on each other. If you are struggling, you do not have to do it alone. Build a support system, seek help, talk with your friends and family. No one should be left to feel alone. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Linda Shaffer (NV)
Two Cities

Two Cities

wood cradle, graphite, acrylic, mono prints, oil pastel

12 x 24
This piece is inspired by the desert accepting all who come. The need to wander in all, have adventures, enjoy the unexpected, but always return home to the love of the desert. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Linda Williams McCune (SC)
In Memoriam

$5,500.00

In Memoriam charcoal, ink, watercolor on paper 25 x 25 framed size: 36 x 36 In Memoriam by Linda McCune is a somber even ghostly image of lilies of remembrance for an unnamed, contributing multitude of women who are not famous in the sense that we know their names or faces, laude their achievements, and record much of their lives. In the 250 years that we are celebrating this year, an estimated 235 million women have been born in this country, based on this number of years 250 have been selected by USA Today and categorized by founders, suffragist and reformers, trailblazers and leaders, and of modern era importance. Indeed, these should be highly regarded an acknowledged. However, my mind wandered to the scant history of my mother, grandmothers, great grandmothers multiplied by thousands of women, each with an importance unrecognized in this celebrated public way. As the movement in my drawing suggests, they amazingly pushed women’s collective history forward daily as an unseen force amidst much gender bias and I wanted to acknowledge their lives as if I had taken this bouquet to each funeral. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Linda Williams McCune (SC)
Study for Stress Series 16-1

Study for Stress Series 16-1
charcoal, graphite, conte, & ink on hot pressed paper

18 x 18
Study for Stress Series 16-1 and 16-2 are an aesthetic presentation of a world-wide menace. These drawings magnify in a dark and light aura small patches of timeworn accumulations of detritus. It is evident that flotsam and jetsam, marine debris places stress on the ecosystems of coastlines and internal waterways. One portent is The Great Pacific Garbage Patch. When separated from this detriment, the cacophony of design variations in line, color, shapes, forms, and textures in shallow spaces become visually mesmerizing. Since these masses also bear witness to beneficial and adverse choices, they become a chaotically archived vestige left for future forethought. Linda Williams McCune lindawilliamsmccune.com Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lisa Absher (FL)
Empty Nest

Monotype 36 x 24.74 x .75 in. The forest, for me, is more than just a place. It's a sanctuary, a source of inspiration, and a canvas for my art. It's where I slow down and appreciate the gifts of nature, experience serenity, and seek healing. This deep connection to nature is the driving force behind my work. It reflects life's journeys as an artist, a mother, and my role as a human in the natural world. My art vibrates with this, communicating with mark=making rooted in impressionism and abstractionism, forming a symbiotic relationship with the past and present with the joy of raising children and sadness of leaving the nest. The works are a dance of light and hope that I found in change and share with the viewer. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lisa Goren (MA)
Whale Bones, #53

Whale Bones, #53

watercolor

Size of Piece: 26 x 26 I have been working on a series of whale bones ever since I visited an abandoned whaling station in Antarctica in 1998. Recently, I had the opportunity to spend a week as an artist resident and work with the Nantucket Whaling Museum. This was one of the new pieces I completed during this time. Whale bones are large and overwhelming and show the majesty of the animal that once lived in them. I hope to honor those whales that are gone with this series. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lisa Penny (CT)
Finding Our Way

Finding Our Way mixed media, acrylic on canvas with fabric, cork, paper Size of Piece: 16 x 20 x 1.5 My mixed media practice is rooted in the concept of rebuilding—as both a tangible process and a metaphor for transformation. Rebuilding acknowledges what has been lost while opening paths toward renewal, resilience, and new possibilities. This balance between memory, history, and reinvention is central to my work. This mixed media collage reflects on how we create our paths through life. How we face obstacles, opportunities, choices, and large social systems that develop our fully layered and textured selves. A subtle Fibonacci sequence to 21 hints at our formative experiences quietly directing our fate. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lola Sandino Stanton (NY)
Chinese Magnolia

Chinese Magnolia Oil on Canvas Size of Piece: 30 x 30 x 1.5 While working on my first portrait series of Latino Youth with a Black Bird, I learned a lot about ravens and crows. Even though my two favorite subjects are faces and flowers, their iridescent plumage inspired me to paint several more of them. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lola Sandino Stanton (NY)
Magnolias I

$1,200.00

Magnolias I oil on canvas 16 x 16 Portraits are my favorite subject. While I am painting a face, I am one with the person, and there is an exhilaration that comes from achieving this intimacy. To me, comparing it to painting faces is painting flowers. One of my favorites and one that blooms very early is the Magnolia. I am attracted to it because of its colors, so delicate and nuanced, from white to cream to amazing tints of pink with darker details here and there. I enjoy examining how the light falls on each part of the flower to give it its unique shape and personality. Painting these flowers fills me with joy. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lola Sandino Stanton (NY)
Raven

Raven Oil on Canvas Size of Piece: 20 x 16 x 1 While working on my first portrait series of Latino Youth with a Black Bird, I learned a lot about ravens and crows. Even though my two favorite subjects are faces and flowers, their iridescent plumage inspired me to paint several more of them. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lolly Owens (PA)
Andy’s Flowers

Andy's Flowers

acrylic & collage

Size of Piece: 16 x 24 x .75

Andy Warhol was a leading figure in the Pop Art movement. While identified with NYC, he was born and raised in western PA where he graduated from Carnegie Tech. He left town for NYC and rarely returned. When he graduated, Pittsburgh was full of industrial fog, dust and pollution from steel mills. The American Lung Association released a 2025 air quality report indicating the air quality in the region has not improved since Andy's days. The steel mills still produce pollution and we have added fracking and carbon capture to the mix. Inspired by Andy's flowers I painted similar ones & added an abstract cow as farms are threatened by current contaminations. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Loretta Ana Kaufman (TN)
LA Discs

LA Discs acrylic on canvas
37 x 14
When painting with acrylics my interest is in exploring the boundaries between abstraction & representation. I reduce the subjects to bold, simplified forms & create excitement & tension on the canvases. What does our sky look like to us throughout the day? Daytime to night time. What affects are the accelerated rate of heating of the planet, depletion of the ozone layer, bleaching of coral reef & extreme weather shifts having on our skies, our sun, our planet? The impact of these significant global events inspired the acrylic triptych LA Discs (Environments). Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lorraine Passero (FL)
Lavender Blue

Lavender Blue

oil on canvas

10 x 8

The pastel lavenders and blues, create a subdued, soft sense of emotion and solitude. I intended to show an emotional sensitivity of contemplation and fragility.
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