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Lip Service in Blue oil paints, charcoal, paper, encaustics on wood 14 x 14 From the Delft Series: Born into a nomadic childhood, I moved every three years, each relocation driven by my mother’s appetite for new floor plans and color schemes. Though we never left Long Island, only shifting from one expressway exit to the next, each move reconfigured my sense of place. As a child, I accompanied my mother through model homes, where serious decorating conversations shaped how I learned to see. What once felt destabilizing became a way of organizing experience. My memories are color coded and archived by house number, interiors mapped alongside what unfolded outside their walls. Place, for me, is architectural and psychological. These paintings are anchored in the years we lived at 29 Weeks Street (Long Island Expressway, Exit 61), from 1959 to 1962, following our move from Queens to the suburbs. Inside, the house was governed by a strict blue and white palette: every room, every drape, every plate organized into solids and pattern, punctuated by green plants; reenforcing order, control and maternal authority. Outside the house, postwar prosperity and Cold War unease shaped daily life. The work forms a portrait of domestic aspiration, control, and place shaped through design. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Conducting Strings in Color watercolor pencils and Neocolor 2 drawing on Rives BFK paper adhered to and varnished on cradled wood panel 24 x 34 Conducting Strings in Color captures the immediacy and energy of live performance through gesture and color. Working in mixed media, I suggest the motion of music through the movement of the conductor and musicians, allowing line, shape, and color to carry rhythm across the surface. The drawing seeks to translate sound into visual form—where marks pulse, overlap, and respond—evoking the shared intensity and fleeting nature of a musical moment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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I am you as you are me as we are all together. intaglio 22 x 30 This is my most ambtious work as it includes 5 different plates working together to form an image. The introduction of color was also new. The hands and the faces are all the came colo. However, center block is hand rolled, Therefore, each print is slightly different. Perhaps it is best described as an intaglio monoprint.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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They Went in Anyway mixed media 22 x 30 framed size: 24 x 32 THEY WENT IN ANYWAY This drawing honors the eleven young women of the group known as The Norfolk 17. These were Black students who, in February 1959, integrated six previously all-white public schools in Norfolk, Virginia, after months of school closures enforced under the state’s policy of “Massive Resistance.” In defiance of the Brown v. Board of Education ruling, Virginia chose to deny education rather than desegregate. The students depicted are: Top row: Johnnie Rouse, Patricia Turner, Carol Wellington, Olivia Driver, Lolita Portis Middle row: Delores Johnson, LaVera Forbes, Geraldine Talley Bottom row: Betty Jean Reed, Claudia Wellington, Patricia Godbolt Out of 151 Black applicants subjected to deliberately discriminatory testing and interviews, only seventeen were admitted. The majority were girls. Supported by churches and the NAACP, these young women entered schools where they faced daily threats, spitting, physical assaults, and profound isolation. Yet they persisted, understanding that their presence carried consequences far beyond their own lives. Rather than depicting spectacle or confrontation, this work focuses on their composure, dignity, and collective strength. Their courage forced the reopening of Norfolk’s public schools and contributed to the nation’s ongoing struggle toward educational equity. These young women were not only students—they were agents of change, embodying the civic power at the heart of She the People. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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They Went in Anyway 22 x 30 mixed media This drawing honors the eleven young women of the group known as The Norfolk 17. These were Black students who, in February 1959, integrated six previously all-white public schools in Norfolk, Virginia, after months of school closures enforced under the state’s policy of “Massive Resistance.” In defiance of the Brown v. Board of Education ruling, Virginia chose to deny education rather than desegregate. The students depicted are: Top row: Johnnie Rouse, Patricia Turner, Carol Wellington, Olivia Driver, Lolita Portis Middle row: Delores Johnson, LaVera Forbes, Geraldine Talley Bottom row: Betty Jean Reed, Claudia nh Wellington, Patricia Godbolt Out of 151 Black applicants subjected to deliberately discriminatory testing and interviews, only seventeen were admitted. The majority were girls. Supported by churches and the NAACP, these young women entered schools where they faced daily threats, spitting, physical assaults, and profound isolation. Yet they persisted, understanding that their presence carried consequences far beyond their own lives. Rather than depicting spectacle or confrontation, this work focuses on their composure, dignity, and collective strength. Their courage forced the reopening of Norfolk’s public schools and contributed to the nation’s ongoing struggle toward educational equity. These young women were not only students—they were agents of change, embodying the civic power of “Her Story” Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Mixed media, drawing on paper 24 x 18 x 1 in. Lena is my oldest grandchild and only granddaughter. Although she lives on the West coast, we have always shared a special bond. This summer, while she, her father and brother were visiting us in Virginia, she got her first period. Later, as we sat together, I began to sketch. At one point, she created a peep hole to look through as we talked. That gesture portrayed for me the ambivalence of the moment. It felt as though she was looking out at the future, as she contemplated the consequences of her body changing to her adult self. Her pose captured he tension between childhood and adulthood, highlighting the uncertainty and conflicting emotions that come with this transition Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Racing the Big SandyAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.
Rives Bfk,watercolor pencil, neocolor2, varnish, Cradled wood panel
Size of Piece: 30 x 30 x 1.5A few years back while visiting my brother and sister-in -law in New York, we took the train out to Belmont Park to watch the horse race. Although I often draw wild horses, I had never before experienced the energy of a live thoroughbred race. The horses, with their graceful yet powerful bodies, rumbled past the stands in a blur of color as their jockeys urged them on. I took many photographs that day ,and I continue to create drawings inspired by that experience. This piece, “Racing the Big Sandy, refers to the local nickname for Belmont Racetrack, and captures the trillI felt watching the racers thunder past.
I created this drawing using watercolor pencils and Neocolor 2 on Rives Bfk paper adhered to and varnished on a cradled wood panel.
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Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.The ocean delivers gifts of beauty in special ways. This piece is intended to invoke thoughts of unexpected tenderness via the tumbling, rustling, and tossing of the currents. After being carefully sheltered by a jagged, stone-like exterior, the gentle, shiny abalone interior holds a surprising hue. The tender pearl contained within a myriad of colorful hues displays proof that beauty can be carefully created and then surrendered from within the center of the toughest elements. Abalone Heart reminds us that we are strong and resilient. We will render the product of our worth despite the storms we experience.acrylic, watercolor, metallic watercolor, soap, & ink 30 x 30 x 2.25"
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Fists of Freedom acrylic, acrylic marker, & pen on canvas 10 x 10 The battle for equality is as old as time. We continue to experience the systematic dismantling of our hard-fought-for freedoms, even in this land we call ‘The Home of the Free’. Throughout time and history, women have led, educated, fought, conquered, ruled, and birthed nations. Be inspired to dig your heels in. This is a sliver of time, while not meaningless, a blight. It is a teaching moment. Like ephemeral work for us to paint over with the names of inspiring female leaders who will take us into our future. We learn from the past. We will remove the masks, learn the names, and change the laws. Freedoms will be granted. Leaders, crafted with care, will rise. A time for women to lead is here. This is not a question, but a demand. The world is long overdue for a nurturing hand of leadership and a woman’s touch. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Lilacs in Bloom mixed media 10 x 8 There are a few locations around Paris known for lilacs. Jardin des Plantes located in the 5th Arrondissement usually boasts an incredible display of large bushes filled with lilacs. They coat the walkways, providing a magnificent display of purple tones that can be seen as you walk by. Near Notre-Dame, in the 4h Arrondissement, Square Jean XXIII also has a small but impressive arrangement. This location provides a striking view that softens the stone of the gigantic cathedral, making it a stunning juxtaposition, and an almost fabled story-like view. On a rainy day in Pittsburgh, I can escape to my paints for a reminder of Spring in Paris. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Not So Delicate Flowers mixed media 20 x 20 This image is silent, though filled with voices. A thick crowd had amassed on that cold, windy day in 2018. We didn’t feel unsafe. We listened to speakers who delivered warnings of what would come if we gave up the fight. Someone asked to take our photo, and a few hours later, we learned that we had become the faces of National Geographic for the Women’s March. We exercised the empowerment of our triad, utilized our rights to speak up against hate, and with the help of a friendly stranger, our message made its way to southern Haiti within hours. Our signs were shaped with intention, and filled with love to remind those who saw them that above all, we can live our lives without identifiers - except family. We represent what love look like, no matter where we were born, no matter what our language is. We don’t look like one another, and we find that to be beautiful. We laugh together. We argue together. We work together, lending more hands to lighten the load. This piece is a reminder to dare to hope. To look fear in the eye and conquer hatred. We have seen what fear and hatred can do - tear people and things apart. Love and hope can do so much more. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Iridescent colors evoke the dazzling spectrum of humanity, with varied hues that meet and merge, illustrating the beautiful complexity of a diverse community. Inspired by the unity and strength that emerges when individuals from disparate backgrounds come together, this artwork celebrates the vibrant tapestry of human connections and the collective power that can be woven from our differences.acrylic on canvas 72 x 40 x 1.5"
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Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.An old jewelry box was up-cycled - the four surfaces cleaned and 4 refracted watercolors added to correspond with each of the four lines of a poem written for the box. Sky knows the snow will cloak the resting branches Sky knows the tilting of the earth will warm the trees and bring them to life Sky knows the heat of the summer will bring the fruit ready for harvest Sky knows the falling of leaves returns the strength of the tree to the earth for the next year. Most of the other surfaces are just left as they were, to remind the user of the box's previous life. Acrylic glazing makes the box a useable item.4 refracted watercolors on up-cycled box with poem 6 x 16 x 11"
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False Guarded charcoal on birch Panel 30 x 20 False Guarded is part of a broader series examining generational trauma and the ways inherited pain can shape the emotional lives of women. The work focuses on a survival response born from repeated hurt: the decision to abandon vulnerability in favor of protection. What begins as a necessary coping mechanism gradually becomes a defining structure, allowing fear to dictate the terms of one’s life. The figure is held in a defensive posture, one arm raised and rigid, slowly transforming into a tree-like form. This stance reflects emotional petrification—the point at which self-guarding hardens into permanence. Shelf fungi grow along the raised arm, referencing their tendency to thrive on trees that appear healthy but are hollowing on the inside. The imagery becomes a metaphor for carrying pain quietly, maintaining strength and functionality while emotional pain remains unseen. The opposite arm lowers, exposing an open wrist to a snake winding upward along the body. The snake symbolizes fear, persistent, intimate, and increasingly influential when left unchallenged. Rather than confronting or releasing it, the figure allows it space, illustrating how fear can become familiar and inviting. Rendered in charcoal on wood, the work emphasizes time, resistance, and accumulation. The medium resists erasure, mirroring the emotional labor of women who survive by becoming immovable, rooted in endurance, shaped by inherited trauma, and suspended between protection and the possibility of transformation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Inheritance of Wings watercolor 17 x 21 In "Inheritance of Wings", I use menstrual blood as both material and meaning, something deeply personal, yet intentionally shared. By bringing it into the work, I confront the discomfort and stigma surrounding the female body, reframing it as something natural, powerful, and worthy of respect. A central figure shields herself as sparrows move around her, representing the presence of community and family. The piece reflects the experience of choosing growth, leaving harm, setting boundaries, or stepping into a different life and the resistance that can come from those closest to us. The act of shielding is not fear, but awareness. It is the quiet moment of protecting oneself while still moving forward. This work is about breaking cycles, holding onto your sense of self, and finding strength in becoming something different than what was expected. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Inyo II oil on canvas 48 x 80 x 2 Inyo refers to the place of the great spirit, the believer's heart, seen as the creator and sustainer of all things. As artists, we are the creators and sustainers of our creations, embodying yin and yang—two colors that coexist yet remain separate, representing positive and negative energies. This show explores the dark and light patterns in any artist's career, namely, change and difference. Enjoy a glimpse into mine. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Sāji ga hassei suru (a surge occurs) II oil 24 x 36 Sāji ga hassei suru (a surge occurs) II refers to the place of change, the great spirit, the believer's heart, seen as the creator and sustainer of all things. As artists, we are the creators and sustainers of our creations, representing yin and yang—a surge of positive and negative energies fused by one's attitude and stance. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Toward the Light oil on canvas 24 x 36 Capturing the golden light ahead of me. That is what I strove for in this painting. I was in a bit of a dark space at the end of the winter, but I could feel the light changing as the earth turned toward summer in the northern hemisphere. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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What Lies Beneath oil painting 21 x 21 Born through an interest in the places beneath what is seen; that remain invisible to the human eye. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Everyone Called It The Crossing watercolor 6 x 4 Many transparent washes are applied to create the finished painting in order to intensify and vary the color palette, arriving at an image that often isn't recognized as watercolor. One painting takes anywhere from weeks to months to create, as I like to step away and return to a work with a fresh eye. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Oceanview watercolor 10 x 8 I've always been interested in and inspired by water, how it moves and flows, and have tried to express how it makes me feel in paint. For this painting I was thinking about the night sky over water and the vastness of both. Many transparent washes were applied in order to intensify and vary the color palette. I generally take anywhere from a few weeks to months to complete a painting, as I like to step away and return to a work with a fresh eye for correcting and improving my vision. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Magic Forest oil on canvas 32 x 32 My grandparents had a small stand of trees at the end of their property. As children, it seemed to be a magical place full of imagination, dreams and beautiful soft light. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Sunlit Leaves and Railing 24 x 24 x 1.5 oil on canvas These paintings were inspired by quiet moments of contrast in New York City, where life persists within heavily constructed environments. In Sunlit Leaves & Railing, light filtering through begonia leaves softens the boundary between ironwork and nature. In Surreal Perch, a black pigeon pauses on a rusted prism sidewalk in Tribeca, where worn industrial surfaces catch shifting color and light. My process begins with observing overlooked details and the way light changes them. I’m interested in the tension between organic and industrial forms—plants against ironwork, birds moving through hard urban surfaces, and shadows breaking up structure. I build the paintings through layers of paint and texture to capture the atmosphere of a place while allowing ordinary subjects to feel transformed. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Town Asleep oil on canvas 20 x 24 This work originates from the artist’s lived experience in the New England region of the United States, shaped by a sustained perception of small-town environments. Rather than depicting a specific landscape, the painting transforms low-rise, densely arranged architectural structures, repetitive neighborhood order, and a slow, restrained rhythm of life into abstract visual forms. The upper structure presents a stable, almost motionless state, while the lower section retains traces of flow and accumulation, subtly implying the ongoing effects of time, humidity, and memory. The work seeks to capture a state that exists between stillness and latent movement—a small town not yet fully awake. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Women Series一 Body Memory • Emergence oil on board 24 x 20 28 x 24 Body Memory is a group within the Women series, initiated in 2015, marking the beginning and ongoing development of my exploration of women’s experience and states of being. Rather than depicting specific female figures, the works consider women as a continuously unfolding state of being. The body becomes a vessel of time, where experience, emotion, and social roles accumulate, endure, and are preserved. From 2015 to the present, time itself has become part of the work. Body memory is not only a record of lived experience, but also a formation of women’s voices—persisting across past, present, and future, and continuously participating in and shaping “the people” themselves. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Who's Zoomin' Who acrylic, conte, and paper on canvas 56 x 36 Who’s Zoomin’ Who, is an expression of self-awareness. Mirror images cut from designer wallpaper dance uninhibitedly on a background of roughly textured acrylic mediums. An allegory of self-reflection, the figures dissolve into each other creating a borderless blend of energy. The sea creature patterned wallpaper is used to express the ever-changing rhythm of life and random nature of one’s introspection. Subtle shading informs the mass and volume of the figures. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Pitcher Plants / Hen and Biddies collage: paper, pen and oil 12.5 x 12.5 Like most Artist I paint my surroundings. I am a lifelong nature lover, My work focus on the pets , livestock, and the rural landscapes that shape my daily life. My earliest inspiration came from childhood walks with my grandmother in the woods, discovering hidden wonders like the wild pitcher plants she called "hen and biddies" These memories continue to guide my work as I create pieces that honor the quiet beauty of rural life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Still Life printmaking 5.25 x 5.75 Never having attempted the mentally challenging process of a reduction print, I wanted to try one. It requires planning ahead to layer the ink colors as one continues to cut the block, while making a limited edition after which one cannot go back and make any additional changes or repeat the process. Granny Smiths are my favorite apples, and happened to work with this roughly cut and printed, simple still life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Crosswalk 3 printmaking 8 x 10 Framed Size: 15 x 17 On June 14, 2025, protests against a wannabe king took place all over the country. Leaving the protest, as we crossed the street, I took a photo of the characters in this image. It seemed quite emblematic of the time we are in now, when liberty is at stake. A woman dressed as the Statue of Liberty and was crossing simultaneously with a woman holding a "No Kings" placard and a woman in an abaya covering, with a small boy. There were others, so I included a gentleman to round it out. The photo, for me, was not enough, nor was the watercolor painting I made from it. I had to challenge myself, and this print is one of the two best from a very difficult registration process. I felt it worth pursuing as a moment in history and culture. The crosswalk is a good symbol- representing what we are crossing from and where we are going. The characters are many, and all worthy of liberty. The crosswalk may also represent following the rules for our own safety. Freedom does have its boundaries. This is a tribute to the US Constitution and its basic premises, that we can all walk here as long as we are following the rules. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Crosswalk5 hand-colored linocut print, soft pastel 15 x 17 In the span of a lifetime, one can only imagine, with the help of learned history, the span of 250 years. The submission here is a moment in one woman’s lifetime, a fraction of that history. The image is in the intimate moment of the street protest. The woman’s perspective is a response to what is seen or heard on the street. Printmaking is also an intimate medium- a transference from a block or plate to paper and a transference of feelings into images, whether etched, carved in linoleum, or glued in collagraph. The joy of printmaking of original hand-pulled prints is that of the partially controlled and partly surprising result once run through the press. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Familiar Rose intaglio 8 x 5.5 Framed Size: 17 x 14 This is a portrait of Rose Greenfield Cliffer, 1901-1979. The solarplate etching was made from a picture of her in her 20's in the 1920's. Rose was born in Romania, and came to the US as a child, as (Jewish?) girls could not be educated at that time in Romania.. She was elegant (hat and white gloves), strong and hard-working. She was a seamstress, a Marshall Fields store model, and the mother of my father and his twin brother (died at age 6) and my aunt Carole Cliffer Kramer. Her "bob" speaks of the fashion of the time, and my heart speaks to the thoughtful gaze that was captured by this young woman, my grandmother. She had a "green thumb," kept a jade plant in her window that overlooked Lake Michigan, smoked Kent cigarettes, and taught us many card games. I felt the print needed my touch, so added the line and pastel work to enhance the image. I continue to honor her memory. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Fence2, When Girls Couldn't Play 24 x 18 In the span of a lifetime, one can only imagine, with the help of learned history, the span of 250 years. The submission here is a moment in one woman’s lifetime, a fraction of that history. The image is an intimate moment on the ballfield, focused on an attending sister, or daughter. The woman’s/girl's perspective is perhaps less noticed: sensitive and also seen or heard differently from the boy with the bat. Printmaking is also an intimate medium- a transference from a block or plate to paper and a transference of feelings into images, whether etched, carved in linoleum, or glued in collagraph. The joy of printmaking of original hand-pulled prints is that of the partially controlled and partly surprising result once run through the press. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Standing Firm, After Tuck Langland (sculpture) watercolor on paper 30 x 22 Visiting Brookgreen Gardens in Murrell's Inlet, in South Carolina is always special. I found the sculptures of "Tuck" Langland and this one spoke to me, as I have done yoga all my adult life, and this figure is in the well-known tree pose. The harmony of the sculpture with the live oak and Spanish moss backdrop spoke to me, and I portrayed it in watercolor on paper. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Borrowing the lake house of a friend, and taking time away from the usual, a group of my friends gathered on Keuka Lake in the Finger Lakes region of New York State, for fun and adventure. This image of the house reflected in the lake, is the view from a kayak. The friends (not shown but having stayed together in the house) are those from high school, and the reflections may represent how time breaks up the memories, as well as how moving water, like time, breaks up the reflections. The more friends, the more broken memories may be stitched back together, especially when some go back to elementary school!acrylic on canvas 14 x 11"
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Cascade 3 printmaking: monotype on Hahnemuhle copperplate paper 21 x 17 This monotype is part of a series of explorations of falling water, inspired by a visit to Mammoth Lakes, California, following a drought. A rainfall had just provided a bit of relief, allowing for water to cascade down rocks and inclines. It reminds of the preciousness of water. The process allowed the movement of ink on plate to mimic the movement of water, with gravity pulling it over rocks and growth. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Ensembleprintmaking8 x 30My husband is a drummer who plays in musical ensembles. I often listen to the music, and sometimes I enjoy drawing the visual images of the players. I so respect their art and artistry, their intensity, at times calling them magicians rather than musicians. Maybe it is just a second language to them, but to me it feels magical, making a group sound with years of study and theory behind what is now transcendent. I did studies of each of the men in charcoal, and then created this triptych showing all of them, separately but together, as jazz sometimes tends to be. The likenesses are of Bill O'Connell (piano), Michael Goetz (bass), Caroll Scott (vocal), Vincent Herring (sax), Richard Baratta (drums), Paul Bollenback (guitar), and Paul Rossman (percussion).Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Link to Purchase: https://contemprints.org/about/contact-us/
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Waterbirdprintmaking14 x 11On a visit to Fort Myers, Florida, I was walking along the water at the Ford and Edison estates, and saw an egret wading by, searching some dinner perhaps. I took a photo, and wanting to show my students how to layer linoleum blocks, (used Gomuban), I took on this project.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Purple Rain acrylic/mixed media on canva 12 x 12 I’m inspired by the environment around me as well as my own internal landscape. My process involves creating multiple layers of paint and collage, extensive mark-making, and distressing the surface with a variety of tools. My paintings invite the viewer to share and experience my creative journey — a quest to make peace with the chaos and complexity of being human — and feel a sense of resolution, even if the resolution is momentary. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Mother Earth 2-2, 2026 acrylic and paper on canvas 24 x 24 My energy is focused on exploring the impact of climate change on our earth and sea. As an avid scuba diver, my fascination with coral reefs has flourished. Mixed media has become the language I use to capture both the beauty and debris of our underwater seas, glaciers and earth. Using a mix of paper, plastic, oil, acrylic, pastel, and ink, I capture the impacts of a drying world, from rising seas to bleaching coral reefs. My goal is to have my work move beyond awareness and beauty to connection and empowerment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Roses in the Studio egg-tempera 12 x 12 Roses in the Studio is a visual tribute to prosperity and creative freshness. This small, but fragrant bouquet juxtaposed against the backdrop of my non-objective painting "Summer Vibes” symbolizes the unity of realistic and abstract expression. The ancient and laborious choice of media, the egg-tempera, is my new fascination both in technical challenges and stylistic nuances. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Quiet Peace acrylic on canvas 18 x 22 The Everglades landscape has important jobs to do fulfilling essential functions in the natural world. It is already home to birds and animals that have adapted to its quirks many of them who biting and sting, signaling that humans are not particularly welcome. When you are patient, take a deep breath and sit quietly, you may find that nature's wonders unfold in unexpected and magical ways. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Waterbirdprintmaking17 x 28This is the second in the series of "Watcher" images based on the symbol of the Mesopotamian Eye Goddess. I experimented with different types of paper, chalk as and ink. I consider this Eye Goddess image a representation of Mother Earth,-a mythical variation, who watches as humans desecrate the environment.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Wolf Moon Over the Boundary Waters ceramics: wood fired and soda fired stoneware 20 x 20 A response to Congress allowing a foreign country to commence copper nickel mining in the pristine, protected Boundary Waters Canoe Area Wilderness, this sculpture depicts a desolate moon hovering above forsaken wilderness. It is a protest piece. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Happy Hour oil on canvas 18 x 22 I am a retired sailor. This image is near and dear to my heart - end of a hard beat upwind, safe in the slip, glass of wine in hand. Sunburned, tired, contented, in company of other sailors who feel the same. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Flash 16 x 20 oil on canvas I like my art to vibrate, so use colors opposite each other on the color wheel or else light vs. dark. My images, though abstract, are inspired by Nature. Flash might be Lightning over water. Fire and Ice, are in direct contrast to each other as elements, and I have used hot red and cold blues to reflect this. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Hands Across Nations oil 16 x 20 Framed Size: 18 x 22 Bringing peace in the world needs a great effort by everyone. I like to think that women know best how to reach out in friendship. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Melancholiaprintmaking12 x 9I am both a professional musician and artist. I experience life as having order as well as disorder through sound and sight. I create art along with music. The execution of the painting/print therefore becomes a personal performance, as were my song recitals when I was singing professionally, the one difference being: I am not interpreting someone else's poetry - I am creating my own in color and shape.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Wash Day oil 16 x 20 My grandmother was a very important person in my life, encouraging me in my careers of music and art. She loved the sunshine and fresh air, and worked hard as a nurturer for the whole family. I try to follow her lead. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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One If By Land acrylic on canvas 12 x 15 I'm an intuitive, abstract painter, guided by movement and color relationships in my work. As I work, brushstrokes or applications of paint evolve into layered, overlapping shapes that merge and dissolve into floating, amorphous forms. Each painting is an open field for experimentation. I am delighted as surprises emerge and discoveries unfold, bringing constant new beginnings during my process and in my practice. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Unconditional photography 16 x 21 They have nothing, yet they share everything. Increasingly, couples and families are unable to meet the increasing cost of housing. Inflation, stagnating wages and catastrophic illness are just a few of the reasons more and more Americans are becoming displaced. (PIT 2024) Yet, for this couple, their unwavering love binds them together as they sleep peacefully on a bed of concreate with only a small throw. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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