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  • Hand embroidered on linen
    8 x 7"
    Wildfires happen every year where I live in California. They are scary and even if they’re not too close by, the air gets polluted with ash and smoke. Panic was inspired by the ongoing wildfires the year this was made. Hand embroidery gives me options that other mediums do not. Sewing and growing an image, stitch by stitch, adds to its narrative. The long process of stitching an encroaching fire, roiling water, or a flooded landscape raises the drama. The process of hand embroidery is engrossing and exciting. Including the weave and textures of the background textile into the piece adds to the possibilities. The potential of this medium draws me into my studio every day.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Alabaster
    8 x 10 x 8"
    Having created one-of-a-kind stone sculptures over the past fifty years, I normally work on a very large scale. The "petite" Rose Aura represents my joy in finding within the rock a form open, flowing, and involved. The veining of this particular stone intrigued me with its many veins and patterns.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Silverpoint and Polychromos pencil on paper
    7 x 10"
    Richard Serra's monumental, subtle, and astonishing steel sculptures in the Bilbao Guggenheim left an indelible impression on me. The surfaces of many of the sculptures are almost Japanese in effect to my mind, and I sought to evoke some of the patterns using silverpoint and a palimpsest use of Polychromos pencil.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Oil and pencil on canvas
    12 x 12"
    Field-test: to test something by using it in the actual conditions it was designed for Field Test is comprised of four small oil paintings: Yellow House, Checkerboard, Flowers, and Circus Tent. Each panel was painted as a standalone artwork that could also be viewed together as a quadriptych. After being isolated during the 2020 pandemic, socializing and exploring commonplace, frequently visited locations seemed like new experiences. The tasks, outings, and recreations that were once part of everyday life became not so normal anymore. I equated venturing out as some sort of field test of the new normal. Slowly we began to forget what that was like and life turned routine again. With this work, I hoped to capture the wonder, awe, and even hesitation with which we approach new experiences.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Charcoal and charcoal pencil on grey MiTeintes
    9 x 10.5"
    I was drawn in by the peaceful expression of this man and was inspired to capture this mood on paper. Charcoal seemed best for the look I was going for so I started with a light drawing on MiTeintes and filled in the darker areas with charcoal, lifting with a kneaded eraser where needed to render the features as well as I could. I added a few final touches in white pencil.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Ink and Collage on Panel
    9 x 9"
    My art is a celebration of spontaneity and the beauty that emerges from controlled chaos. Using collage with a limited color palette, I layer and then intentionally disrupt, often scrubbing under running water to reveal the unexpected. This process of destruction and revelation brings about surprises that I cherish. I then enhance these emergent images with a pop of color or drama to capture moments of vibrant contrast and harmony. Each piece evolves organically, blending intention with the unpredictable to create compositions that reflect the dynamic energy of creation itself. Through this exploration, I invite viewers to immerse themselves in the layers of my artistic journey.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Soft pastel on Sennelier LaCarte
    12 x 9"
    This young woman had thick blue-black hair and a deep rich red sweater. The light source was way off to the side and created a beautiful pattern of light and shadow shapes across her face. The challenge was to indicate all the drama while still maintaining balance with the soft and gentle.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Photography, digitally enhanced, printed on canvas
    8 x 8"
    My garden is full of inspiration but this bloom was almost fading. I captured the purple color while it lasted but combined it with a layer of watercolor that I mixed and photographed separately, to create a more painterly adaptation of how my garden usually bursts with color.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Acrylic on canvas
    14 x 11"
    In this painting, I capture an orange and a lobster claw at a very spellbinding moment with the fluctuations of light and dark to remind viewers of the beauty in everyday life. My goal is to imbue the viewers with rich sensations; something that will last through time and touch people deeply.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Cold wax and oil
    6 x 6"
    Everything seems so tense these days. There is so much stress, uncertainty, animosity, and a general fear of the future, the likes of which is a new experience in my life. It’s not just me though, everyone around me appears to be in the same situation. I am now seeking peace and calmness wherever I can find it, in hopes of offsetting all the negativity and worry about where we are all headed. I find that I can still find peace in nature, in beautiful undisturbed landscapes, and in the philosophy of acceptance, for those things that you cannot change in your life. When I sit calmly to paint these scenes it fosters serenity. My hope is that those who view the paintings obtain a sense of tranquility too.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • marble on alabaster
    10.5 x 7.5 x 2.25"
    I create expressive sculptural forms from natural materials, drawing inspiration from both nature and the human figure, yet venturing toward abstraction. The essence of my work often embodies a biomorphic aesthetic, offering a tangible representation of our human connection to the environment. The idiosyncrasies of each piece of stone or wood present unique technical and creative opportunities. I approach this with a blend of intuitive and calculated design solutions. The inspiration for this work was to upcycle leftover pieces in my studio. I am also venturing into working additively instead of subtractively.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Copper etching in black on white paper
    5.5 x 3.5"
    On the Border is an etching based on an original landscape drawing done of a creek that marks the border between two states. Reflection following an unexpected illness in late fall prompted me to return to etching copper plates, the metal that first attracted me to printmaking. A harder substance that requires slow-biting ferric acid, copper draws out the production process but allows the artist to work in greater detail and delve deeper into the quality of line. The result is always worth the wait. Copper creates its own magical world, a visual link to printmakers of the past.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Print on Canvas treated with Cold Wax Medium
    12 x 10"
    My inspiration was the beauty of the sunflower fields in Provence. The French so artfully place an object in a field of beauty so that artists like me will be inspired. I treated this piece with cold wax to make the piece stand out without glass and to protect the print from the environment.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • paper clippings, wax pencils, pen, graphite
    12 x 10"
    Detailed narrative mixed media collages based on concepts of recycling and repurposing, deconstruction, and reinvention. The pieces incorporate found objects and often depict provocative themes. The work ranges from whimsical to darkly humorous, informed by sleek modernism, pulp science fiction, and spiritual symbolism.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Oil, graphite, charcoal on paper
    12 x 6"
    I was challenged to create a painting based on my garden in an extremely vertical space. I wanted the experience and I wanted to keep it abstract. The climbing vine clematis worked here.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Drawing on Rives BFK, varnished on panel wood
    11 x 14"
    This is part of a series of indigenous birds in southeast Virginia. The symbolism of the raven is complex. The Talking Raven as in this drawing, is said to represent prophecy and insight.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Oil on multimedia board
    12 x 12"
    This scene was in the shade of the beautiful gardens at Alhambra. Painting it brought back wonderful memories of my visit there.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • encaustic, beeswax, on wood
    10.5 x 13.5"
    Working in encaustic media is always a process of exploration and experimentation with frequent nice surprises. One has to be willing to allow the unexpected to reign, to relax control. Then the nature of the wax and the pure pigments reveal themselves without artificial constraint. Flowing wax and brilliant color dominate.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • collage and acrylic on canvas
    14 x 11"
    This piece came about by participating in a group show, Collaboration. The show paired local artists with local writers, whose memoirs we were to interpret visually. This piece was based on 'Alfred', an essay about the author's relationship with a cockroach.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Polymer plate intaglio from original photo
    10 x 8"
    These decorative prints are an homage to nature: flowers and birds. Traditionally, flowers symbolize decadence and the transitory nature of life. Ephemeral flowers become eternal in a photograph, the essence of their beauty and light captured with a camera.  Turning flowers and birds into eye-catching, decorative objects immortalizes them. This print is a cross-disciplinary fusion of digital photography and traditional intaglio printmaking. With an intaglio or etching, colorful flowers and birds become monochromatic. Nature is eternal, but observed moments are fleeting, the changing light captured by photography. How does a photographer represent them in some way that is different from the infinite number of representations that have come before? The nature of printmaking, which existed long before photography, suggests an ephemeral moment fixed in time, striking a monochromatic note that makes the viewer pause to observe it.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Acrylic/mixed media on wood panel
    13 x 13"
    I work intuitively, building up and sanding away many layers of paint, collage, and mark-making until I feel the painting is resolved. Bermuda Triangle was created during the pandemic at a time of high stress and anxiety. As with all my work, this piece is a reflection of my emotional landscape at the time. My creative process is a search for truth, but also for peace and resolution.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Glazed Ceramic on Found Object
    8 x 4.5"
    “Perfect is the enemy of good” is a quote usually attributed to Voltaire. While I appreciated the warning inherent in the message, I was caught up in classical techniques that I felt were a historically validated process and a pre-trodden pathway to excellence. It was the “right” way to do things. I cannot explain…even to myself…how or why I yearned to explore other ways of working. Was it the isolation of the pandemic? Left to myself…fewer exhibitions to participate in…and time…? Perhaps that was the conspiracy allowing me to refocus and approach sculpture as if I was just learning for the first time. YouTube taught me how to make a cup from a slab of clay… No model…no armature…no mandate. I experimented with the ceramic way of building and after several workshops…SLAB Work took off. The results are portraits that are playful and honest and leave the viewer to come to their own conclusions. To rediscover sculpture in a new way at this stage in my career has been amazing and energizing.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Acrylic On Canvas
    12.25 x 12.25"
    While my father was suffering from Alzheimer's Disease, he lived with our family for six years. We kept him out of a nursing home as long as possible, until the last year necessitated it, even though he had the long-term insurance coverage to be in one longer. This was his first stay in a nursing home during an extended family vacation. Nursing homes had always seemed to me in the past, to be places where people became invisible and ignored by family, so our need to place him there during this first temporary stay was very upsetting to me...plus that night he was running a low-grade fever from a sinus infection and wasn't feeling well. I took a series of photos and re-composed his image with others in the waiting room in wheelchairs, placed behind him. I soon learned that people may need to have this extra help, no matter how distasteful the prospect.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Ceramics
    8.5 x 6 x 4.5"
    This sculpture was formed by my blowing up a balloon and wrapping wafer think porcelain around it; then detailing it with 23k gold leaf. I titled it Clare De Lune as it is meant to recall the light we so often see on the side of the moon. It is part of a small series I've created in keeping with my nature theme. I used a particularly translucent porcelain to achieve the effect.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Stoneware
    8 x 9 x 7"  
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  • Onyx mounted on limestone
    10.5 x 7.25 x 5"  
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  • Digital collage
    8 x 8" Cat girl swings in an alien universe, yet the moon is still smiling.  
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  • Gouache on hardwood panel
    9 x 7" Hiking in Big Bend National Park.  
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  • Ink on washi paper
    9 x 7.5" Small Work in Rust and Orange is from a series of small works recently completed. They include ongoing experimentation from prior series using repetition of line as a springboard and metaphor for many ideas including, life's journeys and life paths, identity, fragility, and impermanence.  
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  • Fired stoneware with a glaze
    7 x 6.5 x 3" The clay is pressed into a mold, dried, and then fired. A glaze is added for a second firing. I wanted the figure to have motion so a metal base was made to hold the piece horizontally and give the feeling of movement.  
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  • Paper, porcelain, cardboard & glass
    12 x 6 x 6" The guardians are the keepers of the earth, my sculptures are all inspired by nature, and now my nature's guardians are a natural progression of things.  
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  • Oil on canvas
    10 x 10" Lenten roses are among the first to awaken after the frigidity of winter. These were particularly welcome popping up through the snow. I had intended to refine this further. But after walking away from it for a bit, in what I had thought a somewhat unfinished state, I changed course. The impression imparts the fleetingness of these small wonders.  
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  • Bronze
    10.5 x 7.75 x 7.5" I was inspired by my visit to South Carolina, visiting a marketplace where local women were comfortably creating new baskets while surrounded by others for sale. I wanted to capture this beautiful story of the Basket Weaver, which is full of history and her life today.  
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  • Oil on linen
    9 x 12" Laguna is an endless source of inspiration for me while painting en plein air. The churning waves, the cascading cliffs...these beaches are my home away from home.  
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  • monotype, litho ink on Rives BFK paper
    9.75 x 7.75" Inspired by the intersection of nature and found objects, this monotype reflects a departure in palette from blues and greens to reds and oranges, incorporating the signature meshing and networking found in almost all my work.  
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  • Dry Pastel on Paper
    14 x 11" Just a friend, kind enough to sit for a quick portrait. Bored, but still engaged. So many thanks to our models who may or may not have second thoughts.  
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  • Oil on linen board
    8 x 10" Painting is how I share my emotional connection to the rural landscape and my lifelong love of horses and hounds. I work exclusively in traditional oils and place an intense focus on “light” and “motion.” All of these – wildlife, equine sports, and landscapes – have a unique personality that I strive to capture: The stillness of water, or its lively streaming. The boisterous bounding of hounds, or the dignified stride of horse and rider. Each painting unfolds its own story in color and light—and hopefully, conveys a timeless emotion, too. My work is collected nationally. I am an artist member of the Salmagundi Club in NYC, a signature member of the American Academy of Equine Art, and an associate member of both NAWA and AIS.  
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  • Monoprint using a milk carton as the plate
    10.5 x 10.5" My purpose in making art is to touch the ineffable, to go beyond words into the deep belly of creativity. It is to meet myself in the wellspring and have a conversation with the viewer, to communicate in a deep and intimate way at first sight, in an instant. I strive only to be in harmony with each line, each splash of color and splatter of ink as it strikes the painting surface, to reveal what is already there. The experience of making marks gets truly exciting when I resist the impulse to name what I’m seeing take shape and open myself up to the possibility of not knowing, of just seeing and experiencing whatever is in front of me – what it is saying, what it is becoming. To let it do me rather than me do it.  
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  • Gauze, bespoke 3D leaves, acrylic, oil on board
    10 x 10" If one lets go of fear and sits quietly in the woods, another world reveals itself. I go there often since I read the book, The Hidden Lives of Trees by Peter Wohllben. This world lives alongside our commercial world. Litter from the commercial world abounds. Is the handkerchief a hindrance to this natural life or will a bird use it in a nest? Is man a hindrance to nature or are we meant to work together?  
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  • paper, fabric, photographs
    12.5 x 13.75" My 12-piece Screen Shot series explores the transformed landscape of communication in the digital age, particularly under the shadow of the pandemic, which changed the way I connected with family, friends, and colleagues. Due to the lockdown, I found myself attending more and more virtual meetings and interacting with people on a screen. These works depict a screenshot of those people and the spaces behind them during these meetings. I strategically used silhouettes, which both safeguard privacy and add an element of intrigue. While protecting a person’s identity, I also offer an intimate glimpse into their personal spaces – pictures on the wall, books on their shelves, pets on their laps, prompting reflections on the dichotomy of connection and isolation in our digital reality.  
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  • Layered Fused Glass
    5 x 5 x 1" I am drawn to glass as a medium because glass has a wonderful physical property, transparent or opaque, allowing you to see the illusion of space and depth. This causes a magical flow, embodying fun, playfulness, and spiritual energy. This can be healing, by holding you in the present moment to enjoy that magic, be enthralled, look within, and be charmed so you forget the world’s challenges.  
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  • Platinum/palladium photography
    14 x 11" In my artwork, I capture the simple beauty in the natural environment, providing moments of serenity. I use water and light as beautiful threads that draw the eye in. The quality of light is of paramount importance, defining the textures and forms in nature, and patterns of light and shadow. This image was originally captured with infrared film; the negative was subsequently scanned and transformed into a digital negative. I then contact-printed the image using the platinum/palladium printing process to capture a softer, painterly effect, evoking late 19th-century idyllic landscapes, and lending a poetic quality to the image.  
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  • Acrylic and paper on wood panel 7 x 7"
    Our Forests Are Burning is a striking abstraction of the horrific forest fires that have burnt through Canada, California, and Maui. And, the smoke-filled haze that swept through the rest of the world.  
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  • Oil on board 10 x 10"
    I am a New York-based painter working in oils, gouache, and watercolor. I paint places, people, and things that are dear to my heart, collecting and distilling the images from memory or my photographs. I use my intuitive sense of color and composition to reflect my emotional relationship to the subject. In my abstract work, I create mandalas and other patterns in sacred geometry which I find mediative and centering. I paint on linen, canvas, and wood panels mostly within the satisfying limitations of a square. My paintings often reveal quiet moments that reflect my desire to counter the vicissitudes of the daily news and one's life experiences. I paint because I love the materials and to express and uncover my relationship with the subject matter.  
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  • Acrylic on paper 12 x 9"
    In my paintings, I use concepts of abstraction, cubism, and surrealism to explore the elusive qualities of time, energy, and storytelling. My artistic goal is to create seductive surfaces and provocative forms that involve the viewer. I call these works "Mindscapes". My influences come from everywhere, other art forms, the directness of child’ art, past experiences, and current social situations. I want my painting to be fresh, and direct and engage the viewer in interpretation. This work is upbeat and joyful, full of contrasting shapes and bright colors with an exciting world beneath the horizon.  
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  • Photography 14 x 10"
    After retiring following a long career in international affairs, this Washington DC-based artist has deepened her abiding interest in photography. During COVID, her subjects focused on the day-to-day objects in her home and Capitol Hill neighborhood. She honed her skills with online digital photography courses focusing on light, composition, and color, with thematic challenges to sharpen her skills of observation and creativity. Her work includes subjects from her domestic and international travels. Major interests include architecture, interiors, street scenes, plant life, landscapes, skyscapes, daily life, and reflections. She uses her cellphone camera, which is always with her, for her photos.  
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  • Digital Photography, Inkjet Archival print 15 x 12.6"
    I am always attracted to colorful subjects, and this Cuban woman made a great subject. I loved the colors and the way the smoke curled around her face. Her extremely long nails were also unusual.  
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  • Oil on panel 7 x 13"
    I believe the connection between an artist and their viewer is possible through the recognition of familiar imagery. While presenting most challenges for the artist, traditional realism is the easiest way to ensure that connection. Realism is not a thing from the past that only belongs in museums but rather a clear, eloquent language that can get a contemporary message across, be serious or whimsical, humorous, or even playful.  
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  • Oil on panel 12 x 12"
    I visit this lovely stream several times a year. I'm not sure which season is more beautiful but here a thick blanket of snow and a stream meandering through may be.  
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  • acrylic, gold leaf, ink on board 14 x 14"
    My art is a profound dialogue between our planet’s crisis and my creative expression. Our planet and its elements are in a delicate balance, we hold the outcome in our hands by how we can prevent worsening climate change. Our land is constantly transforming and as our planet continues to warm, we see these effects more profound and rapid. I see inspiration in the beauty of the ocean, as well as the elements of the planet in its organic and abstract nature. My paintings represent the changing seas, land, and Earth’s balance. I am creating a story of our planet, a story we are writing, the history we are making, and the future we will be living. In my paintings, I use a mixture of mediums to create illuminating and transparent effects. I work with acrylic and oil, pigment powders, ink, and gold leaf markers.  
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