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  • Print on Canvas treated with Cold Wax Medium
    12 x 10"
    My inspiration was the beauty of the sunflower fields in Provence. The French so artfully place an object in a field of beauty so that artists like me will be inspired. I treated this piece with cold wax to make the piece stand out without glass and to protect the print from the environment.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Copper etching in black on white paper
    5.5 x 3.5"
    On the Border is an etching based on an original landscape drawing done of a creek that marks the border between two states. Reflection following an unexpected illness in late fall prompted me to return to etching copper plates, the metal that first attracted me to printmaking. A harder substance that requires slow-biting ferric acid, copper draws out the production process but allows the artist to work in greater detail and delve deeper into the quality of line. The result is always worth the wait. Copper creates its own magical world, a visual link to printmakers of the past.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • marble on alabaster
    10.5 x 7.5 x 2.25"
    I create expressive sculptural forms from natural materials, drawing inspiration from both nature and the human figure, yet venturing toward abstraction. The essence of my work often embodies a biomorphic aesthetic, offering a tangible representation of our human connection to the environment. The idiosyncrasies of each piece of stone or wood present unique technical and creative opportunities. I approach this with a blend of intuitive and calculated design solutions. The inspiration for this work was to upcycle leftover pieces in my studio. I am also venturing into working additively instead of subtractively.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Cold wax and oil
    6 x 6"
    Everything seems so tense these days. There is so much stress, uncertainty, animosity, and a general fear of the future, the likes of which is a new experience in my life. It’s not just me though, everyone around me appears to be in the same situation. I am now seeking peace and calmness wherever I can find it, in hopes of offsetting all the negativity and worry about where we are all headed. I find that I can still find peace in nature, in beautiful undisturbed landscapes, and in the philosophy of acceptance, for those things that you cannot change in your life. When I sit calmly to paint these scenes it fosters serenity. My hope is that those who view the paintings obtain a sense of tranquility too.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Acrylic on canvas
    14 x 11"
    In this painting, I capture an orange and a lobster claw at a very spellbinding moment with the fluctuations of light and dark to remind viewers of the beauty in everyday life. My goal is to imbue the viewers with rich sensations; something that will last through time and touch people deeply.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Photography, digitally enhanced, printed on canvas
    8 x 8"
    My garden is full of inspiration but this bloom was almost fading. I captured the purple color while it lasted but combined it with a layer of watercolor that I mixed and photographed separately, to create a more painterly adaptation of how my garden usually bursts with color.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Soft pastel on Sennelier LaCarte
    12 x 9"
    This young woman had thick blue-black hair and a deep rich red sweater. The light source was way off to the side and created a beautiful pattern of light and shadow shapes across her face. The challenge was to indicate all the drama while still maintaining balance with the soft and gentle.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Ink and Collage on Panel
    9 x 9"
    My art is a celebration of spontaneity and the beauty that emerges from controlled chaos. Using collage with a limited color palette, I layer and then intentionally disrupt, often scrubbing under running water to reveal the unexpected. This process of destruction and revelation brings about surprises that I cherish. I then enhance these emergent images with a pop of color or drama to capture moments of vibrant contrast and harmony. Each piece evolves organically, blending intention with the unpredictable to create compositions that reflect the dynamic energy of creation itself. Through this exploration, I invite viewers to immerse themselves in the layers of my artistic journey.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Charcoal and charcoal pencil on grey MiTeintes
    9 x 10.5"
    I was drawn in by the peaceful expression of this man and was inspired to capture this mood on paper. Charcoal seemed best for the look I was going for so I started with a light drawing on MiTeintes and filled in the darker areas with charcoal, lifting with a kneaded eraser where needed to render the features as well as I could. I added a few final touches in white pencil.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Oil and pencil on canvas
    12 x 12"
    Field-test: to test something by using it in the actual conditions it was designed for Field Test is comprised of four small oil paintings: Yellow House, Checkerboard, Flowers, and Circus Tent. Each panel was painted as a standalone artwork that could also be viewed together as a quadriptych. After being isolated during the 2020 pandemic, socializing and exploring commonplace, frequently visited locations seemed like new experiences. The tasks, outings, and recreations that were once part of everyday life became not so normal anymore. I equated venturing out as some sort of field test of the new normal. Slowly we began to forget what that was like and life turned routine again. With this work, I hoped to capture the wonder, awe, and even hesitation with which we approach new experiences.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Silverpoint and Polychromos pencil on paper
    7 x 10"
    Richard Serra's monumental, subtle, and astonishing steel sculptures in the Bilbao Guggenheim left an indelible impression on me. The surfaces of many of the sculptures are almost Japanese in effect to my mind, and I sought to evoke some of the patterns using silverpoint and a palimpsest use of Polychromos pencil.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Alabaster
    8 x 10 x 8"
    Having created one-of-a-kind stone sculptures over the past fifty years, I normally work on a very large scale. The "petite" Rose Aura represents my joy in finding within the rock a form open, flowing, and involved. The veining of this particular stone intrigued me with its many veins and patterns.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Hand embroidered on linen
    8 x 7"
    Wildfires happen every year where I live in California. They are scary and even if they’re not too close by, the air gets polluted with ash and smoke. Panic was inspired by the ongoing wildfires the year this was made. Hand embroidery gives me options that other mediums do not. Sewing and growing an image, stitch by stitch, adds to its narrative. The long process of stitching an encroaching fire, roiling water, or a flooded landscape raises the drama. The process of hand embroidery is engrossing and exciting. Including the weave and textures of the background textile into the piece adds to the possibilities. The potential of this medium draws me into my studio every day.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • watercolor
    8 x 7"
    I have had two marriages and one long partnership. Living single is freedom with difficulties...I remember feeling lonely, unmoored, and also unfettered. But a partnership can present a different set of problems. My heroine is floating alone, in calm waters. Beneath her is a world of possibilities, danger, and infinite choices. She is free and pondering her future, as I am constantly questioning my own.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Bronze
    9.5 x 11 x 11"
    Little Madison came to model for me but she was very shy and didn't know what pose to take. She began crying when she saw that people would be watching, but I promised her that they would look at me, and not at her. I asked her what she did for fun and she said she loved to draw. I said, "Me too! Would you like to use my drawing pencils and paper and make some drawings for me?" For over two hours she sat and drew, while I created this little sculpture. Her purple shoes led me to believe that deep inside this shy little girl, there was a big artist inside.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • mixed media--acrylic, cloth, wood, clay, other
    8 x 10"
    As an artist, I work with paint, canvas, cloth, clay, wood, and found objects to create pieces that make the materials part of the subject matter. Whether abstract or figurative, my work will often integrate tactility into its design, but it is not the product of a conscious or intellectual plan; I believe I work within an intuitive context, as though the imagery springs directly from the unconscious in the manner of automatic writing. I feel deeply the mystery of things. As Martin Heidegger said, the fundamental question is Why are there Things? I feel that the things I create, like Baudelaire’s forest of symbols, look at me with comprehending eyes.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Acrylic on paper
    7.5 x 10"
    I often transcribe works to explore composition and color and try new ways of working. In this painting, I tried to follow Cezanne's approach of using color to create the shapes and forms.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Watercolor and mixed media on paper
    12 x 9"
    I am an abstract painter, and I work primarily in watercolors with mixed media elements, such as acrylic ink, water-soluble pencils, and collage. I’m inspired by the interplay of colors, shapes, and uneven lines, and I love the fluid, unpredictable nature of watercolor paints. Layering an unexpected mix of materials to create a cohesive whole gives me endless possibilities for creative expression. I work very intuitively: I always have a starting point - a particular color combination or focal point - but then I just go wherever inspiration leads me, often surprising myself! My artwork is often influenced by nature, and I find myself particularly drawn to loose rounded shapes, which have become a recurring motif in much of my work. These organic shapes might take the form of stones, eggs, or nests, and they speak to me of wholeness, resilience, buoyancy, and harmony. They feel like home.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Chromogenic Silver Halide (Chemical Print)
    14 x 14"
    “Illumine” is part of a body of work (“Remembered Land”) which is inspired by my distant memories of the beautiful English countryside of my childhood - the numinous mood and atmosphere that I sensed as a child, the feeling of transcendental harmony with the natural world, and the eternal lacuna between memory and myth. “Illumine” goes beyond what we see with the naked eye, embracing the philosophy of tonalist pictorialism. Elements of emotionalism and romanticism emphasize expression, mood, and mystery through the use of color, light, shadow, soft focus, and atmospheric perspective. As an Atelier trained, multi-disciplinary artist who practices both hand-made chemical photography and the classical painting techniques of the old masters, my work goes beyond literal representation, embracing painterly darkroom techniques and pallets to deeply express nostalgic feelings about my homeland and its larger-than-life amber presence in my mind.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic texture and painting
    12 x 12"
    Every summer we would stay on the bluff overlooking the Skidaway River. On the incoming tide, we would put on our bathing suits and our tennies to go swimming in the river. But you had to be careful not to get cut by the oysters and the Spartina grass. That and rowing the bateau out to catch crabs and play with the dolphins was the best.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • watercolor on paper
    9 x 9"
    Every weekend I love hiking in the woods. One of my favorite hikes passes through wonderful gardens, and I cannot help myself but keep taking pictures of the beauties I find there. Flowers were always my most successful paintings, and to this day, I love painting flowers. I can employ the rich colors I love, and create paintings with intricate, interlocking patterns that nerveless result in a harmonious whole.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on board
    10 x 12"
    I love ponds, lakes, ocean and everything involved with water above and below the surface. I am painting a series which is inspired by the fishes' view. Pond Lily Buds is one of them. I paint using as reference from my own photographs, my imagination and images gleaned from elsewhere.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on wood panel 10 x 12" The Transparent Slice of Tangerine just drew me. I wanted to try a capture this in my oils.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • pastel on paper
    14 x 14" My work captures the subtle lights, reflections and hidden hues on the subjects. I enjoy painting ordinary subjects. These moments are often over-looked by most people passing by. I find it more interesting to bring out the beauty of everyday life than painting something already beatiful. These moments are such as the rainbow light coming through the subway station, or worn stones by the old dock at dusk. The pastel medium allows me to capture moments quickly with bold and pure colors. Timelapse videos of my painting process can be seen on Instagram @fangsullivan.
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  • oil on canvas
    17.5 x 23.5" I want my work to represent everyday activities, such as reading, sitting on a porch, and eating a meal together with important family members. I hope my art will bring joy to those viewing the paintings and that the viewer will be able to recognize something in themselves that they can identify with.
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  • acrylic and collage
    11 x 14 x .75" Most people find vines and moss to be annoying growths in need of pruning. I often collect "stuff" on my walks and use them in my art. They fulfill my need for texture both visual and tactile in my work. The moss in this case is from my photographs and altered in color. The vines represent what is often torn from trees. I think these are natural wonders and I continue to preserve them.  
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  • acrylic on canvas
    16 x 20 x 1" I am primarily a cityscape painter, and it is the urban landscape of New York that inspires me the most.  Although, my cityscapes reflect my particular experiences of places, I try to convey something beyond the personal that will resonate with others, whether it be taking a walk in Brooklyn or taking in a spectacular view in Manhattan.  
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  • oil on canvas
    25 x 13" I've been told "paint what you know".  The glass top table in my living room was so pretty with the flowers from my garden that I just had to capture it with paint. The reflections were quite a challenge. The image of the child in the doorway is my daughter, age 1 year, just learning to walk, and exploring everything!  
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  • mixed media drawing on paper
    20 x 30" Rainy Days can be raw and challenging or  peaceful and cozy. The bodies sheltering together in this mixed media drawing, In the Rain create a shape that is reminiscent of a cityscape..  The group in this image projects a sense of community and unity.  
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  • watercolor
    11 x 15" Brunch with a friend in Cobble Hill, Brooklyn. A fun daily activity that is shared with friends.
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  • Eastern watercolor/sumi-e on single Shuen rice paper
    20 x 32 x 2" The world of the people of the streets is stripped down to basic survival, but with a need of self worth, ownership. The grocery cart has become the symbol of that need to show ownership of something, anything. A metaphor for they themselves, cast offs, other peoples throw aways.  The carts, battered and bent, with the wonky wheels we hate to get when shopping, they live with it everyday, until the carts themselves are discarded and they become a part of the landscape, the urban landscape, lawn ornaments, trash piling up in vacant lots, bus stations and public parks. Seen and acknowledged by all that pass by, much more so than the people that once used them to transport their worlds.
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  • digital drawing fabricated to pigment ink on paper
    25 x 18 x 1" This work aligns the art of drawing with digital brush strokes and textures with our "everyday" utilitarian tools, while also extending their pop cultural interpretations. It pays homage to the way the Old Masters depicted and interpreted everyday objects. It speaks to a larger paradox within the life/death struggle and contain spiritual energy beyond the subjects themselves.
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  • watercolor
    6 x 4" This painting is about ordinary commonplace experiences. I have been frustrated more than once by finding that a place I need to go to is closed for repairs. Being a longtime midwesterner, there's a certain look the sky gets in winter when you can feel the snow coming, and a particular beauty to the bareness of the trees.
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  • digital photography, Inkjet archival print
    14 x 11 x 1" My passion for photographing people on the street started on a trip to Cuba in 2016. I saw the boy sitting behind a fence in a small park in Cuba.  The dappled light on him and the rest of the scene, is what made this shot so enchanting for me!
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  • photography
    33 x 23 x 2" The Compressed City is a photography series captured between 2017 and 2023 in New York City. It focuses on street garbage, reflecting the city's waste issue and its impact on people's psychological state. The artwork emphasizes the connection between garbage and human existence, symbolizing the pressure and constraints of modern society. Through synthetic imagery and symbolism, it urges viewers to address environmental concerns and handle psychological stress in a healthier way.  
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  • photograph
    8 x 8" The universe is reflected in the everyday!
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  • oil on canvas
    24 x 24 x 2" A fleeting instant seizes my awareness, ensnaring my focus with its captivating allure. It could manifest as a harmonious composition, a symphony of hues, or a transient observation reverberating with a smoldering emotion's echoes. The impulse to metamorphose this ephemeral vision into a tangible form eclipses my cognitive and emotional terrain, propelling me into creative fervor. In that moment, the world around me dissolves, and I become an alchemist, transmuting the intangible into a visceral, evocative expression that captures the essence of that singular, transcendent experience.
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  • oil on panel 12 x 16" 2023   My work has been described as Contemporary Impressionism and is inspired by the beauty I see around me everyday. Sometimes the idea for a painting spontaneously presents itself as in plein air painting. I am inspired by the quiet meandering of a river, the vastness of a desert gorge, or the way afternoon sun lights the curve of an arch. Sometimes my paintings are inspired by many impressions and feelings of a place. I use technique to express relationships and create a sense of atmosphere, time and space.. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • digital photograph
    8 x 10"
    In Tales of a Consulting Detective, Sherlock Holmes said: “You see, but you do not observe. The distinction is clear.” I take my camera out. I may choose a subject; I may think “that would make a great picture”; I may visit a new place or one I’ve seen before. I want to observe and to present things in a way that causes the viewer to stop and observe.  We have the technology to immediately capture whatever is in front of us. The challenge is for people to slow down; to question whether there is only one way to look at something; and to search for new meaning in something they may have seen before.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Sold
    oil, ink on canvas
    24 x 36 x 1"
    Painting en plein air, in Rhinecliff, on the shore of  the Hudson, by the tracks where Lincoln's death train passed, I make my humble, everyday watercolor and consider carefully the way that two lines of infinite length seem to connect on the horizon, I think of the thousands and thousands of young men who died all can be equal in America. I seem to see the ghost of Lincoln, shimmering on the event horizon, "With the tolling tolling bells' perpetual clang, Here, coffin that slowly passes, I give you my sprig of lilac." - Walt Whitman I turn to the East and see an everyday field, no big stuff, nothing picturesque. My heart is in tears, exquisite America, I love you.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • refractured oil with poem
    24 x 20 x 1"
    My work is about sky.  We live in the sky, usually at ground level, and it is the most volatile and vibrant part of our world, our every next breath. Refracturing cuts and reassembling the image into the pieces we focus on before our mind stitches it back together to one scene.   My addition of poetry that I write for the skyscape guides the user to the feeling behind the painting.  Sunset brought the proof, this was a beautiful day, it ended in gold.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic & oil on canvas
    5 x 5"
    Coming Soon is part of the ongoing series of Bog Bodies I started in 2008. While exploring the theme of Bog Bodies and the constant cycle of all organisms, our impact on the environment and daily living took me on a side road to look for more. Water is the most important part of keeping everything alive, and my theme flowing. But when nature takes a turn and brings drought, it leaves an imprint on my ideas. And my ideas affect every single aspect of my life.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic on ashwood coated in epoxy resin
    22 x 18 x 2"
    I'm Tasha Branham, a NJ-based artist, practicing contemporary multidisciplinary art influenced by Henri Matisse. Using epoxy resin, wood, acrylics, and more, I fuse mediums to convey storytelling, faith, and hope, aiming to encourage joy and healing. Inspired by God's grace, I parallel Black women with elegant flowers, striving to inspire joy and reconnect viewers with their imagination. My work has been featured in "Journey of Surprises" and displayed at Marcus Samuelsson LIVE! Bar and Grille in East Rutherford, NJ.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on canvas
    24 x 18 x 1.5"
    My work is representational though interpretive. I want the viewer to move between planes and have begun to layer using several techniques and medium to achieve this. Our eyes are constantly focusing, refocusing and readjusting as we view the world around us and I try to manipulate this effect through my work. I see energy in our surroundings. I am striving to transfer that immediate ‘colpo di fulmine’, that ‘love at first site’ onto my canvas or paper as I work on 2-3 pieces at the same time, moving from one piece to the next.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on canvas
    24 x 30 x 2"
    This painting is about loyalty and devotion to the art despite an impossible environment for the art. Despite sever climate, poverty, and faded future there is always a person who devoted his or her life to the beauty of the world.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic on panel, framed with natural floater frame
    10 x 10 x 2"
    In Heart to Heart Tea Talk, I explore the idea of connections that bind us as humans and invoke memories of past and present. The painting is an invitation to remember a special time as you perhaps had a tea party or shared a warm cup of something with a dear one. It was created during a time of turmoil to escape, meditate and process all that was happening in the world. They build and reveal themselves as I add traces of lace as a symbol of nurturing. I scan, print and collage handwriting, and add more layers to create a rich surface.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • litho inks on Rices BFK handmade paper
    4.75 x 6.75"
    My series of "adobe" images uses commonly found objects (scraps of paper, pieces of fabric, nets from vegetable bags) to create images of beauty.  My colors are reminiscent of trips to the western United States, reminding me of days spent in the beautiful images that can be found around us each and every day.  I work in the abstract to invite the viewer to use their imagination to enter into my world, and participate in the beauty that I hope to capture.  My goal is to reflect the joy and peace that I find in creativity.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • collage
    18.5 x 21.25 x 1.75"
    Our model was a wonderful person, covered in tattoos and piercings. I thought, at the time, so many people would consider her as different, but why? What if she was a Saint? What if she lived a life full of grace and beauty? I wanted to create layers of colors and hidden bits for people to find when they looked at it. Just like people.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic 23.5 x 31"
    How to depict the illusive concept of sin? Choosing an apple strongly symbolized this religious meaning, but how to render spirituality, devoid of gravity, was the challenge. The painting method implemented was to paint a setting of various deep blues pushing space forward and back. The wispy leaf-like lines created movement and visually flowed across the canvas implying spirit. The apple, in its purest form and color, is braced by 2 branches and created a stillness... Now the apple is ready to be picked.  
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  • watercolor, colored pencil 30 x 27 x 1"
    For the past fourteen months, I have been mourning the death of my daughter. She taught middle school ancient history, and my current work connects to images from those times. That’s what’s led me to look at a schematic of the Biblical tabernacle in Jerusalem and make paintings based on it. Some of this work has focused on the scarlet, purple, and indigo veils that divide the three sections of the tabernacle. Making paintings with these references lets me feel connected to my daughter and is helping me process my grief.
     
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  • mixed media on vinyl tile 12 x 12 x 1"  
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  • enamel on copper 18 x 18"  
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  • driftwood, oil pastels & soft pastels 30 x 15 x 6"  
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  • oil on canvas 16 x 20"  
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  • orange alabaster 12 x 12 x 5" Luminosity shines bright to get the attention of the viewer. Octopuses, with their three brains are brilliant and are on the top of the oceanic hierarchical chain. Their keen ability to sense their surroundings, the interaction with humans, and how they care for and defend themselves is a marvel. Luminosity was created to represent the importance of the ocean and her creatures. I , personally , have immense respect for these sentient beings. Man's interference has taken a toll on all these glorious beings. How can we understand the impact we have had and change what we have done?  
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  • wood, found metal, magnets 10 x 8 x 3" I love collecting sticks while hiking. When I return to my studio, I sort the sicks by length, width, straightness or curvature, and color. When a stick's bark is spotted or striped, it often remains, but I also carve, burn, and use colored pencils on others. My next step is to search through my bins of found materials to find the perfect match between sticks and usually abandoned metal. The entire process of creating is fun and exciting, filling me with joy.  
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  • oil painting 24 x 24" This artwork sparks a vital conversation reflecting the interconnectedness and balance within the microcosm of my garden and the macrocosm of the cosmos. My work draws inspiration from the life cycle of flowers to explore existential questions about existence, purpose, fragility, and interconnectedness. By blending recognizable floral imagery with cosmic visions through layered, transparent glazing techniques, the painting symbolically merges the micro and macro realms. This convergence aims to underscore how all life forms, from the smallest flower to the vast cosmos, are intricately connected and demand an open dialogue to ensure the survival of this universal interdependence.  
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  • acrylic on canvas 15.5 x 16.5 x 1.5" My work is all about New York. The sense of belonging, and the desperation felt whenever I'm not in New York. It is about finding the place where I feel like myself. My work seeks to ask the viewer: ‘what is it that you desire? Where is it that you’d wish you could be? Where are you the happiest? What are you doing or where are you when you are your most authentic self? Who would you so dearly wish that would appear in front of you? What dreams do you have? What keeps you moving forward? Through my paintings I hope the viewer will engage in a conversation that could also relate to their own personal story, their own memories, their own personal questions, hopes, and aspirations.  
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  • collage with acrylic and paper 18 x 18" This collage, which presents a destroyed landscape, comes from my emotional response to the devastation of human displacement. Working loosely with abandon, layering paint and papers on a panel, the intuitive process itself supports the creation of an abstracted evocation of the chaotic aftermath of a cataclysmic event.  
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  • 3D mixed media 30 x 23 x 5" War is the number one cause of child hunger. War destroys a country’s infrastructure thereby disrupting the chain of food production. This, in turn, leads to the vicious cycle of yet more unrest and violence. Children living in war-torn countries such as Yemen, Syria, South Sudan, Nigeria, Ukraine, and Palestine are very likely to be malnourished and ravaged by stomach-aching hunger. Where there is war and conflict, children are dying at a rate unfathomable to our well-fed sensibilities. How can we, as flourishing members of the global community, prevent these unnecessary and endless conflicts, these wars that result in the heartless deaths of millions of children?  
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  • oil 36 x 26 x 2" This is a self-portrait done at my favorite location in my house - the kitchen! It includes a small colored glass sailboat hanging in the window, made by my father shortly before his death.  
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  • drypoint with monotype & hand additions 17 x 15" I live in Maine. Every year we wait for the spring peepers to signal that winter is finally over. I use the process of monotype with drypoint and toxic free inks to freely express gestural aspects of nature that surround me. I used various textured offsets to get a nuanced blue surface in this piece which had several iterations. Knowing when to stop is always the question.  
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  • photography 13 x 16"  
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  • acrylic painting 24 x 24 x 2" The Haro Strait is one of the main channels connecting the Strait of Georgia to the Strait of Juan de Fuca, separating Vancouver Island and the Gulf Islands in British Columbia, Canada from the San Juan Islands of Washington state in the United States. The forested mountains running down to the shore and the color of the water create a very different landscape than the south Florida coastline. With whales, seals and dolphins watching the marine life is pure joy.  
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  • acrylic, oil & markers on canvas, plaster & found object 20 x 30 x 2.5" Reflections is a hybrid sculptural painting that expands the viewer's perspective and viewing options. Front and back sides of the canvas are visible simultaneously, revealing hidden elements & layered meanings, both physical and conceptual. Seemingly ordinary objects carry concealed narratives beneath their innocent façade, suggesting deeper, even unsettling layers. A dismembered bottle nipple with a faint human reflection rests in white impasto and in a busy background of suggestive textural movement. A partially formed, unpainted baby bottle precariously balances in front of a baby apparition that seeped onto the backside canvas. Reflections is about reflections and interpretations.  
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  • collage on clayboard with sgraffito 16.5 x 13.5" I used to have students render statues. As demonstrations, I started using the truncated female torso in my own work, repeating variations in different media- watercolor, oil pastel, woodblock printing, and more. This reflected thoughts about aging- how a statue can lose parts over long periods of time. What may once have been adulated in youth has changed and is now attractive in very different ways. This art piece uses the same torso shape repeated throughout the series, and adds a portion of a cotton lace curtain from my first home that finally fell apart. It is dipped in encaustic wax, which preserves it. The line work scratched in the clayboard suggests breaking of bonds or barriers.  
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  • oil on canvas 24 x 18" The painting is based on two stages of a dawn off my back porch, looking over the Salton Sea. Earlier the sky was darker, later, more light comes in. During this time the clouds also change. The two paintings, done on lose canvas, were refractured - cut up and reassembled - mounted on a stretched canvas - to incorporate the two phases. The following poem is written for and painted into the painting: Storm clouds, fluffy clouds All the product of weather, changes are the key.  
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  • poured watercolors, fluid acrylics & paper collage 28 x 24" Abstract painting is an opportunity, for me, to retreat into my imagination and paint with my “mind’s eye”. In recent years, the universe has been an intriguing source of inspiration. I watch from afar, wondering who or what is out there? For me, the big question is what path or door should I go through in order to better understand my place in a universe of spinning planets filled with other beings.  
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  • oil on linen 20 x 20" I take joy in going on plein aire expeditions in the beautiful Catskill countryside near my home in upstate New York. I love the beautiful landscape, the barns old and new, the animals and plants in the region. The particular barn in this painting was built by the owner himself - a former New York City discotheque owner! I was drawn to the colors and patterns in the scene and enjoyed talking to the owners. Plein aire painDDting is always an adventure and full of surprises.  
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  • watercolor & mixed media on paper 25 x 21 x 1" This exuberant abstract watercolor piece is a reflection of the joy and engagement I feel when I'm painting. I created this piece last July, and I was clearly inspired by the lush and verdant summer foliage I love, which gave this piece its name: Flourishing.  
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  • encaustic 10 x 10 x 2" Caribbean Cottages is inspired by the vibrant colors that abound in tropical seaside towns. The mesmerizing blues of the ocean provide the backdrop to quaint, colorful cottages that dot the landscape. These colors encapsulate the idea of slow-living; being present and enjoying each day as it unfolds before you.  
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  • acrylic 21 x 17 x 1" I am currently working on a series of Strong Women, inspired by artists, writers, and other women of prominence in their fields who have demonstrated a passion for their work and a resilience to survive, sometimes against all odds.  By delving into the past as well as the present, through paintings and photography, I have been inspired to recreate those images in my own expressionistic style. It is an ongoing challenge and hope that the finished portrait will give a sense of immediacy and permanence to the subject, that the strength and depth will shine through.  
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  • monotype (printmaking) 16 x 24" The Inner senses to me are as much of a truth as the outer senses. My art is an expression of that Truth. The Truth which goes beyond our five senses. The truth which goes beyond the senses of seeing, hearing, smelling, tasting and touch. This is a truth of feeling and sensing, the inner world and the intangible outer world. I use visual art forms such as painting, drawing, printmaking and photography to express my inner and life experiences.  
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  • oil on canvas 20 x 26 x 1" I was inspired by Martin Johnson Heade and his ability to incorporate floral imagery in landscape. I am interested in creating surreal, fantasy elements in a traditional style.  
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  • photography 25 x 25" Worn by a variety of cultures in Africa, antiquity documents the wearing of Locs or Dreadlocks and braids back to 3000 BC in the Sahara Desert. Dreadlocks are worn for many reasons including religious/spiritual beliefs, rites of passage, ethnic pride, the rejection of capitalism and colonialism. The Crown Act, first signed into law in California in 2019, now law in 24 states including Texas, prohibits the denial of employment and educational opportunities based upon natural hair texture or style. Texas continues to draw national attention as it denies educational opportunites to students with Locs (protected under the Crown Act). The Crown Act has failed to pass the US Congress twice.  
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  • mixed media 14 x 17.5" My mother just died and the dogs in my mind were visiting. To say she is alright. It is made with acrylic paint fabric and mosaics. Dogs are all around my neighborhood so they become the animal inspiration. And heaven is a beautiful place with mosaics all around. I miss her very much and hope she safe.  
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  • digitally manipulated photography 25 x 19 x 1" Our hands are the most expressive part of our bodies, after the eyes. Being intensely emotional, I find it very instrumental in communicating with people. You can tell a lot about a person by how they move their hands while talking. In this photo collage, I depicted my hands flying all over the place, akin to the conductor's hand movement, creating a dynamic and vibrant image.  
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  • acrylic on canvas 10 x 8 x 1.25" I find peace and ultimate joy getting lost in the deep blues and teals of wild Florida's freshwater springs. Inviting as they are on the surface, the underwater surprises yielded by these jewels only add to the delight. Instantly calming, these waters help connect me to deeper thought and insight.  
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  • bronze 15 x 8 x 8" When my son did communion I noticed the altar boy standing in the corner. I was so inspired by all the young children, the beautiful innocence, the trust they give and the dedication given to join and understand tradition. Children are truly an empty vessel. I find it so ironic that we think we can teach and fill this vessel, when this emptiness is something we should all learn from. When I am able to listen and learn, when I harbor empathy and understanding deep within my soul, I feel like I can understand the child I saw standing in the shadows of the church, with all his earnestness.  
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  • acrylic on black walnut 24 x 22" A Bloom in Time portrays three vibrant women on Black Walnut wood rounds, each adorned with colorful flowers. The piece symbolizes resilience and growth, highlighting the journey of overcoming hardships to eventually bloom. Through vibrant colors and intricate details, it conveys the message that despite the challenges they face, all flowers—and by extension, all individuals—will eventually flourish and bloom in their own time.  
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  • oil on canvas 36 x 72 x 2" Ambiguities and allusions of depth offer thoughts to individual and varied interpretations, as do all the common experiences we have as humans, no matter where we happen to be born. I’m keenly aware of the passage of the lives that have inhabited our small earth and respect what their labors have left for us. Moodiness, reflection and intrigue are a part of everyone's world, not completely and clearly understood. One can read their own interpretation of mysterious fog and manmade walkways made safer by fencing. The indistinct movements of water give hope for sustenance of life. Pathways suggest individual and varied interpretations.  
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  • photography 25.5 x 21.5" This image is part of a project I am near to completing. Entitled Mystical Metaphors. Various images of encountering mystical moments or metaphoric occurrences are included. All are quotidian in nature. I am hoping to self publish a book soon.  
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  • watercolor 16 x 21 x 1" Color, light and shadow—created by the sun outside but observed primarily indoors in the kitchen—are magic. There is something about lighted round vibrant color fruits, such as oranges and tomatoes, combined with blues, usually found in ceramics and fabric, that, for me, represent a promise: of the pleasures of food, kitchens, meals, community, peace. Given the disturbing times in which we live, my paintings are a small pleasurable alternative. I deeply appreciate still life.  
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  • steel 36 x 24 x 2" Continuing the artist's journey to explore the plight of women in our society, this steel sculpture is inspired by the moment a woman unwinds at the end of her day. Playing with the volutes of the feminine curves and the metaphor of the spring or the string, the artist invites the gaze of the viewer to unwind along with the subject, from her mind to the tips of her toes.  
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  • acrylic 19 x 17 x 3" My inspiration was the beauty of blue skies and tranquility of nature. Just riding down the long road encourages my senses to explore the beauty I am beholding. The cacophony of color creates ideas and visions that I can picture in my mind and then bring to life onto canvas.  
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  • oil 24 x 24" Since childhood I found myself mesmerized in painting the mysterious beauty and complexities of the natural world, later I saw the same qualities of vulnerability and power interwoven in the aesthetic of female forms and nature. Having been forever awestruck by the sanctity and power of water, I infuse fluid organic forms in my paintings to provoke a sense of fantasy, reminding people of brief moments when life felt like dreamy encounters.  
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  • pastel 16 x 29 x 1" The ocean is one of my favorite subjects to paint because of its ever changing hues and shapes. I love painting waves and depicting the beauty and power of the wave just as it breaks. The flat water in the distance reflects the blues and purples from the sky. The true green color of the Atlantic Ocean can be seen as the wave crests.  
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  • freehand digital painting, archival pigment ink on cavas 1/12 32 x 40 x 1.5" It’s All True-NOW DRINK is inspired by the post truth, conspiracy theory, misinformation, current political climate we’re living in. In the painting we see a young girl scout, or is she a Neo Hitler youth, selling blue drinks and flat earth cookies. Behind her, childhood myths are presented side by side with obvious falsehood beliefs held by a number of people. They have drunk the Kool-Aid, a pop culture phrase which means blind obedience to an ideology or person even when presented with proven facts that their beliefs are false.  
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  • acrylic 20 x 30 x 1.5" In an Oasis of peace all my senses came to a palette of emotions observing gentle, warm pleasant view of brown and yellow tones. This moment was stollen from my ordinary hasty life style.  
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  • pastel 23 x 29 x 1" I painted this pieces based on some photos I took while I was at a park which had a pond. There in the pond hidden in plain sight was this frog, half submerged in the water. The color and light drew caught my attention, but also the subject matter. As I painted the frog, it made me think about people and how we humans also hide in plain sight for similar reasons. Have you ever played "hide and go seek"?  
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  • oil & oil sticks on Oleo paper 19.75 x 29.75 x .1" Hawaii is such an enveloping place, every island is unique. The dichotomy of the old and the constant evolution of these volcanic islands inspires. This view struck me as so American, of a time when America was new. The beauty of the early morning mist and the light illuminating the cows freely roaming around ancient giant trees was an amazing sight. The colors were so true. It kind of reminded me of the scenes painted by the Hudson River School of mid-19th-century American painters. Very romantic, moody and idyllic. The use of oil paints on oleo paper gave me the ability to give dimension to this amazing and unique landscape. Feeling it as I painted!  
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  • acrylic with handmade imported paper 16 x 20 x 2" My art for a lifetime has been about the magnificent diversity of humanity and nature. The ‘Endangered body of work’ was  begun fourteen years ago as it became evident that Mother Earth, the wildlife, and humanity are endangered from climate change, deforestation, overfishing, insecticides, pollution, poaching, and the effects of war. Mother Earth and Mother Nature are also often used metaphorically for women since many women find themselves in situations of endangerment globally. Tree of Knowledge I was painted with a burning tree because I feel deeply about all the women worldwide who are denied educations.  
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  • oil on canvas 20 x 16 x 2" I am a Philadelphia based artist who loves color! I use painting to express my interest in people and how they fit into their environment. Everyday experiences interest me the most. In this oil painting, I focus on 3 brothers enjoying the fading afternoon sun of the spring shoreline. They are comfortable being together, yet each of the boys are lost in their own world. My process begins by taking a photo with my phone, and rendering the lines, shapes and values with white and black charcoal on gray paper. Next, I choose the size of the canvas and compose the piece using yellow ochre watercolor. Finally, I use a variety of brushes to apply layers of oil paint to complete the image.  
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  • photography 28 x 17 x 1.5" The thrill of speed, spray, and splash during a boating adventure are my favorite ways to spend a day. Equipped with my Nikon and a telephoto lens, I sat aft observing the ensigns' flow and flutter. I favor a telephoto lens for its ability to draw viewers into the scene, eliciting a reflective response to the imagery. This vision was captured aboard "Irish" off Camden, Maine, in West Penobscot Bay. Being on a US-flagged vessel gives me a profound sense of security. I aim to search for images that convey significant symbols reflective of how and where I live. The clarity of bright days contributes to fulfilling my artistic pursuit of simplicity, symbolism, and the evocation of thought.  
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  • oil 30 x 20 x 1" Resilience Blooms: Surrendering to Growth is an oil painting that encapsulates the transformative journey of self-discovery and healing. At the heart of the artwork stands a woman, symbolizing the collective human experience and the pivotal moment when one realizes their worth and confronts their fears and past traumas. Surrealistically intertwined with the landscape, she signifies that our past is an inseparable part of us, but by facing it, we can foster personal growth and empowerment.  
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  • acrylic 36 x 36"  
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  • acrylics 30 x 30 x 2" I have been exploring color relationships and the interplay between shapes, light, and shadow for my entire career. Color is the driving force behind all of my art, and experimenting with a variety of mediums, materials, and sizes is an integral part of my creative process. In the painting Origami, thin layers of acrylic paint are glazed onto the canvas to give the illusion of light filtering through vibrant color. The effect of the loose brush strokes further enhance the softness of the light and give the paintings a more textural feel.  
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  • oil 26 x 22.25 x 1.5" I am inspired by the figure and the actions of the figure. Talking on a cell phone is truly one of the easiest actions to observe and provides a picture that hopefully everyone can relate to. People are very focused on their phones, so, drawing or painting that situation gives you multiple artistic areas to contemplate.  
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  • oil & thread on canvas 20 x 16" I used to weave carpet, this work is part of series, oriental that inspired by oriental movement in 19 century and my knowledge as carpet designer and weaver, this is the smallest in the series.  
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  • oil on canvas 30 x 30 x 1.5" Inspired by my daily walks in the nearby woods with my dog, I sought to capture my experience of the natural world through a colorful and dynamic composition. What sets Giverny Reflections apart is the overall patterning of colored marks, created through vigorous brush strokes.Someone told me that the intermingling blues, reds, greens, and yellows reminded her of Giverny. The sense of movement and depth, around the portion that suggests reflection and possibly water surrounded by foliage-like forms on either side, reminded her of standing in the garden there. So despite the fact that the inspiration came from my local walks I adopted the reference to that beautiful garden in France.
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