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acrylic 13.5 x 13.5" My work in paint explores the backyard of imagination using ebullient colors in combination with the serendipitous experiences found in processes that use untraditional techniques and alternative tools. The results are oddly harmonious incongruities. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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mixed media
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acrylic on cradleboard 13.25 x 13.25" Color and experimentation are my muses. The materials for this piece—principally palette skins with complementary abstractions—require a process of trial and error. A strong design is central to success! Anxiety caused by traversing real and imagined worlds is the burden of my process. Serendipity, its gift!
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acrylic on canvas 20 x 20 x 1.5" Bloom is focused in the photosynthesis of planktons and the journey this species go through yearly from the Atlantic to the Arctic. I was very intrigued to find this natural phenomenon and see the similarities to my work style. I intentionally mimicked the density of the reproduction of plankton, which their presence changes the color of the water in which they live, leaving a colorful trail in the ocean. My approach is very intuitive; through the use of washed acrylics aligned around earthy colors, I create space-contained systems driven by shapes, layers, patterns and textures to represent the alge bloom. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Bronze
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bronze 15 x 8 x 8" When my son did communion I noticed the altar boy standing in the corner. I was so inspired by all the young children, the beautiful innocence, the trust they give and the dedication given to join and understand tradition. Children are truly an empty vessel. I find it so ironic that we think we can teach and fill this vessel, when this emptiness is something we should all learn from. When I am able to listen and learn, when I harbor empathy and understanding deep within my soul, I feel like I can understand the child I saw standing in the shadows of the church, with all his earnestness.
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sculpture 11 x 9 x 11" It is often hard to appreciate the seasons of life, the aging, the changing, the growing, the adapting, and the coping. But the pain disappears when I remember there is a reason for each season, and it is merely so we can get to the next - Winter is here in hibernation; thinking and breathing; storing energy; coiling it up for the destined release. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Sculpture 9.5 x 11 x 11"Little Madison came to model for me but she was very shy and didn't know what pose to take. I asked her what she did for fun and she said she loved to draw. I said, "Me too! Would you like to use my drawing pencils and paper and make some drawings for me?" For over two hours she sat and drew, while I created this little sculpture. Her “Purple Shoes” led me to believe that deep inside this shy little girl, there was a big artist inside.
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Sculpture 15 x 8 x 4 in.
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acrylic on canvas 17 x 21" I like painting fish. I have always enjoyed painting fish in a still life. Done from life, I arranged the objects in the painting for their contrasting colors and shapes.
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mixed media 13.5 x 7" Connected/Disconnected Quote: ‘He stared at his phone like it was a magic eight ball. And on that day in a matter of seconds Mr. Harrigan predicted the future. The future of the internet, the future of the news, of fake news, social media, of pay walls and spam, of Julian Assange and Edward Snowdon and the world.’ John Lee Hancock, from the movie adaptation of Mr. Harrigans Phone and a novella of the same title by Stephen King. We all now stand heads bent paying homage to the world in our hands, ignoring all the rest of the world around us. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Handmade abaca paper, chains, nails, tags, pencil, and thread
56 x 23 in -
pastel 19 x 23"To find inspiration for painting, I sometimes get off the pavement and take the roads less traveled in the Midwest. This is a painting that resulted from my trip one early morning last Fall. I couldn't see well enough to determine if a deer was really off in the distance that morning, but something in the field looked like the form of a deer. I really enjoy capturing the natural beauty of the Midwest landscape to share with viewers--especially when the morning light creates such vibrant color for a painter to enjoy.
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oil on ceramic 13 x 6 x 6"
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seed beads & nails on canvas 24 x 24" Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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oil on canvas/seed beads 24 x 24" Night Cover is from a body of work that is considering barriers. I am using stone walls as a metaphor for exclusion and inclusion. I ask the viewer to consider where one is positioned in relation to the wall -is one included or is one excluded? The painting is oil on canvas with the seed beads hand laid around the image. The beads are in the background but they come forward creating a visual tension-a tension that is reflected in the notion of walls/barriers.
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painted steel wire on wood panel 23 x 26 x 2"My art depicts a broad and embracing perspective of human closeness to allow viewers' imaginations to respond in as open a way as possible. My parents suffered extreme early traumas that left them fearful of others. Their influence was a huge obstacle for me to overcome. As a result, I am sensitive to the damage to people, communities, and nations when fear prevents us from finding trust through recognition of our similarities and negotiation of our differences.
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painted steel wire on wood panel 17 x 12 x 1" My art is about closeness and the play of tensions that exist in our relationships. It has always centered the human figure, growing from single-figure studies to the portrayal of interacting groups. It directly reflects how deeply a desire for closeness has always existed in me. My parents suffered extreme early traumas, leaving them fearful of exploitation by strangers and uncomfortable in communities. As a result, I am extremely sensitive to the damage to people, communities, and nations when we are not able to become close and find trust through recognition of our similarities and negotiation of our differences. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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acrylic 31 x 41 x 2" In keeping with my deep interest in cultural signs, symbols and phrases I wanted to abstractly capture the slang term that was popularized on social media. RIZZ is a shortening of the word Charisma.
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clay 2 x 3 x 5" How can someone shoot a child? This is a young boy shielding a little girl in her classroom. I envision these two huddling next to a wall displaying preschool art, by an overturned desk, and away from a door. As much as he tries to protect her, he cannot. Wearing her favorite dress and he, his favorite hat and hoodie, their day began as any other. Unlike my other work, sculpting this was an emotional challenge that brought tears to my eyes until I had to stop. How do we make it stop?
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