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acrylic on canvas 24 x 36"
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oil on canvas 36 x 36"
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wood block print with gradient roll layer 12 x 16" "Dialog" depicting a visualization of the many ways a dialog can go between two people.
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mixed media 12.6 x 13.5 x 4"
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encaustic 24 x 24"
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acrylic 20 x 16 x 1.75"
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acrylic & oil on canvas 48 x 60"
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pastel (dry) 17 x 23"
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oil on canvas 48 x 48"
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bronze, patina 37 x 16 x 16"
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oil on canvas 54 x 54"
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acrylic & gold leaf 23 x 32"
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mixed media, painting, drawing & stitchery 12 x 18 x 1.5"
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watercolor 15 x 16"
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holographic collage on wood, silk, interference hues acrylic paint 8 x 8 x 1"
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oil & cold wax on canvas 18 x 24"
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digital photography 16 x 20"
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oil & collage on canvas 30 x 48 x 2"
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acrylic on canvas 36 x 36"
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acrylic on cradled panel 24 x 24"
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fiber collage 42 x 17"
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digital, cropped, color adjusted 14 x 12"
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digital, cropped, color adjusted 10 x 20"
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digital, jpeg 10 x 8"
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digital, jpeg 10 x 10"
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darkroom 12 x 15"
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digital raw capture, F/13, 1/20 sec, jpeg 13 x 19"
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digital photo on fine art paper 12 x 16"
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digital 24 x 20"
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Hasselblad CM, Tri-X (2-1/4) black & white negative film, silver gelatin print on Oriental Seagull Bromide Paper, G-2 14 x 11"
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digital, aperture, F/5.6, 1/640 sec., ISO 400, jpeg 8 x 8"
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LEICA digital, ISO 9706, printed on Canson Infinity Baryta Photographique paper 12 x 16"
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Nikon D 850, digital raw 12 x 16"
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Apple iPhone 14 ProMax, IS050, 58mm Oev 1/122s, f 1.78, jpeg 13.5 x 10"
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digital, 26mm, fl.8, 1/60 sec, ISO 600, jpeg 8 x 10"
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digital 20.722 x 15.278"
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digital, archival inkjet print 13 x 19"
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black & white digital photography 16 x 20"
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color digital photography 16 x 20"
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20 x 16"
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13 x 13"
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22 x 18" digital camera, printed on high quality Moab paper with an Epson inkjet printer
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platinum/palladium photograph 5 x 7"
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color photographic pigment print framed 18 x 22"
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oil on panel 12 x 16" I live near the Hudson River and have walked along it in every season and kind of light. One day I saw this pier from an angle that reminded me of Magritte – so how could I resist it? There were many other things I loved about this image - the contrast of textures in the metal pier, rough stone wall and tall grasses; the glow of the sand uncovered by the tide; and the distant skyline. I used glazes to create the glowing sand, and emphasized the horizontal constructions to contrast with the organic foliage form.
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soft pastel on Canson Mi-Teintes Touch sanded paper 18.25 x 13.375" My work is inspired by objects and scenes from the natural world. I work mainly in soft pastels, and watercolor. When I'm observing something, I'm not simply noticing the object or the landscape before me, I see the dance of colors in color, the lyricism of line, and the play of shapes through value and space. We are surrounded by sublime beauty in the mundane as much as in the extraordinary, and it's this transitory beauty that I am compelled to capture. Aiming to make my work accessible and easy to understand, I prefer to create representational work.
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inkjet print of photographed & digitally altered cut-out collage using transparent paper over a light box 10 x 8" I work with women images, creative colorful women in abstract shapes and light; this work illustrates women’s inner strength and balance. As Above So Below. Moving energy is an important skill. Feeling in your gut and projecting that feeling out is powerful. Holding up your power to present to the world is engaging. Our ideas are ready to materialize in the world.
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jpeg from large-format inkjet printer with plaster, pastel, charcoal, and pencil superimposed on the surface 12 x 16" Informed by relics of different historical cultures, my work suggests ideal forms as they exist in nature, the human figure and the man-made world. It imparts a fascination with archeology as it reveals traces of previous life, and offers clues to the distant past. My pieces imply a multi-planar reality, and a duality of time: past and present. This is presented in a structure in which overlapping and interlocking planes emphasize compressed space. Layers of fragmented, repeated images, transparencies of forms, and multifaceted colliding energies all contribute to a sense of time intersecting with space.
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color pencils on Strathmore Bristol Smooth 400 Series 17 x 13" Mushroom foraging is a popular Czech tradition and it’s one that my family (I am of Czech descent) enjoys. Chanterelles, lobster mushrooms, black trumpets and, of course, morels are our favorites. The basket of morels in my piece was inspired by mushrooms we picked on family land. I started looking at the photos I took that day. My artwork is a straightforward sharing of what I see in the world around me, whether it is my family, the traditions we share, or nature so I decided the textures of the mushrooms and basket would make a fantastic colored pencil work. The details were daunting and required patience I don’t always have, but the result was worth the effort!
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