recycled brown bags & acrylic on canvas
I am inspired by nature and I am a gardener and often am inspired by the flowers that I tend to. I use recycled brown grocery bags and paint them with acrylics. When the bags are dry I rip them and glue them together on canvas in the image of my gardens.
photography
The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.
acrylic on canvas
The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.
oil on canvas
A vivid dialogue unfolds between strong red background and the dark blue. glass vessels. Roses and glass vessels, in combination with a dagger, a sword, a pomegranate — suggest symbolic meanings. Though still, the composition carries reminiscences, an untold story, suspended in time.
oil on canvas
White roses and blue-and-white vessels are arranged before a yellowed page from a medieval manuscript. The imagery of knights, heraldic animals, and ancient lettering carries symbolic weight — courage, loyalty, and the passage of time. The objects and flowers suggest hidden emotions behind their decorative surfaces, inviting the viewer to look for personal and historical meanings within the stillness.
acrylic on canvas
Journey to Self, Outside Another Box, and Twisted each explore the complex, non-linear paths we take toward self-understanding and growth. Through layered colors, shifting forms, and circular movement, these works reflect moments of clarity, resistance, and transformation. They invite viewers to consider the ways we navigate change: sometimes breaking free from boundaries, sometimes finding our way back to center, always shaped by the twists and turns that make us who we are.
acrylic on canvas
Journey to Self, Outside Another Box, and Twisted each explore the complex, non-linear paths we take toward self-understanding and growth. Through layered colors, shifting forms, and circular movement, these works reflect moments of clarity, resistance, and transformation. They invite viewers to consider the ways we navigate change: sometimes breaking free from boundaries, sometimes finding our way back to center, always shaped by the twists and turns that make us who we are.
oil on canvas
This painting is about my parents' wedding. My mother was from a rich and powerful family and my father was from exile in the Siberian Gulag family. Mother's parents were strongly against this marriage and it was like Russian Roulette for my father. He did not know if he could have a happy life or he could end up in Gulag which is depicted in the painting.
oil on canvas
Insomnia This picture was painted shortly after my arrival in New York. There are references to ancient Greek culture and Homer's epic poem Odyssey. The painting symbolized the hope that in our journey we will not lose our own culture. And we will be able to join another culture that is still unknown to us.
digital archival photography sublimated to aluminum
I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.
digital archival photograph sublimated to aluminum
I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.
digital archival photograph sublimated to aluminum
I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.
oil
The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.
acrylic, handprinted paper, collage on canvas board
'Offering' was inspired by a trip to India where I participated in a service project. I had made a strong, non-verbal connection with this woman which seemed to grow stronger as the weeks passed. On the final day, she invited me into her home and offered a chai tea to share with her, along with one rupee she had kept hidden behind the counter. Her daughter commented thatches was her gift to me. the woman held my hand tightly as we left for the bus-- and followed my eyes through the bus' window as I sat to leave.. both of us in tears. I wanted to capture that moment when the connection felt as if we were just two women- our shared experiences reflected in each others eyes- no matter how far apart our worlds were. The other piece-'Tuk Sip' from a trip to Cambodia (Tuk=water)
I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.
My overarching goal is for my art to be a cause of enjoyment, providing a positive impact on viewers and society by inspiring delight and curiosity. Success and fulfillment in my artistic journey come from creating artworks that I am proud of—pieces that bring me great joy and a sense of accomplishment.
In midlife after my children were in college, I wanted to immerse myself in art. Up to this point, I had painted with watercolors and only planned to improve drawing skills. I fell in love with oil painting when my then instructor and now business partner, Matt introduced me to oils. Oil painting became my passion almost immediately. My love for running on wooded trails and open fields naturally inspired my desire for landscape and plein air painting. Key achievements have included winning prizes at local art shows and acceptance into organizations such as NAWA.
Cathy Lazar is a fiber artist living in Northern New Jersey. At age 14, she studied with Walter Nottingham at Haystack Hinckley School of Crafts. She received a degree in Textile Design at the Rhode Island School of Design. After graduating, Cathy brought Kermit and Miss Piggy to life at the Muppet Workshop. Soon after, she founded Cathy Lazar Costumes and Soft Props, producing three-dimensional works for Claes Oldenburg, Bruce Springsteen, SNL, Laurie Simmons…She constructed over-sized objects for iconic brands such as Reebok, Oreo, and Elizabeth Arden. Cathy was introduced to mosaics in 1992. In her Shardonnay Mosaic Studio she has mentored women and girls for over 25 years. In 2018, Cathy returned to her textile roots, creating art quilts. Her quilts expand beyond the traditional.
Susan Schrott is an award-winning textile artist celebrated for her luminous, soul-stirring creations that radiate color, strength, and joy. Through hand-dyed fabrics, intricate stitching, and shimmering embellishments, she brings to life powerful feminine figures that embody resilience and hope. Susan’s art has been exhibited nationwide in both solo and group shows, featured in major publications, and collected by institutions and private patrons alike. Her work has also appeared multiple times on CBS Sunday Morning. Guided by the belief that art awakens the dormant light within us, she seeks to inspire transformation and emotional connection through every piece. Susan is the author and illustrator of Rise with Radiance: Drawings and Inspirational Words to Light Your Path Every Day.
oil
Painting is my expression and my analysis of the world around me. It’s a progress of continual growth, which sometime fairs well and other times pushes me to go beyond my comfort zone."
My hope is that my art may entice your senses and inspire memories from that past or your future which is yet to be.
Susan Klem has taken classes and workshops from nationally known artists. She thanks them greatly for opening her spirit for painting.
photograph on canvas
Walking through the tropical area of a Costa Rican coffee plantation, I discovered these vibrant beehive ginger plants. I spent an hour capturing them from different perspectives, ultimately focusing on the spiral pattern at the very top of the bloom. This overhead view emphasizes the bold fuchsia color, geometric structure, and natural symmetry of this tropical flower. Placing the image against a black background—my signature approach to floral portraits—transforms the living plant into a sculptural study that reveals the universal beauty found in nature's diverse forms.
leather, acrylic paint, and spray paint on canvas
Using leather in my artwork felt like a calling. I’m not sure where it came from, but I knew I was supposed to explore using leather in my work and see where it took me. I have fully leaned into it. I love working with the organic edges and unique shapes of the leather. I enjoy the challenge of arranging the pieces into a composition to tell a story or evoke a feeling or vibe.
acrylic on paper
Myriam Eberhardt, known as Mymi, is a self-taught abstract painter based in Jackson Heights, New York. Born in France, she began her creative path as a pastry chef before discovering painting as a more intuitive and mindful form of expression. Influenced by her sister, who studied at the Beaux-Arts in France, and her grandfather, an oil painter, Mymi creates vibrant abstract works in acrylic that celebrate color, movement, and emotion. She exhibits regularly at the Grand Bazaar NYC, the Artrider Fine Art Shows, and is an ongoing student at the Art Students League of New York.
mixed media on paper
Reen Troy is an award-winning abstract artist whose vibrant, mixed media art celebrates the joy of water in landscapes. Her art is characterized by expressive textures, bold color palettes, and a sense of movement.
After graduating from the University of Michigan with a Bachelor of Fine Art, Reen worked as an Art Director then started her own graphic and website design company.
In 2019, Reen was treated for breast cancer. She has been cancer-free for five years. From this, she gained a deeper appreciation for life, family, and the healing power of art. This led her to relocate to Florida in 2023.
After relocating to Florida, Reen’s art has shown in numerous juried shows and has won awards, including “Best in Show,” at the Manatee (now Herrig) Art Center “Member Show.”
gouache on paper
Carol Fabricatore is a New York–based visual artist known for her narrative imagery and emotional depth. Drawing inspiration from the cultural diversity of urban life and natural landscapes, her acrylic and gouache paintings explore the complexity of human experience. A graduate of the School of Visual Arts, Carol has exhibited widely, including at the SVA Visual Arts Gallery, The National Arts Club, and in St. Rémy de Provence. Her work has been featured in The New York Times, The Wall Street Journal, and American Illustration, among others.
oil on passwood panel
After graduating college with a degree in Studio Art, I branched out into Graphic Design and mural painting, while continuing to paint on canvas when I had time.
In recent years, with an empty nest and more time, I’ve been painting much more prolifically. While I feel that I’m still learning and will continue to learn with every single new painting, I also feel as if I’ve finally reached a point where I know what I’m trying to express. I’ve also honed my skills to a level where I’m able to effectively convey my concepts.
I've also been showing my work much more publicly and frequently--in group shows in the tristate area in the last few years, with two solo shows since 2019, and another coming up in 2026. I'm thrilled to be a member of NAWA, and have my work shown in this exhibit.
goldleaf, washi paper, oil on paper
I am a multi-disciplinary artist in Santa Barbara, CA. I graduated from the University of California San Diego with a double major in art and cinema, then worked as a camera assistant in movies for 20 years while showing my ceramics at LA galleries. I began painting in oil and creating collage during the pandemic and received so much encouragement that I opened my studio in 2023.
My first year as a professional artist, I was awarded an Emerging Artist Fellowship by the California Arts Council. I also had my first international showing at the International Exhibition at the Tokyo Metropolitan Art Museum, with one work winning an "Award of Excellence" and the other a "Gold Award" (the highest honor). I've gone on to win Gold Awards in the same show in 2024 and 2025 and show internationally
acrylic on canvas
Trees Die Standing
This painting is inspired from a favorite Spanish play I read by Alejandro Cosana called “Los Árboles Mueren de Pie” translated it means Trees Die Standing. The story is about a family trying to prevent their elderly matriarch from hearing tragic news for fear it might kill her. She finally hears the news and continues strong taking care of the family. She says she is dead inside, but still standing, like a tree dies standing up.
“Do not see me fall. Dead inside, but standing tall. Like a tree.”
It reminds me of women who are nurturing caregivers of children and elderly, who need to show strength by standing strong, despite their grief.
acrylic on canvas
I am an abstract artist whose vibrant, layered paintings explore the emotional resonance of color, movement and transformation,. I started painting in 2008 with a passion for art as a catalyst for feeling, conversation and new ways to see the world and to invite viewers to pause, reflect and connect with the energy of each piece. My work has been featured in galleries and exhibitions across the east coast, earning recognition for its expressive depth and joyful spirit.
mixed media fabric collage
My artwork is a fusion of traditional and experimental media, incorporating collage with fiber, painted fabric, printmaking and hand stitching. My color palette is inspired by colors of nature, with contrast created by the juxtaposition of texture and media. I hand paint and print natural fabrics with acrylics and watercolor. Color families emerge, a collage begins, and I begin to stitch.
The Great Divide was created using an intuitive process. I created a balanced composition with hand printed papers, commercial fabrics and painted fabrics. The botanical square is a gel print; the cheesecloth "fabric" is acrylic paint using unconventional mark making tools. Once I established my collage, I began to use thread as structure and mark making. The strong diagonal is my Great Divide.
oil on canvas
Christine Knize,alumna of Tyler School of Art, BFA and Rhode Island School of Design, MFA, was born in NYC.Her academic journey led her to spend 3 years in Italy and France,specializing in the Renaissance.In 1986, Christine moved to Miami, where she established a paint decoration company which drew the attention of numerous celebrities.Christine dedicated years to the restoration of the Biltmore Hotel, where she meticulously revived the hand-painted finishes adorning the lobby and ballrooms.She also played a role in the initial renovations of Miami Beach Art Deco hotels,contributing to the preservation of historical landmarks.After three decades in Miami;Christine embraced a new chapter in Jacksonville, Florida,where she channels her artistic energy into creating large canvases of orchids.
oil on canvas (raymar board)
I love the landscape. The painting is truly a celebration of light. My plein air paintings provided me with the composition, scale, and light pattern for this studio piece. " In June's Light" exemplifies the exceptional light patterns of what one finds in Giverny and the exceptional landscapes found abroad.
acrylic and graphite on canvas
The roots of my work can be traced to my academic studies in Fiber Art. Contemporary women icons studied were Sheila Hicks, Olga de Amarel, Lenore Tawney, Claire Zeisler and Adela Akers just to name a few. There were very few men making their mark with fiber as historically it was “women’s work”. Relegated to “craft” rather than “fine art” further denigrated this art form.
ABSTRACTION was and still is a key component in the Fiber Arts. These explorations of form, texture, pattern and color is my life-long study and practice. It was a natural progression for me to continue to investigate these qualities of abstraction when I pivoted from fiber to paint and canvas.
This piece is part of a new body of work applying my deep roots to fiber to abstract painting.
oil on canvas
These buoys were hanging at a pier on West 41st St. in New York City. I loved the unexpectedness of the buoys, with odd shapes and unpredictable colors. Their distressed quality made for a more interesting subject. I painted this realistically but with the hope that the final outcome would have abstract qualities.
acrylic on canvas
I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.
My artistic approach is mostly intuitive with a constant awareness of color combination and contrast. The use of strong colors is a direct influence of my Brazilian heritage. Using fabric as the medium to create my art pieces was a natural choice since I have been working with it from my teenage years.
fabric
I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.
My artistic approach is mostly intuitive with a constant awareness of color combination and contrast. The use of strong colors is a direct influence of my Brazilian heritage. Using fabric as the medium to create my art pieces was a natural choice since I have been working with it from my teenage years.
acrylic and charcoal on canvas
Having a solid foundation in Natural History and Botany, I find myself inspired by nature at both macro and micro levels. I am captivated by the shapes, structures, and colors of the stems, leaves, flowers, roots, and fruits of the plants I am familiar with. My more recent projects delve into the complexity and interwoven aspects of gardens and natural environments. Typically, I begin a piece with a charcoal drawing, followed by an underpainting in acrylic, where I layer warm and cool colors alternately. The finished artwork emerges through dynamic brushwork, aiming to convey both energy and texture.
watercolor pencil
In The Rendezvous, two small creatures--alternately half bird/animal and half human--in an idyllic garden are balancing on a mostly real flower. Although it looks unreal.
Who or what is the "better half"? Why? How does picking a partner who has qualities you are missing or wanting play out? One might allow any associations it flower and go to seed.
Representing my thoughts on relationships visually provokes thoughts not only in viewers but in me as well. I think that much of life feels unreal partly because the unconscious and subconscious are running the show that we call life.
The National Association of Women Artists, Inc
15 Gramercy Park South
Suite 301
New York, NY 10003
office@thenawa.org
646.461.0068
© 2026 National Association of Women Artists, Inc. | All rights reserved
TERMS & CONDITIONS
This site is protected by reCAPTCHA
