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Lupita Kneeds acrylic 24 x 18 Lupita Kneeds is another of the series inspired by Laura Esquivel's novel "Lupita also Liked to Iron". It is another meditation in motion, with a nod to my Latina heritage and the indigenous adobe homes of Mexico. The title is a play on the word "kneeds" and "Needs". I hope this painting gives the viewer a quiet moment of contemplation. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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To My Favorite G.I. collage, acrylic, charcoal on panel 24 x 24 During World War II, my father wrote more than 500 letters to my mother while fighting in the Pacific Theater. Two works from my Between the Lines series—"To My Favorite G.I." and "Left Behind"—focus on the women and girls whose lives unfolded in the shadow of those letters and events. "To My Favorite G.I." incorporates original correspondence and photographs my mother received from overseas. Her image became a lifeline—proof that love, beauty, and constancy still existed amid chaos. On the back of one small photograph she wrote, “To my favorite G.I.” The term “G.I.” was not anonymous to her; it was intimate. A coded declaration of belonging, resilience, and hope. This work honors the countless young women who stayed behind to wait, work, worry, and believe. "Left Behind" turns to the quieter, often overlooked experience of children shaped by war. Lorraine stands suspended between innocence and fear, forced into emotional adulthood by absence. Her story reflects generations of young girls whose lives were irrevocably altered by conflicts they did not choose. Together, these paintings bear witness to longing, faith, and endurance carried by the women and girls who held families, memories, and futures together while history unfolded around them. In creating these works, I sought to capture what could not always be spoken—the quiet strength, unresolved longing, and inner faith that sustained those at home. Through layered imagery, fragmented text, and partial concealment, the paintings mirror how memory, love, and absence coexist, shaping lives long after the war has ended. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Edith oil on Wood Panel 4 x 4 Portraits are immeasurably fascinating to me for their breadth of expression. They can articulate an expansive language of mood and atmosphere. They can convey intent, brashness or delicacy, anxiety or hesitation. A viewer can vicariously venture into the realm of a face to invent a story about a person. I wanted to make these portraits in a miniature scale, so to bring a viewer close in proximity to the individual moods of each woman. They are intimate in scale yet vigorously alive with thick paint. Each portrait is 4" X 4", oil on wood panel. Painted with tiny brushes, the portraits of these women nevertheless remain hugely present. They reflect an unshakable vitality immersed in atmospheric spaces. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Embrace Yourself As You Are found objects 9 x 5 x 5 I am a narrative found object assemblage sculptor. This work is from my Relationship With Female Beauty/Image Series. Women are bombarded with images of how we should look, what we should wear, the products we should use. Our face, our hair, our bodies are judged by some unrealistic standard. No wonder so many young girls struggle with body image. At the other end of the spectrum, we older women often feel we are invisible. I do feel that some women are now standing up to this barrage and reminding us that we are each beautiful in our own way. I am trying to do my part in this effort. I started collecting vintage compacts and beauty products and was motivated to create a series of work reminding us that we are so much more than our reflection in the mirror. All women and girls, all sizes, shapes, colors, and ages should feel beautiful about themselves. Whether you are a cowgirl or a ballerina "Embrace Yourself As You Are." Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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All Weather Mom, Harding Elementary School 2021 dry pastel on paper 15.75 x 10.75 Harding Elementary School in Albany CA is alive with great images right when school is out for the day. There was a slight break in the wether so that this Mom and her little kid could maybe get home dry but have some fun on the way. My pleasure to record this moment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Sāji ga hassei suru (a surge occurs) II oil 24 x 36 Sāji ga hassei suru (a surge occurs) II refers to the place of change, the great spirit, the believer's heart, seen as the creator and sustainer of all things. As artists, we are the creators and sustainers of our creations, representing yin and yang—a surge of positive and negative energies fused by one's attitude and stance. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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White Rose oil on oil primed linen 30 x 26 This is a reference to the women of the White Rose Resistance group of WW II. This painting honors the subtle ways women carry memory, emotion and lived experience. It is reflective of women as authors of meaning and holding personal histories within everyday spaces. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Mother Nature's Fury acrylic, ink, gold leaf, on linen 36 x 24 Mother Nature's Fury represents the constant battle of nature vs human made disasters and climate change. She is constantly in survival mode against forest fires, drought, flooding, and deforestation. Mother Nature is the story of our natural world and the balance that is key to survival for all living creatures. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Disturbanceprintmaking24 x 18In the vast expanse of the universe, art serves as a bridge to the spiritual realm, inviting us to explore the infinite and the intangible. Through this series of monotypes, I strive to explore a universal language, which will unite us in our shared humanity and spiritual quest. Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Tranquilityprintmaking24 x 18In the vast expanse of the universe, art serves as a bridge to the spiritual realm, inviting us to explore the infinite and the intangible. Through this series of monotypes, I strive to explore a universal language, which will unite us in our shared humanity and spiritual quest.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Passengers 1printmaking12 x 12After a drive through a state park, I was inspired to make line drawings of rock formations viewed from the passenger window of the car. The drawings became the foundation for a series of relief prints on paper. The printed paper was then cut into and interwoven with sections of aluminum sheeting and photo transparencies made from vintage photo albums.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Avianprintmaking26 x 22In creating a monotype I like the spontaneity and immediacy of it. I am a sculptor where everything is planned and can take a year. When Avian emerged from the rolling of ink and the pressing of paper, it was a genuine surprise of colors and form.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Ensembleprintmaking8 x 30My husband is a drummer who plays in musical ensembles. I often listen to the music, and sometimes I enjoy drawing the visual images of the players. I so respect their art and artistry, their intensity, at times calling them magicians rather than musicians. Maybe it is just a second language to them, but to me it feels magical, making a group sound with years of study and theory behind what is now transcendent. I did studies of each of the men in charcoal, and then created this triptych showing all of them, separately but together, as jazz sometimes tends to be. The likenesses are of Bill O'Connell (piano), Michael Goetz (bass), Caroll Scott (vocal), Vincent Herring (sax), Richard Baratta (drums), Paul Bollenback (guitar), and Paul Rossman (percussion).Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Link to Purchase: https://contemprints.org/about/contact-us/
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Waterbirdprintmaking14 x 11On a visit to Fort Myers, Florida, I was walking along the water at the Ford and Edison estates, and saw an egret wading by, searching some dinner perhaps. I took a photo, and wanting to show my students how to layer linoleum blocks, (used Gomuban), I took on this project.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Waterbirdprintmaking17 x 28This is the second in the series of "Watcher" images based on the symbol of the Mesopotamian Eye Goddess. I experimented with different types of paper, chalk as and ink. I consider this Eye Goddess image a representation of Mother Earth,-a mythical variation, who watches as humans desecrate the environment.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Melancholiaprintmaking12 x 9I am both a professional musician and artist. I experience life as having order as well as disorder through sound and sight. I create art along with music. The execution of the painting/print therefore becomes a personal performance, as were my song recitals when I was singing professionally, the one difference being: I am not interpreting someone else's poetry - I am creating my own in color and shape.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Zoo Series - Tundraprintmaking12 x 12Zoo Series communicates the interconnectedness of life in a series of circles of life drawings which I made into serigraphs. They go along with related animal tales/poems titled Magic Circle. Tundra is a serigraph which used one of those graphite drawings as its basis. When I created my drawing, I thought about how it would translate into a serigraph. I then scanned, refined, and adjusted the scanned image before making a bitmap of it to be printed on a transparency film. I developed the transparency onto a screen, which was coated with a light sensitive emulsion in a developer. After rinsing out the screen I applied ink through the screen onto the paper below. When I edited the print, I added additional colors by painting ink directly onto the print. What makes serigraphy, or more commonly known as silkscreen printmaking, the perfect printmaking mode for my art is, I can retain areas of pure white paper, capture the tonality of my drawings, and place areas of intense color that either overlaps part of the image, or lightly kisses the edge of image. Kathleen ZimmermanAdditional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Lake Effects 1printmaking24 x 18My monotypes are essentially printed paintings, each a one-of-a-kind piece. I use a very time-consuming method of working in layers on zinc plates with oil pastels, oil paints, lithographic crayons and hand-cut stencils, often using the ghost image left on a plate or a paint-laden stencil to launch a series. The plate is printed on Arches Cover or Rives BFK on an etching press. This is the first of two prints in this series - the second was created using the ghost image of the first. It is darker, mysterious, and has an added figure.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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My Motherprintmaking19.5 x 25My Mother She loved me so She broke her heart Gave me away. Are you my mother?Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Pebble Wave 2printmaking13 x 12The variety of soil textures from fine sand to heavy pebbles create a great variety of surface textures which are especially interesting to me. Embossing seemed the most appropriate way to address that. As a flat embossing I discovered that both front and back of the embossing were of equal interest. Manipulating the piece to show both front and back increased interest as did the cutting of chosen spaces.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Forgottenprintmaking12 x 12The freedom to experiment on a gel plate is endless and never knowing the end result can be thrilling or very disappointing, but one never tires of the endless medium. This piece has a rich, Asian flair which works well with the tones and textures.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Monoprint #202521printmaking12 x 12Gel printing offers the artist and endless choice of experimentation. The use of acrylics pushes one to work fast or when layering to leave for hours to allow drying. Either way the artist never knows the end result until they pull the print. Which in itself is quite exciting!Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Diversityprintmaking7 x 7Noticing how differences make life sweeter, this concept was originally a drawing before creating a linoprint. Sameness makes the world a boring place, it is the differences that enhance the flavor.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Shifting Blame 8 x 8 printmaking In the current political climate, women's assertions and opinions are often belittled, disregarded, or discounted with those opposing the view shifting the blame. In addition to the accusations swirling in the atmosphere, they also swirl in the mind, a tangle of hurt. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Three Womenprintmaking22 x 14.5Since the pandemic, I have been incorporating masks, braille, hair and materials of everyday life in monotypes to explore how we hide or reveal ourselves. This series, “Who Sees?”, explores the use of veils, masks, head coverings, face coverings in different cultures. How do we perceive women when they are veiled or masked? Are they disempowered or empowered? Do the masks/veils offer freedom or protection or bondage? The images that I create are multilayered, pushing us to delve deeper into this subject. “Who Sees” simultaneously draws you in and pushes you away.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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1940's Coney Gangprintmaking20 x 29This monotype represents a simultaneous dive into recently discovered family polaroids and exploration into Monoprint. It is part of a larger body of work, "Why I Love the Beach."Link to Purchase: https://contemprints.org/about/contact-us/Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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1940's Coney Gang printmaking 13 x 19 This monotype represents a simultaneous dive into recently discovered family polaroids and exploration into Monoprint. It is part of a larger body of work, "Why I Love the Beach." Contact to Purchase: Sales are through Center for Contemporary Printmaking: Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Breezy 2printmaking15 x 15This is one of many 'Moveable Collagraphs' that I’ve printed using cut shapes from many different textured and smooth materials such as sandpaper, tarlatan, magazine pages, string, cheesecloth and cardboard. I ink up the pieces, place them on a Plexi plate and run them through the press. Sometimes I will ink up the plate with color first and place the shapes on top or I will add Chine-Collé on top of the inked pieces. I almost always just do only one run through the press. In this piece I used sandpaper, tarlatan and cheesecloth on top of an inked up Plexi plate.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Radiance (from Universal Mother Series)Intaglio12 x 12I was contemplating the Divine Feminine and its iconography, and did not recall an explicit power symbol rooted in sacred geometry. A female counterpart to the Vitruvian Man, the image of the Aquarian Woman emerged while I was training for underwater swimming, practicing prolonged breath holding. Here in the zero gravity situation, my mind became very still and clear as the sunlit pool water. The name represents the Aquarian Age, which succeeds the Piscean with the passing of the millennium. I created a Universal Mother Series, expounding on my momentary but impressive vision. I have several versions of her, drawn, painted, and sculpted since 2015. This intaglio version was printed in the first days of 2026.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Flip OutIntaglio14 x 7The Hexagon is my go-to geometry to play with — its recombinant qualities permit it to fold or bend in optically exciting ways. I think of the hexagon now as three diamonds in different combinations. As I imagine these falling through space, the ambiguosbess of these falls comes into question in ways that urge the viewer to focus and help guide the descent.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Link to Purchase: https://contemprints.org/about/contact-us/
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The Quiet Beforeprintmaking14 x 11My current work is a documentary self-portrait as I go through pregnancy, childbirth, breastfeeding and postpartum. The multidisciplinary installation consisting of video, glass and breastmilk sculpture, as well as paintings and etchings, is a direct cry of motherhood pride and fragility. I viscerally address the taboo topics of motherhood and its untamed essence, and challenge societal perceptions, advocating for the rights and lived experiences of mothers. In my practice I dissect, peel, slice, unveil and reorganize extreme experiences to help me process the impacts.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Time Stands Stillintaglio8 x 11My current work is a documentary self-portrait as I go through pregnancy, childbirth, breastfeeding and postpartum. The multidisciplinary installation consisting of video, glass and breastmilk sculpture, as well as paintings and etchings, is a direct cry of motherhood pride and fragility. I viscerally address the taboo topics of motherhood and its untamed essence, and challenge societal perceptions, advocating for the rights and lived experiences of mothers. In my practice I dissect, peel, slice, unveil and reorganize extreme experiences to help me process the impacts.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Link to Purchase: https://contemprints.org/about/contact-us/
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Asylum (Canton Asylum for Insane Indians, 1903)Printmaking14 x 11In 1898, Congress passed a bill creating the only "Institution for Insane Indians" in the United States. The Canton Indian Insane Asylum, Aka Hiawatha Insane Asylum, was a federal facility for Native Americans located in Canton, South Dakota, between 1898 and 1934. It was a vehicle for the U.S. government to lock-up "problem" Indians or so-called "troublemakers" from across the United States. Many of the inmates were not mentally ill. Native Americans risked being confined in the asylum for alcoholism, opposing government or business interests, or for being culturally misunderstood. A 1927 investigation conducted by the Bureau of Indian Affairs determined that a large number of patients showed no signs of mental illness. While open, more than 350 patients were detained there, in terrible inhumane conditions. At least 121 Indians died and were buried in unmarked graves on the site. The asylum was closed in 1934. Today, this story is still so horrific, that Native Americans still refuse to talk about it. This is precisely the reason that I chose to expose this true gruesome account of American history, that others would like to sweep under the rug.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Lily PodsPrintmaking17. 5 x 11.5my first love of printmaking began with linocuts.I have always enjoyed the physical aspects of gauging out the linoleum plate . Linocuts to me ,are about exploring an image using shapes, lines, shadows and texture.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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GoldenPrintmaking10 x 8The light entering my studio fell on my face as I opened the blinds. A calm spread through my body as I held the glow and took a breath.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Coney Island SunsetPrintmaking12 x 8The light was just right as we trudged towards our car after the Polar Bear plunge on January first. Coney Island is vibrant even without a stunning sunset.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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I am you as you are me as we are all together. intaglio 22 x 30 This is my most ambtious work as it includes 5 different plates working together to form an image. The introduction of color was also new. The hands and the faces are all the came colo. However, center block is hand rolled, Therefore, each print is slightly different. Perhaps it is best described as an intaglio monoprint.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Poppy in the Seed watercolor 20 x 16 I live in Colorado, a state the holds its beauty in every season. When Spring comes around, I look forward to my poppies exploding with color beneath my peach trees. This brilliant poppy caught my eye as the leaves casted shade from the morning sun. I started drawing it plein air and finished with watercolor in my studio. My intent with this piece is to invite contemplation through its interplay of light and shadow, evoking emotions tied to nature and tranquility. Blurring the background enhanced the poppy's prominence, allowing it to stand out as a focal point. This artwork can be seen as a metaphor for resilience and beauty in the midst of uncertainty, reflecting my emotional connection to nature. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Buzz On In oil on canvas 24 x 24 These two painting portray in full bloom in two separate ways. “Burgeoning” It represents the possibilities that can take place if a person is permitted to grow. For once growth is released it can flourish into thoughts, ideas and dreams that build upon themselves. “Buzz on in” Is a more literal take on full bloom. It represents the concept that once you bloom you invite others to become attracted to your courage, vibrancy and delicateness. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Wreath digital collage 8 x 8 These images are part of a visual book I am in the process of completing which I call "Lacrimae Rerum", "the tears of things"--everything is ephemeral, we are unable to step into the same river twice.......... Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Magnolias I oil on canvas 16 x 16 Portraits are my favorite subject. While I am painting a face, I am one with the person, and there is an exhilaration that comes from achieving this intimacy. To me, comparing it to painting faces is painting flowers. One of my favorites and one that blooms very early is the Magnolia. I am attracted to it because of its colors, so delicate and nuanced, from white to cream to amazing tints of pink with darker details here and there. I enjoy examining how the light falls on each part of the flower to give it its unique shape and personality. Painting these flowers fills me with joy. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Springs Renewal acrylic on canvas 24 x 12 In North Florida, life-giving springs recreate themselves endlessly with a continuous upwelling of fresh groundwater from visible, boiling-like fissures in the limerock that underlies the State. In a world of relentless change, this one constant reminds us quietly that renewal will bloom and a fresh start will present itself if we are only a little patient. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Coming to Life thread, watercolor paper, and foam board 24 x 18 I combine color, geometric shapes, and symmetry to create compositions that feel harmonious and invite the viewer to look closer. By stitching, cutting, and layering paper, I create windows of depth within each piece. My work explores themes of everyday thoughts, feelings, and experiences, aiming to foster a sense of personal connection that feels comforting, empathetic, and familiar. A recurring theme in my work is resilience. I have always been inspired by the strength and beauty of flowers, which bloom even in challenging conditions. Their resilience reminds me that, even when I feel helpless or frustrated by circumstances beyond my control, I can choose optimism and hope. I can choose to thrive and bloom. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Iris Entangled watercolor 27 x 19 I love viewing natural objects as potential paintings. Nature soothes me, and my art aims to create a peaceful feeling using vibrant colors and intricate patterns. I find a childlike wonder in watching water create beautiful shapes. Though I enjoy painting outside, my best work happens in the studio, allowing me to focus on evoking the emotions I want my art to convey. My goal is to create soothing and captivating paintings that offer viewers a serene escape into the beauty of nature. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Motion (with an E) mixed media 23 x 23 This piece evokes a pond teeming with life, energizing memory and awakening dreams for the future. It’s a breath of fresh air. Fragments of colored glass, mirror, textiles, and cherished charms gathered from an artist soulmate radiate like currents across the surface, recalling a beloved stream. Woven into a circular form mounted on a clock, this work marks the passage of time while honoring remarkable lives left behind. Hard and soft, structured and organic elements exist in harmony, reflecting renewal. This mixed-media mosaic is a vibrant celebration of life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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She Commands the Current oil on canvas 16 x 12 This work honors my woman ancestors—those whose strength, intelligence, and intuitive ways of knowing were often unrecognized or unnamed. Their legacy is carried forward through the body, through perception, and through an increasing attunement to unseen forces. The electrical lines extending outward suggest transmission as much as reception: the figure absorbs cosmic energy while simultaneously radiating it back into the world. I dedicate this to my late mother, a woman who was a conduit of power, perception, and inherited knowledge. She stands beneath a luminous moon, her gaze lifted and unwavering, as if listening to frequencies beyond the visible world. The currents radiating from her head are both electric and ancestral—visual manifestations of intuition sharpened over time and wisdom accumulated through lived experience. The moon functions as a cosmic anchor, symbolizing cyclical time, memory, and the enduring presence of those who came before. Its craters echo the marks of age on the figure’s face, reinforcing the idea that time leaves evidence not as damage, but as history. The woman’s crossed arms and grounded posture convey authority and self-possession. She is not passive beneath the cosmos; she is in dialogue with it. Aging, in this painting, is depicted as an expansion of consciousness. With time comes a heightened sensitivity to patterns, rhythms, and truths that transcend the individual self. This figure embodies the idea that as we age, we grow closer to the cosmos—not by leaving the body behind, but by fully inhabiting it, charged with memory, lineage, and luminous awareness. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Prepare for the Coming of the Messiah oil and painted found object on canvas 32 x 16 Prepare for the Coming of the Messiah was inspired by images of women that have carried belief, care, and expectation across generations. Drawing from Raphael’s Madonna della Sedia, the work references a lineage of female figures who have served as vessels for faith, hope, and projected futures. These images have shaped cultural memory and visual language for centuries, often placing women at the center of narratives of salvation and renewal. Into this familiar composition, a twentieth century baby doll protrudes from the canvas, partially painted and partially intact. The doll disrupts the idealized image of motherhood and divinity, introducing something awkward, fragile, and unresolved. The doll becomes a stand in for uncertainty, longing, and the persistent human desire for transformation, motherhood and nurturing. The work considers messianic belief not as a singular religious event, but as a recurring hope carried through time, often borne by women’s bodies and labor. By merging classical painting with a mass produced object, the piece collapses past and present, sacred and ordinary. It honors the women who have carried stories of faith, rebirth, and endurance. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Spring Vibe acrylic and charcoal on canvas 20 x 16 With a strong background in Natural History and Botany, I am very much drawn to abstracting from nature both on a gross and cellular level. I have a fascination with the structures, forms, and colours of stems, leaves, flowers, roots, and fruiting bodies of the plants I know so well. The twisted and intertwined organic nature of gardens and natural places is where I gather much of my inspiration these days. I am fascinated with abstracting from both the living and dead forms of plants, and I am just as happy painting neglected flower beds with all the weeds and rotting wood and fungi as I am a manicured garden. Strong brushstrokes, colour, and texture are key elements to most of my works. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Petals for Thee oil on canvas 10 x 8 My painting, Petals for Thee, was inspired by new beginnings and the wonder and joy of things to come. Created with both brush and palette knife, I strived for a variety of textures to infuse depth, form and movement. The unique color palette was chosen to bring Petals for Thee to life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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White Peony Awakens digital archival photograph sublimated to aluminum 11 x 14 I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at us at warp speed, there is profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of a single image made with the vision and ever evolving techniques of fine art photography. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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