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Ominous Clouds...I am searching for Blue SkiesWatercolor and gouache on watercolor paper
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Traveloil on canvas paintingSize: 17 x 22This painting represents one of my Rabbit World Series. It depicts a fleeting moment in nature, captured on canvas.
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Guanine Molecular Dancingacrylic, acrylic pen , paper collage on canvasSize: 28 x 28I am a biochemical engineer turned artist. Using fast-drying acrylics, unconventional tools, and collage, I embrace spontaneity and imperfection. My paintings evolve intuitively, revealing textured layers and organic meaning while exploring interconnectedness across science, cultures, disciplines, and inner and outer worlds. This piece reflects how the fundamental structures of life take on fluid, rhythmic forms. The Guanine (G) molecule—a nucleotide of DNA—transforms into a dynamic dancer, its movement inspired by my own dance practice and echoing the invisible forces that shape all living beings. Each pink dot marks an atom within guanine’s structure, labeled as C (carbon), H (hydrogen), N (nitrogen), or O (oxygen), reflecting its true formula, C₅H₅N₅O. Flowing organic elements, scientific notations, and ethereal light intertwine, bridging the molecular and the cosmic. Like the series it belongs to, this painting dissolves boundaries—between science and art, structure and spontaneity—to celebrate the shared essence of existence.
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Tall Tree with Tern and Towheedirect bronze casting of driftwood-modeled birdsSize: 29.5 x 9 x 7I have made about 100 direct-cast bronze "trees," cast from found branches of wood (this one is river driftwood), and also about 350 direct-cast sculptures from knitted or crocheted yarn immersed in melted wax. As there is only one of each original branch or knitted composition, all the pieces are unique. I love seeing the work progress from something soft and impermanent to something hard and long-lasting, and also from plain metal to something colorful and lively.
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Uncertain Terrainoil on canvas paintingSize: 18 x 24Uncertain times, shifting perspectives and the need to rebalance in a challenging terrain
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Fluidity of Universal Time Poured watercolors, acrylics, UV varnish on canvas Size: 18 x 24" In recent years, the universe has been an intriguing source of inspiration. I have created a series of three unique versions of the universe: “Window on my universe” , “Doorways to alternate universes” and now my third painting of this series, which I call: “Fluidity of universal time.” In this painting I once again look to retreat into my imagination and examine time and our universe through the lens of my “mind’s eye” . For this painting I examine not only what I imagine the celestial world looks like but also the concept of time. With a little help from Salvador Dali, I conclude that our interpretation of time is relative to our uniquely different fluid views. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Aazam IrilianLumina
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Tiny Red Leavesacrylic on canvas
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Ballet-Series VII: All Dressedwatercolor on arches paper
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Outside Inside Acrylic on Canvas Board Size of Piece: 24 x 30 I feel that every human being is like a portal. We first encounter the external frame, but an entire universe unfolds as we step through the doors. Our inner world shapes our outer reality, just as the outer world, in turn, influences our inner state. A lingering sense of loneliness etches itself into our expressions, while a habit of noticing beauty and goodness softens our features, bringing light to our presence. Perhaps the most powerful anti-aging secret is a genuine smile—one born from childlike trust in life, the belief that everything is unfolding as it should, and the certainty that our adventures are limitless. There is an ever-present, knowing part of us—an angelic essence—watching over, guiding, and smiling at our journey through our many mystical paths. This painting emerged as an unfolding, evolving process that presented infinite possibilities until I realized it was not about choosing a single direction. Instead, I was capturing a state of being, a process of disc. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Laughing Bodhisattva Sculpture: Soapstone Size of Piece: 9.5 x 10 x 6
The reclined nude has not a care in the world. She is joyful and full of zest. Stand in her presence and feel her energy! She is the female buddha.
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Seeking Safety Fiber Art: powdered dyes on silk, ink, paper, 2 sided panels Size of Piece: 19 x 39
Seeking refuge, seeking safety. Humanity is displaced, despairing, and disparaged.
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Shimmering Swimmer Acrylic on Canvas Size: 30 x 30" “Ocean: A body of water occupying two-thirds of a world made for man – who has no gills.” -Ambrose Bierce Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Curls Chinese Ink on Cold Pressed Watercolor Paper Size: 26 x 22" My latest series captures sunflowers in the process of aging to explore the third act of life; the search for new purpose. They are meant to reframe aging as further individuation through experience as opposed to a decline in value. It is a celebration of life without judgement. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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West Side HighwayArchival Pigment Print, Matted and Framed
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ConfidenceOil on canvas painting
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Afternoon Napglazed stoneware with overglaze
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Hung On Pegboard: self-portrait at 62pan pastel and charcoal on toned paper
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Get Out Of My Wayacrylic & M/M on stretched gallery wrapped canvasSize: 30 x 24
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The Lindbergh Oakoil on linen canvasSize: 16 x 20
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Reaching for ResilienceOil and Acrylic on Canvas
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Point Judithoil on canvas paintingSize: 29 x 23On a hot July day, I was returning by ferry from Black Island to the mainland. In this small village, Point Judith, located on the coast of Rhode Island, several fishing boats were moored to the pier. I have always been attracted by the atmospheric old boats peacefully moored on the water. At this moment, they were shrouded in fog, giving the place a more romantic character. Having stopped, I made a sketch and some photos, finishing the painting later in my studio.
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Sakura Skyacrylic on cradleboardSize: 12 x 12Sakura Sky pays homage to the brilliant—yet delicately nuanced—colors of Japan’s cherry blossoms, the graceful and continuous movement of their slender tree limbs and the sky that encompasses them in rich, complimentary hues.
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Apple Trees In AutumnOil on CanvasSize: 26 x 23This painting was created at an orchard on my road in a few hours. I love painting from landscape and moved to my area, the Hudson Valley, mainly for that purpose.
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Bronze Bas Relief #3bronze bas relief with crystalsSize: 13 x 9
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Blown Away by a Namesake Painting: Oil, acrylic and found objects on canvas Size: 27 x 23" "Blown Away by a Namesake" explores the duality of the hand grenade, highlighting the surprising etymological connection between the weapon and the fruit. In many languages, the two share a name, a link that stems from their visual resemblance: the pomegranate packed with seeds, the grenade packed with shrapnel. I was drawn to how a fruit, a symbol of abundance, and a weapon, a symbol of destruction, could be so closely tied through language and form. By using contrasting imagery and styles, the paintings move beyond literal resemblance to suggest deeper ideas. They speak to the coexistence of creation and destruction, beauty and violence, abundance and fragmentation, and the stark contrasts that reveal the dualities in language, objects, and the narratives we build around them. The artwork challenges us to find beauty in unexpected places and to recognize the complex interplay between creation and destruction that shapes our existence. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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"Prophets of the Embarcadero" San Francisco-in blue Acrylic underpainting, oil on gallery wrap canvas Size: 36 x 48" Walking by these 3 men I asked if I could take their pictures and they immediately starting pose sing for me…after assuring them I just wanted to have them go back to their conversation I took more than a dozen pictures of them involved ln a great story, thanked them and I knew as I walked away I would paint these three happy men. I love painting people most of all. I created an underpainting of geometric shapes in acrylic paint and left part of the underpainting showing through. This is my favorite painting and my fsvorite people I’ve painted… so far😎 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Crosses I & II Shelf paper, centerfold, found objects on wood Size: 32 x 38" Crosses I & II consider the effect the Christian religion has had on gender roles. While there is a playfulness in the multiple definitions of "cross" referenced in the work, the underlying theme is the trap that is laid for women. Crosses is a diptych, but can be displayed separately. The size and price above is for the diptych. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Once Deeply Rooted, Now UntetheredAcrylic, Charcoal, Graphite on Stretched Canvas
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Boys in the Bandacrylic, graphite and pastel on canvasSize: 48 x 32
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Study for Stress Series 19Charcoal, watercolor, ink, graphite on paperSize: 18 x 18
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7-Eleven, Downtown Chicagoacrylic on canvasSize: 30 x 20Downtown Chicago has a handful of 7-Eleven stores. Often, they are in beautiful, older buildings. I love the bright colors and clutter.
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Smith Mumsrecycled brown bags & acrylic on canvasSize: 16 x 20The gorgeous annual mum show at Smith College was the inspiration for this collage
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View of Bandalier National Monumentoil on panelSize: 16 x 12The archeology of Bandalier National Monument is of interest to me because we find traces of past life through it. In wandering through the ancient rock formations, I hope to celebrate the magical images, revealing a history and culture embedded in the surface of the earth. My paintings show a fascination with shapes as they project and recede in space in playful combinations of colors, textures, edges, and lights and darks.
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Victoria Pullen Series: Concanon Coal Mine String Trio Photo and pigmented beeswax combines on Kozo and wood panelSize: 24 x 24 x 2
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Portrait of Bishop BuddeOil on Canvas Painting
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Interimsculpture: marble on alabaster
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Spiritus (An Homage to Dr. FJ Flynn)Medical scan, stone skull in vitrine
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Bow to Mother Natureacrylic with pastes in pointillism style on canvasSize: 30 x 30
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Mountain Streamtransparent watercolorSize: 14 x 11Transparent watercolor reflecting the vibrance of the water and the lush vegetation on the mountain
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The In-Between SpacesEncaustic, intonaco & tapa on board & wood panelSize: 24 x 30As discord erupts, both locally and globally, and our connections to others become fractured, chaos threatens to press in and crowd out love. We must not forget that we have the power to push back by filling those cracks, those in-between spaces, with kindness, patience, grace and generosity - the seeds of love. When we choose love – even in life’s small and mundane interactions, beauty grows in the cracks and fissures. The roots of this kind of beauty have the strength and power to heal the cracks and fissures, one in-between space at a time. The primary materials in this piece - encaustic, intonaco, and tapa cloth - are durable and lasting and have been used by various cultures around the world for thousands of years. Bound together, they reflect the strength and resiliency of humanity throughout the ages.
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Playing Ball on the Streets of Casaresacrylic with sanded & tinted gesso w/ paint skinsSize: 24 x 24
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Cosmic Peony Power Oil on Canvas Size of Piece: 30 x 30
In the painting Cosmic Peony Power, there is a blend of realism and abstraction that creates a dynamic tension, suggesting a connection between the flower's microcosmic form and the universe. The swirling colors and patterns evoke perpetual motion, inviting exploration into the harmony between nature and the cosmos, celebrating the bloom's vitality and the universe's mysteries.
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Chaos (Variation III)leather, suede, wool, cotton, sandpaper, copper
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Holdingsacrylic on canvasSize: 36 x 36
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The Dancecarrara marble sculptureSize: 25 x 30 x 6The Italians call marble the "tears of the gods". It is an elegant material to sculpt, as it allows expression from the most delicate to the monumental, highly polished to natural texture, allowing light to penetrate and emanate from its surface. I enjoy shaping such a hard material as marble into sensuous, flowing forms that suggest the human spirit. When I leave elements unfinished or the natural stone the viewer is invited to complete sculpture in their mind’s eye.
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Delta Debutanteoil on canvas paintingSize: 60 x 48The work above is a result from years of creating primarily female figurative works. They began as a result from being asked to submit a design for the international ballet competition held every three years in our city. I began taking liberties with the figures to represent a variety of walks of life with the main message remaining consistent and that being empowerment, beauty and encouragement.
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Scrollercoaster......what next?Oil on canvas painting
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Dynamic InterplayOil on canvas painting
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Newborn Icharcoal on arches paperSize: 30 x 22.5This drawing ispart of a series entitled ‘In Fraught Times: Tending to Love’. I have felt besieged by unchecked hatred, biases of all kinds, racism, misogyny, an imploding climate, unabated gun violence, and truth as an endangered commodity. As an antidote, I chose to focus on the humanity and lives of those in my familial orbit, to hold them up and celebrate the goodness present in living, striving and evolving. Many of these works marvel at the magic of the moment and honor the purest of encounters with the special little humans in my life. The difficult and satisfying challenge in my portraiture is to portray some unarmed truth and in so doing to suggest our complex humanity, our shared experience. And in defiance of all the negativity and hatred peddled continually, I celebrate goodness, empathy, sincerity and caring.