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  • Coral Cockatoos Charcoal and Acrylic on Panel Size: 6 x 6" Phantasmagoria is my original art technique, developed to create haunting, ethereal visuals, similar to daguerreotypes (an early form of photography where the image was made on a polished silver-coated copper plate). By combining the deep, matte tones of charcoal with the iridescent shimmer of interference acrylics, I craft images that blend nostalgic depth with modern luminescence. Charcoal creates rich contrasts and textures, while thin layers of interference acrylics add a color-shifting glow, evoking a ghostly movement. Named after 19th-century optical spectacles, Phantasmagoria produces dreamlike, timeless artworks that fuse sharp detail with otherworldly light. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • First Light
    Oil on Linen Painting
    Size: 22 x 28" My response to the view (color and shapes) from my window, the infinity of the universe vs. humankind’s insignificance. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Tree of Life
    Sculpture: Vitreous Enamel on Copper
    Size: 30 x 20 x 3" The deep mysterious source of life is expressed in the hardness of steel while the surfaces of enameled birds and leaves play with the light and shadow. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • When Only the Charred Remain #3
    oil, seed beads on canvas
    Size: 24 x 12" When Only The Charred Remain is a contemplation on the space that remains after living ends. Flynn is exploring the notion that one's understanding of death is the empty space left. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Only Time for a Glance
    collage on canvas
    Size: 30 x 30" I was left with a lasting impression after a trip to South Africa, Botswana & Zambia that led me to create art work reminiscent of that geography. Echoes of another time & place are part of my interior world & motivate me to use collage..texture & paint to capture those memories. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Syncopation
    Acrylic on Bristol Paper
    Size: 22 x 28 Jazz - the original music of America, was born in New Orleans from blues and gospel, African rhythms and melodies, hymns, ragtime, spirituals and other musical styles. Incorporated into my work are the colors of the clothing, the noise and grids of city living, notes of music, buttons and keys of horns, and the fingerprints of the musicians who created jazz. The whimsical placement of the notes, on the underlying rhythmic and repeated colors and shapes, can bring the viewer to almost hear the music in this painting. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Pressing on No. 2 collage: thread, woven paper on vintage iron
    Size: 5.5 x 3.25 x 10
    PRESSING ON Series combines artifact, word* and fiber – the hardness of iron, the softness of fibers, and the wisdom of words, as a testament to generations of women, the multi-layered heritage, domesticity and female domains. Antique sad (solid) irons evoke the tactile, experiential memory - the personal 'herstories'. Utilizing: *text from writings by pro-feminist, abolitionist, writer Hannah More, published anonymously in 1791. More's life-long overriding cause was galvanizing women to act not as domestic ornaments, but as thinking, engaged and responsible beings. Hannah gave the abolitionist movement a public voice with her writings. Dying in September of 1833, she lived just long enough to see slavery abolished in the British Empire. Awareness of the dedicated work of Hannah More in the 18th C. illustrates the depth and density of deep seated issues within our culture and inspires us to continue to raise one's voice to inequality and injustice. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Gray Puff
    acrylic on wood panel
    Size: 24 x 30
    This painting is part of a series created in response to the energetic demolition of the original 1930s steel truss Kosciusko Bridge in 2017. The sturdy bridge that had stood for so many years connecting Brooklyn and Queens, and carried so many people and their memories, disappeared in a puff of smoke. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • The Whisperer
    reclaimed wood, wire, knitted straw, metal tag
    Size: 28 x 28 x 3
    I am the Whisperer, whispering the truth. I dare not speak these words aloud, the consequences are grave. They took our land, our water, our wilderness. They took our children and tried to make them forget. But we are still here, still telling our story. Much to their disappointment, we did not disappear: We are a strong people. Listen closely. Your heart may already be hearing the whispers. They speak the truth. Take heed. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • “Dreaming of Black Swan Ballet”
    plaster with gray and transparent red oxide patina
    Size: 36 x 12 x 8
    My muse had been a ballerina in her native Brazil. Now in her 50 ‘s she practices daily. Once an artist always and artist.
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  • New Voyage #1
    acrylic paint, tissue paper, on plywood
    Size: 18 x 18
    In 2020 our world turned upside down. My experience with Covid19 and the lockdown reoriented my approach to life and art and I explored the world of abstraction more seriously. I began studying with Nicholas Wilton, a west coast artist, taking many online courses with him. He encourages following one’s instincts and taking risks. I am attracted to the freedom, the movement, and the limitless opportunities to rearrange reality through collage. And it is also terrifying, losing control and trusting intuition. It is a never-ending process of growth and change that continues to force taking chances, feeling uncomfortable and uncertain, making, and resolving mistakes, and learning to be an effective critique.
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  • Grasping For Air
    Acrylic on Fabric24
    Size: 20 x 14
    The inspiration for this piece came from a PBS documentary that I watched on Frida Kahlo.
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  • Nena: Remembered
    acrylic, paper, lace, cloth, and other materials
    Size: 20 x 34
    My creative passage has taken me from a realistic, almost classical representation of the human figure, towards a surrealistic world of figures and imagination where everything is possible as reality and fantasy merge. My current work consists of mixed media assemblages, acrylic paintings on canvas and some drawings. This piece is very personal, it is a portrait of my aunt. It consists of two images of her, one young one old and a variety of objects that remind me of her.
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  • Sadako Sasaki (Full Flower Moon, Hiroshima, 1955)
    collage w/ hand-cut rice paper, quilt scraps, ink
    Size: 13 x 10
    Sadako Sasaki was a Japanese girl who became a victim of the atomic bombings of Hiroshima and Nagasaki by the United States. She was two years of age when the bombs were dropped and was severely irradiated. She survived for another ten years, becoming one of the most widely known hibakusha -- a Japanese term meaning "bomb affected person". She is remembered through the story of more that one thousand paper origami cranes that she folded before her death of radiation induced leukemia at age twelve on October 25, 1955. After her death, Sadako's body was examined by the Atomic Bomb Casualty Commission (ABCC) for research on the effects of the atomic bomb on the human body, before she was cremated and laid to rest. Sasaki has become a leading symbol of the effects of nuclear war and has become an international symbol for peace.
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  • Unconscious Ascent
    soft pastel on sanded paper
    Size: 16 x 12
    Unconscious Ascent expresses a time when your mind has suspended reality, a time of transition that is impossible to replay. It is that fleeting moment when one questions if it is a dream or something beyond. Fragmented elements move in and out of focus with a veil-like quality, beseeching further exploration.
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  • Her Hands Were Watching Me (From the Into the Woods series)
    Acrylic/ Mixed Media on cradled panel
    Size: 24 x 18 ‘Her Hands Were Watching Me’ belongs to the Into The Woods Series that depicts human connections during different phases of life. In this painting I aim to convey a sense of mystery along with emotion. I wanted to invite the viewer to examine and feel the conflict of connection, identity, and interaction. All the while knowing, actually hoping, that they will interpret the scene through their own perspectives. To me, this is the real connection to my artwork. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Joseph's Tunic Watercolor on paper Size: 20.75 x 24" For the past several years I’ve been dealing with my daughter’s untimely death. She taught middle school ancient history. That’s what led me to look at a schematic of the Biblical tabernacle in Jerusalem and make paintings based on it. Some of this work has focused on the scarlet, purple, and indigo veils that separate the three sections of the tabernacle. Recently, I’ve delved into the Old Testament to learn about the cloths used to make garments. I’ve made paintings of Jospeh’s tunic and Job’s sack cloth. I like the meditative quality of this new work and how it sustains me. After covering the surface of the paper or canvas with hundreds of circles or ellipses, I build layer upon layer of paint leaving some areas exposed. Making painting with these references lets me feel connected to my daughter and is helping me process my grief. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Nkisi Gemini
    sculpture: found objects, mixed media on wood
    Size: 16.5 x 13.5 x 5
    Nkisi Gemini is a contemporary and vernacular interpretation of the ritualistic African minkisi of the 19th and the early part of the 20th century that were created in Africa in the Congo area. This nkisi draws from these African sculptures some of their aesthetic elements such as the use of reflective surfaces like mirrors, which reflect both the spirit world and the natural world. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Over Current
    photo on paper, fabric, beads, transparency woven
    Size: 12 x 12
    I am drawn to materials that have history and relevance to everyday life. For many years, I have deconstructed and reassembled photographic prints with a variety of materials and processes, resulting in the development of new imagery. I am passionate about the subjects that I work with. They include people I am intimately familiar with, unknown subjects from old photo albums, and photographs of noted artists and writers. Connecting with subjects on a personal level enables me to find something deeply personal about them to portray. This mixed media portrait on paper is sourced from a found vintage album. The graininess of the original photo comes forward in a similar way as pixels from a computer image. A back and forth dialogue between analog and digital creates a sensation of time present and past and makes for a new interpretation of the subject.
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  • digital drawing fabricated to pigment ink on paper
    25 x 18 x 1" This work aligns the art of drawing with digital brush strokes and textures with our "everyday" utilitarian tools, while also extending their pop cultural interpretations. It pays homage to the way the Old Masters depicted and interpreted everyday objects. It speaks to a larger paradox within the life/death struggle and contain spiritual energy beyond the subjects themselves.
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  • Eastern watercolor/sumi-e on single Shuen rice paper
    20 x 32 x 2" The world of the people of the streets is stripped down to basic survival, but with a need of self worth, ownership. The grocery cart has become the symbol of that need to show ownership of something, anything. A metaphor for they themselves, cast offs, other peoples throw aways.  The carts, battered and bent, with the wonky wheels we hate to get when shopping, they live with it everyday, until the carts themselves are discarded and they become a part of the landscape, the urban landscape, lawn ornaments, trash piling up in vacant lots, bus stations and public parks. Seen and acknowledged by all that pass by, much more so than the people that once used them to transport their worlds.
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  • Off the Beaten Path
    Oil on Canvas Painting
    Size: 24 x 18" In my travels through Italy, I always looked for interesting subjects, with good shadows and light. I discovered that I love landscapes, color, the color of shadows, and travel. I use my photos for inspiration to begin my painting, changing or omitting objects in the photo. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • The Trinity
    acrylic on canvas, paste, markers, pens
    Size: 24 x 18
    Unseen expressed within a seen form is my inspiration to explore ideas through art. A sacred triad emerges—father, mother, and child; body, mind, spirit; the seen, the felt, the becoming. Painted, cut, and reassembled, Trinity explores transformation through fragmentation and intuitive reformation. Each figure holds an aspect of the unseen: the masculine, its silent weight; the feminine, its flowing song; the child, its unfolding light. This piece is an icon and mirror—an invitation to remember the wholeness within.
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  • Palmetto
    oil on linen canvas
    Size: 28 x 20 This painting and I traveled together for several years, I seeking its content, the painting slowly revealing itself. The journey to discovery has been a Spiritual one, connecting with Mother Nature. May the viewer find his/her/their own stories within. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • mixed media drawing on paper
    20 x 30" Rainy Days can be raw and challenging or  peaceful and cozy. The bodies sheltering together in this mixed media drawing, In the Rain create a shape that is reminiscent of a cityscape..  The group in this image projects a sense of community and unity.  
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  • Tidal
    fluid acrylic, oil and cold wax on canvas
    Size: 36 x 25
    A call to art for climate changing conditions has me finding beauty in spite of human neglect. The dream of continued attention and the hope to take care of our challenges, makes this universal plea an alert and action.
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  • Dance of the Lily Pads Color Pencil on Drafting Film Size of Piece: 23 x 30 Realism is the style that I have embraced for my work. Perhaps the truth is that it embraced me, flowing naturally from my hand, with inspiration coming from the world around me. Colored pencil is the medium I have chosen for most of my work. What started as a lifestyle choice (pencils are clean and easily transportable from primary residence to lake house) became an artistic choice. I’m a control freak - free and loose is NOT my style - so colored pencils are the perfect medium for me. Their layering and blending capabilities, the transparency of some colors, and vibrant pigments help me convey the interplay of color and light in my subject matter. At times, I use colors that are more brilliant or saturated than what I see in nature. It pleases me, and I hope it pleases the viewer. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Raven Oil on Canvas Size of Piece: 20 x 16 x 1 While working on my first portrait series of Latino Youth with a Black Bird, I learned a lot about ravens and crows. Even though my two favorite subjects are faces and flowers, their iridescent plumage inspired me to paint several more of them. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Late Spring
    Pastel on Paper
    Size: 21 x 15.5 Narratives are my muse. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Resilience:Liza Davis
    colored pencil on illustration board
    Size: 33 x 17 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Greenwich Village Midday
    acrylic on canvas
    Size: 20 x 20
    Greenwich Village Morning features Jefferson Market Library on Sixth Avenue between 10th and 9th Streets. I grew up nearby and I used to pass by it on my way to elementary school. Later on, on my way to NYU and to many life events, professional and personal, over the years. Greenwich Village has changed a lot since I lived there. It no longer has the bohemian vibe that attracted so many artists, writers and performers in the fifties, sixties and seventies. Many of the buildings and businesses are gone too, casualties of gentrification. However, the library always brings back memories of those halcyon days. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Abstract XV
    otters wheel and hand built high fired ceramic
    Size: 20 x 12 x 13
    I create small vessels on the wheel, manipulate them adding texture and assemble them in a vertical configuration. I have been exploring this technique which started in a small scale and now have a series of them varying their shapes from wall hanging installations to these vertical creations which vary in size, form and glazing techniques..
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  • Freshen the Flowers
    oil on canvas painting
    Size: 24 x 20
    “Freshen the Flowers” is a painting about memory and traditions. I remember my mother often buying fresh flowers on Fridays and I started that habit for myself many years ago. I borrowed the name from a favorite poem by Mary Oliver because I was thinking of the quiet joys that are overlooked and that she so often writes about. My painting process is a developing story between my materials and myself. My curiosity to learn more about my family histories and understand my culture and patterns has been a large focus of my art practice. I’m interested in weaving together storytelling, cultural identity, observations of the everyday, and nostalgia. For me, the narrative I’m creating becomes secondary to the narrative a viewer creates for themself. My paintings, using rhythmic color, layers, shapes, marks and lines, evoke memories and invite you to meditate on your own personal histories.
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  • Knotty Girl--She/Her series
    MixedFiberTap CordSariSilkYarnSSWshersButtonsBeads
    Size: 29.75 x 18.5
    Knotty Girl is one of my She/Her Series of wall tapestries mounted on Royal Poinciana tree pods found in my community. Traditionally, textile works have mostly been women's work. I love combining fiber with other elements; the stainless steel washers offer an industrial feel while the soft pink Ghiordes knots of yarn and the sari silks of the skirt suggest femininity.
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  • Reading by the Seashore Acrylic/Canvas Size of Piece: 16 x 20

    Girl by the Seashore was painted from imagination,  another way I work.  Sometimes, I paint from imagination directly, with maybe only a thought to where the work will go, but more often, and here, the composition is derived from a pencil drawing, originally from imagination I which made quite a few years ago and still love.  I draw a lot.  Here, I worked to get the light the way I wanted it.

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  • Poetry
    Oil on Canvas Painting
    Size: 28 x 22 Walking in New Orleans, I was delighted to see poets busking, the way musicians do. People lined up to buy their poems, written for them on the spot. The poem I received was a beautiful reflection on the subject of daughters. I was inspired to make this painting in tribute to the work of poets. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Calm Coast
    oil on cradled board
    Size: 18 x 24
    It was the most beautiful peaceful calm day while plein air painting at the coast.
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  • Happy Birthday
    oil on canvas painting
    Size: 28 x 22
    My initial intention was to paint a festive gift bag with tissue paper inside. The folds of the tissue paper were interesting to me. The idea was developed as I worked, first finding the butterfly patterned backdrop, then hanging Mardi Gras beads for a more party feel, and finally adding free floating butterflies. I always strive for a little whimsy in my paintings.
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  • Be A Rebel
    Acrylic on Canvas
    Size: 30 x 30 I paint because I bleed Alizarin Crimson. As a small child I painted a yellow sun into a blue sky and CREATED GREEN! I remain awe-struck at this  always-new discovery of color creation and juxtaposition. My process is "reduction"; painting till the canvas is over-full of movement and connections then obliterating that world-chaos until the becomes a complete and orderly composition. As I would love the world to be; composed, organized. I am excited by the evolution of shapes and the discovery of how movement impacts each of these shapes to become cohesive. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Riverside Light Acrylic on canvas Size of Piece: 24 x 48 x 1 I love the city in all its messy angles and glorious lighting. It's hubbub is electric. Never stopping. I try to capture it's energy in my work, the color and the movement, in my brushstrokes. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • World's Greatest Bar Chart
    digital painting fabricated to pigment-on-paper
    Size: 20 x 28" I created this work while working in the halls of capitalism at the World Trade Center in the 90s developing some of the first new media divisions for top corporations like Deloitte and WSJ.com. Its' multi-layered imagery can be further explored as an audio visual experience on the web: https://worldsgreatestbarchart.com/ Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • The Female Lifecycle
    Carpenter nails, painted clay, charms, metal, wood
    Size: 16 x 8 x 5" Women’s History Month inspired the stages of a woman’s life: in utero, infancy, childhood, career woman, old age. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Banding Together
    Oil on Canvas Painting
    Size: 20 x 20 Bringing awareness to endangered and threatened species is very important to me. I’m continually striving to bring elements together that invoke a sense of thoughtfulness towards nature and how we affect it. The bird, the Piping Plover, is on both the threatened and endangered species list in many states, including New York. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • The InBetween Times
    watercolor on Paper
    Size: 8 x 20
    The InBetween Times represents feelings expressed in unfamiliar territory, in a field unified with my imagination and the flow of pigments in watercolors. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Whispers Beneath the Surface
    fiber fabric art
    Size: 36 x 24
    I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art. My artistic approach is mostly intuitive with a constant awareness of color combination and contrast. The use of strong colors is a direct influence of my Brazilian heritage. Using fabric as the medium to create my art pieces was a natural choice since I have been working with it from my teenage years. My creative process can be described in two phases. The first one is the combination of inspiration and visualization of an art piece. The second phase is transforming what I visualized into actual artwork. It requires selecting fabrics as close as possible to my vision, adjusting, and sometimes, starting all over again.
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  • Queensboro Bridge Underpass Acrylic on canvas Size of Piece: 24 x 48 x 1 I love the city in all its messy angles and glorious lighting. It's hubbub is electric. Never stopping. I try to capture it's energy in my work, the color and the movement, in my brushstrokes. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Angst and Toys Oil on Canvas Size of Piece: 24 x 20

    The  values and colors in painting Angst and Toys are used to create a certain  mood, atmosphere.  Intense variations of  Blue are supposed to provoke mysterious and dramatic feeling. The light coming from a light house and an invisible source of light from the right  create red reflections on mothers;s and child's  faces, warm coats and gloves.. The combination of colors and their values in this painting speak of an emotional memory where reality and imagination are tightly interwoven.

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  • We Bring the FIRE
    Acrylic Painting
    Size: 20 x 16" Women bring the creative spark to all of life especially to the arts. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Sky Eyes Mother
    oil on linen painting
    Size: 60 x 54
    SKY EYES MOTHER - This oil painting is from my Vanishing Women series.: Sky Eyes Mother is about femicide and violence against women My beautiful niece disappeared in 2016. My sister's eyes have become the infinite sky as she continues to hold her sleeping child. The sacred drum beats a warning - calling attention to the continuing tragedy of missing and murdered Indigenous women and girls. Note the corn on left. This is Corn Mother, the mother of the people. I am an multidisciplinary artist of Abenaki descent. I use indigenous iconography and ancient narratives to comment on contemporary social issues. My paintings explore the liminal space between abstraction and representation, mother and landscape, spectacle and solitude. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Chromatic Dawn
    sculpture: plexiglass/wood
    Size: 16 x 16 x 2
    I am interested in the expression of color and reflections as a language. The transparent nature of plexiglass makes it possible to create visual statements of color and hue that are not available with other materials. My work explores the nature of individual colors and their interaction and reflections. The composite of the individual components creates a distinctive visual statement. Much of my work has been influenced by the beauty of the sunrises and sunsets on Long Island. My work is meant to be joyous and celebratory.
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