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Oil on canvas 24 x 36" I have lived near water for much of my life and it haunts and inspires my work. I created these paintings from sketches I did on hikes near my home in coastal Maine.
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Oil on wood panel 24 x 20" I have lived near water for much of my life and it haunts and inspires my work. I created these paintings from sketches I did on hikes near my home in coastal Maine.
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Oil on canvas 24 x 30" I have lived near water for much of my life and it haunts and inspires my work. I created these paintings from sketches I did on hikes near my home in coastal Maine.
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Oil on canvas 18 x 24" Since my university graduation in May 2021, I have fallen victim to a drought of imagination. I have felt unwavering insecurity in myself and therefore in what I attempt to create. Making is now a process of solidifying those inner feelings. My artwork has become a means of reintroducing myself to myself. The portrayal of myself as a painted image happens through a process in which time on my own brings into focus my emotions and circumstances. While leaning into a safe space of self portraiture, I use expressive color to turn my emotions and sensations into a tangible vision.
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Oil on canvas 24 x 36" Since my university graduation in May 2021, I have fallen victim to a drought of imagination. I have felt unwavering insecurity in myself and therefore in what I attempt to create. Making is now a process of solidifying those inner feelings. My artwork has become a means of reintroducing myself to myself. The portrayal of myself as a painted image happens through a process in which time on my own brings into focus my emotions and circumstances. While leaning into a safe space of self portraiture, I use expressive color to turn my emotions and sensations into a tangible vision.
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Oil on cardboard 30 x 31.5" Since my university graduation in May 2021, I have fallen victim to a drought of imagination. I have felt unwavering insecurity in myself and therefore in what I attempt to create. Making is now a process of solidifying those inner feelings. My artwork has become a means of reintroducing myself to myself. The portrayal of myself as a painted image happens through a process in which time on my own brings into focus my emotions and circumstances. While leaning into a safe space of self portraiture, I use expressive color to turn my emotions and sensations into a tangible vision.
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Oil on cardboard 16 x 12.5" Since my university graduation in May 2021, I have fallen victim to a drought of imagination. I have felt unwavering insecurity in myself and therefore in what I attempt to create. Making is now a process of solidifying those inner feelings. My artwork has become a means of reintroducing myself to myself. The portrayal of myself as a painted image happens through a process in which time on my own brings into focus my emotions and circumstances. While leaning into a safe space of self portraiture, I use expressive color to turn my emotions and sensations into a tangible vision.
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Oil on cardboard 11 x 7" Since my university graduation in May 2021, I have fallen victim to a drought of imagination. I have felt unwavering insecurity in myself and therefore in what I attempt to create. Making is now a process of solidifying those inner feelings. My artwork has become a means of reintroducing myself to myself. The portrayal of myself as a painted image happens through a process in which time on my own brings into focus my emotions and circumstances. While leaning into a safe space of self portraiture, I use expressive color to turn my emotions and sensations into a tangible vision.
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Oil on canvas 45 x 48" Multiple or singular figures in ambiguous settings engaged in uncertain activities populate my compositions. I work in drawing, painting, sculpture and collage. With variable brushwork, textured surfaces and unlikely color combinations, I aim to imbue my indeterminate narratives with a sense of humor, disorder and possibly something suggestive of risk or danger.
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Acrylic on canvas 20 x 16" Multiple or singular figures in ambiguous settings engaged in uncertain activities populate my compositions. I work in drawing, painting, sculpture and collage. With variable brushwork, textured surfaces and unlikely color combinations, I aim to imbue my indeterminate narratives with a sense of humor, disorder and possibly something suggestive of risk or danger.
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Collage on paper 19 x 25" Multiple or singular figures in ambiguous settings engaged in uncertain activities populate my compositions. I work in drawing, painting, sculpture and collage. With variable brushwork, textured surfaces and unlikely color combinations, I aim to imbue my indeterminate narratives with a sense of humor, disorder and possibly something suggestive of risk or danger.
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Acrylic on canvas 8 x 10" Multiple or singular figures in ambiguous settings engaged in uncertain activities populate my compositions. I work in drawing, painting, sculpture and collage. With variable brushwork, textured surfaces and unlikely color combinations, I aim to imbue my indeterminate narratives with a sense of humor, disorder and possibly something suggestive of risk or danger.
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Earthenware 13 x 6.5 x 6" My artwork mirrors a twin-flame magnetic polarity of mediums; stone and ceramics, pushing against and pulling within. They allow for the expression of my form—an undulating essence of consciousness, a beginning and a beginning-again. Each work reflects the effects of time—shaping and reshaping, not in minutes and seconds, but a living lifetime of transformative movements of contractions and expansions intertwined in the nature of the self; ever-exposing the causeways of a life lived, unlived and yet-lived. In these veins of life, my raison d'etre runs, giving way to what is hidden within and what is exposed without.
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Acrylic on paper 22 x 30" Multiple or singular figures in ambiguous settings engaged in uncertain activities populate my compositions. I work in drawing, painting, sculpture and collage. With variable brushwork, textured surfaces and unlikely color combinations, I aim to imbue my indeterminate narratives with a sense of humor, disorder and possibly something suggestive of risk or danger.
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Marble 22 x 20 x 12" My artwork mirrors a twin-flame magnetic polarity of mediums; stone and ceramics, pushing against and pulling within. They allow for the expression of my form—an undulating essence of consciousness, a beginning and a beginning-again. Each work reflects the effects of time—shaping and reshaping, not in minutes and seconds, but a living lifetime of transformative movements of contractions and expansions intertwined in the nature of the self; ever-exposing the causeways of a life lived, unlived and yet-lived. In these veins of life, my raison d'etre runs, giving way to what is hidden within and what is exposed without.
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Earthenware 46 x 120 x 4" My artwork mirrors a twin-flame magnetic polarity of mediums; stone and ceramics, pushing against and pulling within. They allow for the expression of my form—an undulating essence of consciousness, a beginning and a beginning-again. Each work reflects the effects of time—shaping and reshaping, not in minutes and seconds, but a living lifetime of transformative movements of contractions and expansions intertwined in the nature of the self; ever-exposing the causeways of a life lived, unlived and yet-lived. In these veins of life, my raison d'etre runs, giving way to what is hidden within and what is exposed without.
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Stoneware 27 x 10.5 x 10.5" My artwork mirrors a twin-flame magnetic polarity of mediums; stone and ceramics, pushing against and pulling within. They allow for the expression of my form—an undulating essence of consciousness, a beginning and a beginning-again. Each work reflects the effects of time—shaping and reshaping, not in minutes and seconds, but a living lifetime of transformative movements of contractions and expansions intertwined in the nature of the self; ever-exposing the causeways of a life lived, unlived and yet-lived. In these veins of life, my raison d'etre runs, giving way to what is hidden within and what is exposed without.
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Soapstone 11.5 x 8 x 5" My artwork mirrors a twin-flame magnetic polarity of mediums; stone and ceramics, pushing against and pulling within. They allow for the expression of my form—an undulating essence of consciousness, a beginning and a beginning-again. Each work reflects the effects of time—shaping and reshaping, not in minutes and seconds, but a living lifetime of transformative movements of contractions and expansions intertwined in the nature of the self; ever-exposing the causeways of a life lived, unlived and yet-lived. In these veins of life, my raison d'etre runs, giving way to what is hidden within and what is exposed without.
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Oil on canvas 28 x 22" Autumn represents the ultimate culmination of the lifecycle when it transforms from full summer blossoms to a winter hibernation, while gifting us with a spectacular performance of changing colors, smells, temperature, and feelings. And that is what I attempted to capture in my work.
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Oil on canvas 18 x 24" Autumn represents the ultimate culmination of the lifecycle when it transforms from full summer blossoms to a winter hibernation, while gifting us with a spectacular performance of changing colors, smells, temperature, and feelings. And that is what I attempted to capture in my work.
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Oil on canvas 24 x 18" Autumn represents the ultimate culmination of the lifecycle when it transforms from full summer blossoms to a winter hibernation, while gifting us with a spectacular performance of changing colors, smells, temperature, and feelings. And that is what I attempted to capture in my work.
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Sculpture 9.5 x 11 x 11"Little Madison came to model for me but she was very shy and didn't know what pose to take. I asked her what she did for fun and she said she loved to draw. I said, "Me too! Would you like to use my drawing pencils and paper and make some drawings for me?" For over two hours she sat and drew, while I created this little sculpture. Her “Purple Shoes” led me to believe that deep inside this shy little girl, there was a big artist inside.
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Photography 12 x 12" The years before my Mother passed away, I flew cross country frequently to help with the numerous needs and to ease my mental health as she faded into the ether. I'd tuck into a window seat for the day-long journey. Flying gave me wings to get there, the speed to know I'd not miss another sacred moment and the strange euphoric freedom that being hurled 600+ miles an hour through the atmosphere creates within our nervous system. It was both exhilarating and horrifying...reminders “We are Travelers” on this big blue rock.
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Digital 15 x 12"
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Pastel 12 x 14" This 8 x 10” pastel was an experiment that started with a watercolor of cloud formations while looking out of my 4th floor studio window. I liked the composition but the shapes weren’t fluid and the colors needed nuance. Pastels breathed life into the colors and imagination took over for the cloud like forms emoting a feeling of infinite distance and depth.
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Oil 13.25 x 13.25"
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Pastel 15 x 15" The Trinity Bridge of Saint Petersburg reflects the notion of sorrow for the times past and present with the rainy glare, yet a gleaming hope of indelible light. It gives me great pleasure and a sense of fulfillment to be able to capture and express the virtuosity of both, the stark, but genuine nature, and the skillful excellency of the architecture.
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Printmaking 15 x 15" Bell’s Woodlands is a print from my recent series “ Trail Musings”. Being surrounded by nature has always been a source of interpretation for me, I am concerned about the impact and consequences of climate change. From remembered landscapes, I draw on my landscape photographs recording light, shadow and memory. Merging the images from several perspectives gives a closer interpretation of my experiences. The resulting images suggest narratives of unfolding life cycles: birth, growth, death and renewal.
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Photography 12 x 11"
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Sculpture 15 x 11 x 6" Embrace is made from a solid 25 lb block of porcelain clay, running it through a slab roller, cutting it apart and then reconstructing thin layers into a gravity-defying vessel. The resulting form appears simultaneously both architectural and figurative.
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Pastel 9 x 12" There are so many beautiful trails throughout the Adirondack Region in New York State. I have taken many of them and have admired the beauty of what all the four seasons have to offer. I came across this majestic tree in all its glory standing tall as a sentinel and new I had to do justice to it on canvas.
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Sculpture 10 x 10 x 10"
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Oil 14 x 11" I am friends with the delightful model Gazelle with whom I have worked for several years. While she is primarily a ‘nude life model’, she is a warm and creative person. When she sat down fully clothed in the crazy chair I have in my studio, she looked wonderful and the light was good, and the materials were new for me – cradled pine panel versus canvas, and a very limited palette – and viola, this little oil portrait was born. Both she and I were very pleased with the results.
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Watercolor 15 x 9"
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Pastel 14.5 x 14.5" In all my work I try to create depth and dimension through colors, lines, and marks, drawing the viewer into my paintings, to give them a reason to look deeper into the underlying structure of the work. This piece “Mod Orange” was an exploration of the spectrum of orange. I used acrylic on a canvas paper substrate in a variety of shades and shapes. To heighten the range, I used gold leaf and metallic gold acrylic paint, glazing with orange pigments. Pastels rubbed into the surface allowed me to blend and connect the composition.
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Sculpture 15 x 15 x 3" In Figures Embracing, the delicate nature of humanity is portrayed through sculpted figures, creating haunting shadows as important as the physical beings. Capturing body language, movement and how they relate to emotion and character, reflect the human condition exposed in these works. Sculptures of wire mesh reveal figures whose existence is precarious. These copper sculptural works represent a time and place of isolation, where home, assimilation and community are important social issues relevant to our current climate. By penetrating façades, we look deeply into transparent figures seeing what lies in the shadows of the unseen and unspoken.
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Oil 14 x 14" As a child I had a pet parakeet, so I have loved birds since then. I also enjoy, in the spring, watching the small Chickadee's visit our bird feeder. They are such delicate beautiful creatures. I choose pomegranate's rich colors to compliment the Chickadee's colors.
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Sculpture 14 x 9 x 7.5"
All of my sculptural work is nature-themed with a focus on the sea and florals, both abstract and moving toward realism. My inspiration for this work came from my frequent visits to a beautiful spot of land—ocean on three sides-- with the same name, that juts into the open ocean. I submitted this because it is a special example of what I believe is the magic of working with porcelain—that I can bring it to wafer thin forms while turning, twisting and lifting it into organic shapes that recall the energy of the sea.
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Sculpture 9.75 x 14 x 6"
My sculpture is inspired by the human connection to nature. I use natural materials to create organic forms that move through space. The delicate translucency of calcite or the heavy trunk of wood, both present unique technical and creative opportunities.
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Photography 15 x 15"I want to capture the fast-paced dynamics of New York City Street life. What is exciting and energizes me is how spontaneous the process is, and unpredictable people are. Some are completely unaware of being photographed, some may see me and try to pose or wave, others may be hostile to what they consider an intrusion. I will sometimes stop and ask someone if I can photograph them. Generally, I like to photograph on sunny days, which increases contrast in light and shadows. Places with interesting forms, light, and street geometry provide a good background and foreground to the people I choose to photograph.
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Digital 14 x 14"Mary Doering is a multimedia artist who lives in Brewster Massachusetts. I draw freely from the various disciplines of art. Using a computer as both a tool and a collaborator, I layer original photographs, textures, and personal drawings together in Photoshop. These separate elements often combine in surprising ways. Working intuitively, I allow for mystery and unpredictability to dictate where the process leads. Low tide tries to capture Skaket Beach in Orleans, Ma. at low tide. I am fascinated by the variety of surfaces, textures, rivulets and marks left by the receding tide.
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Photography 14 x 11"
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Acrylic 12 x 12" Down on the Farm is one of a series of small paintings (12x12”) inspired during a late summer morning stroll through Homecoming Farm on Long Island. The people who developed & run the farm are devoted to organic methods honoring the immutable connection between Mother Earth and Holy Spirit. With a prophetic vision, they take responsibility for the health of our land, the bounty she produces, and the nourishment of the poor in our midst. I hope my paintings honor their commitment & their service to our community.
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Pastel 12.5 x 11.5" Painting is a much-needed creative outlet for me and I love to experiment with different techniques, pastels and surfaces. What drew me to the scene for “Reflections at the Pier” was the contrast between the red building and the cloudy sky. I was trying to capture the stillness and flat light of a cold day on the water and the texture of the wooden pier and posts.
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Acrylic 12 x 12" Painting is something I returned to in the last few years after a 4 decade detour into show business. Painting challenges, overwhelms and inspires, coaxing me to connect and explore the conscious and subconscious worlds of fear, curiosities and stillness where words are difficult, translating my inner life to a visual one on canvas.
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Collage 12 x 14" My collages are intimate in size and are meant to be experienced close up. They may be narrative or suggestive. I relish the spontaneous process of instinctive play without knowing whether it will result in wonderful visual chaos or composed lyrical poetry. Collage is perfect for my creative process. “Hochhauser’s Walk” is a map of a personal journey, both literal and figurative. Although it is small, I have incorporated tearing, gluing, painting, stamping, scratching and mark-making to convey my experience, and perhaps to trigger memories or resonate with the viewer's own journeys.
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Sculpture 6 x 9 x 9" “Coral Reminder 80” is one clay sculpture from the Coral Reminders series. The possibility that these incredible natural structures and life forms could be destroyed by a 2° rise in ocean temperatures is our reality. Sandra’s work is intended to bring the underwater world above the surface to keep it visible and increase awareness of its precarious balance.
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Photography 11 x 14"The photographic image is done on Canson, Mi-Teintes photo paper with a natural 11x14" wood frame. I prefer using natural light. This image drew my eye becauseit combined both painterly qualities and an abstract component as well.
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Photography 11 x 14" In the image, I captured the simple beauty in a state park on Amelia Island, Florida. I used the platinum/palladium printing process to capture a softer, painterly effect, evoking late 19th century idyllic landscapes and lending a poetic quality to the image.
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Sculpture 13 x 13 x 10" Taking a raw block of Sylacauca marble and beginning to carve, not knowing the beginning or the end, is the most intuitive, exciting way I sculpt. If the design is already planned, it simply becomes process to get to the final form. But, direct carving, with no preconceived idea, is strictly an exploratory and intuitive approach to sculpting. The raw stone for Blanca, already triangular in shape, became a form with movement, where the inner void becomes as important as the outer form.
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