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photography 18 x 24" While photographing one very cold morning in New York City, I noticed a woman approaching half a block away.. She reminded me of my sister. Using some plastic sheeting hanging from a doorway as a filter I made an image at a slow shutter speed. Upon returning home I found it. There she was. My sister never said goodbye as I had arrived too late.that fateful day. This felt like my moment to do so.
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oil on canvas 36 x 48" Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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oil on canvas 36 x 72 x 2" Ambiguities and allusions of depth offer thoughts to individual and varied interpretations, as do all the common experiences we have as humans, no matter where we happen to be born. I’m keenly aware of the passage of the lives that have inhabited our small earth and respect what their labors have left for us. Moodiness, reflection and intrigue are a part of everyone's world, not completely and clearly understood. One can read their own interpretation of mysterious fog and manmade walkways made safer by fencing. The indistinct movements of water give hope for sustenance of life. Pathways suggest individual and varied interpretations.
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Oil 13.25 x 13.25"
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oil on canvas 13.25 x 13.25 x 2.5" A lone flapping curtain tossed by the wind could be a commentary on the fragility of life or a sign of optimism. Looming and moving clouds cast an eye on the measure of the progress of our existence on earth. Proffered shelter in the warmth of the buildings renew our hope for the future.
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Printmaking Ocean Currents Size: 20 x 20 Framed Size: 24 x 24 Hearing about plastics impacting ocean life and also microplastics in our bodies caused me to see small shards everywhere. I started picking shards up and seeing them to artwork. The shards on this work were picked up by a school Where many plastic Easter eggs had been run over by cars & seemed to go very well with the colors in my print. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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encaustic 24 x 24 x 2"The hot flow of encaustic color is beginning to phase out my previously tightly controlled assembly of patterned hexagons. Those are still referenced in my work and their optical effect is still noticeable,—what is new is greater freedom in the fungible marks of hot encaustics—letting the lava flow & fuse. The pigments sparkle in my newest works.
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encaustic 24 x 24"
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mixed media encaustic collage on cradled board 24 x 24" As a society, we are filling the universe with all kinds of junk and my collections of the patterns inside security envelopes only take a tiny fraction out of the waste stream. The protective intention of these decorative patterns is to camouflage & shield financial information. From an endless supply I pick the patterns that appeal to me and cut the envelopes into hexagons. Painting, drawing, handmade paper, gilding and encaustic combine in layers —building pattern and color. I layer tirelessly and final works have a very different appearance and impact. Straw into gold—the hexagons, plus the flux & flow of hot encaustics, transforms the junk mail that endlessly fills my space.
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Watercolor DURGA the 10 Armed Warrior Goddess at Goldbergs Famous Deli Size: 26 x 24 Framed Size: 30 x 25 DURGA, the 10 Armed Goddess, Appears as she goes to Goldberg's Famous Deli to get a bagel before work. She is driving my mother's Jaguar. This work is done on gray rag paper. Goldberg's Famous Deli is in downtown Millburn, New Jersey. I specialize in urban and pastoral landcapes. This is from my America's Luncheonette and Deli series. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Mixed Media Painting American Art Spirit 20 x 16 x 2 in. The American Art Spirit is an oil painting of a male dancer in jeans leaping gracefully across the Hudson River. Painted en plein air on the shores of Rhinebeck, NY, I captured the movement of the water as it flows both ways late in the day. My model and intern, Guy, embodies the human beauty that fascinates me—the muscles, nerves, bones—the whole human package. For me, contemplating nature and the body is a sacrament. Inspired by NAC founder Robert Henri, I aim to express the American spirit through this painting. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Soldoil, ink on canvas
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Reflections Mixed media on canvas Size of piece: 12 x 12 Size of piece framed: 13 x 13 My work focuses on exploring color, shape, and line. Using a mix of materials and techniques, I aim to create pieces that bring a layered experience to the viewer through abstraction and symbolism. Viewers are encouraged to interpret the pieces with their personal introspection and understanding. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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sculpture 7 x 7 x 4" I created a large California brown pelican wall relief for a commission at a children's hospital in 2016. I decided to create this smaller one with a window box. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Sculpture 8 x 13 x 6"
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house paint, acrylic paint, paper, gold leaf 10 x 10 x 2" Through The Veil is a story about coming out of a fog with an anxiety attack. The piece is suppose to calm your brain and whole being..The blue represents the skies and clouds within the brain when it is overly active. The gold is the ray of sunshine peeking through the anxiety fog saying it is going to be okay. All the colors and textures used are suppose to have a calming effect and to have you feel finally at feel at peace. I want my piece to do just that. Bring peace and feeling that everything will be all okay.
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acrylic on canvas
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blown glass, bread, resin 5 x 14 x 8"
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acrylic, mirror, grout, tile, fabric, faux gold leaf 18 x 24 x 1" This piece speaks to being seen in an art way yes, but more in a human way. The ways in which being seen can heal and make us feel whole. The way being seen causes our light to shine. The way connection is facilitated when you tell another you see them. I think of my work as being of light. The reflective nature of the mirror creates a movement in light that interacts with its environment and viewer, I am hopeful in the most happy of ways.
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mixed media 18 x 24"
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Jekyll & Hyde Paper Size of Piece: 19 x 8 Inspired by the classic work by Robert Louis Stevenson, I created the character “Jekyll & Hyde”. The story tells of the co-existence of good & bad which lives within all of us. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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watercolor 45 x 51"
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watercolor on paper mounted on board 60 x 40 x 1" "The Nurturers" is expressing many women's proclivity towards caring for others throughout their lives. Even when women have aging parents &/or adult children, many of us tend to have a penchant to provide support & caregiving to those in need.
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Layered Fused Glass
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photograph 18 x 24 x 2" I'm an artist-photographer interested in people in places. Some interact and some are alone in a crowd. The Metropolitan Rooftop is a beautiful environment to watch people in a setting that is unfamiliar but provides a space to be who they are.
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oil 20 x 20 x 2" From the Invisible Women Collection: Voyeur is small to replicate the sensation of peering into a closed space. Apprehensive, yet drawn to that upstairs window, we are unable to resist the temptation of looking inside, but feel guilty for invading someone’s privacy. The figure may have gone unnoticed. Returning outside, one might see that the odd sizing of the brick exterior is both curious and uncomfortable, dreamlike in the way it feels warped from sitting in the sun. This peculiar patterning draws us down to a solitary figure looking out a darkened window below, penned in, trapped, invisible.
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photo 14 x 11" My source of inspiration is nature and frozen objects come from natural surroundings. The frozen droplets on iced branches create something of beauty and surreal wonder of nature. They appear as jewels suspended from golden lines and the evening background illuminates them. Taking a moment to gaze at the photo is a healing experience and transcends you closer to the universal one. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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fused glass and enamels 12 x 10 x 2" My inspiration was to use my live figure drawings and creat them in glass using layered fused glass, powders, and enamels.
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fused glass 14 x 14" Glass is a very technical medium and my journey has been to learn different glass kiln-forming techniques to intertwine them together. My intention with new glass artwork is to start using glass sheets, crushed glass, glass stringers, glass powders and enamels to create images that go beyond the definition of fused glass (kiln-forming glass). Combining my artistic ability of drawing/painting to the glass elements allows the glass to appear as if I am painting with glass and giving it a magical flow.
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acrylic 30 x 40 x 2"
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acrylic painting with high glaze 16 x 20 x 2" Portrait of Jaune Quick-To-See Smith is part of an ongoing collection of portraits of women artists who have impacted the arts. The artwork includes recreation of one of Jaune's Memory Map paintings, as well as the rabbit icon she has used in several works. A true portrait of an artist needs to reflect their soul, which including their work helps to achieve. A retrospective of her work, Jaune Quick-to-See Smith: Memory Map, organized by The Whitney Museum of American Art in New York, is traveling nationwide.
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Hand-cut rice paper, historical element, NY Times 15 x 15"
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collage with hand-cut found paper, historical elements, decorative rice paper
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collage / work on paper 20 x 16 x 1" Genji, in his poem, names the "murasaki" or purple gromwell, because its color resembles the colour of the wisteria (in Japanese, fuji) thereby obliquely referring to Fujitsubo, "the Lady of the Wisteria Court", a woman he is violently in love with for the first part of the novel. The Tale of Genji is a classic work of Japanese literature written in the early 11th century by the noblewoman and lady-in-waiting Murasaki Shikibu. The original manuscript, created around the peak of the Heian period, no longer exists.
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acrylic on canvas with mixed media 32 x 12 x 2" Mabel Dodge Luhan was an American patron of the arts who was associated with the Taos art colony. After her marriage to Native Tony Luhan in 1923 she purchased Kiowa Ranch near the Lobo Mts. The couple hosted influential artists and poets in New Mexico, where she experienced a spiritual awakening.
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oil on canvas 22 x 28 x 0.8"
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oil, metal leaf, and waxed thread on canvas 19.25 x 15.25 x 1.25" "Avocado Selfie" is not a self-portrait in the traditional sense, but it is an exploration of my current visual interests set against the backdrop of my own facial features. In the piece, I explore the tension between the representational and the abstract; the flat expanses against modeled forms. I am inspired by medieval European aesthetics and my background in theater, which influenced my color and material choices and the decision to stitch thread throughout the piece.
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Koi Fish: Where's Dinner Pastel on Paper Size: 11 x 14 I am a modernist, realist, figurative painter, and I love to paint scenes from my travels and everyday life which tell a story. I take a subject which I find beautiful or interesting, and paint it in a way that allows the viewer to see it realistically for what it is, with a touch of mystery or style added to emphasize the other forces going on below the surface. With oils, I accomplish this by using an acrylic underpainting, which I allow to show through in places. In soft pastels, I use watercolor, inks, or alcohol washes for the underpainting. For example in “Three Wise Men”, I used a multicolored geometric pattern as an underpainting to give the viewer an added perspective. I love to paint my stories, and my goal is to have the viewer enter my world and share in my experiences. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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acrylic & oil on canvas 48 x 60"
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oil on canvas 30 x 30 x 1.5" This painting, like many other of my paintings conveys a visceral experience of a place, rather than describing its likeness. The painting itself evolves from a synthesis of memory, imagination and the process of painting itself. Natural elements are expanded or reduced as I layer on glazes of color. The layered veils of color reflect a fragile luminous quality.
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acrylic & oil paint on canvas 48 x 48 x 1.5"