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jpeg from large-format inkjet printer with plaster, pastel, charcoal, and pencil superimposed on the surface 12 x 16" Informed by relics of different historical cultures, my work suggests ideal forms as they exist in nature, the human figure and the man-made world. It imparts a fascination with archeology as it reveals traces of previous life, and offers clues to the distant past. My pieces imply a multi-planar reality, and a duality of time: past and present. This is presented in a structure in which overlapping and interlocking planes emphasize compressed space. Layers of fragmented, repeated images, transparencies of forms, and multifaceted colliding energies all contribute to a sense of time intersecting with space.
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inkjet print of photographed & digitally altered cut-out collage using transparent paper over a light box 10 x 8" I work with women images, creative colorful women in abstract shapes and light; this work illustrates women’s inner strength and balance. As Above So Below. Moving energy is an important skill. Feeling in your gut and projecting that feeling out is powerful. Holding up your power to present to the world is engaging. Our ideas are ready to materialize in the world.
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soft pastel on Canson Mi-Teintes Touch sanded paper 18.25 x 13.375" My work is inspired by objects and scenes from the natural world. I work mainly in soft pastels, and watercolor. When I'm observing something, I'm not simply noticing the object or the landscape before me, I see the dance of colors in color, the lyricism of line, and the play of shapes through value and space. We are surrounded by sublime beauty in the mundane as much as in the extraordinary, and it's this transitory beauty that I am compelled to capture. Aiming to make my work accessible and easy to understand, I prefer to create representational work.
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oil on panel 12 x 16" I live near the Hudson River and have walked along it in every season and kind of light. One day I saw this pier from an angle that reminded me of Magritte – so how could I resist it? There were many other things I loved about this image - the contrast of textures in the metal pier, rough stone wall and tall grasses; the glow of the sand uncovered by the tide; and the distant skyline. I used glazes to create the glowing sand, and emphasized the horizontal constructions to contrast with the organic foliage form.
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fiber collage 42 x 17"
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acrylic on cradled panel 24 x 24"
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acrylic on canvas 36 x 36"
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oil & collage on canvas 30 x 48 x 2"
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digital photography 16 x 20"
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oil & cold wax on canvas 18 x 24"
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holographic collage on wood, silk, interference hues acrylic paint 8 x 8 x 1"
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watercolor 15 x 16"
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mixed media, painting, drawing & stitchery 12 x 18 x 1.5"
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acrylic & gold leaf 23 x 32"
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oil on canvas 54 x 54"
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bronze, patina 37 x 16 x 16"
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oil on canvas 48 x 48"
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pastel (dry) 17 x 23"
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acrylic & oil on canvas 48 x 60"
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acrylic 20 x 16 x 1.75"
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encaustic 24 x 24"
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mixed media 12.6 x 13.5 x 4"
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wood block print with gradient roll layer 12 x 16" "Dialog" depicting a visualization of the many ways a dialog can go between two people.
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oil on canvas 36 x 36"
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acrylic on canvas 24 x 36"
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printing & mixed media 6 x 8"
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oil on canvas 60 x 40"
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mixed media 10 x 8" "Is it Me?" is a thought-provoking mixed-media work capturing the moment of self-reflection. It invites viewers to contemplate their sense of identity, self-perception, and their shattered beliefs. The title resonates with the concept of questioning and seeking truth while also expressing the vulnerability and uncertainty that can accompany such introspection.
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photo screenprint 42 x 32"
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black & white digital photography 11 x 14"
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paper, sandpaper, copper 16 x 12"
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watercolor on paper 24 x 32"
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oil on Belgian linen 60 x 40"
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graphite on paper 10 x 8"
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oil on canvas 48 x 48"
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oil on canvas 36 x 48"
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acrylic on canvas 60 x 36"
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pigment & acrylic on wood panel 10 x 10"
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graphite 20 x 20"
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gouache on paper & mixed media 30 x 22"
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oil on canvas 20 x 16 x .7"
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Mixed Media 12 x 12"
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Oil 12 x 9
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Photography 10.25 x 6.75 I have taken only one trip to Cuba, but I was immediately captivated by the diversity of the landscape, the light, and the interplay of colors, but especially by the soul of the people: their openness, their friendliness, their energy, their joy, and their vibrant street life. As a photographer whose primary interest has always been people, I was in the midst of a visual paradise.
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Pastel 10 x 15 in.
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Sculpture 7.5 x 3.2 x 14 in. Mano de la Vida - The Translucent Orange Alabaster stone had split at an angle, the bottom half of the stone resembled a hand and forearm. The beautiful texture, color variations and striations in the stone blended perfectly with the concept of a divine giver. The female figure held in the hand represents life, rebirth, and the transformation of oneself.
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Acrylic 12 x 12 in.
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Acrylic 10 x 11 in. I see my work as an abstracted narrative. The figures seem to have something to say, or express; are often amid doing something and I feel the chatter in their heads. There’s a physicality in the work, the action of mind and body in the process. Showing what something feels like is what I hope to convey in paint. Puppeteer represents one from a series painted quickly and directly without prior drawing, leaving me open to being in response mode accessing motion and story without referencing much reality.
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Sculpture 12.5 x 7 x 7 in.
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Mixed Media 15 x 15 in. This mixed media piece represents the struggle women have had trying to achieve their basic rights for centuries. The struggles that women of color have endured go back even further. The strings and ropes are representative of being tied and bound, as in being held back, but also of the binding and joining together as all women feel that common thread of sisterhood. The problems that entangle us still exist but by coming together as sisters we can fight for our basic rights and try to unravel the tangled threads.
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