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  • Oil on Panel 12 x 24"
    Romantic Evening at Pebble Beach was painted "en plein air" on a deck overlooking the ocean, bluffs and cypress trees with Point Lobos in the distance. This is one of my favorite spots to paint. It offers something new every time depending on the time of day, the season, the clear or cloudy sky, the color of the sea, or the height of the waves. This rendition was done for the Carmel Art Festival on an evening in May. I started at about 5pm, working quickly to capture the light of the setting sun on the water.

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  • Oil on Panel 18 x 18"
    Springtime Seas was painted "en plein air" on the sand in Pacifica, California.  The waves were high and the sea was reflecting the bluster of the clouds and wind of the brisk, Spring Day. It was fun to watch the waves rush in and crash, leaving tendrils of foam and wet sand on the shore. Gazing out to the horizon where the sea meets the sky, purples and pinks touched the clouds, shadows lengthened and the sun kissed the edges of the trees and the tops of the waves.

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  • Mixed Media Spring Peeks through the City 8 x 8 in. Reminiscent of the spring woods, this beautiful chartreuse green shows how, as the dark winter begins to recede, spring breaks through in brilliant color. The blues of the sky and birdlike mark add to the illusion. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • But He Died Collage and acrylic on panel Size of Piece: 24 x 24 x 1.5 Inspired by the beautiful rolling foothills in Umbria, Italy, this piece captures the energy and heat of summer in this area. My work comes in bursts of spontaneity—bold, colorful, and full of energy—yet created in a state of complete calm. I'm delighted when the unexpected emerges. Those surprises excite me and guide the pieces to their final forms. I’m inspired by both the wild freedom of the abstract expressionists and the sharp clarity of the precisionists, always searching for a balance between the two. Every piece is an adventure, a conversation between instinct and intention, a process that is intuitive, driven by curiosity, and open to the unexpected. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • We Never Surrender Acrylic, collage, thread on panel Size of Piece: 24 x 24 Framed Size: 25 x 25 These portraits are the strong women in my life who walked before and beside me for a lifetime. I was inspired by a host of old photographs on in crumbling black photo albums that have survived 100 years. Once Upon an Art is the big sister I never had, my cousin, the reason I am an artist (too). In collage, I’ve highlighted only snips of her incredible command of language as poetry. With minimal words and intense curiosity about the world around her, she crafts short stories that belie typical speech, giving us glimpses of her genius. She divines an emotional story of our aging grandmother perhaps saying: “I forget how to use the words. I watch conversations and great-grandchildren grow in my very hands. I hide things and forget them, and therefore it gets easier. I fall asleep during the news, and so it gets easier.” We Never Surrender and But He Died both honor the legacy of our grandma. Widowed less than six months after the birth of her 5th child, she survived two World Wars, rations, The Great Depression, 50 years day after day in a sweatshop sewing men's shoes so her children could eat. Her story lives on in how I meet life, productive, stalwart, I can do it - and that has passed to my daughters, and her grandchildren and now mine. We have her story now, and traditions, making our daily bread and getting it all done to meet another day. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • What Does She Know? Mixed Media Acrylic on Collage Paper Size: 10 x 8 Framed Size: 14 x 11 In bursts of spontaneity, my initial images are often be inspired by nature or figures. I love it when suddenly I “see” something suggested within the seemingly random marks. They surprise and delight me. My style is rhythmic, colorful and energetic. I am simultaneously inspired by the abstract expressionists and the precisionists – striving for balance in many ways with clean lines and quiet conversations. Painting is a Zen experience for me. Despite procrastinating on the front end, once I get started, I am energized by and lost in the process. I engage in a great deal of self-talk in color mixing and selection, mark making, and always, always tweaking. My nemesis is keeping my hands off a piece I’ve already deemed complete! Often the meaning behind the content emerges after it's done and subjected to contemplation. My titles strive to give a hint of what the piece represents for me yet leaves the viewer to wonder as well. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Ink and Collage on Panel
    9 x 9"
    My art is a celebration of spontaneity and the beauty that emerges from controlled chaos. Using collage with a limited color palette, I layer and then intentionally disrupt, often scrubbing under running water to reveal the unexpected. This process of destruction and revelation brings about surprises that I cherish. I then enhance these emergent images with a pop of color or drama to capture moments of vibrant contrast and harmony. Each piece evolves organically, blending intention with the unpredictable to create compositions that reflect the dynamic energy of creation itself. Through this exploration, I invite viewers to immerse themselves in the layers of my artistic journey.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Digital Photograph Escalator Up Size: 12 x 15 Framed Size: 16 x 20 I took this picture when I was in a blue funk and all I could see was an escalator. When I look at it now, I see that sometimes one needs help to move forward, and one never knows what one will find if one looks for the light. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • photography 10 x 8" In Tales of a Consulting Detective, Sherlock Holmes said: “You see, but you do not observe. The distinction is clear.” I take my camera out. I may choose a subject; I may think “that would make a great picture”; I may visit a new place or one I’ve seen before. I want to observe and to present things in a way that causes the viewer to stop and observe. We have the technology to immediately capture whatever is in front of us. The challenge is for people to slow down; to question whether there is only one way to look at something; and to search for new meaning in something they may have seen before.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Digital photo ltd ed signed on front 11 x 14 in.   In Tales of a Consulting Detective, Sherlock Holmes said: “You see, but you do not observe. The distinction is clear.” I take my camera out. I may choose a subject; I may think “that would make a great picture”; I may visit a new place or one I’ve seen before. I want to observe and to present things in a way that causes the viewer to stop and observe. I want people to see other people.   Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • photography digitally altered 14 x 11"
    Photo shows someone sleeping on a park bench next to the Vietnam Memorial. I was wondering if the person was a veteran, a visitor, or a local person.  
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  • digital photograph
    8 x 10"
    In Tales of a Consulting Detective, Sherlock Holmes said: “You see, but you do not observe. The distinction is clear.” I take my camera out. I may choose a subject; I may think “that would make a great picture”; I may visit a new place or one I’ve seen before. I want to observe and to present things in a way that causes the viewer to stop and observe.  We have the technology to immediately capture whatever is in front of us. The challenge is for people to slow down; to question whether there is only one way to look at something; and to search for new meaning in something they may have seen before.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • digital photograph
    14 x 11" In Tales of a Consulting Detective, Sherlock Holmes said: “You see, but you do not observe. The distinction is clear.” I take my camera out. I choose a subject; or think “that would make a great picture”; visit a new place or one I’ve seen before. I want to observe and present things in a way that causes the viewer to stop and observe. We have the technology to immediately capture whatever we see. The challenge is to slow down; to question whether there is only one way to look at something; and to search for new meaning.
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  • limited edition digital photo on fine art paper, signed on front 11 x 9 x 1.5" In Tales of a Consulting Detective, Sherlock Holmes said: “You see, but you do not observe. The distinction is clear.” I take my camera out. I may choose a subject; I may think “that would make a great picture”; I may visit a new place or one I’ve seen before. We have the technology to immediately capture whatever is in front of us. The challenge is for people to slow down; to question whether there is only one way to look at something; and to search for new meaning in something they may have seen before. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on cradled wood panel 24 x 18 x 1" Painting landscape for many years, I have been drawn to water; it's movement, and reflections, and depth. This glorious sunny day on a humble pond capitvated me for all those reasons.
     
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  • oil on wood panel 30 x 24 x 1" Part of a series that focus on the way reflections of the landscape on water look like calligraphy- like another language. I am trying to both represent and share that language, deleting most of the information about the land and vegetation that makes up the reflection, which results in an abstracted presentation.

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  • Photography 14 x 10"
    After retiring following a long career in international affairs, this Washington DC-based artist has deepened her abiding interest in photography. During COVID, her subjects focused on the day-to-day objects in her home and Capitol Hill neighborhood. She honed her skills with online digital photography courses focusing on light, composition, and color, with thematic challenges to sharpen her skills of observation and creativity. Her work includes subjects from her domestic and international travels. Major interests include architecture, interiors, street scenes, plant life, landscapes, skyscapes, daily life, and reflections. She uses her cellphone camera, which is always with her, for her photos.  
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  • Photography 11 x 8.5 in. Marilyn Saks-McMillion is a photographer based in her hometown of Washington, DC. Her retirement after long career in international affairs has allowed her to deepen her interest in photography. Her subjects include the day-to-day in her home, Capitol Hill neighborhood, the Chesapeake Bay and beyond. Her work is inspired by colors and a world of detail. Using her cellphone for her photos, she is best at capturing objects close at hand.  

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  • Hava Mixed Media on Paper Size of Piece: 24 x 18 x .05 As women, we are not simple. We are complex, exquisite beings that hold more potential than ever recognized. For thousands of years, across regions, for the sake of safety, we hid our true nature to accommodate those with made-up power. Now, we are leaping out of our assigned frames and are claiming our own narrative. Equality is a basic human right, a fundamental pillar in establishing a peaceful and prosperous world. While progress happens, there is still a great deal left to do. Girls and women continue to face significant challenges all around the world. Historically, though, women are described as goddesses, spirits, mythical beings from fairytales and scriptures - we are holy and dangerous. We are everything man desires and everything he fears, his source of life and his terror at the thought of death, of loss. All these contradictions stir many questions and emotions, but we learn to find the balance in life. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • oil on canvas 30 x 24 x 1"
    Ego is a significant part of self-esteem, self-worth, self-confidence, and self-image.  We care for it, caress it, allure it, so it stays with us, loves us, and lives in us. Although it is the part of the mind that mediates between the conscious and the unconscious, it's responsible for reality testing, and we need it for a sense of personal identity. Overindulgence in loving yourself may bring Ego to a dangerous state that might hurt us. The Ego separates us from ourselves and becomes an unhealthy sense of superiority and importance. It brings arrogance and self-centered ambition. It becomes our enemy. So, what does one do? Live with the enemy? Tame it? Or maybe killing it is the answer?  
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  • oil on canvas 18 x 24" This artwork was born right after Hurricane Sandy caused major devastation along its path. Seeing the destruction of her home and city, the artist found solace in her community's unity to rebuild. The artists went through personal hurricane around the same years, and her work is a tribute to a human spirit and strength. Using the Peacock as a symbol of resilience and beauty, she portrays a world where human can conquer even the most catastrophic events. Through her use of vibrant colors and intricate details, the artist captures the essence of this remarkable spirit, portraying a world in which even the darkest of moments can be transformed into a source of fortitude and inspiration.

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  • Educator Statement Our school prepares students to understand, contribute, and succeed in a rapidly changing society through the means of art. Our students develop both the skills that the sound education provides and the competencies essential for success and leaderships in the emerging creative society. Participants Names & Ages Sophia Bushko, 12 Maximilian Duvidzon, 12 Benjamin Glayzer, 12 Nikolay Prokofiev, 14
  • Painting Still Life with a Chocolate Bar 16 x 20 x 1 in. My goal for some years now have been to work with only two or three colors and their variations in a painting in order to achieve the full sound of these colors.  This is a relatively new task for me, it’s captivating to work on it. In Still Life with a Chocolate Bar the contrast main colors :  black, silver, orange - red ,  the combination of empty shiny  silvery and black vessels on an orange and  brick - red background  are supposed  to evoke certain associations and mood. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • printmaking 5 x 3" The theme of self-introspection is crucial to my art, since I believe that only by delving into the enigmas of the self can an individual truly engage with the world and bring about change in a profound, meaningful way. Though I consider myself primarily a Symbolist, my art draws on a wide variety of mythologies, worldviews, religions, and literary traditions, both ancient and modern, ranging from Buddhism to Russian folklore.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • digital 30 x 37.875"

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  • Tempera 12 x 9 in. Marny Lawton is an award-winning artist based in Connecticut. The focus of her work is contemporary realism with abstractions found in her realistic subjects. She explores themes of foods and landscapes as they are in a state of flux with climate change, and still life to find the meditative beauty in the ordinary and the extraordinary in the often overlooked.  

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  • soft pastel on pastelmat 14 x 11"
    What inspired me was the position of her head and the way her hair framed her face.  
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  • Pastel 15 x 9 in. My series of “Colorful Living” portrays the portrait along with the patterns of color, shapes and texture.I enjoy the challenge of making the figure as important as the patterns surrounding them.  

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  • Pastel 13.5 x 11" The painting of the “ profile of Harry” was in inspired by my trip to South Africa this past November.I travel a lot and pastels are much easier to transport. For the past 2 1/2 years my journey using this medium has proven to be inspiring and challenging. I mainly work on pastelmat for it allows many layers for the richness of the medium.

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  • oil on canvas 40 x 30 x 1.5"
    This painting was inspired by the flowers on the tropical brugmansia plant I have been overwintering for years and abstractly by images of the galaxy in which we are a part. Drawing inspiration from the vibrant community of life in my garden, my flowers invite universal questions of existence and purpose in their quest for survival, eventual senescence, and rebirth. The merging of the visions of space with the identifiable floral images by using transparent glazing between the micro and macro visions symbolizes the interconnectedness and fragility of all life, underscoring the need for open discourse to ensure universal survival.  
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  • Cosmic Peony Power Oil on Canvas Size of Piece: 30 x 30

    In the painting Cosmic Peony Power, there is a blend of realism and abstraction that creates a dynamic tension, suggesting a connection between the flower's microcosmic form and the universe. The swirling colors and patterns evoke perpetual motion, inviting exploration into the harmony between nature and the cosmos, celebrating the bloom's vitality and the universe's mysteries.

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  • oil painting 24 x 24" This artwork sparks a vital conversation reflecting the interconnectedness and balance within the microcosm of my garden and the macrocosm of the cosmos. My work draws inspiration from the life cycle of flowers to explore existential questions about existence, purpose, fragility, and interconnectedness. By blending recognizable floral imagery with cosmic visions through layered, transparent glazing techniques, the painting symbolically merges the micro and macro realms. This convergence aims to underscore how all life forms, from the smallest flower to the vast cosmos, are intricately connected and demand an open dialogue to ensure the survival of this universal interdependence.  
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  • oil on canvas 36 x 36"

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  • acrylic & oil on cradled hardboard 24 x 24" Flowers invite universal questions of existence and purpose in their quest for survival, eventual senescence and rebirth. My floral artwork is inspired by the gardens surrounding my studio and In addition, by the images of the beauty and complexity of our universe as captured by NASA. Embedded in these Micro and Macrocosm depictions of our universe are the stirrings of conversation regarding interconnectedness and co-existence.

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  • Digital 15 x 12"

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  • works on paper 24 x 18 x 1" The unexpected is always a journey, and ghost prints satisfy my love of experimentation, challenge, abstraction, and recycling. This particular iridescent pearl acrylic ghost print felt 'galactic' and fragmented. Embracing this image was calming. It will be forever in my mind.
     
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  • mixed media 32 x 24 x 3" Contemplating the graphic nature of quilts, I decided to use that concept for a mixed media piece using old photos of my family. I manipulated a photo of myself by turning it into a black-and-white jpg cut and rearranged it to become a graphic outline. I sewed some photos onto the paper with antique buttons, and used tracing paper to "cloud" some of the memories and outline. I continued the stereotype of using quilts as decoration and made the frame to hang the project.

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  • acrylic 6 x 6" I like to create spontaneous actions - fun in the snow is an exhilarating time.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Mixed Media 12 x 12 in. "Am I Allowed to Ask" is one of a series of four paintings. The series is driven by my reaction to current political movements that are attempting to legislate decisions that are deeply personal and profoundly significant to women and their health and well-being —decisions that rightfully belong with the individual, their healthcare provider, and their immediate family.  

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  • oil on canvas 24 x 18"
    This painting is inspired from a visit to the Grand Bazaar in Istanbul. It is the latest in my series, Faraway Places. The colors and imagery represent the feelings and colors as I walked through the market. With the vibrant colors I sought to capture the vitality and bustling atmosphere as one goes through the market stalls.  
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  • oil & cold wax on canvas 18 x 24"

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  • oil & cold wax on wood panel 20 x 20" This painting was one of my first pieces upon moving to South Carolina. I was inspired by the ever-changing sky as a storm approached along the Intracoastal waterway. This is my first piece using cold wax. I used the cold wax to blend the colors and sought to achieve the glow in the sky. The cold wax was integral in creating the reflections in the water.

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  • oil & cold wax on canvas 18 x 24" My goal is to capture unique landscapes and bring the viewer into the place I have visited. In both paintings I worked to capture the feeling of cold and vastness; and how the animals find resolve in harsh the environments.

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