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  • Impressions de dimanche Oil on Linen Size: 10 x 8" I love going to art museums and sketching and painting people interacting with the art work on exhibition. This painting shows a young woman studying Vincent Van Gogh's paintings at the Metropolitan Museum of Art on a Sunday afternoon. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • acrylic on canvas 48 x 65" When people get married, they are in love and feel like on the cloud. But marriage life takes a lot more than feeling good. It also takes resistance, keeping the promise, forgiveness, etc. My painting is composed to show the contrast between the love high and the reality of married life. "The Kiss of Rodin" is painted on the cloud as a symbol of a trance moment of love while holding hands over letters of troubles of married life showing the physical and emotional tie of a married couple.

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  • monoprint 14 x 12 x 1.5"
    The image is based on an original drawing inspired by a nearby forest. Its trees are in permanent descent and on every walk I take appear to be shifting closer to the lake they surround. They sometimes seem to shuffle behind my back. The etching was pulled from a zinc plate and is hand-colored in watercolor with gouache highlights.  
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  • mixed media 14 x 14"
    Kozma Prutkov wrote in 1853, "Do not seek for unity in the whole, but rather in the uniformity of distinction."  
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  • Vivacious
    Paper cut on canvas
    Size: 30 x 15
    It’s an exercise in Neuroscience of human taste through the collage with paper cut from delicatessen catalog. For instance, a visual image of black caviar on salmon papaya evokes taste buds memory, which connects to facial nerves and elicits grimaces and salivary secretion. Would you like to taste?
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  • paper on Floatmound
    20 x 30"
    The idea sparked, when City Council of Boston issued Land Acknowledgment statement in October 2021 honoring Native Land of the Massachusett people.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Digital Photography 24 x 35 x 1"
    I've been drawn to this space since the opening of new addition to Swartz Hall at Harvard University. It's an entryway connecting the existing Swartz Hall structure (built in 1911) and contemporary addition (built in 2021), which creates incredible flow of natural light. As I came to photograph this space for NAWA submission "Depth Perception", I encountered a permanent display of an ahkukq/cooking vessel, created by Artist and Mashpee Wampanoag member Nosapacket (Ramona Peters). Indigenous presence in clay provided an additional dimension of depth, so I reversed the image and it became "By the Well".

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  • leather, silk, brass 14 x 8 x 22" Inspiration/intent: painting by Andes Zorn "Isabella Stewart Gardner in Venice", 1894. In the spirit of creative risk-taking, Isabella Gardner continues her mission by inspiring my sustainability project "Enigma of Footgear". I create 3-D works with outdated designer footwear, which can be perfect media for installations and sculptures with strong public statement or enigmatic silence. Enigma of Footgear is what grounds us, what connects us to the earth, and what carries us around. Isabella moves with grace and spontaneity: picks up her shoe, drapes with white silk and crowns with jewelry. She lets her swan out in the Fenway of Boston to swim in the Muddy River.

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  • Acrylic on Paper 2020 27 x 21 in    
  • Textile Needle Felting 2020 10 x 33 in  
  • reduction linoprint 16 x 20"

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  • Printmaking 9 x 12 in.  

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  • Sculpture 15 x 11 x 6" Embrace is made from a solid 25 lb block of porcelain clay, running it through a slab roller, cutting it apart and then reconstructing thin layers into a gravity-defying vessel. The resulting form appears simultaneously both architectural and figurative.

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  • Portrait of Bishop Budde
    Oil on Canvas Painting
    Size: 30 x 20" Portrait of Bishop Budde looks at the Episcopal Bishop of Washington DC as she delivers her sermon to Donald Trump during an inaugural prayer service. This work is the first in a new series Fck Fascism that depicts people who challenge fascism. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • acrylic, graphite, antique quilted fabric on canvas 80 x 80 x .5"
    Crone Gobnait experiments with Faith Ringgold’s storytelling quilts. Here, I tell the story of Gobnait, Celtic goddess and Irish Catholic saint. After leaving her dysfunctional family, an angel told her when she saw 9 white deer she’d found the land for her abby. Patron saint of bees and beekeepers, Gobnait is depicted in her crone/grandmother years wearing a beehive crown and honeycomb breastplate. She rises from the waters of her holy well. My grandmother’s quilt surrounds the piece; a nod to my grandmother and to all crones and grandmothers.  
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  • acrylic, pastel, graphite, acrylic marker on canvas 30 x 20"

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  • Anyika She Is Beautiful
    Couache on Paper
    Size: 14 x 10
    Anyika She Is Beautiful honors the strength and grace of Gullah women—descendants of African slaves who created a rich, enduring culture on the sea islands of South Carolina and Georgia. Painted in gouache on paper, Anyika’s calm, radiant presence embodies the resilience of a people who have preserved their language, art, and traditions through generations. The name Anyika means “she who brings brightness.” She stands as a beacon, not only for the Gullah community but for all of us—reminding us to hold our own cultures close and to honor those who came before us. Through layered strokes and quiet reverence, I offer this painting as a tribute to women who light the way with strength, wisdom, and unwavering love for their heritage. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Acrylic on canvas 20 x 20 in.   When I was a young girl, my dad taught me to swim. He'd let me hold onto him as he swam deep underwater....and I loved that feeling of gliding through the water, holding onto him. I never could last as long as he could underwater, and I'd have to let go and swim madly up for air. Those are some of my favorite memories with him...swimming. When he died, I dreamed we were swimming together again, only this time I was the one swimming deep underwater and he was the one swimming madly to the surface...and this time he went far further than the surface.; he went straight on into the sky. I woke up missing him, but happy we could swim together again...even if it is in my dreams.   Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • acrylic, oil pastel, graphite on canvas 35 x 36 x 2" It is the space between things that I find fascinating; the space between thoughts, between moments, between physical things. I have read that we are mostly the space between the atoms that make up our physical beings.; not solid at all, it turns out, but primarily the gap, the void, the opening between the atoms. I ask myself what lies in that space? Is this where we find spirit? or consciousness? I believe it is in the space between what we see that Life actually exists and that is where the focus of my art lies.

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  • Acrylic 12 x 12 in.  

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  • Acrylic 12 x 12" XOXO speaks to choosing joy in the midst of fear and opening your heart despite the danger that you may feel great pain and sorrow. When my son and his wife were expecting our first grandchild, we anxiously waited and watched… for this was a very complicated and dangerous pregnancy. From the moment I learned she was pregnant, I decided to feel all the joy, all the excitement, and let the fear take a backseat. This painting was created as we waited. 

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  • oil 9 x 12" Fine artist and humanitarian Laurie Elizabeth McKinley has dedicated her life to observing, documenting, and participating in the human experience. She has traveled the globe her entire life, compelled to observe and photograph the stories of vanishing cultures with compassion and humanity. She translates these increasingly rare images onto canvas, so that she might share them with the world and hopefully inspire change to protect diversity and the environment. Laurie Elizabeth paints in all genres, especially enjoying en plein air in villages throughout the world and capturing that very special “first feeling” -- the mystery of the moment, the chi, the magic. Laurie Elizabeth encourages all to see the imbalances and injustices in the world and be a voice for awareness and change. She wants humanity to see the the disappearing cultures, traditions, and heritages of the world. She believes the artist’s duty is to see the beauty in all humans and in Mother Nature.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Oil on linen
    9 x 12" Laguna is an endless source of inspiration for me while painting en plein air. The churning waves, the cascading cliffs...these beaches are my home away from home.  
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  • Chespeake Bay Oil Size: 11 x 14 Fine artist and humanitarian Laurie Elizabeth McKinley has dedicated her life to observing, documenting, and participating in the human experience. She has traveled the globe her entire life, compelled to observe and photograph the stories of vanishing cultures with compassion and humanity. She translates these increasingly rare images onto canvas, so that she might share them with the world and hopefully inspire change to protect diversity and the environment. Laurie Elizabeth paints in all genres, especially enjoying en plein air in villages throughout the world and capturing that very special “first feeling” -- the mystery of the moment, the chi, the magic. Laurie Elizabeth encourages all to see the imbalances and injustices in the world and be a voice for awareness and change. She wants humanity to see the the disappearing Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • oil 44 x 34" I was inspired to paint this piece while traveling in Cambodia. I am in awe of the spirituality, serenity, and peacefulness of monks. I strive to embody their powerful qualities in my new work.

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  • Oil 12 x 9  

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  • Fog
    oil on canvas painting
    Size: 10 x 12
    Walking on Boulevard East in Weehawken, NJ watching NYC disappear and reappear as the fog rolled in.
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  • oil paint
    10 x 12 x 1.5"
    I find it fascinating how the light quality, colors and cloud formations dramatically change on a windy or stormy day. In minutes you can see dark to vibrant colors and go from cloudy to open skies. This painting comes from a ongoing series looking to the sky, trying to capture the vibrancy and moods that sweep in and out.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • multiple photographs layered in Photoshop 16.5 x 11" Who am I? Who are you? Usually we see ourselves or others from a single perspective--especially in photography. That is why many celebrities feel they must only be photographed from a certain (most flattering) angle. But Picasso understood that even when we are looking at an object, a person we are really seeing everything we know about that individual. He applied this concept especially when depicting his beloveds and his rejected beloveds. I love the idea of multiple images incorporated into a photo, a medium that theoretically only captures a single moment in time. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Smith Mums
    recycled brown bags & acrylic on canvas
    Size: 16 x 20
    The gorgeous annual mum show at Smith College was the inspiration for this collage
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  • brown bags & acrylic collage on canvas
    21 x 17 x 1"
    This collage was inspired by a hike through the gorgeous landscape of Mt. Rainier, WA. I paint ordinary bags with acrylic, tear them into myriad pieces, which I then hand apply with matte medium to realize my vision. Inspired by nature’s beauty, my interest in this medium relates to the cycle of life and nature. The bags start out as trees, are made into paper bags, which I recycle, paint, tear, and collage into the image of the natural world which provided the original inspiration and energy.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Educator Statement My artwork is grounding to my soul. I am taken aback by the beauty and intangible qualities of natural flora: the various textures; the amazing flowers and fruits and foliage; and most of all, the spectacular rejuvenation after what appears to be a most definite death in the bleakness of a cold, dark winter. In our largely urban society, the ability to appreciate our natural surroundings has become dulled-the ability to see the wonder in a tree, the magic and the mystery in a flower, the indescribable peace and contentment that can fill one’s heart. I try to show this to the viewer as my work is a surreal reminder of the peaceful, centered energy of the miraculous, natural living world which surrounds us. My collages are made from torn, recycled brown shopping bags. I am interested in the concept that the bags started out as trees and then were made into paper which was torn and collaged into an image of the natural world, which in itself provided the required inspiration and energy. A quiet harmonic stillness is comprehended. Participants Names & Ages Mary Ellen Albin Nick Byfield Allison Connuck Usha Devadoss Christine Gleniewicz Janice Kaplan Nita Kromidasn Gracey Osmun Palmer Vidhya Perumal Andrew Kromidas Rob Tambini Kerrie Jones Deborah Mittelhozer Lore Reinhart
  • Poppies Recycled Brown Bags & Acrylic Collage on Canvas Size of Piece: 24 x 36 x 2 My work is a reminder of the peaceful, centered energy of the miraculous, natural living world which surrounds us. My collages are made from torn, recycled brown shopping bags that I first paint with acrylics and then rip them and adhere the pieces to canvas. I am interested in the concept that the bags started out as trees and then were made into paper which was torn and collaged into an image of the natural world, which in itself provided the required inspiration and energy. I hope that the viewer thinks that they are looking at beautiful and serene paintings at first glance, then discover that they are viewing a collage that involved a painstaking genesis in the studio. Each is the product of many months or years of work.In addition, the pieces are often autobiographical. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • brown bags, handmade paper & acrylic on canvas 17 x 21" I am taken aback by the beauty and intangible qualities of natural flora, the various textures, the amazing flowers and fruits and foliage, and most of all, the spectacular rejuvenation after what appears to be a most definite death in the bleakness of a cold dark winter. My artwork is made from simple materials and feature a pioneering collage application of acrylic paint, brown paper shopping bags and canvas. Inspired by nature’s beauty, my interest in this medium relates to the cycle of life and nature. The bags start out as trees, are made into paper bags, which I recycle, paint, tear, and collage into the image of the natural world which provided the original inspiration and energy.

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  • Glazed Ceramic on Found Object
    8 x 4.5"
    “Perfect is the enemy of good” is a quote usually attributed to Voltaire. While I appreciated the warning inherent in the message, I was caught up in classical techniques that I felt were a historically validated process and a pre-trodden pathway to excellence. It was the “right” way to do things. I cannot explain…even to myself…how or why I yearned to explore other ways of working. Was it the isolation of the pandemic? Left to myself…fewer exhibitions to participate in…and time…? Perhaps that was the conspiracy allowing me to refocus and approach sculpture as if I was just learning for the first time. YouTube taught me how to make a cup from a slab of clay… No model…no armature…no mandate. I experimented with the ceramic way of building and after several workshops…SLAB Work took off. The results are portraits that are playful and honest and leave the viewer to come to their own conclusions. To rediscover sculpture in a new way at this stage in my career has been amazing and energizing.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Oil on Canvas Beauty of Love Size: 16 x 20 x 1 In this paintings, I explore the delicate interplay between love and hope through the vibrant depiction of flowers. Each bloom symbolizes a unique facet of love - passion, tenderness, and resilience - while their vivid colors represent the hope that springs eternal, even in the face of life's challenges. The gentle movement of petals and the harmonious arrangement invite viewers to reflect on their own experiences of love and the light it brings to our lives. These works serve as a reminder that, just as flowers bloom anew each season, love and hope can flourish, inspiring us to embrace the beauty in every moment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Oil on Canvas Promise of Dawn Size: 16 x 20 x 1 In this paintings, I explore the delicate interplay between love and hope through the vibrant depiction of flowers. Each bloom symbolizes a unique facet of love - passion, tenderness, and resilience - while their vivid colors represent the hope that springs eternal, even in the face of life's challenges. The gentle movement of petals and the harmonious arrangement invite viewers to reflect on their own experiences of love and the light it brings to our lives. These works serve as a reminder that, just as flowers bloom anew each season, love and hope can flourish, inspiring us to embrace the beauty in every moment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • ink on paper 15 x 18" The Flotsam series follows my long interest in shallow water system imagery across sculpture, painting, and drawing projects. In this work I allow each material to inform the evolution of image making. Started during a road trip in 2023 with a small kit, I began these drawings with layers of brushed-on ink that got worked over with marker which rendered a silvery, burnished surface. These quickly became a process that encouraged intuitive shape-making, and where chaos on the page came to order through a network of connections.
     
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  • Flotsam, Light Shaft in Pink
    acrylic on cradled panel
    Size: 36 x 36
    "Flotsam, Light Shaft in Pink" presents an abstract narrative describing debris and light bouncing around an enigmatic water environment. The term “flotsam” speaks to a sense of the lost and found. Residing somewhere between landscape, figuration, and narrative, I present landscape elements in terms of parts that are disembodied and ready for arrangement. I like to play with their formal relationships, to jostle any sense of fixed placement. Forms that we might recognize as either shadow or structure become at once horizontal and vertical as they share the painted plane. A leaf can be both a figure in the landscape and a signal about decay. Shape becomes the result of withheld paint as well as applied.
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  • acrylic on canvas 36 x 36 x 2" I’m interested in notions of landscape that focus on shallow water systems in both natural and man-made environments. The work combines representational and abstract approaches for a dialogue that addresses complexity and metaphor and which celebrates the intuitive response across painting, sculpture, drawing and print media. Composed Shallow (Three Leaves) proposes an intimate experience of a natural water system where familiar color, structure, and perspective are replaced and re-ordered.

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  • ink on paper 10 x 8" I’m interested in notions of landscape that focus on shallow water systems in both natural and man-made environments. This work combines representational and abstract approaches for a dialogue that addresses structural complexity and metaphor and which celebrates the intuitive response across painting, sculpture, drawing and print media. The monoprint/monotype process that I explored in early 2023 became a way to expand my drawing practice and still convey a natural water system where familiar color, structure, and perspective are replaced and re-ordered.

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  • drypoint print 10 x 7 x .5" “Mistaken” is a drypoint print with watercolor and gouache highlights. The print is based on an original figure drawing and was made on a piece of thick plexiglass that cracked when I tried to re-bevel the edges. The figure (who nearly had her hand cut off in the process) looks back at the artist and viewer reproachfully.

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  • collage 17 x 19"
    During a month-long residency in Ireland I became entranced by the rich textures of stacked stone walls and pointed silhouettes of rooftops across the moody grey skies. As a figurative artist I was pleasantly surprised to see these architectural elements seep into my work. Ann’s Dairy came to me at the completion of my residency and captures the essence of a day spent in the countryside. This small, but mighty piece incorporates my gestural approach to figure drawing using handprinted papers to weave a tapestry that blurs the line between structure and nature.  
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  • charcoal, graphite, & ink collaged on gallery wrapped canvas 20 x 21 x 1.5" Finding Space boldly displays a figure I have been exploring for some time. Once timid and unsure, she is now settling into her environment, pushing against, and past, boundaries placed around her. While this piece did not begin as a true self-portrait, it grew into a solid representation of my own emergence as an artist. Reinventing myself in this next stage of life has brought me face-to-face with insecurity and self-doubt, but also revealed a strength and determination once forgotten. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Tiny Red Leaves
    acrylic on canvas
    Size: 48 x 30 I live in Florida, but spend the summer in the mountains in NC. There with the changes in seasons, I see the changes in the landscape and the woods. After the first frost the more fragile vines on the soaring trees first turn red and later brown and drop off. The red accents though small are so noticeable and herald the coming change of season. The day I saw this scene the sky was the legendary deep Carolina blue and white clouds were streaming across. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Copper etching in black on white paper
    5.5 x 3.5"
    On the Border is an etching based on an original landscape drawing done of a creek that marks the border between two states. Reflection following an unexpected illness in late fall prompted me to return to etching copper plates, the metal that first attracted me to printmaking. A harder substance that requires slow-biting ferric acid, copper draws out the production process but allows the artist to work in greater detail and delve deeper into the quality of line. The result is always worth the wait. Copper creates its own magical world, a visual link to printmakers of the past.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.