• Oil on Canvas Beauty of Love Size: 16 x 20 x 1 In this paintings, I explore the delicate interplay between love and hope through the vibrant depiction of flowers. Each bloom symbolizes a unique facet of love - passion, tenderness, and resilience - while their vivid colors represent the hope that springs eternal, even in the face of life's challenges. The gentle movement of petals and the harmonious arrangement invite viewers to reflect on their own experiences of love and the light it brings to our lives. These works serve as a reminder that, just as flowers bloom anew each season, love and hope can flourish, inspiring us to embrace the beauty in every moment. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Acrylic on Canvas Hope Springs Size: 48 x 48 x 3 Birds began to appear in my work at the start of the Pandemic. The beginning of the bird fashionistas - little characters that emulate the personalities of the people around me: They are fun to make and are a constant reminder of what is important in my life. When someone asks me “What happened to you during the pandemic?” I think “Well, a lot,” but the constant reminder of life came from looking through the living room window, watching a cascade of different types of birds vying for their spot at the bird feeder. Over and over and over! So many hours spent on the sofa just watching them and being thankful for being alive. While sitting on that sofa I did draw a LOT in my journal book. I wrote about the places I’ve been to, the people I’ve been with, meanings of the icons and images I was incorporating in my work. When we all began to venture out of our houses, I was more mindful of the journaling process and drawing the “memories” of place. The images in the journal book are the genesis of this work. If you would like to learn more about my work, please visit my website: candacenicolgarlock.com Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Acrylic on Canvas Love and Beloved Size: 48 x 48 x 3 Birds began to appear in my work at the start of the Pandemic. The beginning of the bird fashionistas - little characters that emulate the personalities of the people around me: They are fun to make and are a constant reminder of what is important in my life. When someone asks me “What happened to you during the pandemic?” I think “Well, a lot,” but the constant reminder of life came from looking through the living room window, watching a cascade of different types of birds vying for their spot at the bird feeder. Over and over and over! So many hours spent on the sofa just watching them and being thankful for being alive. While sitting on that sofa I did draw a LOT in my journal book. I wrote about the places I’ve been to, the people I’ve been with, meanings of the icons and images I was incorporating in my work. When we all began to venture out of our houses, I was more mindful of the journaling process and drawing the “memories” of place. The images in the journal book are the genesis of this work. If you would like to learn more about my work, please visit my website: candacenicolgarlock.com Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Egg Tempera Painting Winter Pears Framed Size: 10 x 13 x 1 I have studied at the Art Students League for several years, initially focusing on drawing. Other mediums I have explored include acrylic and colored pencil. Most recently, I have begun exploring egg tempera in still life. and currently study with Doug Safranek. I have participated (and sold pieces) in the Visual AIDS annual project Postcards from the Edge. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Collage In Full Bloom with Thorns Size: 3.5 x 2.5 x .25 "In Full Bllom with Thorns" is a series of collage love letters based on correspondence I found between two young people in the 1920s. This is one of the phases of their relationship where it became a little "thorny". "Fixing the Last Booboo" is part of my Mending the Earth Collage series addressing loss of species, environmental concerns. etc. All works include vintage miniature ephemera, watercolor, acrylic paint, ink, graphite, digital images, vintage bandaid, thread and whatever else is needed...enjoy! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Collage Fixing the Last Booboo Size: 3.5 x 2.5 x .25 "In Full Bllom with Thorns" is a series of collage love letters based on correspondence I found between two young people in the 1920s. This is one of the phases of their relationship where it became a little "thorny". "Fixing the Last Booboo" is part of my Mending the Earth Collage series addressing loss of species, environmental concerns. etc. All works include vintage miniature ephemera, watercolor, acrylic paint, ink, graphite, digital images, vintage bandaid, thread and whatever else is needed...enjoy! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Oil Curtsey and Carry On Size: 50 x 26 x 3 My submissions represent the most current work I have completed. The figurative series was intended to encompass all things about creation. The cubist quality happened rather organically while I was troubleshooting creative ways to represent parts of a figure, and the pieces that make up a whole being. These are only two examples, while some of the works not pictured are more irregular and varied shapes, rather than the hard-edged linear shapes seen here. The pallet varies as well but overall the works are a neutral with vibrant undertones. The contour lines will appear and subtly disappear. I enjoyed the thinking process behind the pieces as much as the actual creation of them. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Oil All My Favorite Colors Size: 50 x 26 x 3 My submissions represent the most current work I have completed. The figurative series was intended to encompass all things about creation. The cubist quality happened rather organically while I was troubleshooting creative ways to represent parts of a figure, and the pieces that make up a whole being. These are only two examples, while some of the works not pictured are more irregular and varied shapes, rather than the hard-edged linear shapes seen here. The pallet varies as well but overall the works are a neutral with vibrant undertones. The contour lines will appear and subtly disappear. I enjoyed the thinking process behind the pieces as much as the actual creation of them. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Egg Tempera Painting Green Tea Framed Size: 10 x 13 x 1 I have studied at the Art Students League for several years, initially focusing on drawing. Other mediums I have explored include acrylic and colored pencil. Most recently, I have begun exploring egg tempera in still life. and currently study with Doug Safranek. I have participated (and sold pieces) in the Visual AIDS annual project Postcards from the Edge. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.  
  • Aphrodite
    oil on canvas, gold leaf
    Size of Piece: 24 x 20 x 2

    I conjure intimate dialogues on canvas that speak of who we are—beauties, souls, goddesses, lovers, warriors. I paint to celebrate the magic inside every woman. We are beauties, souls, goddesses, lovers, warriors. I paint to show the magic inside every woman. We shine with grace like Aphrodite—the most beautiful goddess of love—full of softness and light. We also stand strong like a divine warrior, wearing gold helmet and gentle pink gown at the same time, showing that our power comes from being both brave and tender. Sometimes we are a mirror too—my painting with a young woman kissing her reflection reminds us we all want to feel seen and loved. That “love yourself” isn’t just words—it’s a deep hug from your own heart, a way to feel close to others again. My paintings are simple conversations with our souls, celebrating how we are strong and gentle, brave and kind, always beautiful and always real.

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  • Beneath the Murmur of the Distant Shores
    fabric
    Size of Piece: 30 x 30 x 1.5

    I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.

    My artistic approach is mostly intuitive with a constant awareness of color combination and contrast. The use of strong colors is a direct influence of my Brazilian heritage. Using fabric as the medium to create my art pieces was a natural choice since I have been working with it from my teenage years.

    My creative process can be described in two phases. The first one is the combination of inspiration and visualization of an art piece. The second phase is transforming what I visualized into actual artwork. It requires selecting fabrics as close as possible to my vision, adjusting, and sometimes, starting all over again.

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  • Echoes of Blue Mirage
    fabric
    Size of Piece: 30 x 40 x 1.5

    I’m a textile artist who is inspired by the world around me, especially by nature. I look at my surroundings with inquisitive eyes and mind, with curiosity, knowing there are hidden treasures to be found and turned into art.

    My artistic approach is mostly intuitive with a constant awareness of color combination and contrast. The use of strong colors is a direct influence of my Brazilian heritage. Using fabric as the medium to create my art pieces was a natural choice since I have been working with it from my teenage years.

    My creative process can be described in two phases. The first one is the combination of inspiration and visualization of an art piece. The second phase is transforming what I visualized into actual artwork. It requires selecting fabrics as close as possible to my vision, adjusting, and sometimes, starting all over again.

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  • Racing the Big Sandy

    Rives Bfk,watercolor pencil, neocolor2, varnish, Cradled wood panel

    Size of Piece: 30 x 30 x 1.5

    A few years back while visiting my brother and sister-in -law in New York, we took the train out to Belmont Park to watch the horse race. Although I often draw wild horses, I had never before experienced the energy of a live thoroughbred race. The horses, with their graceful yet powerful bodies, rumbled past the stands in a blur of color as their jockeys urged them on. I took many photographs that day ,and I continue to create drawings inspired by that experience. This piece, “Racing the Big Sandy, refers to the local nickname for Belmont Racetrack, and captures the trillI felt watching the racers thunder past.

    I created this drawing using watercolor pencils and Neocolor 2 on Rives Bfk paper adhered to and varnished on a cradled wood panel.

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  • Poppies

    recycled brown bags & acrylic on canvas

    Size of Piece: 24 x 36 x 1

    I am inspired by nature and I am a gardener and often am inspired by the flowers that I tend to. I use recycled brown grocery bags and paint them with acrylics. When the bags are dry I rip them and glue them together on canvas in the image of my gardens.

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  • Family Portrait

    recycled brown bags & acrylic on canvas

    Size of Piece: 36 x 24 x 1

    I am inspired by nature and I am a gardener and often am inspired by the flowers that I tend to. I use recycled brown grocery bags and paint them with acrylics. When the bags are dry I rip them and glue them together on canvas in the image of my gardens.

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  • Irving Theater

    photography

    Size of Piece: 16 x 24

    The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.

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  • Flower Shop

    acrylic on canvas

    Size of Piece: 20 x 30

    The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.

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  • Still Life with Red Roses

    oil on canvas

    Size of Piece: 18 x 24 x 1

    A vivid dialogue unfolds between strong red  background and the dark  blue. glass vessels.  Roses and  glass vessels, in combination with a dagger, a sword, a pomegranate — suggest symbolic meanings. Though still, the composition carries reminiscences, an untold story, suspended in time.

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  • Still Life with White Roses and Medieval Motifs

    oil on canvas

    Size of Piece: 20 x 24 x 1

    White roses and blue-and-white vessels are arranged before a yellowed page from a medieval manuscript. The imagery of knights, heraldic animals, and ancient lettering carries symbolic weight —  courage, loyalty, and the passage of time. The objects and flowers suggest hidden emotions behind their decorative surfaces, inviting the viewer to look for personal and historical meanings within the stillness.

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  • Journey to Self

    acrylic on canvas

    Size of Piece: 36 x 36 x 1.5

    Journey to Self, Outside Another Box, and Twisted each explore the complex, non-linear paths we take toward self-understanding and growth. Through layered colors, shifting forms, and circular movement, these works reflect moments of clarity, resistance, and transformation. They invite viewers to consider the ways we navigate change: sometimes breaking free from boundaries, sometimes finding our way back to center, always shaped by the twists and turns that make us who we are.

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  • Twisted

    acrylic on canvas

    Size of Piece: 36 x 36 x 1.5

    Journey to Self, Outside Another Box, and Twisted each explore the complex, non-linear paths we take toward self-understanding and growth. Through layered colors, shifting forms, and circular movement, these works reflect moments of clarity, resistance, and transformation. They invite viewers to consider the ways we navigate change: sometimes breaking free from boundaries, sometimes finding our way back to center, always shaped by the twists and turns that make us who we are.

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  • Russian Roulette

    oil on canvas

    Size of Piece: 40 x 30

    This painting is about my parents' wedding. My mother was from a rich and powerful family and my father was from exile in the Siberian Gulag family. Mother's parents were strongly against this marriage and it was like Russian Roulette for my father. He did not know if he could have a happy life or he could end up in Gulag which is depicted in the painting.

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  • Insomnia. Homer

    oil on canvas

    Size of Piece: 40 x 30

    Insomnia This picture was painted shortly after my arrival in New York. There are references to ancient Greek culture and Homer's epic poem Odyssey. The painting symbolized the hope that in our journey we will not lose our own culture. And we will be able to join another culture that is still unknown to us.

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  • A is for Aspiration

    digital archival photography sublimated to aluminum

    Size of Piece: 16 x 20

    I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

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  • Candles, Colors, and the Promise of Romance, Paris

    digital archival photograph sublimated to aluminum

    Size of Piece: 16 x 24

    I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

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  • I Was Drawn to the Red Room

    digital archival photograph sublimated to aluminum

    Size of Piece: 20 x 30

    I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

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  • View from the Chicago River

    oil

    Size of Piece: 16 x 24

    The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.

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  • Tuk Sip

    acrylic, handprinted paper, collage on canvas board

    Size of Piece: 9 x 12 x .25

    'Offering' was inspired by a trip to India where I participated in a service project. I had made a strong, non-verbal connection with this woman which seemed to grow stronger as the weeks passed. On the final day, she invited me into her home and offered a chai tea to share with her, along with one rupee she had kept hidden behind the counter. Her daughter commented thatches was her gift to me. the woman held my hand tightly as we left for the bus-- and followed my eyes through the bus' window as I sat to leave.. both of us in tears. I wanted to capture that moment when the connection felt as if we were just two women- our shared experiences reflected in each others eyes- no matter how far apart our worlds were. The other piece-'Tuk Sip' from a trip to Cambodia (Tuk=water)

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  • Reflection oil on canvas
    Size of Piece: 36 x 24 x 1
    When I created Reflection, I asked myself: Who am I? In this painting, I see myself as a Divine Warrior, yet not one dressed in heavy battle armor. Instead, I chose to reveal her strength through contrasts—the grandeur of gold and the delicacy of a soft pink nightgown. To me, this symbolizes the truth of womanhood: we carry both resilience and tenderness, power and vulnerability, often all at once. The helmet becomes more than protection; it is a veil. I am not looking out into the world—I am looking within. This inner gaze reflects the search for identity, the quiet power of self-knowledge, and the courage to face the truths we hold inside. Reflection is both a portrait and a mirror, asking the viewer to pause and wonder: When you strip away the armor, who are you?
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  • Who Do You Love? oil on canvas
    Size of Piece: 30 x 24 x 1
    Artwork 1: A young woman leans toward her reflection, kissing herself in the mirror. The image speaks not only of solitude, but of the eternal human desire to be seen and loved. In today’s world, the phrase “love yourself” is repeated endlessly-sometimes as healing wisdom, sometimes as a shallow slogan. Is self-embrace the beginning of true connection, or a sign of how distant we have grown from one another? The mirror becomes a symbol of both intimacy and isolation. And it asks us all, in the quiet of our own hearts: Who Do You Love? Artwork 2: Aphrodite, the ancient Greek goddess of love, beauty, and desire, embodies both passion and grace. Born from the sea foam, she symbolizes the power of attraction, creativity, and the eternal force of love that connects all beings.
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  • Triptych in Red and Blue oil on canvas
    Size of Piece: 24 x 20 x 1
    My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. The painting Triptych in Red and Blue consisting of the center part with a stylized still life and two wings with the human images stylized and intertwined with the background is intended to create a strong visual image engaging viewers, provoking thoughts and reflections.
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  • Reflections in Blue oil on canvas
    Size of Piece: 20 x 16 x 1
    My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. Reflections in Blue, 2023 In this painting, objects that were once functional and valuable are now cracked and broken, yet they have acquired a new kind of beauty. They evoke memories and reflections, with fragments of the mirror bringing images from the past back to life.
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  • Reflecting digital collage on paper
    Size of Piece: 28 x 20
    My digital artwork is layered with patterns, symbols, metaphors, and archetypal imagery, inviting the viewer into a space where reality is suspended, and deeper connections can be uncovered. Each layer reveals something new—whether it's a reflection of nature, a moment in time, or a spiritual journey—inviting viewers to explore the themes of interconnectedness that run through my work. These digital collages transcend the immediate experience, offering a window into the universal rhythms of life, spirit, and time.
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  • Reflecting digital collage on paper
    Size of Piece: 28 x 20
    My digital artwork is layered with patterns, symbols, metaphors, and archetypal imagery, inviting the viewer into a space where reality is suspended, and deeper connections can be uncovered. Each layer reveals something new—whether it's a reflection of nature, a moment in time, or a spiritual journey—inviting viewers to explore the themes of interconnectedness that run through my work. These digital collages transcend the immediate experience, offering a window into the universal rhythms of life, spirit, and time.
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  • Trail to Chickenfoot Lake polymer photogravure etching on paper
    Size of Piece: 8 x 10
    “Trail to Chickenfoot Lake” is from a photo I took hiking along Rock Creek in the John Muir Wilderness, with the dramatic clouds and high Sierra backdrop. There is much observation, contemplation, and personal, internal reflection inspired by the magnificence of such grandeur which is captured in the exquisitely detailed etching. “Into the Vineyard” is from a photo I took in the Dry Creek Valley of Sonoma. It is printed direct-to-plate and inked À la poupée with 3 different black inks to create the nuanced feel of looking into the bright, hot vineyard from the cool, vine-covered walkway. After a lazy afternoon in the tasting room, the natural beauty of the valley and the vineyards create a contemplative, reflective state that is translated into this finely detailed etching.
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  • Moment in the Movement oil on canvas
    Size of Piece: 30 x 40 .75
    Moment in the Movement is inspired by Bonnie Kerness, a friend and nationally-recognized leader in the U.S. prison abolition movement. Here, Bonnie is rendered using a photo I took of her during a strategy meeting of local advocates in her 50-year role as Director of the Prison Watch Program, an arm of the American Friends Service Committee. Hunched in a gesture of weighty reflection, but perhaps also in prayer, she is cloaked by a life-affirming blue-green that contrasts with an ominousness dark background. The watery movement of her spectacular crown of white hair exists in tension with sharp, foreboding shapes surrounding, and within, her face. It was my aim to evoke a sense of bruising vulnerability, a compassionate melancholy, and also a kind of populist regality.
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  • Night Rider oil on canvas
    Size of Piece: 30 x 24 x 1
    I paint with enthusiasm for color, strong imagery in my work. Lately, I have been painting cars because I find that their sculptural shapes and gleaming surfaces are irresistible. The reflections in those surfaces always call to me, so I capture the image and paint it. I generally make the car the star of my painting but I need to keep it in context so I create as much or as little of the surrounding scene as suits me.
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  • Blue Buick oil on canvas
    Size of Piece: 20 x 24 x 1
    I paint with enthusiasm for color, strong imagery in my work. Lately, I have been painting cars because I find that their sculptural shapes and gleaming surfaces are irresistible. The reflections in those surfaces always call to me, so I capture the image and paint it. I generally make the car the star of my painting but I need to keep it in context so I create as much or as little of the surrounding scene as suits me.
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  • What Do Her Sunglasses Reflect? collage
    Size of Piece: 10 x 10 x .75
    This collage of a woman on a lounge chair represents a state of relaxation and reflection. I'm interested in using various color schemes that I think emphasize states of mind. In this case, the simplicity of black and white with touches of red--and her sunglasses, a visual reference to reflection. The title of the piece is a question since we can't see what the sunglasses are reflecting. I especially like working in the medium of collage because it gives me an almost unlimited supply of materials.
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  • Layered Planes 4 Collage 16 x 20 x 1 My process as an artist is disciplined, intellectually challenging and inquisitive, much as it had been in architectural practice. I am not obliged however, to follow the many requirements that were once necessary to create functioning buildings. Works are now fantasy environments and constructions. I create vivid, colorful abstract compositions reinterpreted from actual building groupings or from shapes that come to my imagination. The first step in the process is to sketch out ideas, which I often change as I move forward to completion. I focus on juxtaposed, overlapping shapes, receding and advancing in space. The use of acrylic paint and metallic paper lend well to sharp delineation of each element. Mounting paper on foam core board for selected portions, helps create a three dimensional illusion for the observer. I am energized and made joyful by the world I create. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Earth and Aether Oil 24 x 16 x .5
    Romm's art examines the divine intelligence permeating all existence, employing a visual language rich in light, color, and symbols that transcends the mundane and draws viewers into supernatural realms. Romm's creative process-guided by intuition and experimentation-blend influences from music, poetry, and personal dreamwork to explore themes of transformation, rebirth, and transcendence. ​She often employs nature's symbols—drawing from skies, trees, water, birds, and other elements—infused with dynamic color to depict emerging forms symbolizing the union of physical (earth) and spirit (aether). These compositions blur tangible-ethereal boundaries, transforming her paintings into portals that invite exploration of mystical landscapes where sacred and surreal converge. ​ Romm’s paintings are not simply representations but invitations to connect with the deeper forces shaping existence.
    Waiver
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  • The Cloisters Museum in Shadow and Light Watercolor 30 x 22
    For those of us fortunate enough to live in Upper Manhattan NYC, Fort Tryon Park is our own mini Central Park and also something more. With the Cloisters Museum serving as its "castle on a hill", the Park with its lush landscaping in the same English Romantic style as Central Park, but with sweeping views of the Hudson River and the Palisades of NJ beyond, Fort Tryon Park is a place that brings out the best of us. It is a little-known gem, a neighborhood treasure that reminds us that we can daily experience renewed awe in its beauty, find calm in its idealized version of nature, delight in its wildlife, and take heart in how we and our neighbors and visitors alike smile, say hello, and find common cause in our love for the place. In the daily stresses of urban life that can sometimes bring out the worst in its residents, the Park is a place where we access a different side of life, a place we all agree that we treasure despite other disagreements. And in so doing, it is a place that prompts us to be a better, nobler version of ourselves.
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  • Sleeping Beauty Digital Painting: Micro-Pointillism, Corel Painter 28 x 23
    As an Artist, I can weave together the threads of myth and reality while exploring the deep, multifaceted nature of the female psyche. With a unique approach that blends traditional inspiration with cutting-edge technology, My artwork serves as a bridge between the past and the present, the tangible world and the dreamlike. My pointillist pieces, created using a computer painting program, breathe life into my powerful creations, capturing the inner stories of women and the emotional landscapes they navigate. A key influence on my artwork is the traditional beauty of Japanese woodblock prints and the ethereal quality of pre-Raphaelite paintings. These historical works saturate her pieces with a sense of timelessness. Yet, my choice of a computer program as my primary art medium places me firmly in the realm of contemporary art-making. By embracing modern technology, I reinterprets these classical influences through a digital lens, creating works that feel both nostalgic and forward-thinking. At the heart of my artwork lies a fascination with the interplay of fantasy and truth. My creations speak to a realm where stories and symbols come alive, where ancient tales are reimagined through a state-of-the-art viewpoint. The result is a body of work that honors the past while challenging contemporary perceptions of femininity, identity, and self-expression. Through my art, I offer a playful yet profound exploration of the desires and dreams that shape the female experience.
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  • Hemara Welcomes the day Digital Painting: Micro-Pointillism, Corel Painter 20 x 18
    As an Artist, I can weave together the threads of myth and reality while exploring the deep, multifaceted nature of the female psyche. With a unique approach that blends traditional inspiration with cutting-edge technology, My artwork serves as a bridge between the past and the present, the tangible world and the dreamlike. My pointillist pieces, created using a computer painting program, breathe life into my powerful creations, capturing the inner stories of women and the emotional landscapes they navigate. A key influence on my artwork is the traditional beauty of Japanese woodblock prints and the ethereal quality of pre-Raphaelite paintings. These historical works saturate her pieces with a sense of timelessness. Yet, my choice of a computer program as my primary art medium places me firmly in the realm of contemporary art-making. By embracing modern technology, I reinterprets these classical influences through a digital lens, creating works that feel both nostalgic and forward-thinking. At the heart of my artwork lies a fascination with the interplay of fantasy and truth. My creations speak to a realm where stories and symbols come alive, where ancient tales are reimagined through a state-of-the-art viewpoint. The result is a body of work that honors the past while challenging contemporary perceptions of femininity, identity, and self-expression. Through my art, I offer a playful yet profound exploration of the desires and dreams that shape the female experience.
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  • Fall Near Napes FLX1 oil 36 x 48 x 1 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Spring Sunrise PY FLX3 oil 36 x 30 x 1.5 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Blossom Reverie acrylic 12 x 16 The artworks submitted are built slowly letting each mark settle before adding the next and the unexpected bursts of colors emerged intuitively throughout the process. Together they tell a story of growth happening quietly beneath the surface. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Swirl of the Sun Garden acrylic 24 x 24 x .5 The artworks submitted are built slowly letting each mark settle before adding the next and the unexpected bursts of colors emerged intuitively throughout the process. Together they tell a story of growth happening quietly beneath the surface. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Own optical clearance technology / tempera, oil, watercolor 11 x 14 I'm thrilled to be participating in my first virtual exhibition at NAWA. I'm presenting two paintings created using a very interesting optical clearance technology. I'm a little nervous, but I hope these works will be a positive experience. I wish everyone creative inspiration! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Still Life optical clearance technology / tempera, oil, watercolor 14 x 16 I'm thrilled to be participating in my first virtual exhibition at NAWA. I'm presenting two paintings created using a very interesting optical clearance technology. I'm a little nervous, but I hope these works will be a positive experience. I wish everyone creative inspiration! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.