encaustic & mixed media
18 x 24 x 2"
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acrylic on canvas 60 x 36 x 1.25"
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acrylic & oil paint on canvas 48 x 48 x 1.5"
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oil on linen 24 x 30 x 1.5"
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enamel on copper 12 x 24"
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acrylic on canvas 40 x 30 x 3"
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oil on linen 60 x 42 x 1.25"
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acrylic, airbrush, latex, ink on canvas 48 x 48 x 1"
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acrylic, watercolor, metallic watercolor, soap, & ink 30 x 30 x 2.25"
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acrylic, ink, graphite, image transfer, gold foil, & thread on canvas 42 x 20 x 3"
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glazed stoneware 18 x 7 x 7"
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oil on canvas 20 x 16"
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acrylic on cradled wood panel 24 x 18 x .75"
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oil on canvas 22 x 28 x 1.5"
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acrylic, sculpted paper, ground metal, metallics, bamboo, & pressed flowers 36 x 24"
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charcoal on Arches paper 25 x 19.5"
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oil on canvas 48 x 72"
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oil on canvas 48 x 60 x 1.5"
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acrylic 30 x 40 x 2"
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oil on canvas 48 x 48 x 1.5"
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mixed media on watercolor paper 12 x 9"
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oil on canvas 24 x 18"
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acrylic on canvas 72 x 40 x 1.5"
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acrylic on Bristol board 10 x 8"
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acrylic 30 x 40 x 2"
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mixed media collage & fiber 36 x 28"
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acrylic on canvas 24 x 18"
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serigraphs 20 x 40 x 1"
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gouache & mixed media on paper 29 x 40"
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Oil on canvas 8 x 6"
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alabaster on black marble base 14 x 5 x 4"
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mixed media 14 x 14"
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Oil, wax, and graphite on wood panel 10 x 10"
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Hand-cut rice paper, historical element, NY Times 15 x 15"
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watercolor mineral pigment, Hanji paper, wrapped on wood pane 12 x 15"
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soft pastel on pastelmat 14 x 11"
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Raku fired ceramics with underglazes 9.75 x 9 x 6"
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acrylic, gold leaf, ink on board 14 x 14"
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Oil on panel 12 x 12"
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Oil on panel 7 x 13"
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Digital Photography, Inkjet Archival print 15 x 12.6"
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Photography 14 x 10"
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Acrylic on paper 12 x 9"
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Oil on board 10 x 10"
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Acrylic and paper on wood panel 7 x 7"
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Platinum/palladium photography
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Layered Fused Glass
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paper, fabric, photographs
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Gauze, bespoke 3D leaves, acrylic, oil on board
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Monoprint using a milk carton as the plate
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Oil on linen board
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Dry Pastel on Paper
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monotype, litho ink on Rives BFK paper
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Oil on linen
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Bronze
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Oil on canvas
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Paper, porcelain, cardboard & glass
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Fired stoneware with a glaze
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Ink on washi paper
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Gouache on hardwood panel
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Digital collage
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Onyx mounted on limestone
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Stoneware
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Ceramics
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Acrylic On Canvas
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Glazed Ceramic on Found Object
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Acrylic/mixed media on wood panel
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Polymer plate intaglio from original photo
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collage and acrylic on canvas
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encaustic, beeswax, on wood
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Oil on multimedia board
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Drawing on Rives BFK, varnished on panel wood
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Oil, graphite, charcoal on paper
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paper clippings, wax pencils, pen, graphite
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Print on Canvas treated with Cold Wax Medium
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Copper etching in black on white paper
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marble on alabaster
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Cold wax and oil
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Acrylic on canvas
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Photography, digitally enhanced, printed on canvas
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Soft pastel on Sennelier LaCarte
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Ink and Collage on Panel
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Charcoal and charcoal pencil on grey MiTeintes
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Oil and pencil on canvas
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Silverpoint and Polychromos pencil on paper
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Alabaster
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Hand embroidered on linen
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watercolor
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Bronze
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mixed media--acrylic, cloth, wood, clay, other
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Acrylic on paper
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Watercolor and mixed media on paper
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Chromogenic Silver Halide (Chemical Print)
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acrylic texture and painting
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watercolor on paper
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oil on board
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oil on wood panel 10 x 12" The Transparent Slice of Tangerine just drew me. I wanted to try a capture this in my oils. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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pastel on paper
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oil on canvas
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acrylic and collage
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acrylic on canvas
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oil on canvas
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mixed media drawing on paper
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watercolor
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Eastern watercolor/sumi-e on single Shuen rice paper
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digital drawing fabricated to pigment ink on paper
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watercolor
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digital photography, Inkjet archival print
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photography
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photograph
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oil on canvas
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oil on panel 12 x 16" 2023 My work has been described as Contemporary Impressionism and is inspired by the beauty I see around me everyday. Sometimes the idea for a painting spontaneously presents itself as in plein air painting. I am inspired by the quiet meandering of a river, the vastness of a desert gorge, or the way afternoon sun lights the curve of an arch. Sometimes my paintings are inspired by many impressions and feelings of a place. I use technique to express relationships and create a sense of atmosphere, time and space.. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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digital photograph
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Soldoil, ink on canvas
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refractured oil with poem
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acrylic & oil on canvas
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acrylic on ashwood coated in epoxy resin
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oil on canvas
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oil on canvas
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acrylic on panel, framed with natural floater frame
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litho inks on Rices BFK handmade paper
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collage
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acrylic 23.5 x 31"How to depict the illusive concept of sin? Choosing an apple strongly symbolized this religious meaning, but how to render spirituality, devoid of gravity, was the challenge. The painting method implemented was to paint a setting of various deep blues pushing space forward and back. The wispy leaf-like lines created movement and visually flowed across the canvas implying spirit. The apple, in its purest form and color, is braced by 2 branches and created a stillness... Now the apple is ready to be picked.
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watercolor, colored pencil 30 x 27 x 1"For the past fourteen months, I have been mourning the death of my daughter. She taught middle school ancient history, and my current work connects to images from those times. That’s what’s led me to look at a schematic of the Biblical tabernacle in Jerusalem and make paintings based on it. Some of this work has focused on the scarlet, purple, and indigo veils that divide the three sections of the tabernacle. Making paintings with these references lets me feel connected to my daughter and is helping me process my grief.
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mixed media on vinyl tile 12 x 12 x 1"
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enamel on copper 18 x 18"
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driftwood, oil pastels & soft pastels 30 x 15 x 6"
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oil on canvas 16 x 20"
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orange alabaster 12 x 12 x 5" Luminosity shines bright to get the attention of the viewer. Octopuses, with their three brains are brilliant and are on the top of the oceanic hierarchical chain. Their keen ability to sense their surroundings, the interaction with humans, and how they care for and defend themselves is a marvel. Luminosity was created to represent the importance of the ocean and her creatures. I , personally , have immense respect for these sentient beings. Man's interference has taken a toll on all these glorious beings. How can we understand the impact we have had and change what we have done?
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wood, found metal, magnets 10 x 8 x 3" I love collecting sticks while hiking. When I return to my studio, I sort the sicks by length, width, straightness or curvature, and color. When a stick's bark is spotted or striped, it often remains, but I also carve, burn, and use colored pencils on others. My next step is to search through my bins of found materials to find the perfect match between sticks and usually abandoned metal. The entire process of creating is fun and exciting, filling me with joy.
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oil painting 24 x 24" This artwork sparks a vital conversation reflecting the interconnectedness and balance within the microcosm of my garden and the macrocosm of the cosmos. My work draws inspiration from the life cycle of flowers to explore existential questions about existence, purpose, fragility, and interconnectedness. By blending recognizable floral imagery with cosmic visions through layered, transparent glazing techniques, the painting symbolically merges the micro and macro realms. This convergence aims to underscore how all life forms, from the smallest flower to the vast cosmos, are intricately connected and demand an open dialogue to ensure the survival of this universal interdependence.
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acrylic on canvas 15.5 x 16.5 x 1.5" My work is all about New York. The sense of belonging, and the desperation felt whenever I'm not in New York. It is about finding the place where I feel like myself. My work seeks to ask the viewer: ‘what is it that you desire? Where is it that you’d wish you could be? Where are you the happiest? What are you doing or where are you when you are your most authentic self? Who would you so dearly wish that would appear in front of you? What dreams do you have? What keeps you moving forward? Through my paintings I hope the viewer will engage in a conversation that could also relate to their own personal story, their own memories, their own personal questions, hopes, and aspirations.
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collage with acrylic and paper 18 x 18" This collage, which presents a destroyed landscape, comes from my emotional response to the devastation of human displacement. Working loosely with abandon, layering paint and papers on a panel, the intuitive process itself supports the creation of an abstracted evocation of the chaotic aftermath of a cataclysmic event.
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3D mixed media 30 x 23 x 5" War is the number one cause of child hunger. War destroys a country’s infrastructure thereby disrupting the chain of food production. This, in turn, leads to the vicious cycle of yet more unrest and violence. Children living in war-torn countries such as Yemen, Syria, South Sudan, Nigeria, Ukraine, and Palestine are very likely to be malnourished and ravaged by stomach-aching hunger. Where there is war and conflict, children are dying at a rate unfathomable to our well-fed sensibilities. How can we, as flourishing members of the global community, prevent these unnecessary and endless conflicts, these wars that result in the heartless deaths of millions of children?
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oil 36 x 26 x 2" This is a self-portrait done at my favorite location in my house - the kitchen! It includes a small colored glass sailboat hanging in the window, made by my father shortly before his death.
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drypoint with monotype & hand additions 17 x 15" I live in Maine. Every year we wait for the spring peepers to signal that winter is finally over. I use the process of monotype with drypoint and toxic free inks to freely express gestural aspects of nature that surround me. I used various textured offsets to get a nuanced blue surface in this piece which had several iterations. Knowing when to stop is always the question.
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photography 13 x 16"
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acrylic painting 24 x 24 x 2" The Haro Strait is one of the main channels connecting the Strait of Georgia to the Strait of Juan de Fuca, separating Vancouver Island and the Gulf Islands in British Columbia, Canada from the San Juan Islands of Washington state in the United States. The forested mountains running down to the shore and the color of the water create a very different landscape than the south Florida coastline. With whales, seals and dolphins watching the marine life is pure joy.
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acrylic, oil & markers on canvas, plaster & found object 20 x 30 x 2.5" Reflections is a hybrid sculptural painting that expands the viewer's perspective and viewing options. Front and back sides of the canvas are visible simultaneously, revealing hidden elements & layered meanings, both physical and conceptual. Seemingly ordinary objects carry concealed narratives beneath their innocent façade, suggesting deeper, even unsettling layers. A dismembered bottle nipple with a faint human reflection rests in white impasto and in a busy background of suggestive textural movement. A partially formed, unpainted baby bottle precariously balances in front of a baby apparition that seeped onto the backside canvas. Reflections is about reflections and interpretations.
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collage on clayboard with sgraffito 16.5 x 13.5" I used to have students render statues. As demonstrations, I started using the truncated female torso in my own work, repeating variations in different media- watercolor, oil pastel, woodblock printing, and more. This reflected thoughts about aging- how a statue can lose parts over long periods of time. What may once have been adulated in youth has changed and is now attractive in very different ways. This art piece uses the same torso shape repeated throughout the series, and adds a portion of a cotton lace curtain from my first home that finally fell apart. It is dipped in encaustic wax, which preserves it. The line work scratched in the clayboard suggests breaking of bonds or barriers.
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oil on canvas 24 x 18" The painting is based on two stages of a dawn off my back porch, looking over the Salton Sea. Earlier the sky was darker, later, more light comes in. During this time the clouds also change. The two paintings, done on lose canvas, were refractured - cut up and reassembled - mounted on a stretched canvas - to incorporate the two phases. The following poem is written for and painted into the painting: Storm clouds, fluffy clouds All the product of weather, changes are the key.
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poured watercolors, fluid acrylics & paper collage 28 x 24" Abstract painting is an opportunity, for me, to retreat into my imagination and paint with my “mind’s eye”. In recent years, the universe has been an intriguing source of inspiration. I watch from afar, wondering who or what is out there? For me, the big question is what path or door should I go through in order to better understand my place in a universe of spinning planets filled with other beings.
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oil on linen 20 x 20" I take joy in going on plein aire expeditions in the beautiful Catskill countryside near my home in upstate New York. I love the beautiful landscape, the barns old and new, the animals and plants in the region. The particular barn in this painting was built by the owner himself - a former New York City discotheque owner! I was drawn to the colors and patterns in the scene and enjoyed talking to the owners. Plein aire painDDting is always an adventure and full of surprises.
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watercolor & mixed media on paper 25 x 21 x 1" This exuberant abstract watercolor piece is a reflection of the joy and engagement I feel when I'm painting. I created this piece last July, and I was clearly inspired by the lush and verdant summer foliage I love, which gave this piece its name: Flourishing.
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encaustic 10 x 10 x 2" Caribbean Cottages is inspired by the vibrant colors that abound in tropical seaside towns. The mesmerizing blues of the ocean provide the backdrop to quaint, colorful cottages that dot the landscape. These colors encapsulate the idea of slow-living; being present and enjoying each day as it unfolds before you.
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acrylic 21 x 17 x 1" I am currently working on a series of Strong Women, inspired by artists, writers, and other women of prominence in their fields who have demonstrated a passion for their work and a resilience to survive, sometimes against all odds. By delving into the past as well as the present, through paintings and photography, I have been inspired to recreate those images in my own expressionistic style. It is an ongoing challenge and hope that the finished portrait will give a sense of immediacy and permanence to the subject, that the strength and depth will shine through.
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monotype (printmaking) 16 x 24" The Inner senses to me are as much of a truth as the outer senses. My art is an expression of that Truth. The Truth which goes beyond our five senses. The truth which goes beyond the senses of seeing, hearing, smelling, tasting and touch. This is a truth of feeling and sensing, the inner world and the intangible outer world. I use visual art forms such as painting, drawing, printmaking and photography to express my inner and life experiences.
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oil on canvas 20 x 26 x 1" I was inspired by Martin Johnson Heade and his ability to incorporate floral imagery in landscape. I am interested in creating surreal, fantasy elements in a traditional style.
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photography 25 x 25" Worn by a variety of cultures in Africa, antiquity documents the wearing of Locs or Dreadlocks and braids back to 3000 BC in the Sahara Desert. Dreadlocks are worn for many reasons including religious/spiritual beliefs, rites of passage, ethnic pride, the rejection of capitalism and colonialism. The Crown Act, first signed into law in California in 2019, now law in 24 states including Texas, prohibits the denial of employment and educational opportunities based upon natural hair texture or style. Texas continues to draw national attention as it denies educational opportunites to students with Locs (protected under the Crown Act). The Crown Act has failed to pass the US Congress twice.
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mixed media 14 x 17.5" My mother just died and the dogs in my mind were visiting. To say she is alright. It is made with acrylic paint fabric and mosaics. Dogs are all around my neighborhood so they become the animal inspiration. And heaven is a beautiful place with mosaics all around. I miss her very much and hope she safe.