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oil on canvas 48 x 48"
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pastel (dry) 17 x 23"
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acrylic & oil on canvas 48 x 60"
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acrylic 20 x 16 x 1.75"
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encaustic 24 x 24"
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mixed media 12.6 x 13.5 x 4"
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wood block print with gradient roll layer 12 x 16" "Dialog" depicting a visualization of the many ways a dialog can go between two people.
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oil on canvas 36 x 36"
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acrylic on canvas 24 x 36"
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printing & mixed media 6 x 8"
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oil on canvas 60 x 40"
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mixed media 10 x 8" "Is it Me?" is a thought-provoking mixed-media work capturing the moment of self-reflection. It invites viewers to contemplate their sense of identity, self-perception, and their shattered beliefs. The title resonates with the concept of questioning and seeking truth while also expressing the vulnerability and uncertainty that can accompany such introspection.
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photo screenprint 42 x 32"
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black & white digital photography 11 x 14"
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paper, sandpaper, copper 16 x 12"
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watercolor on paper 24 x 32"
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oil on Belgian linen 60 x 40"
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graphite on paper 10 x 8"
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oil on canvas 48 x 48"
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oil on canvas 36 x 48"
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acrylic on canvas 60 x 36"
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pigment & acrylic on wood panel 10 x 10"
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graphite 20 x 20"
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gouache on paper & mixed media 30 x 22"
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oil on canvas 20 x 16 x .7"
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Mixed Media 12 x 12"
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Oil 12 x 9
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Photography 10.25 x 6.75 I have taken only one trip to Cuba, but I was immediately captivated by the diversity of the landscape, the light, and the interplay of colors, but especially by the soul of the people: their openness, their friendliness, their energy, their joy, and their vibrant street life. As a photographer whose primary interest has always been people, I was in the midst of a visual paradise.
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Pastel 10 x 15 in.
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Sculpture 7.5 x 3.2 x 14 in. Mano de la Vida - The Translucent Orange Alabaster stone had split at an angle, the bottom half of the stone resembled a hand and forearm. The beautiful texture, color variations and striations in the stone blended perfectly with the concept of a divine giver. The female figure held in the hand represents life, rebirth, and the transformation of oneself.
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Acrylic 12 x 12 in.
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Acrylic 10 x 11 in. I see my work as an abstracted narrative. The figures seem to have something to say, or express; are often amid doing something and I feel the chatter in their heads. There’s a physicality in the work, the action of mind and body in the process. Showing what something feels like is what I hope to convey in paint. Puppeteer represents one from a series painted quickly and directly without prior drawing, leaving me open to being in response mode accessing motion and story without referencing much reality.
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Sculpture 12.5 x 7 x 7 in.
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Mixed Media 15 x 15 in. This mixed media piece represents the struggle women have had trying to achieve their basic rights for centuries. The struggles that women of color have endured go back even further. The strings and ropes are representative of being tied and bound, as in being held back, but also of the binding and joining together as all women feel that common thread of sisterhood. The problems that entangle us still exist but by coming together as sisters we can fight for our basic rights and try to unravel the tangled threads.
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Collage 8 x 10 in. The medium of collage is by nature graphic, textural, structural and filled with fields of color. Experimenting with a smaller format allows me to work out design and media details before going to larger works. Buildings and shadows and colors are rich and diverse in St. Augustine, FL . Walking the streets is a visual treat with buildings dating back to the early 1700s. It was a natural progression for me to produce works from photos I had taken while on a trip to St. Augustine.
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Oil 12 x 9 in.
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Photography 11 x 8.5 in. Marilyn Saks-McMillion is a photographer based in her hometown of Washington, DC. Her retirement after long career in international affairs has allowed her to deepen her interest in photography. Her subjects include the day-to-day in her home, Capitol Hill neighborhood, the Chesapeake Bay and beyond. Her work is inspired by colors and a world of detail. Using her cellphone for her photos, she is best at capturing objects close at hand.
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Photography 12 x 8 in. With this photograph, I'm celebrating the Unique. I've been always drawn to the out-of-the-ordinary. The Satsuma Mandarin is a great example of one of my unusual findings. Despite the flower-like qualities of the hand it simply serves as a pedestal to support the main subject. The fruit is the hero of this picture. It's a portrait of individuality.
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Mixed Media 9 x 12 in. This drawing is from my Feminist Tribute series. Grace Martin Taylor was an important Modernist from West Virginia where I currently live. Placing my body in juxtaposition with women artists before me, I explore feminist lineage and my place amongst it all.
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Collage 15 x 11 in. I love collage. I collect paper, cut it up, and move the bits around until an image comes together. With no idea in mind, it’s just play & discovery, with a surprise reward at the end! “Girlfriends” reflects new techniques I was trying out: painting and printing on wallpaper scraps and deli paper, and, experimenting with “faux” encaustics: transferring an image onto matte Dura-lar Mylar and adhering it image side down, producing a translucent, beeswax effect. Using people as subject matter is also new. A friend had given me a packet of old photos, and immediately, they spoke to me.
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Photography 15 x 15 in. I like to capture the fast-paced dynamics of street life. What is exciting and energizes me is how spontaneous the process is and unpredictable people are. Some, as the ‘Street Sweeper’, are completely unaware of being photographed. I sometimes stop and ask someone if I could photograph them. I generally like to photograph on sunny days, which gives increased contrast in light and shadows. Places with interesting forms, light, and street geometry provide a good background and foreground to the people I choose to photograph. The selected photograph, ‘Street Sweeper’ was taken in 2018, on a trip to Mexico. I felt the color and geometry of the buildings provided a great background to this working man.
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Photography 10 x 8 in. The photo of this workshop captured my eye because it looks like the technicians and workers had just stepped away from their workbenches a moment ago. Perhaps they are on a break and would soon return to their stations. Though there are no people in the image, I could just imagine them toiling away at the projects on which they were working.
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Mixed Media 12 x 12 in. "Am I Allowed to Ask" is one of a series of four paintings. The series is driven by my reaction to current political movements that are attempting to legislate decisions that are deeply personal and profoundly significant to women and their health and well-being —decisions that rightfully belong with the individual, their healthcare provider, and their immediate family.
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Sculpture 6 x 12 x 8 in. Coral Shadows is part of a series of work called Coral Reminders. It is my intention to bring the underwater world of corals above the surface to keep it visible and increase awareness of its precarious balance. The possibility that these incredible natural structures and life forms could be destroyed by a 2° rise in ocean temperatures is our reality and we’re losing time for intervention.
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Photography 12 x 12 in. Love Joy Art! Dave Lovejoy’s studio says it all. He loves the ‘patina of use’ of LA in the 30s & 40s. His office in a 1905 abandoned bank building has gold lettering that could be leftover by a Sam Spade of art. Eclectic spheres & globes, 18 paintbrushes arrayed, vintage molding meandering, an assemblage of 88 magnifying glasses is a living chandelier. The studio flows into the Last Bookstore (in the same antique building), a magical labyrinth of melting bookcases & flying books in Downtown LA for visiting booklovers. Imagination & inspiration. A ‘thingmaker’ meets me, a photographmaker. Voila!
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Tempera 12 x 9 in. Marny Lawton is an award-winning artist based in Connecticut. The focus of her work is contemporary realism with abstractions found in her realistic subjects. She explores themes of foods and landscapes as they are in a state of flux with climate change, and still life to find the meditative beauty in the ordinary and the extraordinary in the often overlooked.
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Gouache 12 x 12 in.
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Soft pastel 10 x 8 in.
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Mixed Media 6 x 6 in. Strange Fruit is part of my small, bold, highly detailed, mixed media collage artwork. Tissue paper, magazine, acrylic paint, casein paint, handmade paper, imported paper, and acrylic inks are among the varied elements I used in this series.
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