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Clay, Metal 15 x 10 x 40"These sculptures incorporate found objects (metal, shells, plastic toys) along with my hand made clay figures and address family dysfunction.
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sculpture 22 x 11 x 9" This mixed media sculpture was inspired by the gargoyles atop Manhattan skyscrapers. It consists of handmade clay figures trompe l'oeil painted part animal and marble and a metal spire atop a grid representing a building.
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Clay, Metal 12 x 7 x 11"These sculptures incorporate found objects (metal, shells, plastic toys) along with my hand made clay figures and address family dysfunction.
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Photography 12 x 12" The years before my Mother passed away, I flew cross country frequently to help with the numerous needs and to ease my mental health as she faded into the ether. I'd tuck into a window seat for the day-long journey. Flying gave me wings to get there, the speed to know I'd not miss another sacred moment and the strange euphoric freedom that being hurled 600+ miles an hour through the atmosphere creates within our nervous system. It was both exhilarating and horrifying...reminders “We are Travelers” on this big blue rock.
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Works on Paper Life Force 22 x 29 x 1 in. My work from my teens to now is represented in transparent watercolor of nature or history. Living in California for 20 years, I took workshops in acrylic, collage, and monotype print making. From those experiences, my landscapes, abstracts, or non-representational paintings develop from how I view nature’s moods and organic forms. The current world events from COVID, changes in our climate, and challenges in our society inspired me to compose this piece, “Life Force”. The elements we possess are our best resources. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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punch needle embroidery 30 x 24 x 1"Rejecting the insinuations often thrust upon the female form, this work presents a highly rigid and resolutely geometric portrait of a woman, without a stroke of curvature. It's depiction of a fractured facial profile calls out the notion of discomfort from unwanted attention and mis-placed celebration of beauty that women receive simply by just being out in the world. The Artist presents a reaction-driven portrayal of those exchanges, and simultaneously shows strength embodied in female agency. This work re-examines our perceptions on “social appropriateness”.
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punch needle embroidery 30 x 24 x 1" In an effort to reject the insinuations often thrust upon the female form, this work presents a highly rigid and resolutely geometric portrait of a woman, without a stroke of curvature. This work's depiction of a fractured facial profile aims to highlight the oftentimes nonexistent boundary between one’s ability to feel beautiful and overt sexualization when externally perceived. By abstracting identifiable features and removing individual characteristics to varying degrees, this work re-examines our perceptions on “appropriateness”. My mission is to create broadly familiar subjects that reflect femininity as part of the Whole rather than the Individual. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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acrylic & gold leaf 44 x 24 x 2"
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acrylic & gold leaf 23 x 32"
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colored pencil on paper 10.75 x 14.5 x 1" The original inspiration for Currents/Countercurrents was a view of wildly rushing waters flowing over a multitude of rocks in a pool of lake water. Each second I observed them, water would flood in anew to present more and more complex patterns. As I began to draw, vibrating colors akin to Op Art began to occur. I emphasized these, as well as building up the color in almost impasto effects adding to the frenzy. As the drawing progressed, it expressed additional meanings of the temper of the times.
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two layers of hand cut paper, foam board, chip board
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digital art 42 x 26 x 1.5" I am a digital artist who uses synesthetic visions and sensory intrusions to create my artistic realities. As a Florida-based artist, the only frozen we usually get is the margaritas poured, so please pass the lime! I am a color-driven artist due to synesthesia. I am also a prolific artist who has acquired savantism and "feels" art 24/7. That feeling requires an intense amount of time and focus. I use so many digital tools for each piece that I have lost count of them. No work is created in precisely the same way. These three digital submissions exemplify how I use fractal art and delve into formulas and geometry. This method is often the way I begin my art creation but not how I end it. These works exemplify the variety I create as a "digital art chameleon." I am an abstract artist within the Techspressionism movement founded by Colin Goldberg. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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digital 12 x 12" Diana de Avila is an artist based in Sarasota, FL, who embarked on her artistic journey in 2017. During that time, Diana faced the challenges of relapsing multiple sclerosis (MS) and worsening traumatic brain injury (TBI). However, amidst these difficulties, her artistic gift suddenly and explosively emerged, fueled by acquired savant syndrome and synesthesia. Despite lacking formal training, de Avila has created over 2000 digital art pieces rooted in fractal geometry, drawing inspiration from the convergence of quantum physics, chaos theory, and divine order. Her cosmic digital art, both dynamic and serene, delves into various technological expressions of art. Within the artistic movement "Techspressionism," founded by Colin Goldberg, she has found her "tribe," continually pushing the boundaries of her digital art and exploring innovative approaches to creation. Diana holds the title of Signature member in the National Association of Women Artists (NAWA) and is a National League of American Pen Women (NLAPW) member. She is also part of the Sarasota artist collective known as SArtQ and is represented by DEFINE Art Gallery in Sarasota, FL. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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painting 24 x 36 x 2" My painting "Kindred Spirits" bridges the gap between animals and humans. In my painting, Mwenda, a keeper in Kenya, says good-bye to his magnificent friend, Sudan, the last Northern White male Rhino. They are kindred spirits who blend together, just like their colors blend. Their curved forms are shared, heavy with a shared grief and unspoken love and respect. Together they form "Kindred Spirits" teaching Humanity lessons of extinction and lessons of Love with Sudan's last breath.
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Mixed Media 12 x 12 in. The woodblock print Just off of Salem Street was inspired by a walk on a fall day at the North End. I love to walk around, gazing at buildings from different angles, and noticing their shapes and textures. On this cloudless afternoon, I photographed Boston’s architectural homes. The apartment buildings were detailed, climbing with long vines and beautiful windows. When I returned to the studio, I sketched, the inspiration falling from my mind to the paper. I transferred the sketch to a woodblock and began to carve the wood. Once the carving was completed, I inked the woodblock and ran it through the press repeatedly until the artwork was finished.
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sculpture 11.75. x 7.25 x 3" My ceramic work is defined by my love of the human form. A childhood love of fantasy finds its way into my work. I express the absurdity of life while drawing influence from unexpected sources like the lyrics of music and nursery rhymes. I have a clear vision of a finished piece before I start. With this idea in mind I immediately start with a combination of wheel thrown pieces, coils and slabs. I alter by pinching, cutting and adding clay until my idea emerges. My pieces are decorated with colored slips and underglazes while still wet. After the 1st firing I add pigmented washes and glazes. My 2nd firing is to 2232°. The last firing to add 24k gold details completes the process. Additional shipping/delivery charges will be handled between artist and buyer after the purchase.
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Ceramic sculpture 23.5 x 13.5 in Celia Kaufman Award For Innovative Ceramic Sculpture
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Acrylic on Wrapped Canvas She's Odd But Nice 18 x 24 The past three years have been very difficult for me as I helped my daughter and a year later my son-in-law through chemo treatments for cancer. Both are in remission at this time. After this exhausting and emotionally trying time, I found myself a very different person. My painting felt inauthentic and forced as I tried to walk a path that was no longer me. I decided to develop a new path that was in line with the person I am now. I changed my painting methods by utilizing a painting wall rather than working flat. I now feel free to express myself in line and movement. My work became playful and meaningful again. My studio became my refuge again. This is who I am today, and it feels good again. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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acrylic 20 x 16 x 2"
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acrylic 30 x 40 x 2"
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acrylic 12 x 12" Additional shipping/delivery charges will be handled between artist and buyer after the purchase.