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  • acrylic, charcoal, ink, crayon, graphite on gessoed paper
    10 x 20"
    I create feeling and expression with the use of sensitive line, with bold solid passages. I work with mixed media on paper. Two figures silhouetted on the beach, the sun is going down. The end of a perfect day in an imperfect world. Maybe chasing a dream as the sun goes behind the horizon.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic on canvas
    18 x 24"
    The works submitted here are part of my ongoing response to the human condition. Those unwanted and unsettling experiences that descend upon one's life to be navigated through and dealt with until all is calm again. Loss, disappointment, illness, tragic situations.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on oil primed linen
    32 x 28"
    These paintings are inspired by my interactions with my grandchildren for a collection of work focusing predominantly on my life as a grandparent. This is often not discussed in the art world but is a role many of us play in our lives. I am dedicating a collection of paintings to this inspiration. Also included here is family life, and a reflection on pivotal life changing decisions we all make.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on canvas
    24 x 36"
    Through my paintings, I've become attentive to the splendid drama of my everyday world. I'm intrigued by both the natural and man-made world and our place as humans in it. Through accentuating the inherent qualities of man-made materials like metal, concrete, and asphalt and the way artificial light illuminates and reflects on these materials, I try to transform what could be considered mundane subject matter to the sublime.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on panel
    12 x 12"
    My paintings and drawings capture the spirit of people and places. My inspiration starts from observation — drawing and painting from life, and plein air painting. I interpret color and form so you will know the person in my portraits and feel present in my landscapes.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on canvas 36 x 26"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • digital archival photograph sublimated to aluminum
    12 x 12"
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  • digital archival photograph sublimated to aluminum
    20 x 16"
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  • digital archival photograph sublimated to aluminum
    16 x 24"
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  • acrylic on canvas
    24 x 26" My work opens a platform for discussion on the topics of resilience, trauma and cultural displacement. I seek to bring awareness to the emotional baggage and the struggle that survivors have to conceal in daily life by exploring psychological connection to daily life environments. My large-scale oil paintings employ portraits of individuals behind masks, elements of wreckage and fragments of nostalgic interiors creating an intersection between reality and idealization, between opportunities and limitations, between grand and mundane. Somehow, presence and absence could exist separately and together in parallel. Traumatic life experiences such as childhood separation from family and from home, war, as well as my becoming a mother during the Covid-19 pandemic have created layers of fog over memories. In my studio practice I dissect, peel, slice, unveil and reorganize extreme experiences to make sense of the fragmented and the destroyed in search of a feeling of belonging.
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  • Sumi ink on rice paper
    6 x 9" There are times when less is more...when a few strokes of the brush can convey emotions which elicit recognizable feelings. Daily routines, changes in something as simple as the weather, are factors that contribute to how we meet the day and interact with those around us..
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  • bronze
    10 x 7 x 7" Maidy Morhous expresses herself through the medium of bronze which allows her to portray the extremes of the soft flow of water to the harsh asphalt pavement of our world. The artwork encompasses the pop theme of presenting commonplace objects as fine art. It is meant to engage the viewer and allow them to contemplate and pull from within, and for a moment disengage from the outside world. Referred to as contemporary still life sculptures Morhous continually searches to portray her environment in the world today. These sculptures expose the view to and pull them in to react and question what is being viewed – be it life and one’s existence, the world’s plight or just to bring a smile. Idiomatic titles prompt metaphorical interpretations to these works with hints at multilayered meanings.
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  • bronze
    8 x 7 x 6" Maidy Morhous expresses herself through the medium of bronze which allows her to portray the extremes of the soft flow of water to the harsh asphalt pavement of our world. The artwork encompasses the pop theme of presenting commonplace objects as fine art. It is meant to engage the viewer and allow them to contemplate and pull from within, and for a moment disengage from the outside world. Referred to as contemporary still life sculptures Morhous continually searches to portray her environment in the world today. These sculptures expose the view to and pull them in to react and question what is being viewed – be it life and one’s existence, the world’s plight or just to bring a smile. Idiomatic titles prompt metaphorical interpretations to these works with hints at multilayered meanings.
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  • patinated cast bronze
    10 x 15 x 15" One Together references two bodies/ hands in an eternal embrace / a prayer, the space between protected and binding, rising from the vegetation of the earth to the eternal. In itself it is a complete world, providing a place where we can rest and dream.
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  • digital photograph
    14 x 11" In Tales of a Consulting Detective, Sherlock Holmes said: “You see, but you do not observe. The distinction is clear.” I take my camera out. I choose a subject; or think “that would make a great picture”; visit a new place or one I’ve seen before. I want to observe and present things in a way that causes the viewer to stop and observe. We have the technology to immediately capture whatever we see. The challenge is to slow down; to question whether there is only one way to look at something; and to search for new meaning.
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  • pastel, ink, acrylic, pen on paper
    7 x 7" I wonder what it means to make art at a time when it seems we humans are not up to maintaining the health of our beautiful planet and its creatures. What I know is that for me, making art is like being a therapist, and is like living life. Everything has a way of falling apart and then gathering together, making form out of the unformulated, continually layering and digging beneath the layers. The complexities of abstraction, color, line, and texture are the tools I employ in my passionate reach for exploration of the not yet imagined.
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  • graphite, colored pencil on archival drafting film
    18 x 18" The mark making is the primary focus. Playful and layered, the graphite marks dance across the surface – fluid energetic responses to the moment. The transient and illusory is metaphorically suggested by the use of translucent drafting film as the drawing surface. Selected color partners with the graphite repeating and emphasizing the gestures and choreography. The horizontal linear repetition is grounding to the bursts of movement. The 'horizons' suggest a continued process leading us to another level of perception and the persistence of time while centering us in the present moment.
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  • color photo screen print
    30 x 20" The Rowing Prints are a series of photo screenprints created to explore the sport of crew from the point of view of a rower and coach. They are derived from normal mundane images of regular practice sessions, mostly on the Hudson River at Poughkeepsie. The photos are then manipulated to create screenprints, and hand colored on the screen itself. When printed with a sheer black ink, I create images that are at once both realistic and nostalgic, which is the aligned with the experience of rowers who ply the waters of the historic Hudson River rowing venue at Poughkeepsie today.
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  • color photo screen print
    20 x 30" The Rowing Prints are a series of photo screenprints created to explore the sport of crew from the point of view of a rower and coach. They are derived from normal mundane images of regular practice sessions, mostly on the Hudson River at Poughkeepsie. The photos are then manipulated to create screenprints, and hand colored on the screen itself. When printed with a sheer black ink, I create images that are at once both realistic and nostalgic, which is the aligned with the experience of rowers who ply the waters of the historic Hudson River rowing venue at Poughkeepsie today.
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  • acrylic on canvas
    11 x 14" Inspired by the 17th-century Dutch still-life paintings, my artworks are symbolic. The objects are depicted to remind the viewers: the passage of time; the fragility of life; the inevitability of death... conveying both grandeur and fragility. After all life, indeed all matter, is transient.
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  • acrylic on canvas 36 x 36" I came across a photo of a wonderful time shared with my family and I was compelled to paint the scene to relive that happy day we spent together. My mother now suffers from dementia. In painting There's A Party Goin' On Right Here, I wanted to depict her as the young and vibrant person she was and how I will always think of her.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • hand painted collage paper, acrylic paint with original print
    18 x 24" This piece is my interpretation of world affairs and personal differences. Everyday Magic shows a peaceful view of a room through a window looking in at some secret and exciting things in the room.
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  • acrylic, mixed media on paper
    32 x 26" This work is based on personal recollections and life experiences. Ambiguously obscured and masked with vibrant color, my painting "Open Your Eyes" is a cautionary warning to the world. THis work symbolizes my great sense of freedom that I felt following the pandemic.
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  • acrylic on panel
    20 x 20" I found my mom lying on the floor, grateful I had come. Her garbled text alerted me that something was wrong. I’ll never forget that moment. Today, she has just about fully recovered from her stroke. Please Come Over is in response to the urge I felt receiving that text. The Pillow Giant is comfort from the “Land of Counterpane" by Robert Louis Stevenson. She used to read me. Figments and Fragments refers to the thoughts that for her, are still concrete and the rest that floats around in the periphery of her brain hard to grasp.They celebrate life.
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  • photo print
    30 x 20" This work conveys the immense feelings you get when facing a difficult decision. Whether a life-altering choice or a simple dilemma - we get completely engrossed by it. A Mephistophelian depiction of these silhouetted rays is a harbinger of the imminent change. To make this photograph I used black paper (cutout rays ), gauge wire, tape and LED light box.
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  • cast rubber and reclaimed metal
    7 x 10 x 7.5" In an attempt to adapt to the onslaught of changes being done to the environment by humans, nature is increasingly creating hybrid forms that fuse the man-made with the natural. Mollusks incorporating plastics into their shells and organisms evolving to tolerate former poisons are just some of the modifications nature is devising. These hybrids are simultaneously compelling and horrific. Using these new life forms as inspiration, I create uncanny forms suggesting a fusion of the organic and the industrial. All of these fusions represent an artificial reality that is a hallmark of our anthropocene age.
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  • watercolor and colored pencil on paper
    35.75 x 26.5" For the past fourteen months, I have been mourning the death of my daughter. She taught middle school ancient history, and my current work connects to images from those times. That’s what’s led me to look at a schematic of the Biblical tabernacle in Jerusalem and make paintings based on it. Some of this work has focused on the scarlet, purple, and indigo veils that divide the three sections of the tabernacle. Making paintings with these references lets me feel connected to my daughter and is helping me process my grief.
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  • mixed media, watercolor and acrylic and words on upsycled panel
    7.5 x 10.75" It's about time catalogs the journey of my friend as she succumbed to cancer. The handles clock has hours of, for example; 'Stroke', 'Chemotherapy', 'Cancer being held in check', Radiation. The swinging bear the words 'I know the cancer will take me, I just want some more time'. Bending light is inspired by one of the many dawns off my back porch looking east across the Salton Sea. These colors would be from a more humid summer morning, The haiku I wrote for and painted into it reads: Heat rises in waves Land warming sky, bending light into dizziness.
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  • Tyvek, cable ties, batting, pistachio shells-stained, drilled sewn, embroidery floss
    12 x 26 x 7" I love texture. My practice explores the properties, boundaries, and surprises of natural and manufactured materials. I am intrigued by how matter behaves under various circumstances. Wood can be hard and soft, rigid and flexible. Tyvek can crinkle and soften, breathe, and repel water. Combining elements during construction creates added excitement.
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  • aquacryl paint, acrylic, and gouache on paper
    30 x 23"
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  • Signed and dated screenprint
    28 x 23" Edition 98 of 100
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  • Signed lower right: "Audrey Flack" gouache on paper 11 7/8 x 17 7/8"
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  • Titled, numbered, and signed lower edge: "Reaching/Uniting/Becoming Free / 57/100 Judy Chicago" serigraph
    41 x 28"
    © Judy Chicago/Artists Rights Society (ARS), New York; Photo © Donald Woodman/ARS, NY Edition 57 of 100
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  • oil pastel & digital collage 42 x 65"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic, mother of pearl, pastel, & ink on paper 16.5 x 15"
    © Pat Adams, courtesy Alexandre Gallery, New York
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  • gouache and mixed media on paper 30 x 22"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic on canvas 24 x 20"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic on paper mounted on wood panel 40 x 60" (diptych)   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil & white gold leaf on panel 30 x 108" (triptych)   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on canvas 60 x 48"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic on canvas 48 x 60"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • rolled & modeled paper size varies   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • rice, modeling paste, 24k gold, & acrylic on wood 36 x 48 x 2.375"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • Sumi, walnut ink, pigments, minerals, on Torinoko paper mounted on canvas 35.5 x 64"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on canvas 48 x 60"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • seed beads & nails on canvas 24 x 24"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic on canvas 50 x 46"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on canvas 36 x 48"   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • burnt drawing on Kozo paper and wax (left) burnt drawing on oak gall ink dyed paper & thread (right) 10 x 8" (each; diptych)   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • monoprint with watercolor 18 x 24"   Loie Fuller was a pioneer modern dancer, or “free dance,” as it was called in early days. She was born Marie Louise Fuller in 1862 in my home state of Illinois and renamed herself “Loie” at age 16. She was filmed in 1902, perhaps the first film of a dancer. I imagined her perhaps in a mirror, or doing a duet with herself, in this monoprint. This print, on Hannemuhle paper, was created from a plexiglass plate with a dremel, inked as an intaglio print and subsequently hand watercolored. It is an homage to Ms. Fuller, her history, the joy of dance and the dancing days of my youth- Jill Cliffer-Baratta   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.