Shop – Page 13 – National Association of Women Artists, Inc. | NAWA

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Christine Broderick Schoettle (MA)
Weeds

Weeds

printmaking

12 x 12

This summer I started making acetate stencils in an attempt to loosen up, and take a break from oil painting. I cut them freehand with a scissor, and without drawing a design first. It was fun exercise, spontaneous and surprising. I used these stencils for a series of acrylic monoprints, such as this one. When I look at them, I I can see the strong visual influence of botanicals and North African art, both of which dominate my summer surroundings.
Contact to Purchase: Sales are through Center for Contemporary Printmaking:
Phone Number: 203-899-7999
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Christine Aaron (NY)
Marshide

Marshide

printmaking

12 x 12

My work investigates loss, memory and the fragility of human connection: Absence and presence, the invisible but indelible record of experience, the prismatic nature of memory. I create work to make visible what is intangible.
Contact to Purchase: Sales are through Center for Contemporary Printmaking:
Phone Number: 203-899-7999
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Carol Fabricatore (NY)
Midnight Ride
Second Place Award
SOLD

Midnight Ride Midnight Ride was inspired by the black horse I grew up with, whose presence and spirit left a lasting impression on me. She was strong, intuitive, and deeply expressive, and this monoprint grew out of my desire to capture not a literal portrait, but the feeling of being with her—the quiet intensity, movement, and emotional connection we shared. I approached the image through mood and atmosphere, using expressive mark-making and layered textures to evoke memory rather than description. Working with oil paint and a variety of tools, I allowed the surface to build intuitively, letting the physical process guide the emergence of form and emotion. The resulting print is both a tribute and an exploration of how memory, gesture, and material can hold presence long after the moment has passed.
Contact to Purchase: Sales are through Center for Contemporary Printmaking:
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Betty Usdan-Zwickler (FL)
Islander
Honorable Mention

Islander

printmaking

5.75 x 7.75

This is a non traditional silkscreen process. The screen itself becomes the canvas on which I create the image directly. I flood the screen with a printmaking medium and pull a squeegee from top to bottom to force all the pigments through the screen. The total image appears all at once on paper.
Contact to Purchase: Sales are through Center for Contemporary Printmaking:
Phone Number: 203-899-7999
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Betty Usdan-Zwickler (FL)
Island Man

Island Man >printmaking

7.75 x 5.75

I was creating a demo for my printmaking students on chine collé and decided to keep going on this tangent in my own practice. It can be very simple, but effective, as seen here in the monkey's face. Adding a piece of paper for a more detailed section and extending the paper to create a hard hat over the top of his head eliminated the need to carve another block, and made his face stand out from his body. Also, deciding to keep the space behind his face white, but include typeface in the hat area is a decision to consider when making choices for chine collé materials. The AP card was a real document that I added a paw print and signature to, and the camera was a Xerox collaged on, as well. A lesson for my students that I enjoyed learning from, too.
Contact to Purchase: Sales are through Center for Contemporary Printmaking:
Phone Number: 203-899-7999
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Barbara Ann Bell (NJ)
Cappy, Photographer at Large

Cappy, Photographer at Large

printmaking

15 x 12

I was creating a demo for my printmaking students on chine collé and decided to keep going on this tangent in my own practice. It can be very simple, but effective, as seen here in the monkey's face. Adding a piece of paper for a more detailed section and extending the paper to create a hard hat over the top of his head eliminated the need to carve another block, and made his face stand out from his body. Also, deciding to keep the space behind his face white, but include typeface in the hat area is a decision to consider when making choices for chine collé materials. The AP card was a real document that I added a paw print and signature to, and the camera was a Xerox collaged on, as well. A lesson for my students that I enjoyed learning from, too.

Contact to Purchase: Sales are through Center for Contemporary Printmaking:

Phone Number: 203-899-7999

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Anita L Kiewra (NY)
On the Dock

On the Dock

printmaking

27 x 21

The Rowing Prints are a series of photo screenprints created to explore the sport of crew from the point of view of a rower and coach. They are derived from normal mundane images of regular practice sessions, mostly on the Hudson River at Poughkeepsie. The photos are then manipulated to create screenprints, and hand colored on the screen itself. When printed with a sheer black ink, I create images that are at once both realistic and nostalgic, which is the aligned with the experience of rowers who ply the waters of the historic Hudson River rowing venue at Poughkeepsie today.

Contact to Purchase: Sales are through Center for Contemporary Printmaking:

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Adeola Davies-Aiyeloja (CA)
Remnant of the Past II

Remnant of the Past II

intaglio

11.25 x 7.5

Remnants of the Past is a series rooted in historical fragments, where photo etching becomes a vessel for memory and quiet testimony. Using archival imagery as a guide, I rework moments from the past that might otherwise fade into obscurity. Figures appear suspended in time, rendered in sepia tones and softened edges, evoking the way history lingers not as a fixed record but as an emotional residue. The recurring train setting functions as both a literal and symbolic passage. It speaks to movement, migration, labor, and the unseen lives that sustained systems yet remained uncelebrated. This imagery was inspired by photographs I took of the historic Skunk Train, itself a remnant of a bygone era. Its weathered presence, worn surfaces, and lingering stillness became a visual and emotional catalyst for the series. Uniformed bodies, bowed heads, and intimate gestures suggest dignity carried under the weight of routine and restraint. These are not heroic poses, but honest ones. Through the etching process, I embrace texture, erosion, and tonal restraint, allowing marks to echo the wear of time itself. Each image functions as a visual remnant, inviting viewers to slow down and witness the humanity embedded within everyday historical moments. This series is an act of honoring. It asks us to sit with what remains, to acknowledge those who came before, and to recognize how their presence continues to shape our collective now.

Contact to Purchase: Sales are through Center for Contemporary Printmaking:

Phone Number: 203-899-7999

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Elizabeth Young Latham (NY)
Lady Liberty

Lady Liberty watercolor and graphite 4 x 6 I make art that highlights the resiliency and adaptability of people, nature, and New York City. My 2D art focuses on transporting paintings in watercolor – e.g. bringing the viewer to moments in the city and our natural surroundings. I use vibrant, transparent colors, always thinking about where the light drives the image. In contrast, when creating art sculptures, I focus on cuts to make shadows in alabaster, limestone, clay, and cement castings. The materials allow for elegant lines that highlight the changing fauna/flora as waters evolve. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Elizabeth Young Latham (NY)
Shore Line Drive

Shore Line Drive watercolor 22 x 30 I make art that highlights the resiliency and adaptability of people, nature, and New York City. My 2D art focuses on transporting paintings in watercolor – e.g. bringing the viewer to moments in the city and our natural surroundings. I use vibrant, transparent colors, always thinking about where the light drives the image. In contrast, when creating art sculptures, I focus on cuts to make shadows in alabaster, limestone, clay, and cement castings. The materials allow for elegant lines that highlight the changing fauna/flora as waters evolve. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Sherri Romm (MD)
Reverie

Reverie Oil 20 x 16 x .5

Romm's art examines the divine intelligence permeating all existence, employing a visual language rich in light, color, and symbols that transcends the mundane and draws viewers into supernatural realms. Romm's creative process-guided by intuition and experimentation-blend influences from music, poetry, and personal dreamwork to explore themes of transformation, rebirth, and transcendence. She often employs nature's symbols—drawing from skies, trees, water, birds, and other elements—infused with dynamic color to depict emerging forms symbolizing the union of physical (earth) and spirit (aether). These compositions blur tangible-ethereal boundaries, transforming her paintings into portals that invite exploration of mystical landscapes where sacred and surreal converge. Romm’s paintings are not simply representations but invitations to connect with the deeper forces shaping existence.

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Rosemary Benivegna (CT)
TopsyTurvy 3

TopsyTurvy 3 acrylic paint & paper on board 16 x 16 x 1.5 My process as an artist is disciplined, intellectually challenging and inquisitive, much as it had been in architectural practice. I am not obliged however, to follow the many requirements that were once necessary to create functioning buildings. Works are now fantasy environments and constructions. I create vivid, colorful abstract compositions reinterpreted from actual building groupings or from shapes that come to my imagination. The first step in the process is to sketch out ideas, which I often change as I move forward to completion. I focus on juxtaposed, overlapping shapes, receding and advancing in space. The use of acrylic paint and metallic paper lend well to sharp delineation of each element. Mounting paper on foam core board for selected portions, helps create a three dimensional illusion for the observer. I am energized and made joyful by the world I create. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Alla Sergiienko
Still Life

Still Life optical clearance technology / tempera, oil, watercolor 14 x 16 I'm thrilled to be participating in my first virtual exhibition at NAWA. I'm presenting two paintings created using a very interesting optical clearance technology. I'm a little nervous, but I hope these works will be a positive experience. I wish everyone creative inspiration! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Alla Segiienko
Owl

Own optical clearance technology / tempera, oil, watercolor 11 x 14 I'm thrilled to be participating in my first virtual exhibition at NAWA. I'm presenting two paintings created using a very interesting optical clearance technology. I'm a little nervous, but I hope these works will be a positive experience. I wish everyone creative inspiration! Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Natalie Marshall (NY)
Swirl of the Sun Garden

Swirl of the Sun Garden acrylic 24 x 24 x .5 The artworks submitted are built slowly letting each mark settle before adding the next and the unexpected bursts of colors emerged intuitively throughout the process. Together they tell a story of growth happening quietly beneath the surface. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Natalie Marshall (NY)
Blossom Reverie

Blossom Reverie acrylic 12 x 16 The artworks submitted are built slowly letting each mark settle before adding the next and the unexpected bursts of colors emerged intuitively throughout the process. Together they tell a story of growth happening quietly beneath the surface. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Karen Lacey (NY)
Spring Sunrise PY FLX3

Spring Sunrise PY FLX3 oil 36 x 30 x 1.5 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Karen Lacey (NY)
Fall Near Naples FLX1

Fall Near Napes FLX1 oil 36 x 48 x 1 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Donna Faranda (NY)
Hemara Welcomes the Day

Hemara Welcomes the day Digital Painting: Micro-Pointillism, Corel Painter 20 x 18

As an Artist, I can weave together the threads of myth and reality while exploring the deep, multifaceted nature of the female psyche. With a unique approach that blends traditional inspiration with cutting-edge technology, My artwork serves as a bridge between the past and the present, the tangible world and the dreamlike. My pointillist pieces, created using a computer painting program, breathe life into my powerful creations, capturing the inner stories of women and the emotional landscapes they navigate. A key influence on my artwork is the traditional beauty of Japanese woodblock prints and the ethereal quality of pre-Raphaelite paintings. These historical works saturate her pieces with a sense of timelessness. Yet, my choice of a computer program as my primary art medium places me firmly in the realm of contemporary art-making. By embracing modern technology, I reinterprets these classical influences through a digital lens, creating works that feel both nostalgic and forward-thinking. At the heart of my artwork lies a fascination with the interplay of fantasy and truth. My creations speak to a realm where stories and symbols come alive, where ancient tales are reimagined through a state-of-the-art viewpoint. The result is a body of work that honors the past while challenging contemporary perceptions of femininity, identity, and self-expression. Through my art, I offer a playful yet profound exploration of the desires and dreams that shape the female experience.

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Donna Faranda (NY)
Sleeping Beauty

Sleeping Beauty Digital Painting: Micro-Pointillism, Corel Painter 28 x 23

As an Artist, I can weave together the threads of myth and reality while exploring the deep, multifaceted nature of the female psyche. With a unique approach that blends traditional inspiration with cutting-edge technology, My artwork serves as a bridge between the past and the present, the tangible world and the dreamlike. My pointillist pieces, created using a computer painting program, breathe life into my powerful creations, capturing the inner stories of women and the emotional landscapes they navigate. A key influence on my artwork is the traditional beauty of Japanese woodblock prints and the ethereal quality of pre-Raphaelite paintings. These historical works saturate her pieces with a sense of timelessness. Yet, my choice of a computer program as my primary art medium places me firmly in the realm of contemporary art-making. By embracing modern technology, I reinterprets these classical influences through a digital lens, creating works that feel both nostalgic and forward-thinking. At the heart of my artwork lies a fascination with the interplay of fantasy and truth. My creations speak to a realm where stories and symbols come alive, where ancient tales are reimagined through a state-of-the-art viewpoint. The result is a body of work that honors the past while challenging contemporary perceptions of femininity, identity, and self-expression. Through my art, I offer a playful yet profound exploration of the desires and dreams that shape the female experience.

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Joyce Tsai (NY)
The Cloisters Museum in Shadow and Light

The Cloisters Museum in Shadow and Light Watercolor 30 x 22

For those of us fortunate enough to live in Upper Manhattan NYC, Fort Tryon Park is our own mini Central Park and also something more. With the Cloisters Museum serving as its "castle on a hill", the Park with its lush landscaping in the same English Romantic style as Central Park, but with sweeping views of the Hudson River and the Palisades of NJ beyond, Fort Tryon Park is a place that brings out the best of us. It is a little-known gem, a neighborhood treasure that reminds us that we can daily experience renewed awe in its beauty, find calm in its idealized version of nature, delight in its wildlife, and take heart in how we and our neighbors and visitors alike smile, say hello, and find common cause in our love for the place. In the daily stresses of urban life that can sometimes bring out the worst in its residents, the Park is a place where we access a different side of life, a place we all agree that we treasure despite other disagreements. And in so doing, it is a place that prompts us to be a better, nobler version of ourselves.

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Sherri Romm (MD)
Earth and Aether

Earth and Aether Oil 24 x 16 x .5

Romm's art examines the divine intelligence permeating all existence, employing a visual language rich in light, color, and symbols that transcends the mundane and draws viewers into supernatural realms. Romm's creative process-guided by intuition and experimentation-blend influences from music, poetry, and personal dreamwork to explore themes of transformation, rebirth, and transcendence. She often employs nature's symbols—drawing from skies, trees, water, birds, and other elements—infused with dynamic color to depict emerging forms symbolizing the union of physical (earth) and spirit (aether). These compositions blur tangible-ethereal boundaries, transforming her paintings into portals that invite exploration of mystical landscapes where sacred and surreal converge. Romm’s paintings are not simply representations but invitations to connect with the deeper forces shaping existence.

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Rosemary Benivegna (CT)
Layered Planes 4

Layered Planes 4 Collage 16 x 20 x 1 My process as an artist is disciplined, intellectually challenging and inquisitive, much as it had been in architectural practice. I am not obliged however, to follow the many requirements that were once necessary to create functioning buildings. Works are now fantasy environments and constructions. I create vivid, colorful abstract compositions reinterpreted from actual building groupings or from shapes that come to my imagination. The first step in the process is to sketch out ideas, which I often change as I move forward to completion. I focus on juxtaposed, overlapping shapes, receding and advancing in space. The use of acrylic paint and metallic paper lend well to sharp delineation of each element. Mounting paper on foam core board for selected portions, helps create a three dimensional illusion for the observer. I am energized and made joyful by the world I create. Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.

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Sharon Krinsky (NY)
What Do Her Sunglasses Reflect?

What Do Her Sunglasses Reflect? collage

Size of Piece: 10 x 10 x .75

This collage of a woman on a lounge chair represents a state of relaxation and reflection. I'm interested in using various color schemes that I think emphasize states of mind. In this case, the simplicity of black and white with touches of red--and her sunglasses, a visual reference to reflection. The title of the piece is a question since we can't see what the sunglasses are reflecting. I especially like working in the medium of collage because it gives me an almost unlimited supply of materials.

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Adele Grodstein (NJ)
Blue Buick

Blue Buick oil on canvas

Size of Piece: 20 x 24 x 1

I paint with enthusiasm for color, strong imagery in my work. Lately, I have been painting cars because I find that their sculptural shapes and gleaming surfaces are irresistible. The reflections in those surfaces always call to me, so I capture the image and paint it. I generally make the car the star of my painting but I need to keep it in context so I create as much or as little of the surrounding scene as suits me.

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Adele Grodstein (NJ)
Night Rider

Night Rider oil on canvas

Size of Piece: 30 x 24 x 1

I paint with enthusiasm for color, strong imagery in my work. Lately, I have been painting cars because I find that their sculptural shapes and gleaming surfaces are irresistible. The reflections in those surfaces always call to me, so I capture the image and paint it. I generally make the car the star of my painting but I need to keep it in context so I create as much or as little of the surrounding scene as suits me.

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Johanna Foster (NJ)
Moment in the Movement

Moment in the Movement oil on canvas

Size of Piece: 30 x 40 .75

Moment in the Movement is inspired by Bonnie Kerness, a friend and nationally-recognized leader in the U.S. prison abolition movement. Here, Bonnie is rendered using a photo I took of her during a strategy meeting of local advocates in her 50-year role as Director of the Prison Watch Program, an arm of the American Friends Service Committee. Hunched in a gesture of weighty reflection, but perhaps also in prayer, she is cloaked by a life-affirming blue-green that contrasts with an ominousness dark background. The watery movement of her spectacular crown of white hair exists in tension with sharp, foreboding shapes surrounding, and within, her face. It was my aim to evoke a sense of bruising vulnerability, a compassionate melancholy, and also a kind of populist regality.

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Marian Harris (CA)
Trail to Chickenfoot Lake

Trail to Chickenfoot Lake polymer photogravure etching on paper

Size of Piece: 8 x 10

“Trail to Chickenfoot Lake” is from a photo I took hiking along Rock Creek in the John Muir Wilderness, with the dramatic clouds and high Sierra backdrop. There is much observation, contemplation, and personal, internal reflection inspired by the magnificence of such grandeur which is captured in the exquisitely detailed etching. “Into the Vineyard” is from a photo I took in the Dry Creek Valley of Sonoma. It is printed direct-to-plate and inked À la poupée with 3 different black inks to create the nuanced feel of looking into the bright, hot vineyard from the cool, vine-covered walkway. After a lazy afternoon in the tasting room, the natural beauty of the valley and the vineyards create a contemplative, reflective state that is translated into this finely detailed etching.

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Pam Krimsky (NY)
Reflection #2 (Girl in Mirror)

Reflecting digital collage on paper

Size of Piece: 28 x 20

My digital artwork is layered with patterns, symbols, metaphors, and archetypal imagery, inviting the viewer into a space where reality is suspended, and deeper connections can be uncovered. Each layer reveals something new—whether it's a reflection of nature, a moment in time, or a spiritual journey—inviting viewers to explore the themes of interconnectedness that run through my work. These digital collages transcend the immediate experience, offering a window into the universal rhythms of life, spirit, and time.

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Lynne Kroll (FL)
Reflecting

Reflecting digital collage on paper

Size of Piece: 28 x 20

My digital artwork is layered with patterns, symbols, metaphors, and archetypal imagery, inviting the viewer into a space where reality is suspended, and deeper connections can be uncovered. Each layer reveals something new—whether it's a reflection of nature, a moment in time, or a spiritual journey—inviting viewers to explore the themes of interconnectedness that run through my work. These digital collages transcend the immediate experience, offering a window into the universal rhythms of life, spirit, and time.

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Marina Kalinovsky (NY)
Reflections in Blue

Reflections in Blue oil on canvas

Size of Piece: 20 x 16 x 1

My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. Reflections in Blue, 2023 In this painting, objects that were once functional and valuable are now cracked and broken, yet they have acquired a new kind of beauty. They evoke memories and reflections, with fragments of the mirror bringing images from the past back to life.

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Marina Kalinovsky (NY)
Triptych in Red and Blue

Triptych in Red and Blue oil on canvas

Size of Piece: 24 x 20 x 1

My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. The painting Triptych in Red and Blue consisting of the center part with a stylized still life and two wings with the human images stylized and intertwined with the background is intended to create a strong visual image engaging viewers, provoking thoughts and reflections.

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Marina Duvidzon (NY)
Who Do You Love?

Who Do You Love? oil on canvas

Size of Piece: 30 x 24 x 1

Artwork 1: A young woman leans toward her reflection, kissing herself in the mirror. The image speaks not only of solitude, but of the eternal human desire to be seen and loved. In today’s world, the phrase “love yourself” is repeated endlessly-sometimes as healing wisdom, sometimes as a shallow slogan. Is self-embrace the beginning of true connection, or a sign of how distant we have grown from one another? The mirror becomes a symbol of both intimacy and isolation. And it asks us all, in the quiet of our own hearts: Who Do You Love? Artwork 2: Aphrodite, the ancient Greek goddess of love, beauty, and desire, embodies both passion and grace. Born from the sea foam, she symbolizes the power of attraction, creativity, and the eternal force of love that connects all beings.

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Marina Duvidzon (NY)
Divine Warrior

Reflection oil on canvas

Size of Piece: 36 x 24 x 1

When I created Reflection, I asked myself: Who am I? In this painting, I see myself as a Divine Warrior, yet not one dressed in heavy battle armor. Instead, I chose to reveal her strength through contrasts—the grandeur of gold and the delicacy of a soft pink nightgown. To me, this symbolizes the truth of womanhood: we carry both resilience and tenderness, power and vulnerability, often all at once. The helmet becomes more than protection; it is a veil. I am not looking out into the world—I am looking within. This inner gaze reflects the search for identity, the quiet power of self-knowledge, and the courage to face the truths we hold inside. Reflection is both a portrait and a mirror, asking the viewer to pause and wonder: When you strip away the armor, who are you?

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L. Marie Lamarche (MA)
Tuk Sip

Tuk Sip

acrylic, handprinted paper, collage on canvas board

Size of Piece: 9 x 12 x .25

'Offering' was inspired by a trip to India where I participated in a service project. I had made a strong, non-verbal connection with this woman which seemed to grow stronger as the weeks passed. On the final day, she invited me into her home and offered a chai tea to share with her, along with one rupee she had kept hidden behind the counter. Her daughter commented thatches was her gift to me. the woman held my hand tightly as we left for the bus-- and followed my eyes through the bus' window as I sat to leave.. both of us in tears. I wanted to capture that moment when the connection felt as if we were just two women- our shared experiences reflected in each others eyes- no matter how far apart our worlds were. The other piece-'Tuk Sip' from a trip to Cambodia (Tuk=water)

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Diane Staver (IN)
View from the Chicago River

$1,500.00

View from the Chicago River

oil

Size of Piece: 16 x 24

The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.

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Julie O’Connor (CT)
I Was Drawn to the Red Room

$500.00

I Was Drawn to the Red Room

digital archival photograph sublimated to aluminum

Size of Piece: 20 x 30

I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

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Julie O’Connor (CT)
Candles, Colors, and the Promise of Romance, Paris

$400.00

Candles, Colors, and the Promise of Romance, Paris

digital archival photograph sublimated to aluminum

Size of Piece: 16 x 24

I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

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Julie O’Connor (CT)
A is for Aspiration

$350.00

A is for Aspiration

digital archival photography sublimated to aluminum

Size of Piece: 16 x 20

I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.

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Irene Nedelay (MA)
Insomnia.Homer

$12,000.00

Insomnia. Homer

oil on canvas

Size of Piece: 40 x 30

Insomnia This picture was painted shortly after my arrival in New York. There are references to ancient Greek culture and Homer's epic poem Odyssey. The painting symbolized the hope that in our journey we will not lose our own culture. And we will be able to join another culture that is still unknown to us.

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Irene Nedelay (MA)
Russian Roulette

$18,000.00

Russian Roulette

oil on canvas

Size of Piece: 40 x 30

This painting is about my parents' wedding. My mother was from a rich and powerful family and my father was from exile in the Siberian Gulag family. Mother's parents were strongly against this marriage and it was like Russian Roulette for my father. He did not know if he could have a happy life or he could end up in Gulag which is depicted in the painting.

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Michelle Feinberg (MA)
Twisted

$1,500.00

Twisted

acrylic on canvas

Size of Piece: 36 x 36 x 1.5

Journey to Self, Outside Another Box, and Twisted each explore the complex, non-linear paths we take toward self-understanding and growth. Through layered colors, shifting forms, and circular movement, these works reflect moments of clarity, resistance, and transformation. They invite viewers to consider the ways we navigate change: sometimes breaking free from boundaries, sometimes finding our way back to center, always shaped by the twists and turns that make us who we are.

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Michelle Feinberg (MA)
Journey to Self

$1,500.00

Journey to Self

acrylic on canvas

Size of Piece: 36 x 36 x 1.5

Journey to Self, Outside Another Box, and Twisted each explore the complex, non-linear paths we take toward self-understanding and growth. Through layered colors, shifting forms, and circular movement, these works reflect moments of clarity, resistance, and transformation. They invite viewers to consider the ways we navigate change: sometimes breaking free from boundaries, sometimes finding our way back to center, always shaped by the twists and turns that make us who we are.

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Marina Kalinovsky (NY)
Still Life with White Roses and Medieval Motifs

$2,000.00

Still Life with White Roses and Medieval Motifs

oil on canvas

Size of Piece: 20 x 24 x 1

White roses and blue-and-white vessels are arranged before a yellowed page from a medieval manuscript. The imagery of knights, heraldic animals, and ancient lettering carries symbolic weight — courage, loyalty, and the passage of time. The objects and flowers suggest hidden emotions behind their decorative surfaces, inviting the viewer to look for personal and historical meanings within the stillness.

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Marina Kalinovsky (NY)
Still Life with Red Roses

$2,000.00

Still Life with Red Roses

oil on canvas

Size of Piece: 18 x 24 x 1

A vivid dialogue unfolds between strong red background and the dark blue. glass vessels. Roses and glass vessels, in combination with a dagger, a sword, a pomegranate — suggest symbolic meanings. Though still, the composition carries reminiscences, an untold story, suspended in time.

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Diane Staver (IN)
Flower Shop

$1,500.00

Flower Shop

acrylic on canvas

Size of Piece: 20 x 30

The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.

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Diane Staver (IN)
Irving Theater

$400.00

Irving Theater

photography

Size of Piece: 16 x 24

The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.

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Leah K. Tomaino (NJ)
Family Portrait

$25,000.00

Family Portrait

recycled brown bags & acrylic on canvas

Size of Piece: 36 x 24 x 1

I am inspired by nature and I am a gardener and often am inspired by the flowers that I tend to. I use recycled brown grocery bags and paint them with acrylics. When the bags are dry I rip them and glue them together on canvas in the image of my gardens.

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Leah K. Tomaino (NJ)
Poppies

$15,000.00

Poppies

recycled brown bags & acrylic on canvas

Size of Piece: 24 x 36 x 1

I am inspired by nature and I am a gardener and often am inspired by the flowers that I tend to. I use recycled brown grocery bags and paint them with acrylics. When the bags are dry I rip them and glue them together on canvas in the image of my gardens.

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Jeanne Goodman (VA)
Racing the Big Sandy

$1,795.00

Racing the Big Sandy

Rives Bfk,watercolor pencil, neocolor2, varnish, Cradled wood panel

Size of Piece: 30 x 30 x 1.5

A few years back while visiting my brother and sister-in -law in New York, we took the train out to Belmont Park to watch the horse race. Although I often draw wild horses, I had never before experienced the energy of a live thoroughbred race. The horses, with their graceful yet powerful bodies, rumbled past the stands in a blur of color as their jockeys urged them on. I took many photographs that day ,and I continue to create drawings inspired by that experience. This piece, “Racing the Big Sandy, refers to the local nickname for Belmont Racetrack, and captures the trillI felt watching the racers thunder past.

I created this drawing using watercolor pencils and Neocolor 2 on Rives Bfk paper adhered to and varnished on a cradled wood panel.

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