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Dance 02printmaking22 x 30Solarplate Etching printmaking technique was the medium used to create this piece. Through repetition and mirroring of a quick drawing depicting a dancing figure, the intention was to portray a movement, a dance. Women dancing in a circle, joyfully supporting each other, celebrating life. I utilized thread, a material traditionally used by women to mend or embroider, to emphasize the connections between the dancers.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Our Desert Skinprintmaking30 x 22My skin monotypes are realized “coats of skin” that are initially molded over bodies of human collaborators and then flattened under a press. The flattened forms become templates that communicate skin patterns and uniqueness. I made them because from birth to death every human weaves a thread around herself-- a story, a shield, a chronicle of injury, trauma, vibration and pain as well as the belief of the existence of a spiritual entity, or astral soul, living within.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Weedsprintmaking12 x 12This summer I started making acetate stencils in an attempt to loosen up, and take a break from oil painting. I cut them freehand with a scissor, and without drawing a design first. It was fun exercise, spontaneous and surprising. I used these stencils for a series of acrylic monoprints, such as this one. When I look at them, I I can see the strong visual influence of botanicals and North African art, both of which dominate my summer surroundings.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Marshideprintmaking12 x 12My work investigates loss, memory and the fragility of human connection: Absence and presence, the invisible but indelible record of experience, the prismatic nature of memory. I create work to make visible what is intangible.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Midnight Ride Midnight Ride was inspired by the black horse I grew up with, whose presence and spirit left a lasting impression on me. She was strong, intuitive, and deeply expressive, and this monoprint grew out of my desire to capture not a literal portrait, but the feeling of being with her—the quiet intensity, movement, and emotional connection we shared. I approached the image through mood and atmosphere, using expressive mark-making and layered textures to evoke memory rather than description. Working with oil paint and a variety of tools, I allowed the surface to build intuitively, letting the physical process guide the emergence of form and emotion. The resulting print is both a tribute and an exploration of how memory, gesture, and material can hold presence long after the moment has passed.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.
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Islanderprintmaking5.75 x 7.75This is a non traditional silkscreen process. The screen itself becomes the canvas on which I create the image directly. I flood the screen with a printmaking medium and pull a squeegee from top to bottom to force all the pigments through the screen. The total image appears all at once on paper.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
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Island Man >printmaking7.75 x 5.75I was creating a demo for my printmaking students on chine collé and decided to keep going on this tangent in my own practice. It can be very simple, but effective, as seen here in the monkey's face. Adding a piece of paper for a more detailed section and extending the paper to create a hard hat over the top of his head eliminated the need to carve another block, and made his face stand out from his body. Also, deciding to keep the space behind his face white, but include typeface in the hat area is a decision to consider when making choices for chine collé materials. The AP card was a real document that I added a paw print and signature to, and the camera was a Xerox collaged on, as well. A lesson for my students that I enjoyed learning from, too.Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.Contact to Purchase: Sales are through Center for Contemporary Printmaking:Phone Number: 203-899-7999
| Romm's art examines the divine intelligence permeating all existence, employing a visual language rich in light, color, and symbols that transcends the mundane and draws viewers into supernatural realms. Romm's creative process-guided by intuition and experimentation-blend influences from music, poetry, and personal dreamwork to explore themes of transformation, rebirth, and transcendence. She often employs nature's symbols—drawing from skies, trees, water, birds, and other elements—infused with dynamic color to depict emerging forms symbolizing the union of physical (earth) and spirit (aether). These compositions blur tangible-ethereal boundaries, transforming her paintings into portals that invite exploration of mystical landscapes where sacred and surreal converge. Romm’s paintings are not simply representations but invitations to connect with the deeper forces shaping existence. | |
| Waiver |
| As an Artist, I can weave together the threads of myth and reality while exploring the deep, multifaceted nature of the female psyche. With a unique approach that blends traditional inspiration with cutting-edge technology, My artwork serves as a bridge between the past and the present, the tangible world and the dreamlike. My pointillist pieces, created using a computer painting program, breathe life into my powerful creations, capturing the inner stories of women and the emotional landscapes they navigate. A key influence on my artwork is the traditional beauty of Japanese woodblock prints and the ethereal quality of pre-Raphaelite paintings. These historical works saturate her pieces with a sense of timelessness. Yet, my choice of a computer program as my primary art medium places me firmly in the realm of contemporary art-making. By embracing modern technology, I reinterprets these classical influences through a digital lens, creating works that feel both nostalgic and forward-thinking. At the heart of my artwork lies a fascination with the interplay of fantasy and truth. My creations speak to a realm where stories and symbols come alive, where ancient tales are reimagined through a state-of-the-art viewpoint. The result is a body of work that honors the past while challenging contemporary perceptions of femininity, identity, and self-expression. Through my art, I offer a playful yet profound exploration of the desires and dreams that shape the female experience. | |
| As an Artist, I can weave together the threads of myth and reality while exploring the deep, multifaceted nature of the female psyche. With a unique approach that blends traditional inspiration with cutting-edge technology, My artwork serves as a bridge between the past and the present, the tangible world and the dreamlike. My pointillist pieces, created using a computer painting program, breathe life into my powerful creations, capturing the inner stories of women and the emotional landscapes they navigate. A key influence on my artwork is the traditional beauty of Japanese woodblock prints and the ethereal quality of pre-Raphaelite paintings. These historical works saturate her pieces with a sense of timelessness. Yet, my choice of a computer program as my primary art medium places me firmly in the realm of contemporary art-making. By embracing modern technology, I reinterprets these classical influences through a digital lens, creating works that feel both nostalgic and forward-thinking. At the heart of my artwork lies a fascination with the interplay of fantasy and truth. My creations speak to a realm where stories and symbols come alive, where ancient tales are reimagined through a state-of-the-art viewpoint. The result is a body of work that honors the past while challenging contemporary perceptions of femininity, identity, and self-expression. Through my art, I offer a playful yet profound exploration of the desires and dreams that shape the female experience. | |
| For those of us fortunate enough to live in Upper Manhattan NYC, Fort Tryon Park is our own mini Central Park and also something more. With the Cloisters Museum serving as its "castle on a hill", the Park with its lush landscaping in the same English Romantic style as Central Park, but with sweeping views of the Hudson River and the Palisades of NJ beyond, Fort Tryon Park is a place that brings out the best of us. It is a little-known gem, a neighborhood treasure that reminds us that we can daily experience renewed awe in its beauty, find calm in its idealized version of nature, delight in its wildlife, and take heart in how we and our neighbors and visitors alike smile, say hello, and find common cause in our love for the place. In the daily stresses of urban life that can sometimes bring out the worst in its residents, the Park is a place where we access a different side of life, a place we all agree that we treasure despite other disagreements. And in so doing, it is a place that prompts us to be a better, nobler version of ourselves. | |
| Romm's art examines the divine intelligence permeating all existence, employing a visual language rich in light, color, and symbols that transcends the mundane and draws viewers into supernatural realms. Romm's creative process-guided by intuition and experimentation-blend influences from music, poetry, and personal dreamwork to explore themes of transformation, rebirth, and transcendence. She often employs nature's symbols—drawing from skies, trees, water, birds, and other elements—infused with dynamic color to depict emerging forms symbolizing the union of physical (earth) and spirit (aether). These compositions blur tangible-ethereal boundaries, transforming her paintings into portals that invite exploration of mystical landscapes where sacred and surreal converge. Romm’s paintings are not simply representations but invitations to connect with the deeper forces shaping existence. | |
| Waiver |
acrylic, handprinted paper, collage on canvas board
'Offering' was inspired by a trip to India where I participated in a service project. I had made a strong, non-verbal connection with this woman which seemed to grow stronger as the weeks passed. On the final day, she invited me into her home and offered a chai tea to share with her, along with one rupee she had kept hidden behind the counter. Her daughter commented thatches was her gift to me. the woman held my hand tightly as we left for the bus-- and followed my eyes through the bus' window as I sat to leave.. both of us in tears. I wanted to capture that moment when the connection felt as if we were just two women- our shared experiences reflected in each others eyes- no matter how far apart our worlds were. The other piece-'Tuk Sip' from a trip to Cambodia (Tuk=water)
oil
The subject of the work I submitted is Midwestern. Ranging from buildings constructed in the late 1900s and early 20th century to new construction on the Chicago River Walk.
digital archival photograph sublimated to aluminum
I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.
digital archival photograph sublimated to aluminum
I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.
digital archival photography sublimated to aluminum
I am passionate about photography as an art form. In a world overfull with images, ideas, and messages streaming at warp speed, there's profound value in the thoughtfulness, the provocation, the silent aesthetic, the power of an image made with the vision and ever evolving techniques of fine art photography.
oil on canvas
Insomnia This picture was painted shortly after my arrival in New York. There are references to ancient Greek culture and Homer's epic poem Odyssey. The painting symbolized the hope that in our journey we will not lose our own culture. And we will be able to join another culture that is still unknown to us.






















































