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  • graphite 32 x 24"
    Figurative drawings have the potential to convey deep emotions and tell compelling stories. Whether it's capturing the human form in a raw and emotive way or exploring complex themes through subtle details, As I revisit the portrait genre repeatedly throughout my artistic career, I document the changes and growth within myself—both as an individual and as an artist, and my subject. Each portrait becomes a reflection of a state of mind, an experience, and emotions at a particular moment in time. Whether rendered in graphite, charcoal, or vibrant colors, these portraits can serve as visual diaries chronicling the passage of time and the complexities of the human condition.  
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  • watercolor 10.75 x 8.75"
    This image of harmonious chaos in watercolor, recites a poem reflecting a cosmic seascape of energy waves. In this realm water doesn't overwhelm, but meets adjacent elements with its own cosmic intelligence, creating a dancing spray in consciousness.  
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  • bronze / red rope 16 x 13 x 13"
    This piece Attraction is about spaces defined by the ropes all over. Attraction for one element a window to another window. The polish bronze is reflecting that choice. The black shape is reflected on the polish bronze.  
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  • sculpture 17.25 x 12 x 7.5"
    I sometimes consider human constructed space and the natural world in my art. In our daily routines we often peer out of one space to glimpse the other. Here, I investigate the "nature deficit" caused by our highly managed world and its cure. The natural world encourages us to explore and dream; to re-engage with the essence of life and beauty, bringing about peace. All materials in this artwork come from nature, but nothing is in its naturally found form. The prefabricated metal structure points to industrial constructs, protrudes into the viewer’s space, and surrounds the implied interior space of the paintings which asks the viewer to step inside.  
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  • oil on linen 30 x 30 x 1.5"
    "When I paint, I feel content and, in a sense, complete. It's the process and the immediate nature of my painting that is satisfying. I painted "After Dark' from my memory of the field near home. I'm happy to have my landscape painting in the 135th NAWA exhibition to highlight the contemporary landscape genre. Partly, because, my inspiration comes from nature and my predecessors, Nell Blaine, Rosa Bonheur, Joan Mitchell, women landscape painters overlooked for their contribution. “- Lully Schwartz 2024  
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  • digital, limited edition archival print (2/50) 16 x 18 x 1"
    Geometric forms that represent balance and structure, tempered by modulating rays of light, combine to form a kaleidoscope of infinite possibilities. Inspired by the holistic concepts of space and time in the spiritual worlds of Indigenous and Eastern cultures, where empty space is significant and represents the potential for new ideas and possibilities, this work uses “empty” space and a cyclic array of forms and colors to create an nth dimensional world with spatial and temporal transformations that manifest various perceptual dichotomies.  
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  • mixed media on paper 30 x 23"
    The landscape of Costa Brava, Spain is an essential source for my inspiration.  
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  • wall sculpture 10 x 10 x 3"
    I am always interested in constructions as they are related to organic forms.  
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  • acrylic glaze/gessoed paper 22 x 28"
    The thermal mists of Yellowstone National Park offer a stunning display of colorful hues. As the superheated water rises creating billowing clouds of saturated color that dance and wist in the light above the landscape, a mesmerizing scene unlike anywhere on earth and one that inspired in me a desire to capture some fragment of it.  
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  • acrylic painting with collage 12 x 12 x .5"
    This painting was inspired by hummingbirds who are frequent visitors to my back yard desert landscape. It is a acrylic multi-layered collage abstract, done in light blue-turquoise, red and black, embedded with hand printed papers, monoprints, exotic papers, papers collected from bits of everyday life, and original images. This piece was created using paper excavation, layers of paint and papers were applied and sanded through until the desired effect was achieved.  
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  • acrylic paint, strings, chains on canvas pieces 30 x 30"
    My inspiration for the wall hanging comes from the limitations women have in the workplace and in life. You Should Be... speaks to the expectations society dictates to women that can either impede or advance their opportunities. The partial list is written in the left side of the piece. I have been recently working on wall hangings that give me the freedom to express myself without the restraints of the "normal" picture plane,, ie., square, rectangle, etc.  
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  • oil paint on canvas 30 x 24 x 1.5"
    Who Told You That is a painting about shared histories-the stories that make us who we are and the stories other people tell themselves about us. Using bold colors and sculptural layers, my painting process is a developing tale and conversation between my materials and myself. To me this painting reflects an evolving universe where communication is less concrete. The narrative I’m creating becomes secondary to the narrative a viewer creates for themself. I’m interested in evoking memories and creating a history on my canvas, my own and yours, using rhythmic color, layers, shapes, marks and lines.  
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  • collage & mixed media 24 x 24 x 1.5"
    This piece is inspired by waking up in the California desert on a winter's day. The colors reflect the warmth and power of the mountains and the markings suggest the constant movement and change occurring. The circles, both solid and open suggest the huge variety and surprises this special environment presents.  
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  • acrylic 20 x 20 x 1.5"
    An early morning swim in the infinity pool facing the Caribbean Sea inspired this painting. The umbrellas seemed expectant, watchful, and perhaps somewhat wistful - like sentinels waiting or guarding.  
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  • photo on transparency construction with lace paper and fabric remnants 18 x 15 x 0.5"
    There is something beautiful about the pure movement of tones between black and white in a photograph that can evoke in the viewer an emotive sensation. I deconstruct and reassemble photographic prints with other materials to allow for new imagery to develop, and I am passionate about the subjects that I work with. Subjects range from photographs of noted artists and writers, found album photos, and family portraits. Ambiguity and familial bond make the work all the more intriguing to me. From a single photograph, multiple images can emerge to portray strength, fragility, beauty, demise and love in a single moment.  
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  • mixed media 30 x 30 x 2"
    “It is not easy to be authentic, letting vulnerability highlight a joy for creating. Do you remember when we just played? How our identity was intertwined with the greatest freedom of expression? It is the source of mark, color, layers, dimension, and texture. It is a view of the changing world, through a personal transformative experience.” The inspiration for Land of the Midnight Sun was a summer trip to Alaska. Elaine Soltis is a Mixed Media Artist, with her fine art designed in three studios, the urban Studio 211 Goggle Works, Reading, PA, woodland Nolde Forest region of her PA home, and a welcomed natural beach retreat to family visits along the shores of Lake Erie, NE Ohio.  
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  • oil & acrylic on mixed media collage 22 x 22 x .75"
    Painted on recycled materials, like vegetable's mesh bags or bubble wrap, imitating ocean water to represent the effects of global warming on the world's population. Adrift is a painting on the subject of the fragility of women's rights and the loneliness felt by women in the face of the enormity of the work that must be accomplished to protect their rights.  
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  • acrylic, permanent inks, white tissue paper on canvas 27.5 x 21.5"
    This painting is inspired by remembered tulips whose magic and beauty in their fullness of bloom touched me emotionally. This painting, as with much of my work, evolved over time through my passionate interest in investigating and exploring the tools of painting, including color and textures and also line, shape patterns and layering -in service of expressing the magic and joy of nature's creations. I seek to create paintings which create magic and have an emotional resonance. I want my paintings to invite the viewer to enter, wander around, and also be rewarded for prolonged looking by making continual new discoveries such as finding a color, texture, or shape not immediately noticed.
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  • mixed media on rice paper mounted on wood panel 18 x 24"
     
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  • broken glass, seeds & dried flower over painting on canvas 20 x 22"
     
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  • acrylic, ink, gold leaf, gold pigment powder on linen 30 x 20 x 1.5"
    My art is a profound dialogue between our planet’s crisis and my creative expression.  
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  • cotton threads stitched on linen blend fabric, polyester batting, ink, needles, pins, and images of historic immigration ephemera printed on cloth
    17.5 x 24 x 1.5" Long Hours, Hard Work, 1920 is one of a series of narrative works about the lives of immigrant women who came to New York from many cultures. They had the strength and courage to leave their familiar home towns in the hope of a better life for their children. Often their own lives were made even more difficult by this choice, but the lives of their children and grandchildren benefited from their sacrifices. The hand-sewn fabric is a tactile reference to the generations of anonymous, poorly-paid immigrant women who labored in New York City’s Garment District.  
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  • watercolor
    8 x 10 x .75" Autumn has always been my favorite season, so every autumn I, of course, must do a painting celebrating the season. I sometimes paint other seasons, but autumn is the only one I absolutely have to paint! The Chatter of Leaves evolved into tree trunks with multiple leaves falling everywhere and in my mind making the noises of crisp blowing and tumbling leaves. They speak to me each fall which is why the title The Chatter of Leaves popped into my head and was chosen.  
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  • soft pastel
    18  x 14  x 1" I was inspired by a traditional Irish session at the famous Cobblestone pub in Dublin, Ireland. As an irish fiddler myself, I often attend these sessions. I love how music brings people and friends together. I enjoyed getting to know the wonderful musicians and the gentle guide dog that afternoon, and decided to capture the essence of the scene by painting this pastel piece. I have a unique approach to colors. My work depicts the subtle lights, reflections and hidden hues on the subjects. My goal as an artist is always to share the joy of art with my audience. My creative process has been documented as time-lapse videos on Instagram @fangsullivan.  
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  • acrylic & mixed medium
    20 x 20 x 1.5" Science and reason explaining our Earthly origins reveal "we" are truly "one" with the universe.   All physical things derive from the same elemental building blocks making us ... all the same. The division is an illusion, that peace and love exists somewhere out there. These series paintings dissolve what keeps us apart and depict diverse beings meeting joyfully and peacefully together, whether they travel through time, space or through our mind.  
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  • ceramic
    4 x 9 x 4" Domestic Duties Strained 2021 A mixed media ceramic form serves to collect found objects of maternal memories, symbols of traditional roles of wife and mother. A life strained by societal and religious expectations under the influence of a narrow cannon.  
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  • collage
    27 x 26 x 1" This collaged wall hanging is a continuation of my previous work about soul guardians. In my vision, these protectors carry our life's narrative in boat-like vessels where they rest while we proceed on our one true path. The title is inspired by a quote from Joseph Campbell.  
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  • wax pastel on paper
    24 x 18 x 1.5" It was a traumatic summer. I was 8 years old when I was sexually assaulted by a stranger in a movie theater. There was no one to talk to about this. I kept it to myself. My childhood self was so strong, and imagination and creativity were her saving graces. Artwork became a way to both contain and express emotions that might otherwise have overwhelmed me, and it transformed pain into beauty.  
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  • oil on linen
    27 x 27 x 1" With peace among people in a constant state of flux between the powerful and the vulnerable, our outlook on life can seem dull. This painting created outdoors in the shade by the seashore among the brambles and weeds, is a personification of my thoughts related to world events. Like the Romantic painters, I use nature and its glory to highlight what is great and acknowledge tragedies and our fragility.  
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  • digital drawing
    11 x 8"
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  • acrylic on wood panel
    20 x 16"
    The Forest Inscapes came about accidentally, as I was experimenting with dripping paint on wood panels. I had used dripping extensively in my large Erosion paintings, in which the drips formed veils of color. In a smaller format, the columns of paint looked like trees. Thus were born the Forest Inscapes, which have evolved to reflect the seasons in the forest around my studio. Forest Inscape #28 is an interpretation of the glittering effect of early evening light seen through the screen of forest foliage.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on aluminum
    24 x 24 x 3"
    Magic Tree was initially a plein-air painting inspired by morning sunlight passing through an ornamental tree. It was developed further in the studio, but the sensation of the intense, low light and delicate bone structure of the tree was the feeling I hoped to convey. Using oil paint on a metal substrate allows reflectiveness at different angles when viewing the painting. This is a work that is all about light.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • brown bags & acrylic collage on canvas
    21 x 17 x 1"
    This collage was inspired by a hike through the gorgeous landscape of Mt. Rainier, WA. I paint ordinary bags with acrylic, tear them into myriad pieces, which I then hand apply with matte medium to realize my vision. Inspired by nature’s beauty, my interest in this medium relates to the cycle of life and nature. The bags start out as trees, are made into paper bags, which I recycle, paint, tear, and collage into the image of the natural world which provided the original inspiration and energy.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • marble
    26 x 7 x 8"
    In my work, I have at times carved female figures in place of traditional male figures, sometimes with animal attributes, like horns. Nyami Nyami shows here the face of a woman, with a snake tightly wrapped around her body. She bears the name of an African river god portrayed traditionally as a snake. The construction of the Kariba Dam on the Zambezi River in the 1950’s caused the forced resettlement of an entire population under the British rule. Today, this piece is a call for environmental protection. It is meant to bring attention to the many indigenous sites that are threatened by pipelines, mining and human greed throughout the world.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • monotype with stenciling
    22 x 30"
    Babylon is located between the Euphrates and the Tigris rivers in present-day Iraq. Excavations have been described as the surgical aspect of archaeology: it is surgery of the buried landscape. Aerial views of digs (before drone photography) were typically line drawings of the site. This monotype transforms a sketch into a colorful representation of the excavation of Babylon. It was created by inking handmade paper plates and running the print through an etching press. Stencils define the rivers and create the rhythm of the landscape. Several passes through the press are made to achieve the final image.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • mixed media
    13.25 x 13.25 x 3"
    Recycled is an abstract expression—a personal, yet universal language—which combines concept with experience. It is many things at once. Technically: It is a mixed-media painting, a “combine” of painting with sculpture together with a collage of found, repurposed and recycled objects. Conceptually: It’s a puzzle, a design, a color way, a magical mystery to explore and decode thoughts and ideas about “recycling”. Physically: It is constructed from acrylic paint, watercolor crayon, archived with newly-created palette skins and found objects. All of these elements take direction from the Muses of the Imagination.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • bronze (direct cast from modified twigs)
    18 x 7 x 5.5"
    This piece belongs to a body of work in which I reimagined found twigs as trees with small local birds in their branches, but the piece of dried vine that became the body and legs for this piece was so clearly destined to be part of a complete, though abstract, human body that I was happy to make an exception to the tree limitation.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • collage with hand-cut found paper, historical elements, decorative rice paper
    20 x 16 x 1"
    Sadako Sasaki was a Japanese girl who was born in Yamaguchi, Japan. When she was two years old, she was at home about one mile away from ground zero, when the United States dropped an atomic bomb on Hiroshima. Sadako was blown out of the window and her mother ran outside to find her, suspecting she may be dead, but instead found her two-year-old daughter alive with no apparent injuries. While they were fleeing the atomic blast, Sadako and her mother were caught in black rain. She survived for another ten years, becoming one of the most widely known "hibakusha" -- a Japanese term meaning "bomb-affected person" and later died of malignant lymph gland leukemia in 1955.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • colored pencil
    22.5 x 15"
    My artwork is a straightforward sharing of what I see in the world around me, whether it is my family and the traditions we share, or nature including rivers, lakes, rocks, and plants. Portrait work often captures a grandchild. Nature work is usually inspired by the lake area in northern Wisconsin where we have a family lake house, and by the gardens and trees of the Morton Arboretum in Lisle, Illinois, or by public gardens I visit on trips. I want the viewer to see the beauty of those places, to smell the scent of flowers and hear the rush of a river depicted in my work. Wisteria and Hydrangea depicts plants at the Morton Arboretum.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic with cut & painted canvas
    30 x 24 x 2"
    Conjuration is the act of calling upon, invoking or summoning a spirit, ghosts, demons, gods or other supernatural beings by means of a magic ritual. The central figure is the powerful Conjuror. In the right hand the figure is holding a feather and in the left has captured one of the 7 sister stars of the Pleiades. The conjuror is surrounded by a golden halo and has a white eagle on the head. According to legends the feather will blow in the wind & carry prayers to the Creator evoking the spirits bringing rain & keeping harmful entities at bay. The white eagle connects to the spiritual side and is a sign of a spiritual teacher. I wanted this painting to be spiritually evocative.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • cast handmade rag paper wall sculpture
    30 x 16 x 2"
    I am inspired by undulating forces of nature: the formation of rocks eroded by wind and water and the shapes of organic forms. My sculpture addresses the interior and exterior of form by abstracting movement, force and tension. I explore the thought process revealing multilevel reflections of my inner self and collaborations between nature and culture. As an artist one of my communicative functions is to create awareness and reflect concerns for the natural world. Human intervention with nature has caused tension. I believe that with awareness, there is hope. Collaboration between nature and culture can effectively illuminate and channel proactive thoughts and change.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil painting
    18 x 22 x 3"
    Experiencing the vast rural spaces of unexplored lands of the Burren, County Clare, Ireland, I climbed upon the rocky limestone land, formed of great slabs of rock that were once the sea bed of an ocean millions of years ago. Dotted throughout that rocky surface I found ancient Neolithic monuments like the Poulnabrone Dolmen, one of Ireland’s most iconic and oldest dated megalithic archeological monuments, a portal tomb consisting of two large vertical stones standing on either side of an entrance capped with a massive sloping capstone.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil on canvas
    24 x 22 x 1"
    The composition for this painting was inspired by the view from my campsite at Buffalo Gap Campground, part of the Dakota Prairie National Grasslands, during a road trip in September 2020. The mood and quality of the sky and sunset, though, borrowed from every sacrifice I have made in life. Whether I realized it at the time or not, each of those sacrifices involved a kind of faith. Sometimes, often much later, that faith can seem so foolish -- if not designed to deceive. However, this painting does not connote anger at that cycle, but rather peace.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • acrylic on canvas
    12 x 12 x 1.5"
    As the saying goes "when you know better, you do better", and I've applied that philosophy to my paintings, many of which I've repainted/reclaimed and turned into something completely different. I'm the only one who knows what the underpainting looked like--and most of that gets covered up (as in this painting Dressed Up) with a combination of acrylic paint and stenciling. I never know what the finished piece will look like, and that is what keeps the process exciting and interesting for me. There is always more than meets the eye!   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • paper on Floatmound
    20 x 30"
    The idea sparked, when City Council of Boston issued Land Acknowledgment statement in October 2021 honoring Native Land of the Massachusett people.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • collage of digitally enhanced photographs on a light box
    10 x 13"
    Squaring the Circle- Structure is dancing with the intuitive, both are needed. The expression "squaring the circle" is sometimes used as a metaphor for trying to do the impossible. A women’s work is never done. Mindfulness is key. If you say that someone squares the circle, you mean that they bring together two things, which are normally thought to be so different that they cannot exist together. Mathematically, it has to do with irrational and rational numbers and mathematicians have been working on it since ancient Greece. A woman’s world today is complicated. The circle and spiral are in many ways more home than the square, but we live in a square world of houses and books and cities.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • fiber on panel
    13 x 13 x 1.25"
    No Tension is the beginning of a series around the idea of resilience. We have gone through and will continue to go through difficulties in our lives but I believe we have the strength to keep going and can do so with grace and beauty. Wrapping, stitch, paint and quiet marks are all evidence of our sensitivity which contributes to our resilience.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • oil paint
    10 x 12 x 1.5"
    I find it fascinating how the light quality, colors and cloud formations dramatically change on a windy or stormy day. In minutes you can see dark to vibrant colors and go from cloudy to open skies. This painting comes from a ongoing series looking to the sky, trying to capture the vibrancy and moods that sweep in and out.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • photography digitally enhanced
    26 x 19.5 x 1"
    When photographing wildlife I look for motion and expression in my subjects. I often drive three hours or more to a wildlife area only to find the wildlife doesn’t cooperate! That was the case on the day I photographed this Great Blue Heron. The Heron personifies stoicism and resoluteness, as a gust of wind ruffles his feathers. His windswept feathers created the motion I needed to make the photo more engaging.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.  
  • painting
    24 x 30 x 1"
    Reminiscences of youthful travels through Bavaria and long walks through the Black Forest when I would conjure up the generations who walked those pine-filled paths before me and how our paths are inextricably linked.   Additional shipping/delivery charges will be handled between artist and buyer after the purchase.