Im-Press-ive Women

February 15, 2026 – March 28, 2026

Updated Pickup Days:

April 1-4, 9am-5pm

Location:
The Center for Contemporary Printmaking
Mathews Park, 299 West Ave, Norwalk, CT 06850

  • Cappy, Photographer at Large
    printmaking
    15 x 12
    I was creating a demo for my printmaking students on chine collé and decided to keep going on this tangent in my own practice. It can be very simple, but effective, as seen here in the monkey's face. Adding a piece of paper for a more detailed section and extending the paper to create a hard hat over the top of his head eliminated the need to carve another block, and made his face stand out from his body. Also, deciding to keep the space behind his face white, but include typeface in the hat area is a decision to consider when making choices for chine collé materials. The AP card was a real document that I added a paw print and signature to, and the camera was a Xerox collaged on, as well. A lesson for my students that I enjoyed learning from, too.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
    Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • On the Dock
    printmaking
    27 x 21
    The Rowing Prints are a series of photo screenprints created to explore the sport of crew from the point of view of a rower and coach. They are derived from normal mundane images of regular practice sessions, mostly on the Hudson River at Poughkeepsie. The photos are then manipulated to create screenprints, and hand colored on the screen itself. When printed with a sheer black ink, I create images that are at once both realistic and nostalgic, which is the aligned with the experience of rowers who ply the waters of the historic Hudson River rowing venue at Poughkeepsie today.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999 Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.    
  • Remnant of the Past II
    intaglio
    11.25 x 7.5
    Remnants of the Past is a series rooted in historical fragments, where photo etching becomes a vessel for memory and quiet testimony. Using archival imagery as a guide, I rework moments from the past that might otherwise fade into obscurity. Figures appear suspended in time, rendered in sepia tones and softened edges, evoking the way history lingers not as a fixed record but as an emotional residue. The recurring train setting functions as both a literal and symbolic passage. It speaks to movement, migration, labor, and the unseen lives that sustained systems yet remained uncelebrated. This imagery was inspired by photographs I took of the historic Skunk Train, itself a remnant of a bygone era. Its weathered presence, worn surfaces, and lingering stillness became a visual and emotional catalyst for the series. Uniformed bodies, bowed heads, and intimate gestures suggest dignity carried under the weight of routine and restraint. These are not heroic poses, but honest ones. Through the etching process, I embrace texture, erosion, and tonal restraint, allowing marks to echo the wear of time itself. Each image functions as a visual remnant, inviting viewers to slow down and witness the humanity embedded within everyday historical moments. This series is an act of honoring. It asks us to sit with what remains, to acknowledge those who came before, and to recognize how their presence continues to shape our collective now.
    Contact to Purchase: Sales are through Center for Contemporary Printmaking:
    Phone Number: 203-899-7999
    Additional shipping/delivery charges will be handled between the artist and buyer after the purchase.