Product categories Flushing Bank: Reflection

L. Marie Lamarche (MA)
Tuk Sip

Tuk Sip

acrylic, handprinted paper, collage on canvas board

Size of Piece: 9 x 12 x .25

'Offering' was inspired by a trip to India where I participated in a service project. I had made a strong, non-verbal connection with this woman which seemed to grow stronger as the weeks passed. On the final day, she invited me into her home and offered a chai tea to share with her, along with one rupee she had kept hidden behind the counter. Her daughter commented thatches was her gift to me. the woman held my hand tightly as we left for the bus-- and followed my eyes through the bus' window as I sat to leave.. both of us in tears. I wanted to capture that moment when the connection felt as if we were just two women- our shared experiences reflected in each others eyes- no matter how far apart our worlds were. The other piece-'Tuk Sip' from a trip to Cambodia (Tuk=water)

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Marina Duvidzon (NY)
Divine Warrior

Reflection oil on canvas

Size of Piece: 36 x 24 x 1

When I created Reflection, I asked myself: Who am I? In this painting, I see myself as a Divine Warrior, yet not one dressed in heavy battle armor. Instead, I chose to reveal her strength through contrasts—the grandeur of gold and the delicacy of a soft pink nightgown. To me, this symbolizes the truth of womanhood: we carry both resilience and tenderness, power and vulnerability, often all at once. The helmet becomes more than protection; it is a veil. I am not looking out into the world—I am looking within. This inner gaze reflects the search for identity, the quiet power of self-knowledge, and the courage to face the truths we hold inside. Reflection is both a portrait and a mirror, asking the viewer to pause and wonder: When you strip away the armor, who are you?

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Marina Duvidzon (NY)
Who Do You Love?

Who Do You Love? oil on canvas

Size of Piece: 30 x 24 x 1

Artwork 1: A young woman leans toward her reflection, kissing herself in the mirror. The image speaks not only of solitude, but of the eternal human desire to be seen and loved. In today’s world, the phrase “love yourself” is repeated endlessly-sometimes as healing wisdom, sometimes as a shallow slogan. Is self-embrace the beginning of true connection, or a sign of how distant we have grown from one another? The mirror becomes a symbol of both intimacy and isolation. And it asks us all, in the quiet of our own hearts: Who Do You Love? Artwork 2: Aphrodite, the ancient Greek goddess of love, beauty, and desire, embodies both passion and grace. Born from the sea foam, she symbolizes the power of attraction, creativity, and the eternal force of love that connects all beings.

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Marina Kalinovsky (NY)
Triptych in Red and Blue

Triptych in Red and Blue oil on canvas

Size of Piece: 24 x 20 x 1

My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. The painting Triptych in Red and Blue consisting of the center part with a stylized still life and two wings with the human images stylized and intertwined with the background is intended to create a strong visual image engaging viewers, provoking thoughts and reflections.

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Marina Kalinovsky (NY)
Reflections in Blue

Reflections in Blue oil on canvas

Size of Piece: 20 x 16 x 1

My goal for some recent Years was to work with only two or three colors and their variations in a painting in order to achieve the full sound of this colors. This is a relatively new task for me, it’s captivating to work on it. Reflections in Blue, 2023 In this painting, objects that were once functional and valuable are now cracked and broken, yet they have acquired a new kind of beauty. They evoke memories and reflections, with fragments of the mirror bringing images from the past back to life.

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Lynne Kroll (FL)
Reflecting

Reflecting digital collage on paper

Size of Piece: 28 x 20

My digital artwork is layered with patterns, symbols, metaphors, and archetypal imagery, inviting the viewer into a space where reality is suspended, and deeper connections can be uncovered. Each layer reveals something new—whether it's a reflection of nature, a moment in time, or a spiritual journey—inviting viewers to explore the themes of interconnectedness that run through my work. These digital collages transcend the immediate experience, offering a window into the universal rhythms of life, spirit, and time.

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Pam Krimsky (NY)
Reflection #2 (Girl in Mirror)

Reflecting digital collage on paper

Size of Piece: 28 x 20

My digital artwork is layered with patterns, symbols, metaphors, and archetypal imagery, inviting the viewer into a space where reality is suspended, and deeper connections can be uncovered. Each layer reveals something new—whether it's a reflection of nature, a moment in time, or a spiritual journey—inviting viewers to explore the themes of interconnectedness that run through my work. These digital collages transcend the immediate experience, offering a window into the universal rhythms of life, spirit, and time.

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Marian Harris (CA)
Trail to Chickenfoot Lake

Trail to Chickenfoot Lake polymer photogravure etching on paper

Size of Piece: 8 x 10

“Trail to Chickenfoot Lake” is from a photo I took hiking along Rock Creek in the John Muir Wilderness, with the dramatic clouds and high Sierra backdrop. There is much observation, contemplation, and personal, internal reflection inspired by the magnificence of such grandeur which is captured in the exquisitely detailed etching. “Into the Vineyard” is from a photo I took in the Dry Creek Valley of Sonoma. It is printed direct-to-plate and inked À la poupée with 3 different black inks to create the nuanced feel of looking into the bright, hot vineyard from the cool, vine-covered walkway. After a lazy afternoon in the tasting room, the natural beauty of the valley and the vineyards create a contemplative, reflective state that is translated into this finely detailed etching.

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Johanna Foster (NJ)
Moment in the Movement

Moment in the Movement oil on canvas

Size of Piece: 30 x 40 .75

Moment in the Movement is inspired by Bonnie Kerness, a friend and nationally-recognized leader in the U.S. prison abolition movement. Here, Bonnie is rendered using a photo I took of her during a strategy meeting of local advocates in her 50-year role as Director of the Prison Watch Program, an arm of the American Friends Service Committee. Hunched in a gesture of weighty reflection, but perhaps also in prayer, she is cloaked by a life-affirming blue-green that contrasts with an ominousness dark background. The watery movement of her spectacular crown of white hair exists in tension with sharp, foreboding shapes surrounding, and within, her face. It was my aim to evoke a sense of bruising vulnerability, a compassionate melancholy, and also a kind of populist regality.

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Adele Grodstein (NJ)
Night Rider

Night Rider oil on canvas

Size of Piece: 30 x 24 x 1

I paint with enthusiasm for color, strong imagery in my work. Lately, I have been painting cars because I find that their sculptural shapes and gleaming surfaces are irresistible. The reflections in those surfaces always call to me, so I capture the image and paint it. I generally make the car the star of my painting but I need to keep it in context so I create as much or as little of the surrounding scene as suits me.

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Adele Grodstein (NJ)
Blue Buick

Blue Buick oil on canvas

Size of Piece: 20 x 24 x 1

I paint with enthusiasm for color, strong imagery in my work. Lately, I have been painting cars because I find that their sculptural shapes and gleaming surfaces are irresistible. The reflections in those surfaces always call to me, so I capture the image and paint it. I generally make the car the star of my painting but I need to keep it in context so I create as much or as little of the surrounding scene as suits me.

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Sharon Krinsky (NY)
What Do Her Sunglasses Reflect?

What Do Her Sunglasses Reflect? collage

Size of Piece: 10 x 10 x .75

This collage of a woman on a lounge chair represents a state of relaxation and reflection. I'm interested in using various color schemes that I think emphasize states of mind. In this case, the simplicity of black and white with touches of red--and her sunglasses, a visual reference to reflection. The title of the piece is a question since we can't see what the sunglasses are reflecting. I especially like working in the medium of collage because it gives me an almost unlimited supply of materials.

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Flushing Bank: Reflection

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