135th Anniversary Annual Members Exhibition

  • fiberglass and resin 14.5 x 8.25 x 8.375" Vibrant Unity is inspired by the relationship that connects 2 souls who share a common path in life. Together they form a whole, It is an allegory to life in which groups of people working for a common goal project beauty, integrity and value each other. In this polarized and divided world we need empathy, kindness, tolerance and moral values to prevail by the purity of these ideals and actions, not yielding to violence, corruption or evil.
     
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  • paper, wire mesh, aluminum wire 14 x 12 x 2" Within explores the push and pull into and out of restriction vs freedom. Using wire mesh, aluminum wire, and paper, I created a series of 'almost-but-not-quite-real' gateways and spaces that could be interpreted as constrained enclosures or places of safety and shelter. My choice of the wire mesh presents a dominant texture and pattern, begging the question: is it harsh or soothing? While I try to answer this, I also invite the viewer to wander into the space and solve the mystery for themselves.
     
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  • digital archival photography 10 x 20" I am constantly amazed by nature. This reservoir is near my home upstate. There is always a photo opportunity, as things change with every passing hour and weather change.
     
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  • oil on canvas 20 x 16 x 2" This painting of a seated girl is derived from a black and white photo that I discovered on a public domain sight. I enjoyed adding color and texture to the figure's dress, the wallpaper and sofa, a using palette knife. 
     
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  • oil on board 14 x 11 x 2" Through my painting I've become attentive to the splendid drama of my everyday world. I've especially been inspired through my travels. This painting was inspired by a memory of a hot day in Tuscany. We sought shade to shelter against the afternoon sun.
     
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  • oil painting on linen 48 x 75 x 2" I am a visual storyteller, a painter of women, the sea, mysterious encounters and uncommon places. In all of my work, women are the dominant elements. My goal is not to idealize them in any way, but to portray each woman’s individuality, her power, her connection to other women and to the world. Birds, especially seabirds, have long been choreographed into my work, sometimes as companions, other times as avatars of change, growth, or escape. There is a dreamlike aspect to my paintings, a surreal confluence of elements that feels very real. In my larger work, my viewpoint is often just outside the picture plane – one more step and you feel as if you can enter the narrative of the painting.
     
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  • fused glass and enamels 12 x 10 x 2" My inspiration was to use my live figure drawings and creat them in glass using layered fused glass, powders, and enamels.
     
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  • stone sculpture 12 x 4 x 6" My recent work had consisted of abstracts and birds. But I was hankering to create another female form. The alabaster stone presented a deeply erotic natural fissure and fold formation on one side that I was completely drawn to and committed to keeping. Just as quickly, I saw a female form erupting out of the rest of the stone. I was struck by the idea of ‘the wild in us all’ and that this piece would illustrate that notion.
     
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  • acrylic, handmade paper, paper, graphite, pastel 16.6 x 20" Drawing from the live figure is an imperative part of my practice. The beauty of the female human figure never waivers. Using a figure drawing, drawn from life, an environment was created in the spirit of Matisse's odalisques. Her gaze is confident, yet sultry; exuding her confidence and power.
     
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  • oil 22 x 28" My child self looking at some joys and treasured memories of my life.
     
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  • watercolor 23 x 19" Love the power of nature. Wanted to express the energy and the force of the falling water.
     
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  • photography 24 x 28.5" Shelburne Falls, MA is famous for it's "Bridge of Flowers". I spent a whole day taking photos up and down the bridge. I couldn't wait to see what photo would impress me the most when I got home. It was the Great White Trillium. A dramatic flower with wide petals and yellow stamen. It is majestic. I felt like Georgia O'Keef painting beautiful petals with streaming yellow centers splashing into one another. That's why I named this piece of artwork, My Cup Runneth Over.
     
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  • platinum/palladium photography 11 x 14" In my art work, I capture the simple beauty in the natural environment, providing moments of serenity. I use water and light as beautiful threads that draw the eye in. The quality of light is of paramount importance, defining the textures and forms in nature, and patterns of light and shadow. This image was originally captured with infrared film; the negative was subsequently scanned and transformed into a digital negative. I then contact printed the image using the platinum/palladium printing process to capture a softer, painterly effect, evoking late 19th century idyllic landscapes and lending a poetic quality to the image.
     
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  • watercolor, marker, ink, pencil 20 x 16 x 2" The art piece, Facade, represents either being unaware or hiding a situation, condition or ailment for a long time that either threatens to bring down or squelch its host. It insists on normalcy and coping/acting as if all is fine in the face of the biggest life challenges. It could be autism, eating disorders, a congenital ailment, effects of smoking, phobias, IBS and and even acting as you are someone that deep down you don't feel as if it's who you are. The effects are exhausting and dangerous.
     
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  • watercolor 24 x 32 x 1" During the Pandemic I sketched objects around the house. Pictured are 2 figurines: an owl and a turtle. I painted many watercolor variations of these two. In the submitted painting I was inspired by the light playing on the objects, and the light coming from the objects themselves. Rotating the image achieved the desired effect!
     
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  • oil on Belgian linen 12 x 12" The apprehension of movement on abstract shapes figure predominantly in my paintings. Each individual shape is a particular motion enacted on a still substrate, in this case Belgian Linen. The stop action union of these two opposing elements, movement on stillness and the idea of their simultaneous interaction is my longtime pursuit. I wish to offer a near view of particular shapes, conversing together. I propose these conversations in a sculptural manner adding tensions of heightened light, texture and color. My pursuit concurs with my idea that motion itself as a part of life is a mysterious occurrence.
     
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  • oil 30 x 24 x 1.5" The world I encounter daily brings me in touch with the delights of colors and shapes. Rounded forms have, of late, stimulated participation in the circular movements of life – the coming round to something or spinning out of control. I bounce, roll, wobble, and delight in using color to enhance this movement and give the shapes a dynamic, often tactile, visual effect.
     
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  • photography/digitally enhanced 20 x 30 x .5"
     
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  • oil on canvas 21 x 25"
    Pensive is a painting of a lovely young woman. Captured sitting at the sweet threshold of adulthood. Her skin is soft and rosy. I used some metallic gold to reflect highlights in her hair. The fireplace stones around her are painted in earthy shades that match her natural coloring. Those surrounding stones, represent the comfort of hearth and home.  
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  • acrylic & mixed media on cradled wood panel 13.5 x 13.5"
    As an artist and a parent of four young children, trying to navigate life and love within the contexts of the larger world can be complicated. This work emotes imagery of place and time with playful and controlled shapes and color, often feeling like organizing chaos. The work reveals personalities and emotions that have conversations about shape, space and color. The act of painting itself is a metaphor for what we reveal and conceal about ourselves, moving through space and time, collecting emotions and deciding what we put on the surface and what we hide. What we know, and what we need to learn.  
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  • oil on wood panel 13.25 x 13.25 x 1.75"
    Andrea Sacker is a New York based painter working in oils, gouache and watercolor. I paint places, people and things that are dear to my heart, collecting and distilling the images mostly from my own photographs. I use my intuitive sense of color and composition to reflect my emotional relationship to the subject. I paint on linen, canvas and wood panels mostly within the satisfying limitations of a square. My paintings often reveal quiet moments that reflect my desire to counter the vicissitudes of the daily news and one's life experiences. I paint because I love the material and to express and uncover my relationship with the subject matter.  
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  • acrylic paint on a natural gourd 11 x 9 x 9"
    As a fine artist: painter and sculptor. I use concepts of abstraction, cubism, and surrealism to explore the elusive qualities of time, energy, and storytelling. My influences come from everywhere, other art forms, such as jazz music, and the directness of child art. My artistic goal is to create seductive surfaces and provocative forms that involve the viewer in an emotional visual adventure, where they discover associations and meaning. I explore unique materials and techniques and invent images and narratives from my imagination .In this work I am responding to the tumultuous times in which we live. The layer of faces, sizes and positioning are a metaphor for relationships.  
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  • acrylic 20 x 16 x 2"
    Fear of the dark and nighttime in the city often feels menacing for me. I wanted to paint a piece that reflects a city that is welcoming and friendly at night, a place we would want to be.  
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  • acrylic on canvas 24 x 20 x .5"
    The light in the Everglades is fabulous. I came across this scene just after a soaking rain but the sun was out and the trees sparkling. Magic!  
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  • oil on canvas 26 x 22 x 2"
    For the last five years I have been painting a series of portraits of the LGBTQ+ community. My main goal when painting their portraits was to achieve a likeness, but also show who the sitters are as individuals. For that purpose I asked them to choose their own clothing and ideas for the background designs. This young man was wearing his red hat when I met him on the subway. He is an actor and singer, having finished 3 years of playing the genie in the Broadway production of Aladdin.  
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  • oil 23.5 x 23.5"
    On any rainy and dreary day, one does not expect to see such joyful splashes of colors. I was drawn to the people going about their business, unaware of the colorful display they were making at this one moment in time.  
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  • sculpture in plaster, oil paint 30 x 20 x 14"
    The model for this sculpture Izzy. Arriving in NYC from the west coast, this past year. She expressed her adventure trying many artistic disciplines. Basically figuring out her journey. This pose of contemplating we have all assumed. It also has a lot of “ Power”.  
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  • oil on oil primed linen 29.75 x 26 x 1"
    Inspired by art history's paintings of artists at their easels, I made this painting of the beginning of the process of awaiting an idea or inspiration for a painting. This part of the process is magical to me and perhaps the most difficult of going from idea to committing to creating a painting of that concept. For me the process begins by turning inward.  
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  • acrylic on canvas 36 x 24 x 1.5"
    I like the ethereal quality of finding images and shapes within and behind other shapes. I find ways to find "safe passage" through the canvas, much as we all manuever through life and find our way. Life is like a puzzle and we all have to find a way to make all the pieces fit. Intuitively I convey feelings in a particular painting depending on my situation at the time..exploring the way shapes intersect in life and the way we someimes hide the obvious behind a mask. However I want the viewer to reach their own conclusions about what the symbolism may represent and decide what I may have been thinking.  
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  • graphite 32 x 24"
    Figurative drawings have the potential to convey deep emotions and tell compelling stories. Whether it's capturing the human form in a raw and emotive way or exploring complex themes through subtle details, As I revisit the portrait genre repeatedly throughout my artistic career, I document the changes and growth within myself—both as an individual and as an artist, and my subject. Each portrait becomes a reflection of a state of mind, an experience, and emotions at a particular moment in time. Whether rendered in graphite, charcoal, or vibrant colors, these portraits can serve as visual diaries chronicling the passage of time and the complexities of the human condition.  
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  • watercolor 10.75 x 8.75"
    This image of harmonious chaos in watercolor, recites a poem reflecting a cosmic seascape of energy waves. In this realm water doesn't overwhelm, but meets adjacent elements with its own cosmic intelligence, creating a dancing spray in consciousness.  
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  • bronze / red rope 16 x 13 x 13"
    This piece Attraction is about spaces defined by the ropes all over. Attraction for one element a window to another window. The polish bronze is reflecting that choice. The black shape is reflected on the polish bronze.  
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  • sculpture 17.25 x 12 x 7.5"
    I sometimes consider human constructed space and the natural world in my art. In our daily routines we often peer out of one space to glimpse the other. Here, I investigate the "nature deficit" caused by our highly managed world and its cure. The natural world encourages us to explore and dream; to re-engage with the essence of life and beauty, bringing about peace. All materials in this artwork come from nature, but nothing is in its naturally found form. The prefabricated metal structure points to industrial constructs, protrudes into the viewer’s space, and surrounds the implied interior space of the paintings which asks the viewer to step inside.  
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  • oil on linen 30 x 30 x 1.5"
    "When I paint, I feel content and, in a sense, complete. It's the process and the immediate nature of my painting that is satisfying. I painted "After Dark' from my memory of the field near home. I'm happy to have my landscape painting in the 135th NAWA exhibition to highlight the contemporary landscape genre. Partly, because, my inspiration comes from nature and my predecessors, Nell Blaine, Rosa Bonheur, Joan Mitchell, women landscape painters overlooked for their contribution. “- Lully Schwartz 2024  
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  • digital, limited edition archival print (2/50) 16 x 18 x 1"
    Geometric forms that represent balance and structure, tempered by modulating rays of light, combine to form a kaleidoscope of infinite possibilities. Inspired by the holistic concepts of space and time in the spiritual worlds of Indigenous and Eastern cultures, where empty space is significant and represents the potential for new ideas and possibilities, this work uses “empty” space and a cyclic array of forms and colors to create an nth dimensional world with spatial and temporal transformations that manifest various perceptual dichotomies.  
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  • mixed media on paper 30 x 23"
    The landscape of Costa Brava, Spain is an essential source for my inspiration.  
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  • wall sculpture 10 x 10 x 3"
    I am always interested in constructions as they are related to organic forms.  
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  • acrylic glaze/gessoed paper 22 x 28"
    The thermal mists of Yellowstone National Park offer a stunning display of colorful hues. As the superheated water rises creating billowing clouds of saturated color that dance and wist in the light above the landscape, a mesmerizing scene unlike anywhere on earth and one that inspired in me a desire to capture some fragment of it.  
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  • acrylic painting with collage 12 x 12 x .5"
    This painting was inspired by hummingbirds who are frequent visitors to my back yard desert landscape. It is a acrylic multi-layered collage abstract, done in light blue-turquoise, red and black, embedded with hand printed papers, monoprints, exotic papers, papers collected from bits of everyday life, and original images. This piece was created using paper excavation, layers of paint and papers were applied and sanded through until the desired effect was achieved.  
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  • acrylic paint, strings, chains on canvas pieces 30 x 30"
    My inspiration for the wall hanging comes from the limitations women have in the workplace and in life. You Should Be... speaks to the expectations society dictates to women that can either impede or advance their opportunities. The partial list is written in the left side of the piece. I have been recently working on wall hangings that give me the freedom to express myself without the restraints of the "normal" picture plane,, ie., square, rectangle, etc.  
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  • oil paint on canvas 30 x 24 x 1.5"
    Who Told You That is a painting about shared histories-the stories that make us who we are and the stories other people tell themselves about us. Using bold colors and sculptural layers, my painting process is a developing tale and conversation between my materials and myself. To me this painting reflects an evolving universe where communication is less concrete. The narrative I’m creating becomes secondary to the narrative a viewer creates for themself. I’m interested in evoking memories and creating a history on my canvas, my own and yours, using rhythmic color, layers, shapes, marks and lines.  
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  • collage & mixed media 24 x 24 x 1.5"
    This piece is inspired by waking up in the California desert on a winter's day. The colors reflect the warmth and power of the mountains and the markings suggest the constant movement and change occurring. The circles, both solid and open suggest the huge variety and surprises this special environment presents.  
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  • acrylic 20 x 20 x 1.5"
    An early morning swim in the infinity pool facing the Caribbean Sea inspired this painting. The umbrellas seemed expectant, watchful, and perhaps somewhat wistful - like sentinels waiting or guarding.  
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  • photo on transparency construction with lace paper and fabric remnants 18 x 15 x 0.5"
    There is something beautiful about the pure movement of tones between black and white in a photograph that can evoke in the viewer an emotive sensation. I deconstruct and reassemble photographic prints with other materials to allow for new imagery to develop, and I am passionate about the subjects that I work with. Subjects range from photographs of noted artists and writers, found album photos, and family portraits. Ambiguity and familial bond make the work all the more intriguing to me. From a single photograph, multiple images can emerge to portray strength, fragility, beauty, demise and love in a single moment.  
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  • mixed media 30 x 30 x 2"
    “It is not easy to be authentic, letting vulnerability highlight a joy for creating. Do you remember when we just played? How our identity was intertwined with the greatest freedom of expression? It is the source of mark, color, layers, dimension, and texture. It is a view of the changing world, through a personal transformative experience.” The inspiration for Land of the Midnight Sun was a summer trip to Alaska. Elaine Soltis is a Mixed Media Artist, with her fine art designed in three studios, the urban Studio 211 Goggle Works, Reading, PA, woodland Nolde Forest region of her PA home, and a welcomed natural beach retreat to family visits along the shores of Lake Erie, NE Ohio.  
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  • oil & acrylic on mixed media collage 22 x 22 x .75"
    Painted on recycled materials, like vegetable's mesh bags or bubble wrap, imitating ocean water to represent the effects of global warming on the world's population. Adrift is a painting on the subject of the fragility of women's rights and the loneliness felt by women in the face of the enormity of the work that must be accomplished to protect their rights.  
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  • acrylic, permanent inks, white tissue paper on canvas 27.5 x 21.5"
    This painting is inspired by remembered tulips whose magic and beauty in their fullness of bloom touched me emotionally. This painting, as with much of my work, evolved over time through my passionate interest in investigating and exploring the tools of painting, including color and textures and also line, shape patterns and layering -in service of expressing the magic and joy of nature's creations. I seek to create paintings which create magic and have an emotional resonance. I want my paintings to invite the viewer to enter, wander around, and also be rewarded for prolonged looking by making continual new discoveries such as finding a color, texture, or shape not immediately noticed.
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  • mixed media on rice paper mounted on wood panel 18 x 24"
     
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  • broken glass, seeds & dried flower over painting on canvas 20 x 22"
     
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  • acrylic, ink, gold leaf, gold pigment powder on linen 30 x 20 x 1.5"
    My art is a profound dialogue between our planet’s crisis and my creative expression.  
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