fiberglass and resin
14.5 x 8.25 x 8.375"
Vibrant Unity is inspired by the relationship that connects 2 souls who share a common path in life. Together they form a whole, It is an allegory to life in which groups of people working for a common goal project beauty, integrity and value each other. In this polarized and divided world we need empathy, kindness, tolerance and moral values to prevail by the purity of these ideals and actions, not yielding to violence, corruption or evil.
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paper, wire mesh, aluminum wire 14 x 12 x 2" Within explores the push and pull into and out of restriction vs freedom. Using wire mesh, aluminum wire, and paper, I created a series of 'almost-but-not-quite-real' gateways and spaces that could be interpreted as constrained enclosures or places of safety and shelter. My choice of the wire mesh presents a dominant texture and pattern, begging the question: is it harsh or soothing? While I try to answer this, I also invite the viewer to wander into the space and solve the mystery for themselves.
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digital archival photography 10 x 20" I am constantly amazed by nature. This reservoir is near my home upstate. There is always a photo opportunity, as things change with every passing hour and weather change.
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oil on canvas 20 x 16 x 2" This painting of a seated girl is derived from a black and white photo that I discovered on a public domain sight. I enjoyed adding color and texture to the figure's dress, the wallpaper and sofa, a using palette knife.
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oil on board 14 x 11 x 2" Through my painting I've become attentive to the splendid drama of my everyday world. I've especially been inspired through my travels. This painting was inspired by a memory of a hot day in Tuscany. We sought shade to shelter against the afternoon sun.
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oil painting on linen 48 x 75 x 2" I am a visual storyteller, a painter of women, the sea, mysterious encounters and uncommon places. In all of my work, women are the dominant elements. My goal is not to idealize them in any way, but to portray each woman’s individuality, her power, her connection to other women and to the world. Birds, especially seabirds, have long been choreographed into my work, sometimes as companions, other times as avatars of change, growth, or escape. There is a dreamlike aspect to my paintings, a surreal confluence of elements that feels very real. In my larger work, my viewpoint is often just outside the picture plane – one more step and you feel as if you can enter the narrative of the painting.
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fused glass and enamels 12 x 10 x 2" My inspiration was to use my live figure drawings and creat them in glass using layered fused glass, powders, and enamels.
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stone sculpture 12 x 4 x 6" My recent work had consisted of abstracts and birds. But I was hankering to create another female form. The alabaster stone presented a deeply erotic natural fissure and fold formation on one side that I was completely drawn to and committed to keeping. Just as quickly, I saw a female form erupting out of the rest of the stone. I was struck by the idea of ‘the wild in us all’ and that this piece would illustrate that notion.
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acrylic, handmade paper, paper, graphite, pastel 16.6 x 20" Drawing from the live figure is an imperative part of my practice. The beauty of the female human figure never waivers. Using a figure drawing, drawn from life, an environment was created in the spirit of Matisse's odalisques. Her gaze is confident, yet sultry; exuding her confidence and power.
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oil 22 x 28" My child self looking at some joys and treasured memories of my life.
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watercolor 23 x 19" Love the power of nature. Wanted to express the energy and the force of the falling water.
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photography 24 x 28.5" Shelburne Falls, MA is famous for it's "Bridge of Flowers". I spent a whole day taking photos up and down the bridge. I couldn't wait to see what photo would impress me the most when I got home. It was the Great White Trillium. A dramatic flower with wide petals and yellow stamen. It is majestic. I felt like Georgia O'Keef painting beautiful petals with streaming yellow centers splashing into one another. That's why I named this piece of artwork, My Cup Runneth Over.
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platinum/palladium photography 11 x 14" In my art work, I capture the simple beauty in the natural environment, providing moments of serenity. I use water and light as beautiful threads that draw the eye in. The quality of light is of paramount importance, defining the textures and forms in nature, and patterns of light and shadow. This image was originally captured with infrared film; the negative was subsequently scanned and transformed into a digital negative. I then contact printed the image using the platinum/palladium printing process to capture a softer, painterly effect, evoking late 19th century idyllic landscapes and lending a poetic quality to the image.
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watercolor, marker, ink, pencil 20 x 16 x 2" The art piece, Facade, represents either being unaware or hiding a situation, condition or ailment for a long time that either threatens to bring down or squelch its host. It insists on normalcy and coping/acting as if all is fine in the face of the biggest life challenges. It could be autism, eating disorders, a congenital ailment, effects of smoking, phobias, IBS and and even acting as you are someone that deep down you don't feel as if it's who you are. The effects are exhausting and dangerous.
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watercolor 24 x 32 x 1" During the Pandemic I sketched objects around the house. Pictured are 2 figurines: an owl and a turtle. I painted many watercolor variations of these two. In the submitted painting I was inspired by the light playing on the objects, and the light coming from the objects themselves. Rotating the image achieved the desired effect!
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oil on Belgian linen 12 x 12" The apprehension of movement on abstract shapes figure predominantly in my paintings. Each individual shape is a particular motion enacted on a still substrate, in this case Belgian Linen. The stop action union of these two opposing elements, movement on stillness and the idea of their simultaneous interaction is my longtime pursuit. I wish to offer a near view of particular shapes, conversing together. I propose these conversations in a sculptural manner adding tensions of heightened light, texture and color. My pursuit concurs with my idea that motion itself as a part of life is a mysterious occurrence.
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oil 30 x 24 x 1.5" The world I encounter daily brings me in touch with the delights of colors and shapes. Rounded forms have, of late, stimulated participation in the circular movements of life – the coming round to something or spinning out of control. I bounce, roll, wobble, and delight in using color to enhance this movement and give the shapes a dynamic, often tactile, visual effect.
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photography/digitally enhanced 20 x 30 x .5"
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oil on canvas 21 x 25"
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acrylic & mixed media on cradled wood panel 13.5 x 13.5"
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oil on wood panel 13.25 x 13.25 x 1.75"
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acrylic paint on a natural gourd 11 x 9 x 9"
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acrylic 20 x 16 x 2"
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acrylic on canvas 24 x 20 x .5"
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oil on canvas 26 x 22 x 2"
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oil 23.5 x 23.5"
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sculpture in plaster, oil paint 30 x 20 x 14"
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oil on oil primed linen 29.75 x 26 x 1"
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acrylic on canvas 36 x 24 x 1.5"
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graphite 32 x 24"
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watercolor 10.75 x 8.75"
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bronze / red rope 16 x 13 x 13"
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sculpture 17.25 x 12 x 7.5"
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oil on linen 30 x 30 x 1.5"
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digital, limited edition archival print (2/50) 16 x 18 x 1"
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mixed media on paper 30 x 23"
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wall sculpture 10 x 10 x 3"
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acrylic glaze/gessoed paper 22 x 28"
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acrylic painting with collage 12 x 12 x .5"
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acrylic paint, strings, chains on canvas pieces 30 x 30"
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oil paint on canvas 30 x 24 x 1.5"
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collage & mixed media 24 x 24 x 1.5"
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acrylic 20 x 20 x 1.5"
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photo on transparency construction with lace paper and fabric remnants 18 x 15 x 0.5"
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mixed media 30 x 30 x 2"
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oil & acrylic on mixed media collage 22 x 22 x .75"
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acrylic, permanent inks, white tissue paper on canvas 27.5 x 21.5"
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mixed media on rice paper mounted on wood panel 18 x 24"
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broken glass, seeds & dried flower over painting on canvas 20 x 22"
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acrylic, ink, gold leaf, gold pigment powder on linen 30 x 20 x 1.5"